carver

Cybernetic culture research unit e-mail abstract culture syzygy archive id(entity) links occultures What Didn't Happen at the Millennium? Iris Carver is at first amused to discover that the cybergoths treat her as a fiction. Numerous Crypt-texts describe her near-future adventures in hallucinatory detail, especially when they intersect with the dark stream of Sarkon legend. Naturally enough, she intensifies her time-cult research. When she finally meets Sarkon in 2004, she has forgotten almost everything. Pandemonium: What didn't Happen at the Millennium. There was something peculiar about writing this book. At times she thought it would never be finished. The Sarkon stories had been full of holes, which added to the confusion. Eventually she started making things up, but even that became entangled with coincidence, and with Cybergoth hyperstition (assembled from fictional quantities which make themselves real). She had found herself investigating various neolemurian cults, most of whom anticipated something huge around about the 1999 Spring-Equinox (when Pluto exits from the clutch of Neptune, triggering the return of the Old Ones). By the end of the century things had been so wound-up by Yettuk apocalypticism that even the most extravagant socioeconomic turmoil would still have been a disappointment. And yet, now, four years after the millennium the sense of anticlimax had begun to seem strangely artificial, as if it were screening something out. Carver has made her whole life out of hyperstition (even her name is a pseudonym). She continuously returns to the imperceptible crossing where fiction becomes timetravel, and the only patterns are coincidences. Her notes on the Sarkon meeting pulse with lemurian sorceries, demonic swarms, ageless time-wars, and searches for the Limbic-Key. She navigates Moebian circuits, feeling that a vaguely recollected rumour is still about to occur. Appendix: Penultimillennial Crypt-Cults. Characteristics: 1. Flatline Materialism. The Crypt is nothing outside an experiment in artificial death, hyper-production of the positive zero-plane - neuroelectonic immanence - invested by a continually re-animated thanatechnical connectivism. This fact carries inevitable consequences for the cultures that populate it, uprooting them into Unlife - or the non-zone of absolute betweenness whose spirodynamics of sorcerous involvement are alone sufficient to reach the submesh tracts of cybergothic continuum. Flatline Materialism designates the objectless Crypt-voyage itself, as Lemurian body-fusion at matter degree-zero.

2. Digital Hyperstition. Nothing propagates itself through the Crypt without realizing the operational identity of culture and machinery, effectively dismantling the organic body into numerizing particles which swarm in dislocated swirls. Crypt-entities are both hyper-vortical singularities and units of Digital Hyperstition - or brands of the outside - real components of numerical fictions that make themselves real, providing the practical matter of sorcery , spirogenesis, or productive involvement that function consistently with the flatline. Crypt-cultures know nothing of work or meaning. Instead, they coincide with the hypespirals - Cyberhype - that flattens signs and resources onto non-signifying triggers, diagrams, and assembly jargons. 3. Lesbovampiric Contagion-Libido. Crypt-sorcery makes itself real in the same way that it spreads. Functioning as a plague, it associates with the experimental production of an anticlimactic or anorgasmic countersexuality, attuned to the collective re-engineering of bodies within technobiotic assemblages, ultimately composed of electronic streams or ionic currents in their sense of positive hole-flow. Since Crypt-sex is precisely identical to the infections it transmits, counted in body-shifting vectors, its libidinal composition is marked both by a palaeoembryonic or oestrogenetic non-gendered femininity and a lateral haemometallic influenzoid virulence. 4. Y2K-Positive Calendric Agitation. Crypt-cultures spill into the closed economy of history through a rupture in chronological ordering, punctually triggered at Time-Zero. Crypt-rumour consistently allocates its own contemporary emergence - or unearthing - to impending millennial Cyberschiz: Cyberspace time-disintegration under the strategically aggravated impact of Y2K-missile. Whilst multiply differentiated - most crucially by the division between continuism and centience - Crypt-cults are constitutively involved in a singular nexus of countergregorian calendric subversion, celebrating the automatic redating of the machinic unconscious, and hyping the dissolution of commemorative significance into digital timemutation, catalyzed by numerical and indexical operative signals. The Crypt exists from before the origin of time, but it begins at Year-Zero ...