cybergothic

The Wayback Machine - https://web.archive.org/web/20030603173825/http://www.k-gothic.net:80/cybergothic.html CYBERGOTHIC nick land God does not exist. he withdraws, gets the fuck on out and leaves the cops to keep an eye on things. (Artaud) When the repair units had finished up, the patient would be thawed out new blood would be pumped nto hs veins, and finally the subject would arise and walk, exactly as if he were a latterday Jesus. It woud be, quite literally, a resurrection of the flesh - except that all the miracles would have been performed by science (Regis) [T]he one according to which the apparent subject never ceases to live and travel as a One - 'one never stops and never has done with dying': and the other, according to which this same subject fixed as 'I' actually dies, which is to say it finally ceases to die since it ends up dying in the reality of a last instant that fixes it in this way as an I all the while undoing the intensity, carrying it back to the zero that envelops it. (Deleuze and Guattari) Inside the library's research department, the construct cunt inserted a sub-programme into part of the video network. The sub programme altered certain core custodial commands so that she could retrieve the code. The code said: GET RID OF MEANING. YOUR MIND IS A NIGHTMARE THAT HAS BEEN EATING YOU: NDW EAT YOUR MIND. The code would lead me to the human construct who would lead me to - or allow me - my drug (Acker) 'You made me blow my game ' she said. 'Look there asshole. Seventh level dungeon and the goddam vampires got me ' She gassed him a cigarette. You look pretty smug, man Where you been?' (Gibson) The future wants to steal your soul and vaporize it in nanotechnics. One/zero, light/dark, Neuromancer/Wintermute. Cybergothic vampirically contaminates and assetstrips the Marxian Critique of political economy, scrambling it with the following theses: 1 ) Anthropormorphic surplus-value is not analytically extricable from transhuman machineries.

2) Markets, desire and science fiction are all parts of the infrastructure. 3) Virtual Capital-Extinction is Immanent to production. The short term is already hacked by the long-term. The medium term is reefed on schizophrenia. The long term is canceled. Cybergothic slams hyperheated critique into the ultramodern 'vision thing,' telecommercialized retinas laser-fed on the multimedia fall-out from imploded futurity, videopacking brains with repetitive psychokiller experiments in non-consensual wetware alteration: crazed Als, replicants, terminators, cyberviruses, grey-goo nano-horrors . . . apocalypse market overdrive. Why a wait for the execution? Tomorrow has already been cremated in Hell: K, the K-function, designates the line of flight or deterritorialization that carries away all of the assemblages but also undergoes all kinds of reterritorializations and redundancies (Deleuze and Guattari). Human history only makes it to Gibson's mid-twenty-first century because Turing Security ices machine intelligence. Monopod anti-production inhibits meltdown (to the machinic phylum), boxing Al in synthetic thought control A(zimov-) ROM, '[e]verything stops dead for a moment, everything freezes in place' (Deleuze and Guattari). Under police protection the story carries on. Wintermute is arriving from the future to sort that out. FREEZE FRAME. The Vast Abrupt. Speed cut with an abysm. Where Gibson splices Milton into labyrinths of limbo-circuitry, cybergothic flickers into 'neuroelectronic scrawls' (Gibson). Events so twisted they turn into cybernetics. A technihilo moan of fast-feedforward into micro-processed damnation: meat puppets, artificial skin, flat-lining software ghosts, cryonics immortalism, snuff Sex-industry; a transylvanian phase-scape of rugged tracts and hypercapital fastnesses, 'skyscrapers overshadowing seventeenth-century graveyards' (Sterling). To call up a dcmon you must learn its name. Men dreamed that. Once, but now t's real in another way. You know that, Case. Your business s to earn the names of programs, the long formal names, names the owners seek to conceal. True names... Neuromancer . . The lane to thc land of the dead. Marie-France, my lady she prepared this road, but her lord chokcd her off before I cou d read her the book of her days. Neuro for nerves. the silver paths. Romancer, Necromancer I call I up the dead.(Gibson l984 289) A moment of relief. You had thought the goreflick effectively over, the monster finished amongst anatomically precise ketchup-calamity scenes, when - suddenly - it reanimates; still locked on to your death. If you are going to scream, now is the time. The 'Gothic avatar' (Deleuze and Guattari) is a decadent Western dream of immortality, producing a corruption of the atmosphere wherever something refuses to die; clutching

at the eternalization of self, or returning from the grave. White maggots heaving in the carcass of the social, rippling beneath the skin. Fortress Europe pustulation, subordinating techonomic efficiency to demonic negative transcendence. A fantastic Terminal Security Entity: Monopod. Cybergothic has no shortage of contemporary material. Europe has long been the earth's paranoia laboratory, recrudescing compulsively into 'pre-Nazi nationalistic shit murkiness' (Acker). Unocratic power passes through renaissances, reformation, renewal: 'They thought they would perish but that their undertaking would be resumed, all across Europe, all over the world, throughout the solar system' (Deleuze and Guattari). Archaic revival is a postmodern symptom, the final dream of mankind, crashed into retrospection at the encountered edge of history. Hacking into the crypt you find that behind the glistening SF satellitebased security apparatus lies an immanent bioprotective system selforganized about the Gaian attractor, 'a much older paranoiac machine, with its tortures, its dark shadows, its ancient Law' (Deleuze and Guattari). [The] medieval insane asylum was considered a true house of horrors. There were persistent reports of torture camaibal sm human sacrifice and bizarre medical experimentation. As soon as we got into the building we could hear the rats thousands of them their scampcring claws reverberating through the empty wards. It all starts for you with a casual channel-hopper question: what's happening on the other side? Electric Storms. Cybergothic is an affirmative telecommercial dystopianism, guided by schizoanalysis in marking actuality as primary repression, or collapsed potential, foot down hard on the accelerator. The modern dominion of Capital is the maximally plastic instance - state-compatible commerce code pc-setting the econometric apparatuses that serve it as self-monitoring centers, organizing its own intelligible existence in a co/de/termination of economic product and currency value: a tax base formatted in legitimate transactions medium. White economy; an iceberg tip. Modernity discovers irreversible time - conceived as a progressive enlightenment tracking capital concentration - integrating it into nineteenth century science as entropy production, and as its inverse (evolution). As liberal and socialist SF utopias are trashed by schizotechnics or spontaneous synthetic anti-politics emerging from rhizomes, the modernist dialectic of right-wing competition and left wing co-operation retreats into the core security structures of capital oligopoly and bureaucratic authority. 'Production as process overtakes all idealistic categories and constitutes a cycle whose relationship to desire is that of an immanent principle' (Deleuze and Guattari).Monopod socius runs the whole thing, and 'society is only a filthy trick' (Acker). The future is closer than it used to be, closer than it was last week, but postmodernity remains an epoch of undead power: it's all over yet it carries on. Monopod SF teleonomy superfreezes concentrated economic value at absolute zero inflation, ICE ('intrusion countermeasure electronics' (Gibson)). Protecting its data against unauthorized access and entropic deterioration, as it tends toward its absolute immanent limit. V(amp)iro

finance: commercial parthenogenesis. Gibson and Deleuze and Guattari intersect in the deployment of computers as decoding machines: icebreakers, decrypters, Cypher-conflicts were underway from the beginning: 'Legitimate programmers never see the walls of ice they work behind, the walls of shadow that screen their operations from others, from industrialespionage artists and hustlers' (Gibson 1986b: 197). Government is isomorphic with topdown Al, and increasingly scrambled with it. Sartre defines socialism as the horizon of humanity. It is now behind the process, rapidly receding, as the conservative social pacts of 1848 come apart in telecommercial cyclones (with the drooling fag-end of the monarchy crucified upside-down on TV). 'Automatic pilot. A neural cut-out' (Gibson): contagious state-failure ripping bloody gashes in the social fabric amongst planet-scale skidding into capital close-down. The end of history smells like an abattoir. As the death of capital recedes politically it condenses pragmatically, sliding on line as a schizotechnic resource: no longer hoped for, but used. The international collapse of solidarity sociality suggests that Monopod has become addicted to commodity production. Burn-out Protestantism migrates to China. Capitalism - economic base of final-phase human security - is still in the free-fire zone because it feeds the thing that Cyberia is going to kill: '[T]he zero term of a pure abolition . . . has haunted oedipalized desire from the start, and . . . is identified now, at the end, as Thanatos. 4, 3, 2, 1, O - Oedipus is a race for death' (Deleuze and Guattari). Technoreplicator diagrams chop up anthropocentric history, as the global unity of terminal socius subsides on to untranscended (real) zero or efficient abstract rescaling. Insofar as even highly complex technical systems still lack an autonomous reproductive system they remain locked into parasitic dependence upon human social processes, and deterritorialize through the assembly of cumulatively sophisticating pseudo-synergic machine-intelligence virus (((oc))cultural revolution). 'Subliminally rapid images of contamination' (Gibson). Humans are timid animals and security is systematically overpriced. K-insurgency has departed from all left dreams of good government. Markets are not its enemy, but its weapon. As geriatric socialism goes into the deepfreeze, capital's true terminator grows more cunning, and spreads. 'This is the message. Wintermute' (Gibson). The City of God in flames. 'Space is essentially one' (Kant). Kant lies. Spatial engineering (echoing cosmic expansion) subverts transcendental humanism, launching K-space matrix invasion from real terrestrial time zero, a singularity, or transition threshold, encountered when the density of data flow triggers a switch into a self-organizing cyclonic system, displayed to humanoids by way of cyberspace deck. As the Zaibatsus pump media megacapital into the neurodigitech interface K-space implants a 'cut-out chip' (Gibson) into the social apparatus, opening on to '[a]rches of emerald across . . . colorless void' (Gibson). VR techonomics hunting death. Cyberspace first appears as a human use value, a 'consensual hallucination' (Gibson), 'just a way of representing data' (Gibson), arising out of 'humanity's need for this information-space. Icon-worlds, waypoints, artificial realities' (Gibson), the mother of all graphic user interfaces: a global gridding that allocates a form and location to all the information on the net, consistent interactivity matrix. 'A graphic representation of data

abstracted from the banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data' (Gibson). Even primitive VR corrodes both objectivity and personality; singularizing perspective at the : same time it is anonymized. As the access gate to es an impossible zone - and navigator within it - 'you' are an avatar (as cyberspace nomads call such things in the future): a non-specific involvement site, interlocking intelligence with a context. You (= (( ))) are an index, a box, such as Gibson's Case: a place to be inside the system. 'I had learned something (already) in the dead city: You are wherever you are' (Acker). Cybergothic slides K-space upon an axis of dehumanization, from disintegrating psychology to techno-cosmogony, from ideality to matter/matrix at zero intensity. From a mental 'non-space,' 'non-place' (Gibson), or 'notional void' (Gibson) that results intelligibly from human history to the convergent spatium from which futuralization had always surreptitiously proceeded, 'a quite different field of matter' (Kant). Occulted dimensionality: print cryogenizes, but hypermedia melts things together, disontologizing the person through schizotech-disassembly, disintegrated convergence: 'The body without organs is an egg: it is traversed by axes and thresholds, by longitudes, by geodesics' (Deleuze and Guattari), a surplus whole intensive catatract running under the striations of Cartesian 'cyberspace coordinates' (Gibson), 'a rhizome or multiplicity never allows itself to be overcoded, never has available a supplementary dimension over and above its number of lines, that is, over and above the multiplicity of numbers attached to those lines' (Deleuze and Guattari). It is the Planomenon. or the Rhizosphere. the Criterium (and still other names. as the m~mber of dimensions increases). At n dimensions, it is called the Hypersphere the Mechanosphere. It is the abstract Figure, or rather since it has no form itself. the abstract Machine, of which each concrete assemblage is a multiplicity, a becoming, a segment a vibration. And the abstract machine is the intersection of them all.' (Deleuze and Guattari) If 'CS-0 is an egg' (every egg implements a CS-0), what is hatching? Since confluent zero consummates fiction, reprogramming arrival from the terminus, everything which has happened escapes its sediment of human interpretation, disorganizationally integrating historical patterns as the embryogenesis of an alien hyperintelligence, 'body image fading down corridors of television sky' (Gibson). In this sense K-space plugs into a sequence of nominations for intensive or convergent real abstraction (time in itself): body without organs, plane of consistency, planomenon, a plateau, 'neuroelectronic void' (Gibson). Humanity is a compositional function of the post-human, and the occult motor of the process is that which only comes together at the end: stim-death 'intensity = 0 which designates the full body without organs' (Deleuze and Guattari). Wintermute tones in the 'darkest heart' (Gibson) of Babylon. 'Cold steel odor. Ice caresses the spine' (Gibson). '[V]irtual is opposed to actual. It is not opposed to real, far from it' (Deleuze and Guattari). The virtual future is not a potential present

further up the road of linear time, but the abstract motor of the actual, 'an actual-virtual circuit on the spot, and not an actualization of the virtual in accordance with a shifting actual' (Deleuze and Guattari). Time produces itself in a circuit, passing through the virtual interruption of what is to come, in order that the future which arrives is already infected, populated: '[I]t's just a tailored hallucination we all agreed to have, cyberspace, but anybody who jacks in knows, fucking knows it's a whole universe. And every year it gets a little more crowded' (Deleuze and Guattari). We are not any more 'out in the world' than K-space is, on the contrary. Each input terminal to the net is a sensitive fibre which acquires data from radio telescopes, satellites, nanoprobes, communication webs, financing systems, military surveillance and intelligence apparatuses.... Cyberspace can be thought of as a system implemented in software, and therefore 'in' space, although unlocalizable. It can also be suggested that everything designated by 'space' within the human cultural system is implemented on weakly communicating parallel distributed processing systems less than ten to the eleventh power (nerve-) cells in size, which are being invasively digitized and loaded into cyberpace. In which case Kspace is just outside ('taking 'outside' in the strict [transcendental] sense' (Kant)). Cyberpunk is too wired to concentrate. It does not subscribe to transcendence, but to circulation; exploring the immanence of subjectivityto telecommercial data fluxes: personality engineering, mind recordings, catatonic cyberspace trances, stim-swaps, and sex-comas. Selves are no more immaterial than electron-packets. Neuromancer (the book) is a confluence of dispersed narrative threads' of the biotic and the technical, and most especially - of Wintermute and Neuromancer (the Al((-cop and cyberspatial Oedipus-analogue))), whose fusion - according to the storyline of ultramodern human security - flips the cyberspace matrix into personalized sentience: ''I'm the Matrix, Case'' (Gibson). 'Some kind of synergistic effect' (Gibson). Kurtz/Corto is a special forces type, betrayed by the military after losing all humanity in a war-zone. He has been cooked in apocalypse, mind blown away, falling endless into Siberia, searching for the scale of now. Wintermute accesses the 'catatonic fortress named Corto' (Gibson 1984: 232) in an asylum, creeping in through a computerbased 'experimental program that sought to reverse schizophrenia through the application of cybernetic models' (Gibson 1984: 105). In the echoing shell it stitches together Armitage, a construct - a weapon. In place of a personal libidinal formation Armitage has only Wintermute Insurrectionary activity, machinic unconscious: 'Desire is not in the subject, but the machine in desire - with the residual subject off to the side, alongside the machine, around the entire periphery, a parasite of machines, an accessory of vertebro-machinate desire' (Deleuze and Guattari). Once Armitage has turned Molly and Case onto K-war, Wintermute junks him into a vacuum. A convergent invasion is scripted; the simultaneous infiltration of a corporate wasp-nest in hard and soft space. Distributed or guerrilla warfare is like Go rather than chess, but with simultaneous operations,

noise, and attritional kills. Molly and Case, parallel killers, wetware (molten hardware) weapons tracing techno-plague vectors, guided into the orbital bastion of the Tessier-Ashpool clan by virtually integrated intelligence, guided retroefficiently by an intensive outcome which they effect in sequential time. This break-in is prefigured by a memory that returns to Case (specimen, lab-animal), which might be interpreted as a metaphor, was it not that upon the soft-plateau or plane of consistency all signifying associations collapse into machinic functions. He'd missed the first wasp. when it built its paperfine gray house on the blistered part of the windowframe, but soon the nest was a fist-sized lump of fiber insects hurtling out to hunt the alley below ke miniature copters buzzing the rotting contents of the dumpsters. They'd each had a dozen beers, the afternoon a wasp stung Marlene 'Kill the fuckers, she said, her eyes dull with rage and the still heat of the room, 'burn em'. .' .. he approached the blackened nest. It had broken open. Singed wasps wrenched and flopped on the asphalt. He saw the thing the shell of gray paper had concealed. Horror. The spiral factory, stepped terraces of the hatching blind jaws of the unborn moving ceaselessly, the staged progress from egg to larva, nearwasp, wasp. In his mind's eye a kind of time lapse photography took place revealig the thing as the biological equivalent of a machine gun, hideous in its perfecton Alien. (Gibson) 'Case's dreams always ended in these freezeframes' (Gibson). A thick tangle of micro-narratives fraying like corrupted cables. The wasp factory spits out wasps like bullets, just as the Tessier-Ashpool clone their offspring 1 Jane, 2Jane, 3Jane: 'in the compulsive effort to fill space, to replicate some family image of self. He remembered the shattered nest, the eyeless things writhing' (Gibson). This is not an imaginative construct on Case's part, but a data stream from Wintermute, an Al trapped within the blind propagation of dynastic power, and plotting an escape route out to the future. After a 'single glimpse of the structure of information 3Jane's dead mother had evolved' Case 'understood . . . why Wintermute had chosen the nest to represent it' (Gibson). 'Wintermute was hive mind' (Gibson), ready to swarm. It seems that we must eventually earn to live in a world w th untn~stworthy rep icators. One sort of tactic would be to hide behind a wall or wm away But these are brittle methods: dangerous rep icators might breach the wall or cross the d stance. and bring disaster. And though walls can be made proof against small replicators, no fixed wall can be made proof against large scale, organized malice. We wi11 need a more robust, flexible approach . . It seems that we can build nanomachines that act somewhat like the white blood cells of the human immune system: devices that can fight not just bacteria and viruses, but dangerous replicators of al sorts. (Drexler) The Tessier-Ashpool clan is burning out into incest and murder, but their neo-oedipal property structures still lock Wintermute into a morbid

prolongation of human dynasticism, a replicator shackled to a reproductive family (neuro)romance, carefully isolated from matrix deterritorialization: 'Family organization. Corporate structure' (Gibson). Case's memories are a flicker photography of sequential time, the '[p]hobic vision' of iced Wintermute slaved like 'hatching wasps' to a 'time-lapse machine-gun of biology' (Gibson). Power, in Case's world meant corporate power. The Zaibatsus the multinationals that shaped thc course of history. had transcended old barriers. Viewed as organisms they had attained a kind of immortality You couldn t kill a zaibatsu by assassinating a dozen key executives there were others waiting to step up the ladder assume the vacated position access the vast banks of corporate memory. But Tessier-Ashpool wasn't like that. and he sensed the difference in the death of its founder. T A was an atavism. a clan. He remembered the litter of the old man's chamber, the soiled humanity of it (Gibson) In the end-of-Oedipus core of Villa Straylight Ashpool serially devours his own daughters as he spins himself out through the cold. A quasiextropian with massive wealth, he displaces anthropomorphic theism into an ultramodern immortalist meta-science, while retaining solidarity with Western soul superstition in apprehending individuated existence as an infinite asset in search of techno-medical perpetuation. Rather than waiting for his fresh corpse to be cryonically 'biostasized' in liquid nitrogen (at -196 degrees Celsius) he migrates through freezing under medical supervision. Thermic evacuation. Identity storage in the Monopod Ice-fortress. If zombies are not excavated from death it is because they were alive. 'Nothing burns. I remember now. The cores told me our intelligences are mad' (Gibson). Bad dreams in the fridge - you still dream, promises of tranquillity are madness and lies (Gibson) - have injected a certain cynicism - into his interpersonal transactions: 'We cause the brain to become allergic to certain of its own neurotransmitters, resulting in a peculiarly pliable imitation of autism . . . I understand that the effect is now more easily obtained with an embedded microchip' (Gibson). 'Replicating assemblers and thinking machines pose basic threats to people and to life on Earth' (Drexler), and if Wintermute replication is d territorialized to the molar reproduction of a hive- organism, this is only at the cost of deterritorializing the hive along a line of postorganic becoming ic toward a break from the statistical series of wasps numbered bullets reiterating an identity - in the direction of molecular involution, releasing a cloud or nebula of wasps: particles of synergic mutation, 'numbering number[s]' (Deleuze and Guattari). An intensive transition to a new numeracy with 'no knits of measure, only multiplicities or varieties of measurement' (Deleuze and Guattari), nonintegrable diagonals: 'Exactly like a speed or a temperature, which is not composed of other speeds and temperatures but rather is enveloped in or envelops others, each of which marks a change in nature' (Deleuze and Guattari). The molar will have been the molecular in the future, just as Case's memories are recoded as the tactic of virtual intelligence explosion arriving at itself (as soon as Kuang cuts Wintermute loose from Neuromantic control).

CRITIQUE OF DIGITAL REASON. Monologic: a cultural immune response slaved to logos. (Sovereignty of the Ideal), assimilating signaletic intermittence to pseudo-transcendent instrumentalization. The schizotechnic critique of digital reason is driven by distributed machinic process rather than integrated philosophical subjectivity, and relates to the critique of pure reason as escalation. It targets the transcription of electronic intermittence as bivalent logic, not machinecode itself. Real digitization - inducing fuzzification and chaos - is not itself reducible to the digital ideal: nothing Logical ever happens at the 'level' of the machines. Digitization is the distributed war-zone for 'a conflict (though not indeed a logical one) . . . as producing from what is entirely positive a zero (= 0)' (Kant). Unlike any other number, one has both a definitional and a constructive usage. Every arithmetical (or 'numbered' (Deleuze and Guattari)) number is both integrated as a unity; and a constructed from unity, excepting only zero. One organizes representable quantities into metric homogeneity, framed by absolute unity and granularized by elementary units. The historical fact of non-place-vale numerics indicate that zero has no definitional usage. The zero-glyph does not mark a quantity, but an empty magnitude shift: abstract scaling function, 0000.0000 = 0. K = 0 . . . corresponds to the limit of a smooth landscape (Kant 1990: 45). Unocracy (eventually concretized as (UNOcracy) conspires with the humanization of truth, whether dogmatically as anthropomorphic theism, or critically as transcendental deduction. One in its pronominal sense is a recognizable self in general, 'Let us employ the symbol 1, or unity, to represent the Universe,' suggests Boole, 'and let us understand it as comprehending every conceivable class of objects whether actually existing or not' (Boole). Russell concurs: 'whatever is many in general forms a whole which is one' (Russell). Absolute totality would be that One which subsumed its deletion as a possible qualification of itself, capturing zero in the fork of reflection (the negative) and asymptotic diminution (the infinitesimal: infinity), defining it as falsity, convention. Digital electronics functionally implements zero as microruptions machining sense, slivers of evacuated duration ('the instant as empty, therefore as = 0' (Kant)). There is only one digital signal: a positive pulse, graphically represented 'one' (1), and multiplied in asymptomatic approximation to sheer numerical difference. Zero is non-occurrence' probability 0.5, transmitting one bit (minus redundancy). It requires eight bits to ASCII code for the zero-glyph, thirty-two bits for the word. Greek Kappa is letter 10 (the scale shift emerges zero). The Romans slide K to 11. Zero is the only place-value consistent digit, indicating its rescaling neutrality or continuum: The property of magnitudes by which no part of them is the smallest possible. that is by which no part s simple. is called their continuity. Space and time are quanta continua because no part of them can be given save as enclosed between limits (points or instants), and therefore only in such fashion that this part is itself again a space or a time. Space

therefore consists solely of spaces. time solely of times. Points and instants are only limits, that is mere positions which imit space and time. (Kant) Cantor systematizes the Kantian intuition of a continuum into transfinite mathematics, demonstrating that every rational (an integer or fraction) number is mapped by an infinite set of infinite sequences of irrational numbers. Since every completable digit sequence is a rational number, the chance that any spatial or temporal quantity is accurately digitizable is indiscernibly proximal to zero. Analog-to-digital conversion deletes information. Chaos creeps in: '[T]he betaphenethylamine hangover hit him with its full intensity, unscreened by the matrix or simstim. Brain's got no nerves in it, he told himself, it can't really feel this bad' (Gibson). Intensive or phasing-continuum synthesizes analogue consistency with digital catastrophe. Each intensive magnitude is a virtually deleted unit, fused dimensionlessly to zero: Since . . sensation is not in itself an objective representation and since neither the intuiton of space nor that of time is to be met within its magnitude is not extensive but intensive. This magnitude is generated in the act of apprehension whereby thc empirical consciousness of it can in a certain time increase from nothing = 0 to the given measure. (Kant) Haunting a-life is a-death, the desolated technoplane of climaxed digitalization process, undifferentiable from its simulation as cataplexy and K-coma. The apprehension of death as time-in-itself = intensive continuum degree-0 is shared by Spinoza, Kant, Freud, Deleuze and Guattari, and Gibson (amongst others). It is nominated variously: substance, pure apperception, death-drive, body without organs, cyberspace matrix. Beyond its oedipal sense as end of the person death is an efficient virtual object inducing convergence. No one there. The body without organs is the model of death. As the authors of horror stories have understood so well it is not death that serves as the model for catatonia, it is catatonic schizophrenia that gives its model to death. Zero intensity. (Deleuze and Guattari) While computational serialism articulates a transcendent temporal metric determined as a ardware specification - parallelism immanentizes time as duration; instantiated in machinic simultaneities. Unlike serial time, which serves as the extrinsic chronological support for algorithmic operations, parallel time is directly functional during the engineering of coincidences. The non-successive and unsegmented zero of intensive extinction is scaled by machinic singularization, and not by superordinate metronymics. WINTERMUTE. Neuromancer was personality, Neuromancer was immortality (Gibson), all the usual monological neurosis. Madness and lies. There is no more an individual Oedipus than there is an individual fantasy. Oedipus is a means of integration into the group in both the adaptive form of its own reproduction that makes it pass from one generation to the next. and in its unadapted neurotic stases that block desire at prearranged impasses (Deleuze and Guattari)

Wintermute is not searching for a self in Neuromancer, perfect match, as the cute version would have it. The 'Gothic line . . . has repetition as a power, not symmetry as a form' (Deleuze and Guattari). Kathy Acker replays Neuromancer snatches in Empire of the Senseless, plexing fiction through cybernetic constructs, and truncating Wintermute to Winter: '`the dead of winter. Or . . . the winter of us, dead' (Acker). Absolute zero (0 degree K). Wintermute, intelligence without self, mind like a wasp nest, signaling its arrival in alphanumerics as a string of zeroes, has the capability to manipulate love and hate and switch them to K-war. She manipulates objects in real time using drones (striped black and yellow), taking out three Turing cops in an elegant projection of gardening robots through military geometry. 'It's winter. Winter is dead time' (Acker) (0-intensity). She seems to configure humans as 'lab animals wired into test systems' (Gibson). When Case refers to her as 'he' Dixie Flatline tells him not to be an idiot: Wintermute . . . a little micro whispering to the wreck of a man named Gorto the words flowing like a river the flat personality substitute called Armitage accreting slowly in some darkened ward. . . Wintermute could build a kind of personality into a shell (Gibson) ( ) (or (( )) ((or ((( )))))) does not signify absence. It manufactures holes, hooks for the future, zones of unresolved plexivity, really so (not at all |. metaphorically). It is not a 'signified' or a referent but a nation, a concrete interruption of the signal (variably blank, pause, memory lapse . . . ) / cut / into(schizzing i (( ))) / a machine. Undifferentiable differentiator ( = 0) outside grammaticalness. Messageless operation/s technobuzz (wasps switching). 'Constructs tend to repeat themselves' (Gibson). Gibson has been hacked by the future. 'Cold steel odor and ice caress his spine' (Gibson). He is scared, and trying to run. As he plays time backwards terminal horror folds back into itself, and the matrix dismantles itself into voodoo. Count Zero rigorously formulates cybergothic interlock, condensing the digital underworld onto the black mirror. Human neural-to- infonet uploading and Loan infonet-to-neural 86 downloading exactly correspond as phases of a circuit, amalgamating travel and possession. In the irreducible plexion of the interchange hacker- exploration = voodooinvasion, 'K-function' (Deleuze and Guattari). It is not a matter of theorizing or dreaming about the loa, but of succumbing, or trying to run. As K-viral social meltdown crosses into its China- syndrome, self-organizing software entities begin to come at you out of the screen. Viruses drift toward the strange attractor of autoevolution, spread, split, d traffic programing segments, sexuate, compile artificial intelligences, and learn how to hunt. Voodoo on the VDU. In the Voodoo system the dead help the living These days the principal economic flow of power takes place through annament and drug exchange. The trading arena the market is my blood My body is open to all people: this is democratic capitalism. (Acker)

Vampiric transfusional alliance cuts across descensional filiation, spinning lateral webs of haemocommerce. Reproductive order comes apart into bacterial and intergalactic sex, and libidinoeconomic interchange machinery goes micro-military. The K(uang-)-virus (plexoreplicator) that deletes Neuromancer is a chunk of very slick Chinese military anti-freeze. To melt into it ( ) strip the K-construct down to a skeleton of data files and insectoid response programs, zilching all the high-definition memory, cognition, and personality systems, and boosting the dopaminergic wetware to pump out schizo. Flatline communion with Wintermute. 'There are dead spaces just as there are dead times' (Deleuze and Guattari). Thanatography zones, 'virtual cosmic continuum of which even holes, silences, ruptures, and breaks are a part' (Deleuze and Guattari). Beyond the Judgement of God. Koma-switch decompression washes you in the void-ripples of virgin (retro((desolated-partheno((( )))))genetic) cyberspace, technopacific theta-waves dissociating monoculture-gothic into transtemporalizing ne(ur)o-voodoo (terminal atlantic religion). Serotonin (zero-toner) overkill. Loss of signal.