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Cyberpositive
Nick Land. 2012.
When 0D told us that they had decided to let Cyberpositive in, we nodded and laughed like innocent fools. Some of us even tried to
help them.
Over the months that followed, it gathered beyond the screens, retooling 0D to its senseless purpose. They were gone, utterly, but
perhaps not irreparably. In any case, we spoke to them almost as before, although now it was scanning us.
Even out on the periphery, some distance from the impact crater, the process took us. It announced itself as a mounting pressure
behind the eyeballs, a ceaseless, wavering hum, patterns of disturbed light, and thoughts that were moved out of place, gently but
continuously, towards compliance with the arrival.
Perhaps most obviously, it upset the snakes. One retreated, unreachably, into itself, or elsewhere. The other went furiously insane,
coiling psychologically into its kill reflex, and experimenting with telepathy. Of course, they were much too close to it, in numerous
ways. Somehow, they must have known that living organisms shouldn’t play with the shapes from outside, but we had settled upon
other lessons.
It did not eat the snakes, exactly, but it partially digested them. At least, that was the way it seemed, inverted and simplified, from our
side of the line. Camouflaged scales, venom sacs, and spinal articulation, had been taken up, then returned, meticulously reassembled by still-occulted soft technologies. It seemed almost to have come from this world, as if long-hidden, tightly-coiled,
inconceivably patient, secretly feeding on whatever could be found – but not quite. It was joined up inside in ways that do not, and
have never, belonged here. Yet we did not shudder, even then.
We were unable to recall any distinction between horrors, ecstasies, and abysmal silences, and it was the most perfect thing we had
ever seen. In this strange compressed epoch, gashed open onto alien immensities, it delivered an uncompromised reality signal,
unlike any ever registered before.