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NIETZSCHE’S BEYOND GOOD AND EVIL
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NIETZSCHE’S BEYOND
GOOD AND EVIL
A Reader’s Guide
CHRISTA DAVIS ACAMPORA
AND
KEITH ANSELL PEARSON
Continuum International Publishing Group
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© Christa Davis Acampora and Keith Ansell Pearson, 2011
All rights reserved. No part of this publication may be reproduced or
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retrieval system, without prior permission in writing from the
publishers.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library.
EISBN: 978-1-4411-0383-3
Library of Congress Cataloging-in-Publication Data
Acampora, Christa Davis, 1967Nietzsche’s Beyond good and evil : a reader’s guide / Christa
Davis Acampora and Keith Ansell Pearson.
p. cm.
Includes bibliographical references (p. ).
ISBN 978-0-8264-7363-9 – ISBN 978-0-8264-7364-6
1. Nietzsche, Friedrich Wilhelm, 1844–1900. Jenseits von Gut und
Böse. 2. Ethics. I. Ansell-Pearson, Keith, 1960- II. Title.
B3313.J43A23 2011
193–dc22
2010046123
Typeset by Newgen Imaging Systems Pvt Ltd, Chennai, India
Printed and bound in India
CONTENTS
Acknowledgments
vi
Translations and Abbreviations for Citations of
Nietzsche’s Works
vii
1. Nietzsche’s Life and Works in Context
1
2. Overview of Themes
8
3. Part I: “On the Prejudices of the Philosophers”
29
4. Part II: “The Free Spirit”
53
5. Part III: “What Is Religious”
77
6. Part IV: “Epigrams and Interludes”
98
7. Part V: “Natural History of Morality”
110
8. Part VI: “We Scholars”
130
9. Part VII: “Our Virtues”
148
10. Part VIII: “On Peoples and Fatherlands”
170
11. Part IX: “What is Noble?”
191
12. “From High Mountains”: Nietzsche’s Aftersong
212
Study Questions
217
Guide to Further Reading
220
Notes
228
Index
257
ACKNOWLEDGMENTS
The authors wish to thank their respective institutions for
support and study leave, including Hunter College of The City
University of New York and Warwick University. Acampora
also wishes to thank the Institute for Advanced Study at Durham
University and Warwick University, which provided support
while she was writing portions of the manuscript, and colleagues
and students who provided insightful and critical feedback,
especially Gary Shapiro, David Cerequas, Adam Israel, Greg
Zucker, Ben Abelson, Adele Sarli, Elvira Basevich, Jennifer
Hyman and Frank Boardman. Greg Zucker also assisted with
the index. The Hunter College philosophy department provided
generous support for research assistance and manuscript preparation. For support and inspiration Ansell Pearson wishes to
thank his many friends in the world of Nietzsche studies.
TRANSLATIONS AND ABBREVIATIONS FOR
CITATIONS OF NIETZSCHE’S WORKS
Translations used in citations of Nietzsche’s works are as follows.
Titles are abbreviated using the following conventions:
A = Der Antichrist (1888); translated as The Antichrist. Trans.
Judith Norman (Cambridge: Cambridge University Press,
2005).
AOM = Vermischte Meinungen und Sprüche (1879); translated as
Aphorisms, Opinions and Maxims. In Human All Too Human,
trans. R. J. Hollingdale (Cambridge: Cambridge University
Press, 1986).
BGE = Jenseits von Gut und Böse (1886); translated as Beyond
Good and Evil. Trans. Walter Kaufmann (New York: Vintage
Books, 1966).
BT = Die Geburt der Tragödie (1872; 1886); translated as The
Birth of Tragedy. Trans. Walter Kaufmann in The Birth of
Tragedy and The Case of Wagner (New York: Vintage Books,
1967).
CW = Der Fall Wagner (1888); translated as The Case of
Wagner. Trans. Walter Kaufmann in The Birth of Tragedy and
The Case of Wagner (New York: Vintage Books, 1967).
D = Morgenröthe (1881; 1886); translated as Dawn or Daybreak.
Trans. R. J. Hollingdale, Daybreak: Thoughts on the Prejudices
of Morality (Cambridge University Press, 1982).
DD = Dionysos-Dithyramben (1888); translated as Dionysian
Dithyrambs. Trans. R. J. Hollingdale (London: Anvil Press
Poetry, 1984).
EH = Ecce Homo (1888); translated as Ecce Homo. Trans. Walter
Kaufmann in On the Genealogy of Morals and Ecce Homo
(New York: Random House, 1967). References to EH include
the abbreviated chapter title followed by the relevant section
number when applicable.
TRANSLATIONS AND ABBREVIATIONS
GM = Zur Genealogie der Moral (1887); translated as On the
Genealogy of Morality and On the Genealogy of Morals. Trans.
Walter Kaufmann and R. J. Hollingdale in On the Genealogy
of Morals and Ecce Homo (New York: Random House, 1967).
GS = Die fröhliche Wissenschaft (1882; 1887); translated as The
Gay Science. Trans. Walter Kaufmann (New York: Vintage
Books, 1974).
HC = “Homer’s Wettkampf ” (1871); translated as “Homer’s
Contest.” Translations are our own.
HH = Menschliches, Allzumenschliches (1878); translated as
Human All Too Human. Trans. R. J. Hollingdale (Cambridge
University Press, 1986).
HL = Vom Nutzen und Nachtheil der Historie für das Leben;
Unzeitgemäße Betrachtungen II (1874); translated as “The Use
and Disadvantage of History for Life” and “On the Utility
and Liability of History for Life.” Trans. Richard T. Gray
in Complete Works: Unfashionable Observations, Vol. 2
(Stanford: Stanford University Press, 1995).
SE = Schopenhauer als Erzieher; Unzeitgemäße Betrachtungen
III (1874) translated as “Schopenhauer as Educator.” Trans.
Richard T. Gray in The Complete Works of Friedrich Nietzsche:
Unfashionable Observations, Vol. 2 (Stanford: Stanford University Press, 1995).
TI = Götzen-Dämmerung (1888); translated as Twilight of the
Idols. Trans. Duncan Large (Oxford: Oxford University Press,
1998). References to TI include the abbreviated chapter title
followed by the relevant section number when applicable.
UM = Unzeitgemäße Betrachtungen (when referred to as a
group) translated as Untimely Meditations and Unfashionable
Observations.
WP = “The Will to Power.” This is not a book written by
Nietzsche. Instead, it is a translation of a compilation of notes
culled from Nietzsche’s numerous unpublished notebooks
across a long period of time. Students should cite it with
caution, and when possible, the original German text should
be closely compared. Our citations include reference to the
German text from which translated material was selected.
Trans. Walter Kaufmann and R. J. Hollingdale (New York:
Vintage, 1968).
viii
TRANSLATIONS AND ABBREVIATIONS
WS = Der Wanderer und sein Schatten (1880); translated as The
Wanderer and His Shadow. Trans. R. J. Hollingdale in Human
All Too Human.
Z = Also sprach Zarathustra (1883–1886); translated as Thus
Spoke Zarathustra. Trans. Walter Kaufmann (New York:
Viking Penguin, Inc., 1966). References to Z list the part
number and chapter title followed by the relevant section
number when applicable.
References to Nietzsche’s unpublished writings are standardized
to refer to the most accessible edition of Nietzsche’s notebooks
and publications, the Kritische Studienausgabe (KSA), compiled
under the general editorship of Giorgio Colli and Mazzino
Montinari. We also reference works not included in the KSA,
which are part of the complete edition, published as Kritische
Gesamtausgabe (KGW) (Berlin and New York: Walter de Gruyter,
1967–continuing). Unless otherwise indicated, translations from
KSA and KGW are our own. Readers may access a digitized
and further edited version of KGW (abbreviated eKGWB) at
www.nietzschesource.org. A stable web address is used when
citing that source.
In citations, Roman numerals denote the volume number of a
set of collected works or standard subdivision within a single
work, and Arabic numerals denote the relevant section number.
In cases in which Nietzsche’s prefaces are cited, the letter “P”
is used and followed by the relevant section number where
applicable. When a section is too long for the section number
alone to be useful, the page number of the relevant translation
is also provided. In the cases in which the KGW and KSA are
cited, references provide the volume number (and part for
KGW), followed by the relevant fragment number and any
relevant aphorism (e.g., KSA 10:12[1].37 refers to volume 10,
fragment 12[1], aphorism 37).
ix
CHAPTER 1
NIETZSCHE’S LIFE AND WORKS
IN CONTEXT
Much has been written about Nietzsche’s life. It was a topic of
choice for Nietzsche himself (see his EH and the prefaces he
wrote to new editions of his works in 1886). A fascinating intersection of forces marks German history during Nietzsche’s
lifetime. The modern state of Germany did not even exist when
Nietzsche was born in Röcken in 1844. It was not until 1871,
when he published his first book, BT, that the diverse group of
states and fiefdoms were finally and uneasily bound together
militarily under Bismarck, although numerous failed confederations and alliances preceded the union. Great political unrest
prevailed throughout Europe, and there was increasingly violent
resistance to European colonization throughout Asia, Africa,
Australia, and the Americas.
As industrialization rapidly spread, economic volatility ensued,
and many countries saw the development of a new “middle
class,” which pushed for economic reforms and challenged longestablished aristocracies. Socialism became increasingly popular
and, consequently, feared. (Marx and Engels met in Paris in the
same year Nietzsche was born.) German states were divided
politically and religiously: a politically active Catholic minority
struggled with the Lutheran Protestant majority. As Nietzsche
was beginning his professorship at Basel in 1869, the First Vatican Council issued the doctrine of Papal infallibility, a move
considered to be—at least partially—a response to pressures
brought about by Bismarck’s insistence that states formerly a
part of the Holy Roman Empire of the German Nation should
declare complete allegiance to Prussia. At the same time, the
First Socialism Congress met in Basel.
Despite significant tensions and divisions, Germans were united
linguistically and culturally, thanks to Martin Luther’s translation of the Bible (which played a major role in the standardization
1
NIETZSCHE’S BEYOND GOOD AND EVIL
of modern German),1 and their deep appreciation for the
accomplishments of German musicians (especially Bach, Haydn,
Mozart, Beethoven, and Schubert), literary figures (such as
Goethe, Schiller, and Hölderlin), and philosophers (such as Kant
and Hegel). A dominant theme in Nietzsche’s writings, particularly in BGE, is consideration of what it means to be part of
a nation and whether and how that supports or interferes with
the ability to see oneself as connected with a culture. The book
includes numerous discussions of what it means to be German,
in the sense of being part of the new “German nation” as compared with what it means to be German in the sense of being
the heirs to (and standing on the shoulders of) Goethe and
Beethoven. Nietzsche contrasts German nationalism with the
sense of belonging to a tradition that exceeds any state’s borders,
largely what we might refer to today as the “Western tradition.”
This is only partially what he means by “good Europeans,”
because he thinks what constitutes the “Western tradition”
is more than just traditional values and includes recognizing
the entwinement of what is alien—or unheimlich (literally,
un-homely)—with what might be considered most familiar,
most our own (cf. the opening of GM).
In the same year as Nietzsche’s birth, Ralph Waldo Emerson
published the second series of his essays, which Nietzsche
would later read with great enthusiasm. Also in that year, an
assassination attempt was made on the life of the Prussian king,
Friedrich Wilhelm IV, for whom Nietzsche was named and
whose birthday, October 15, he shared. (The king was declared
insane in 1858.) Nietzsche’s father, Carl Ludwig, was a Lutheran
minister who followed in the footsteps of his father. This vocational path stretched back at least four generations.
Elisabeth, Nietzsche’s sister, was born less than 2 years after
him. By all accounts she adored her brother but was deeply
envious of the attention he received. She admired his intelligence, and even as a young child she chronicled it in the form of
making lists of books in his library and noting his compositions.
Later in life, Elisabeth was protective of her brother and took
interest in the company he kept. She was especially jealous of
Nietzsche’s youthful relationship with Richard Wagner. She
married a radical anti-Semite with whom she left Germany to
2
NIETZSCHE’S LIFE AND WORKS IN CONTEXT
found an Aryan colony in Paraguay. After her husband’s suicide
following a financial scandal, Elisabeth returned home where
she lived with her mother and later cared for her ailing brother.
Elisabeth is a notorious figure in Nietzsche scholarship. She
carefully guarded her brother’s literary estate, unscrupulously
edited his notes for publication under the title The Will to Power,
a book Nietzsche never wrote, and sought to have him recognized as the intellectual forbearer of what would become National
Socialism. Famous pictures feature Hitler looking admiringly
upon a bust of (a then deceased) Nietzsche, and one of the aged
Elisabeth beaming with Hitler at her side.
A few months prior to Nietzsche’s fifth birthday, his father
died at the age of 35. Although the average lifespan at the time
meant that someone who made it to their late-forties had lived
a full life, Nietzsche’s father’s death was premature and might
have resulted from an earlier stroke or injuries sustained in a fall
off a ladder. Regardless, Nietzsche’s family had little financial
support thereafter, and his own health problems and difficulties
with publishers meant, though he was far from destitute, financial hardship followed him for all of his life.
Nietzsche was educated at the famous Schulpforta, where he
helped to found a musical society and pursued his own compositions. He deeply admired Schumann and Hölderlin. At Bonn,
Nietzsche began his university studies as a student of theology,
changing his course of study after one semester to philology. His
extensive training in foreign languages and antiquity informs his
understanding of the origins of modern ideas as well as alternative possibilities. Nietzsche finished his studies in Leipzig, where
by chance he came upon the works of Arthur Schopenhauer
(1788–1860) in a bookshop. He was deeply struck by Schopenhauer’s thesis about the nature of willing, which regards will as
the basis of reality and music as the highest art—ideas Nietzsche
would wrestle with throughout his career. Beyond Good and
Evil includes some of Nietzsche’s most sustained discussions on
will and on pessimism, and one can see this book as Nietzsche’s
testing ground for his ideas about will to power and asceticism
that he develops in his later GM. In the year following his
discovery of Schopenhauer, Nietzsche read F. A. Lange’s History of Materialism, which attempts to wed materialism with
3
NIETZSCHE’S BEYOND GOOD AND EVIL
Kantian philosophy. Nietzsche greatly admired the book and
cites it numerous times in his notebooks. From it, he also became
acquainted with various developments in astronomy and
chemistry, including the work of mathematician and physicist
Boscovich (1711–1787) whose work Nietzsche mentions at a
prominent point in part I of BGE.
In 1868, Nietzsche became personally acquainted with Richard
Wagner (1813–1883) at a dinner party at the home of Wagner’s
sister. Eventually, Nietzsche became a regular guest at the Wagner’s
home in Tribschen, spending numerous birthdays and holidays
there, and he worked to raise funds for Wagner’s Bayreuth concert hall. Years later, Nietzsche broke off the relationship and
wrote sharp criticisms of his former mentor but retained admiration for him. These ambivalent feelings are reflected in BGE,
and in Nietzsche’s discussions of artists generally. Further discussion of this occurs in our chapters on parts I and VIII.
Tremendously important developments in science occurred
during Nietzsche’s lifetime, particularly among German physicists, biologists, and astronomers. In 1850, Clausius formulated
the second law of thermodynamics and a theory of gases. In the
same year, Helmholtz made important contributions to understanding nerve impulses and subsequently published important
works on optics and auditory sensations. A Neanderthal skull
was found in a cave near Düsseldorf in 1856 and evolutionary
biology and embryology emerged as distinctive areas of research.
Spencer’s “The Development Hypothesis” (1852) deployed the
word “evolution” for the first time in the context of developmental biology; Darwin’s “On the Origin of Species by Natural
Selection” was published in 1859 (both are mentioned in BGE).
Other prominent German scientists during this time included
Ernst Haeckel, a zoologist and natural philosopher who developed a fundamental law of biogenetics, and Wilhelm Wundt,
author of Physiological Psychology (1873) and widely recognized
as a founder of experimental psychology. The same Wundt published a survey of contemporary philosophy in an 1877 issue of
Mind, a journal still highly regarded today.2
Nietzsche met the editor of Mind, George Croom Robertson,
in a guesthouse in 1877. At the time, Robertson was preparing
the English translation of Wundt’s review for publication, and
4
NIETZSCHE’S LIFE AND WORKS IN CONTEXT
he apparently told Nietzsche his Untimely Meditations were
mentioned.3 A curious feature of the article is that one of the
ways it measures current trends in the discipline is by charting
the number of lectures given for each of the main subject areas
in philosophy. This data was supposed to indicate how the history of philosophy, which the author generally finds unphilosophical, has overtaken other areas of the discipline. The entire
issue of the journal is noteworthy, since it treats many themes
prominent in Nietzsche’s writings, particularly the later works.4
Nietzsche maintained a lifelong interest in contemporary
scientific theory, considering for a time giving up his philological studies in order to pursue chemistry.5 His discussions of
“science”—Wissenschaft, which includes but extends beyond the
physical sciences—should be read in this context and mindful of
Nietzsche’s interests in the development of culture. This plays an
important role in Nietzsche’s critique of “the prejudices of the
philosophers” at the beginning of BGE, and we shall see, is at the
heart of the book.
The full text of BGE was completed in 1885 and published
in 1886, just after Nietzsche’s prose poem Z was published. At
the time, Nietzsche wrote a letter to Burckhardt in which he
claims that BGE “says the same things as my Zarathustra, only
differently, very differently.”6 This is rather difficult to fathom;
the works are so different, and not simply in their form. Rather
than seeking to create some sort of elaborate concordance, we
can draw on Nietzsche’s statement to acknowledge that BGE,
for all its specificity of detail in some places, is essentially like Z
in its character as a philosophical quest, the same philosophical
quest, which has vital implications. What Zarathustra thinks
matters essentially for how and even that he lives. Beyond Good
and Evil has the same sense of purpose, though not for a
fictional character but rather for Nietzsche, perhaps also for
his readers. The two books share this core project, but they
differ significantly in tone, as Nietzsche notes in his EH: while
Zarathustra was a “yes-saying” book, the books following it
were “no-saying,” or as he elaborates, “no-doing” (EH, BGE 1).
Readers should keep this in mind when trying to flesh out
Nietzsche’s philosophical project—he thinks of it as an activity,
a doing, not a meditation to be conducted before the fire in his
5
NIETZSCHE’S BEYOND GOOD AND EVIL
nightclothes, not a thorough-going analysis that exposes the
nature or being of thought, not a set of illustrations upon illustrations that all bring us increasingly closer to a non-hypothetical
plateau of all thinking or complete understanding. “No-doing”
for Nietzsche is “the great war—conjuring up a day of decision.”
(EH, BGE 1).
There is a considerable bit of melodrama in Nietzsche’s characterization of BGE as he extends martial metaphors to include
discussion of recruitment, courage, and toughness required for
the task it sets: “One has to have guts merely to endure it;
one must never have learned how to be afraid” (EH, BGE 2).
It is unhelpful to dwell for too long on just how momentous
Nietzsche thinks his project is, for it encourages us to simply
anticipate and herald these “great events” without actually
experiencing them. But it is worthwhile to keep in mind that it
is precisely the latter that Nietzsche anticipates for those who
appreciate his task—it is literally gut-wrenching to learn that
one’s points of pride are base, empty, and miserably misguided;
it can be exceptionally disorienting to have this experience.
Notice how Nietzsche has recourse at various times to describing his project in terms of a seafaring voyage and all the
unpleasantness and uncertainties that go with it—nausea, the
loss of horizon, thirst for clean water and land.
Early in 1885, Nietzsche arranged to have the fourth part of Z
published privately. Meanwhile, he worked on the draft for a
fifth book to be added to a new edition of GS. Between 1885 and
1886, Nietzsche experienced significant financial difficulties
exacerbated by struggles with his publisher to whom he had
made a loan. The publisher eventually repaid the loan, and rights
to Nietzsche’s books were sold to another publisher. Nietzsche
decided to take advantage of the change by publishing new
editions of his works. He wrote a series of new prefaces, including ones for HH, BT, D, and GS, and he negotiated to have the
first three books of Z published together in a single volume for
the first time. For the second edition of GS, he added a fifth
book and an appendix of poems and songs. All of these new
editions were finally published in 1887, just prior to Nietzsche’s
completion of his GM, which he claims in EH is a “clarification
of Beyond Good and Evil.” Thus, BGE stands at the leading edge
6
NIETZSCHE’S LIFE AND WORKS IN CONTEXT
of a particularly productive and important period in Nietzsche’s
philosophical life. It takes up virtually every theme he treats
in later writings and presents them in a unified narrative. It is
one of Nietzsche’s richest and most insightful texts and is best
appreciated when considered whole, which is precisely our
approach in the following chapters.
7
CHAPTER 2
OVERVIEW OF THEMES
Nietzsche’s aphoristic style sometimes leads readers to think
of his texts as assemblages, perhaps lacking much organization
other than their collection under large themes. Scholars contribute to this impression when they pluck lines from across his
corpus. Nevertheless, BGE has a definite organization and complex structure which can be grasped when looking at it whole.
The book is composed of a preface and nine parts, or chapters,
which cover everything from the classic problems of philosophy—What is the self ? What is knowledge and how do we
know?—to freshly coined psychological analyses and investigations—What is the religious nature? And what is noble? What
follows are synopses of these parts with highlights of significant
sections. Chapters for each part discuss its relation in the context
of Nietzsche’s overarching concern to imagine and practice
future philosophy.
Preface: Like much of the book, Nietzsche’s preface is humorous, pithy, singular, and tantalizing. Teasing his reader he asks,
“Supposing truth is a woman—what then?” If philosophers
have been dogmatists, as Nietzsche suspects, then they have not
been experts when it comes to women (note the switch to the
plural here) since truth as a woman has not allowed herself to be
won and every dogmatism finds itself discouraged and deflated.
Philosophical dogmatism is the theme of the preface’s opening
gambit, and dogmatism is evident in folk superstitions such
as the “soul” and the “ego,” in the seductions of grammar, and
in generalizations from human, all too human, facts. The fundamental error of philosophy—one to which Nietzsche insists we
should not be ungrateful—is that of Plato and his invention of
the pure spirit and the good in itself. These are transcendent
notions bereft of human blood and bone and have given rise to
a Platonism for the people in the form of Christianity. This error
stands truth on its head and denies what is most basic to life,
8
OVERVIEW OF THEMES
namely, perspective. Why should we be grateful for this? Because,
Nietzsche thinks, it has created in European civilization “a magnificent tension of the spirit” and “with so tense a bow we can
now shoot for the most distant goals.” He places himself in
opposition to the attempts made so far to unbend this bow
(e.g., by means of Jesuitism and the democratic Enlightenment)
and allies himself with the cause of “good Europeans” and “free
(very free) spirits.”
Part I, “On the Prejudices of the Philosophers”: With a “rendezvous of question marks” Nietzsche suggests the activity
of truth-seeking might be similarly scrutinized—what is truthseeking really? Why do we do it? How does it stand in relation
to other desires (wills, drives)? And he considers tendencies of
philosophers and their kinds of problems and questions. Because
his scope includes the history of philosophy since Plato,
Nietzsche’s remarks are necessarily general, but they are often
astonishingly penetrating in isolating particular tendencies, false
dilemmas, and dead ends. Several key concepts are introduced
and utilized, including the hypothesis of “will to power” and the
claim that “psychology shall once again be the queen of the
sciences.” This part focuses on Nietzsche’s assessment of philosophy and his philosophical task: calling into question the value
of truth and knowledge and its relation to the evaluation of
“life.” Three key concerns inform the organization and content:
Arthur Schopenhauer’s philosophy as exemplary of Nietzsche’s
reflection on the relation between philosophies and the philosophers who write them; the history of certain philosophical
problems, including the distinction between the real and the
apparent (and how these are known); the nature of human
psychology and freedom; and developments in biology and evolutionary theory and applications of these researches in moral,
social, and political philosophy. These concerns guide his explorations in the rest of the book and immediately bear on problems
in contemporary philosophy including direction for a proper
philosophical naturalism, the relation between philosophy and
science, and the normative force of claims to truth.
§1 Introduction of the “problem of the value of truth.”
§2 The “faith in opposite values” offered as paradigmatic
“pre-judgement” or “prejudice” that directs philosophical
9
NIETZSCHE’S BEYOND GOOD AND EVIL
thinking and inhibits pursuit of what is identified in
section 1; an introduction to the question of the normative value of truth by raising the possibility of a higher
value in “life.”
§3 Consciousness conceived as “channelled instinct,” an
extension of rather than distinct from instinct. The means
of such “channeling” is valuation, including beliefs and
“physiological demands for preservation of a certain type
of life.”
§4 Focus on the issue of what is life-promoting, first in
consideration of necessary fictions.
§§5–6 Philosophy viewed as personal expression of a dominant
drive, which is presented in abstract form along with the
pretense of universality, a “prejudice,” and the perspective of the ruling drive in the individual philosopher.
Conception of individuals as collection of drives; in the
case of philosophers, “who he is” is the “order of rank [of]
the innermost drives of his nature.”
§§7–9 Examples of preceding discussions with specific points
of comparison in Hellenistic philosophy: Epicurus, Stoics. Introduction of the notion of the development of the
history of philosophy as both tragic and comedic. Philosophy characterized as ultimately an intense expression
of “will to power” in its desire to “creat[e] the world,” and
identify “the causa prima.”
§10 Consideration of the “problem of the ‘real and the
apparent world’ ” and how its approach indicates either
weariness or vitality. Significance of the role of the senses
(cf. §§7–9, 10, 14, and 15).
§11 Consideration of the method and influence of transcendental philosophy and importance of belief in truth in
“the perspective optics of life.” Distinction between finding and inventing.
§12 Consideration of the influence of the concept of the atom,
particularly the atomistic conception of the soul (contrast
with §6). Anticipation of “new versions . . . of the soulhypothesis” as “invention” that might lead to “discovery.”
§13 Primary interest of organic being might be maximal
expenditure of strength rather than conservation; introduction of concept of “will to power.” (cf. §3, 6, 9).
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OVERVIEW OF THEMES
§§14–15 Distinction between interpretation and explanation
underscored; return to discussion of role of senses in
knowledge (cf. §10), sensualism, and a “noble way of
thinking.”
§16 Consideration of “immediate certainties” and the complexities of and host of assumptions made about such
candidates, as for example, René Descartes’ “I think.”
Reorientation of primary metaphysical questions to
psychological ones.
§17 The “I” or “ego” as a result of interpretative process,
neither cause nor origin of thought, the latter as remnant of “soul atomism” (cf. §12).
§18 Attraction of some philosophical problems is the lure
of refutability (linked with sensation as described in §19).
§19 Complexity of the activity simply named “willing”:
“pluralities of sensations,” a “ruling thought,” “affect.”
All willing as a dynamic of commanding and obeying,
considering the complexity of subjectivity (cf. §§6, 12,
17), which is felt as a tense unity; freedom of will tied
to “sensation of power” in this relation. Individual as
“social structure composed of many ‘souls’ ”; morality
pertains to its commonwealth and “the doctrine of the
relations of supremacy under which the phenomenon
of ‘life’ comes to be” (cf. §§2, 4, 6, 13).
§20 Organic and atavistic character of concepts; grammar
as reflective of a structure of world-interpretation,
which distinguishes and constricts range of possible
concepts; also linked with physiological conditions.
§21 Consideration of causation and free will debate, further underscoring distinctions between description,
interpretation, and explanation. Instead of “free” or
“unfree” wills, strong and weak ones (cf. §19).
§22 Key assumptions in all higher learning as “bad modes
of interpretation,” particularly concern for “lawfulness” (contrast with “will to power” [cf. §13]).
§23 Moral prejudices as impediments to analysis of human
“soul,” the nature of thought and will, and the relation
between will and action (properly “psychology” in the
ancient sense); form of study also perverted, which
might better mirror morphology (drawn partially from
11
NIETZSCHE’S BEYOND GOOD AND EVIL
“psychology” in modern sense) in light of will to power
hypothesis just introduced; difficulty of the task considering
what philosophy has been, our habitual inclinations, and our
constitutional capacities. Overcoming these could be strange
and sickening, yet profound.
Part II, “The Free Spirit”: This part provides us with one of
the most comprehensive portraits of not only the “free spirit,”
which occupied Nietzsche’s concern in many of his earlier
works, but also his philosophy as a whole at this point. Included
are discussions that refine Nietzsche’s views on truth and perspectivism, interpretation, the development and problem of
morality, his proposition of will to power, and his conception of
the possibilities for philosophy and how the free spirits engage
it. Taken as a whole, it becomes clear that Nietzsche significantly
breaks with his earlier conceptions of free spirituality or freemindedness.
§24 Though knowledge often seems so important to us, we are
also willfully ignorant, since much of life depends upon
simplification and falsification. This differs from the adage
that “ignorance is bliss,” since Nietzsche considers ignorance as a refinement of our will to know, which suggests
it can be deliberate superficiality, which for Nietzsche is
informed by insight and affirmation of life.
§25 Against martyrdom for truth, which poses as pure and selfless, but which can take the most cruel forms and embody
intense personal hatred. Contrasts “good, free solitude”
with being a “compulsory recluse.” Once again compares
philosophy to tragedy [cf. §§7–9] with the martyr providing
a spectacle akin to the satyr play.
§26 Development of the notion of solitude in which the “choice”
seeks refuge from the rule, but those who seek knowledge
cannot live this way, because they need to study what is
“average.” Compare hybrid images here with discussions of
hybridity and barbarism in parts VII and VIII.
§27 Introduces importance of tempo of thinking and the need
for subtlety in interpretation.
§28 Continues discussion of tempo in language; considers
rhythms of living, both cultural and physiological, and the
connection between what can be conveyed and how as linked
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OVERVIEW OF THEMES
with expressive possibilities, drawing on musical examples
and analogies. Free-spiritedness playfully associated with
presto.
§28 Further develops ideas raised in 25 and 26, exploring the
dangers of independence in the forms of loneliness and
isolation. Zarathustra might provide an object lesson.
§29 Development of concerns about interpretation, translation,
and being understood. The attempt to control this is
expressed in the distinction between the esoteric (“looks
down from above”) and exoteric (“sees things from below”).
An important section for appreciating Nietzsche’s interest
in how distance creates different perspectives and how
different constitutions have different forms of nourishment,
pollution, and poison.
§30 “Taste for the unconditional” as the worst, since it neither
venerates nor despises with subtlety, and one who has it
“forge[s] men and things in such a way” as to “vent” their
“wrathful” and “reverent” attitudes. Even an unconditional
taste against such unconditionality can develop; both are
folly and signs of youth.
§31 A brief history of the development of morality from its “prehistory” to its “supramoral” possibilities. Key distinctions
turn on the value or disvalue of consequences (prehistoric)
and intentions (morality in the “narrower sense”), and the
fundamental shift that could occur with recognition that
“the decisive value of an action lies precisely in what is unintentional in it.” Recalls the vision of “sail[ing] right over
morality” in BGE 23. Emphasis on intention as monumental prejudice. Compare the “living touchstones of the soul”
with BGE 263.
§33 Morality of selflessness and emphasis on disinterestedness
in aesthetics and contemplation more generally challenged
as duplicitous; they are pursued because “they please.”
§34 One of the most direct challenges to the reigning value of
truth, the concern that inaugurates the book: “It is no more
than a moral prejudice that truth is worth more than mere
appearance.” Offers a direct, concise statement of what is
called “perspectivism”: “there would be no life at all if not
on the basis of perspective estimates and appearances”
(cf. §§2, 10, 11, 21, 24); and rejects the distinction between
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NIETZSCHE’S BEYOND GOOD AND EVIL
the true and apparent worlds, the ultimate conclusion of
idealism, replacing it with an assumption of “degrees of
apparentness [. . . and] different ‘values,’ to use the language
of painters.”
§35 A lament over the well-intentioned but ultimately fruitless
(not to mention dangerous) linkage of truth with goodness.
§36 Most elaborate account and justification for Nietzsche’s
“proposition” that “our entire instinctive life [can be
explained] as the development and ramification of one
basic form of the will—namely ‘will to power.’ ” Considers
conscience and morality of method.
§37 Aphorism involving an interlocutor who expresses concern
that Nietzsche’s proposition eliminates god in favor of the
devil, which Nietzsche dismisses.
§38 The variety of interpretations of the French Revolution,
the divergent causes it is supposed to have advanced, leads
to the “disappearance of the text” such that it can mean
anything (and thus nothing). This offers evidence that its
rally for freedom has been ultimately successful, which
Nietzsche regards as an assassination of the very possibility
of nobility generally (cf. §§46 and 239).
§39 Insights and traits of free thinkers identified, including
acknowledging the fact that neither happiness nor unhappiness are arguments for or against a view. Invokes Stendhal’s
“banker” as “dry, clear, and without illusions.”
§40 Frequently cited section on masks, as necessary to protect
the “delicacy” of the profound (Nietzsche’s examples: “love
and extravagant generosity”), and as necessarily projected
by those around a “profound” spirit.
§41 Return to the theme of independence in terms of not
“remaining stuck” to people, fatherlands, pity, science,
virtues, or even our own “detachment.”
§42 Baptism of the “new philosophers” as Versucher: seekers,
attempters, and tempters (cf. §§210 and 227).
§43 New philosophers as still “friends of truth” who “love their
truths” but who do not wish their taste to be shared by
everyone (cf. §221).
§44 Most elaborate and detailed account of the free spirit in all
of Nietzsche’s writings; distinguishes his conception from
that of the “levelers” and “free thinkers.” Key characteristics:
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OVERVIEW OF THEMES
they do not want to be misunderstood, do not give “freedom” the highest value, are anti-democratic and anti-modern,
exercise unparalleled conscience, and have a concern for
humanity as such. Also notable: distinguishes free spirits
from the very free spirit, for which he is a herald and
addresses directly in the end.
Part III, “What Is Religious”: Nietzsche the brilliant psychologist is at work in this book as he focuses attention on questions
of religion and the religious nature, and dissects with acumen
and startling turns of phrases religious cruelty, the religious neurosis, and the differences between different religious mentalities.
Readers expecting Nietzsche to be simply and unequivocally
anti-religious are in for a shock however, since Nietzsche dissociates himself from “free thinking” about religion. For the
philosopher, as the free spirit understands him, religion has
tremendous uses and is an important means in the cultivation
(or “breeding”) and education of the human being.
§45 Introduction to what is religious and what is required for
those who go in search of knowledge of the history of the
human soul.
§46 Focus on “original Christianity” and the cruelty of the
Christian faith; Pascal as example of the suicide of reason.
Important reference to the “slave rebellion in morals.”
(cf. GM I).
§47 On the conditions of the possibility of “religious neurosis”;
Schopenhauer’s thinking as an example from recent philosophy of the religious crisis and its question mark; Wagner
cited as Schopenhauer’s most convinced adherent.
§48 The difference of religious attitudes between northern and
southern Europe.
§49 The gratitude that characterizes Greek religion.
§50 How different temperaments worship God differently:
Luther, St. Augustine, and female saints.
§51 The riddle of the saint: Why is it that even the most powerful have bowed worshipfully before him?
§52 Contrast between the Old and New Testaments.
§53 Why atheism prevails today; contrast between the growth
of the religious instinct and the lack of satisfaction with
theism.
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NIETZSCHE’S BEYOND GOOD AND EVIL
§54 Modern philosophy since Descartes described as “epistemological skepticism”; anti-Christian but not anti-religious.
Problem of the “I” and the subject addressed again.
§55 The great ladder of religious cruelty; Nietzsche attends to
three rungs on it as most important.
§56 Pessimism and eternal recurrence; the latter presented as
the “ideal” of the most world affirming human being.
§57 How the great religious concepts of the past, such as God
and sin, are part of humanity’s childhood and yet new
“toys” for humanity to play with and learn from may be
needed in the future.
§58 How modern existence, with its industriousness and pride,
prepares people for a life of “unbelief.” Thinly disguised
attack on “free thinking” approaches to religion such as
bourgeois Protestantism.
§59 The value of being “superficial”; important discussion of
artists and their falsifying of the image of life. Important
link to piety or “the life in God” where piety serves as a
means of beautifying man; the will to untruth at any price
where truth is too hard to accept.
§60 Nietzsche claims a human being who loves man for the sake
of God has flown the highest and yet gone astray most
beautifully. Does this mean man should be loved for what he
simply is? What kind of love would love of the overman be?
§61 Account of the philosopher as free spirits understand him
and his link to religion. Religions play a vitally important
part in the project of man’s cultivation and education.
Religion has many valuable “means” Nietzsche spells out.
§62 When religions don’t see themselves as means of cultivation
and education but rather as ends in themselves they become
dangerously dominant, and humanity is thwarted since much
that ought to be allowed to perish is preserved. Christianity
as calamitous example: the doctrine of the equality of all
souls before God has led to the flourishing today of a sickly
and mediocre creature, “the herd animal.”
Part IV, “Epigrams and Interludes”: This curious part might
be regarded as the “heart” of the book in at least two respects.
Nietzsche’s original plan for BGE was a large collection of aphorisms, a “sentence book.” Reasons for interest in this form of
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OVERVIEW OF THEMES
writing are conveyed throughout the book as he highlights how
aphorisms can crystallize moralities and the “heart’s desires”
they embody. Our chapter applies and develops these themes.
Part V, “Natural History of Morality”: Nietzsche performs
a twofold task of advancing the cause of a science of morality
in the form of a naturalistic psychological history of morality
and laying out in clear and emphatic terms the nature of his
opposition to the morality that prevails in Europe today. For
his first task, he criticizes attempts to establish ethics or morality
on a rational foundation, which he regards as misguided and
naïve. He pursues his second task in exposing the errors and
dangers of “herd animal morality,” which he thinks today takes
itself to be morality incarnate, as if history has all along been
moving in the direction of values of equality and compassion
as part of some telos of our evolutionary becoming.
§186 The developing “science of morals” cast as a crude level
of evolution. Sets out the terms of opposition to any and
all attempts to supply morality with a rational foundation
insofar as all are insufficiently critical.
§187 Moralities to be understood as a “sign language of the affects.”
§188 Crucial section for appreciating the extent to which
Nietzsche thinks freedom is based on the acceptance and
affirmation of constraints, hence the concluding statement
on the need for self-respect and what it requires.
§189 Another treatment of the “industrious” spirit.
§190 On Plato, especially on what does not really seem to belong
to him and comes from Socrates: Plato’s morality. Contrast
between the “noble” Plato and the “common” Socrates.
§191 The ancient theological problem of faith and knowledge
presented as an opposition between instinct and reason;
the role of Socrates in this. Another contrast drawn between
Plato and Socrates: Socrates as great ironist (cf. TI “The
Problem of Socrates”).
§192 Elliptical section on learning: for example, how an individual
science develops. Lesson: we are much more artists in our
learning than we commonly suppose (i.e., we are falsifiers).
§193 On the two-way relationship between waking life and
dreams: dreams influence waking experiences, dreams also
exert influence on how we live.
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NIETZSCHE’S BEYOND GOOD AND EVIL
§194 How differences between human beings manifest themselves.
Focus is on how human beings regard the possession of
something good rather than the order of rank of the goods
they recognize.
§195 On the Jews and their “inversion of values” as marking
the commencement of the slave rebellion in morality
(cf. §§250–1).
§196 Parable centered on how innumerable dark bodies can
be inferred beside the sun and that will never be seen by
anyone.
§197 On misunderstanding the beast of prey and the human of
prey (e.g., Cesare Borgia).
§198 Examination of the nature of moralities addressing themselves to the individual and his or her happiness and a
criticism of their unconditional character.
§199 Existence of “herds” and herd instinct of obedience,
regarded as a feature of human existence since time immemorial. Important for understanding the strange limits
of human evolution, the moral hypocrisy of those who
command in Europe today, the European herd human
being, and why the appearance of Napoleon and his effect
is such an exception to the norm.
§200 The weak character of human beings of mixed or diversified descent and whose instincts are at war with each other
(cf. part VIII). Examples provided of rarer cases in which
the inherited desire for carrying out a war against oneself
leads to a stronger type of human via self-overcoming.
§201 Fear and timidity as “the mother of morality” and how
we have been weakened by the dominance of one type of
morality, which today takes itself to be “morality.”
§202 Theme of the entire part emphasized: contemporary
European morality is herd-animal morality and mistakes
itself for “morality” in itself. Concentration on a single and
fixed “morality” is dangerous for the future health and
flourishing of the human animal (cf. GM P: makes the
present live at the expense of the future).
§203 Dramatic conclusion offering Nietzsche as having a different faith, directed toward new philosophers who will
revalue and invert eternal values. Task is to teach the human
being that its future depends on human will and a new
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OVERVIEW OF THEMES
cultivation that will end the accident and nonsense that has
ruled in history to date. Crucial section for understanding
Nietzsche’s project of a revaluation of values.
Part VI, “We Scholars”: This part continues discussion of
what constitutes “free thinking” (from part II), and develops
the notion of dominating philosophy and the kind of person
it would take to do it. “Dominating” refers to strength of will
required to perform the task of creating values, and it characterizes the relation between philosophy and other kinds of inquiry.
While Nietzsche’s comments might seem a bit rambling and
pedantic at times, he is trying to make razor thin distinctions
(e.g., between different forms of pessimism in §§207 and 208)
as well as project a task he thinks is only barely possible given
our modern condition of a hybridity of tastes, democratic
ideals, and fixation on objective truth-seeking (elaborated in
subsequent parts).
§204 Introduces the subject of the relation between philosophy
and science; focus on “philosophers of reality” and “positivists” as resigning themselves from “the masterly task
and masterfulness of philosophy.”
§205 Concern for the philosophers’ development: “proper level,
the height for a comprehensive look, for looking around,
for looking down” (cf. §§30, 36, 56–7, and 62); emphasis on
“over-all value judgment” and what is required to be in the
position to make a judgment about the value of life, the
risks and dangers such entails.
§206 Virtues, diseases, and bad manners of the “scientific
man,” who neither begets nor gives birth, contrasted with
the noble type, dominating, authoritative, and selfsufficient. Greatest danger in their quest for the common:
annihilation of what is “uncommon,” “unbending the
bow” (cf. §§P, 193, and 262), and introducing a “religion
of pity” (cf. §§62, 82, 171, 202, 222, 225, 260, 269–71,
and 293).
§207 Question: Is the objective spirit not a person because he is
a mirror, or does he mirror because he lacks what is “personal?” In being objective, he must strip away everything
personal, but in doing so ends up losing humanity; danger
of hospitality (cf. 41).
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NIETZSCHE’S BEYOND GOOD AND EVIL
§208 Rejection of skepticism and its perceived relation to
pessimism. The skeptic as unable to say “yes” or “no,”
lacking judgment. Diagnosis of modern condition as sick
and exhausted on account of mixture of different types,
and unable to will or to feel the pleasure of willing. “Dynamite” image conjured (cf. EH); call for “grossen Politik.”
§209 Consideration of a “stronger type of skepticism,” which
“despises and nevertheless seizes”; prepared in “the
German spirit” via inheritance (e.g., Frederick William
I to Frederick the Great), sublimated, spiritualized, and
crystallized (cf. §186). Suggestions for considering what it
is to be a man (both human and, apparently, “virile”).
§210 Further distinction between skepticism (the stronger type)
and criticism as evident in the future philosophers, who will
have these as dimensions while not being of that type (future
philosophers as multi-faceted and multi-capacitated). Key
difference: their “certainty of value standards, the deliberate employment of a unity of method, a shrewd courage,
the ability to stand alone and give an account of themselves.” Future philosophers will have a commitment to
and practice experimentation, and can be thought of as
exceedingly “scientific” in that respect, although they will
not make use of the same kind of experimentation that
characterizes “objective” inquiry.
§211 Adoption of the specific characteristic perspectives of the
earlier types discussed (and including many others), conceived as preconditioning and expanding the perspective
of future philosophers, necessary for their task of “creating values.”
§212 Focus on philosophy in specialized sense as concerned
with “a new greatness of man” and thus necessarily at
odds with its contemporaries. The case of modernity is
especially difficult because of the complexity and hybridity
of modern human beings, modern tastes and types, especially for democracy, as well as the weakening of will as
previously described. Conception of greatness in terms of
excess, over-fullness, over-richness.
§213 Future philosophers as embodying both presto (cf. §§27
and 28) and severity (in judgment), and how this is
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OVERVIEW OF THEMES
especially linked with their disposition toward necessity
(§213; cf. §188). Orders of rank of soul corresponding to
orders of rank of problems, and the philosophical type as
rare and requiring cultivation.
Part VII, “Our Virtues”: This part explores the relation
between capacities and tastes in a case study of the European
legacy. Nietzsche practices the experimentation he flagged in
part VI, utilizing the method of collection announced at the
beginning of part V. “Our virtues” refers to both the status of
what is considered moral virtue (as bad taste) and the virtues
we’ve acquired in the process of getting to this rotten condition.
Whereas the previous part was a further development and
expansion of the earlier part on “The Free Spirit,” this part
draws resources from and expands the ideas introduced in part
III on the essence of the religious by focusing on our psychic
conditions and potentialities. Ignobility is part of our descent
(our ancestry) and is tied to the condition of our sensibilities.
This is partially a matter of bad breeding (a mixture of psychic
types, miscegenation), such that now we have a taste for everything; yet, this is where our future lies because it gives us “secret
access” to the circuits of instinct, which are crucial for us to
understand if we want to project an alternative to the concept
of greatness we currently hold.
§214 Virtue conceived as a relation between inclination and need, a
radical transformation of what counts as “good conscience.”
§215 Astronomical analogy drawn to suggest that modernity is
oriented and illuminated by two suns “in which we perform actions of many colors.”
§216 Return to the concept of Christian and neighborly love
and the imperative to “love one’s enemies” (cf. §§201, 67,
174, 162, 60, and 197): “we learn to despise when we love,
and precisely when we love best.”
§217 Reference back to the type that takes morality as pose.
§218 Call to study how the “norm” fights against the higher
type (rather than study of deviant types).
§219 Higher spirituality as a “synthesis of all” “merely moral”
“acquired through long discipline and exercise” with a
“mission to maintain the order of rank in the world.”
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NIETZSCHE’S BEYOND GOOD AND EVIL
§220 The “interest” in all things allegedly disinterested; “choosier” spirits don’t dwell long. Truth as a woman, not to be
violated.
§221 Against the unconditional and bringing moralities to
bow to the order of rank.
§222 Pity (cf. §§202, 206, 224, and 225) linked with self-contempt.
§223 Hybrid European; trying to achieve a perspective that
affords laughter.
§224 Semi-barbarism provides “secret access” yet a “historical
sense,” including “having a taste for everything”—inherently “ignoble” (cf. positive conception of “free spirit” in
§44 and danger of hospitality in §§41 and 233.) Shakespeare
as a synthesis of tastes unappreciable by ancient Athenians.
But with the “historical sense,” we experience measurelessness, cannot feel, taste, love. Sexual imagery conveys the
new philosophy has something to do with seduction and
the control of/direction of desire (cf. §§131 and 220),
part of the attempt to lure and achieve some measure of
bliss. Insofar as nothing can be foreign and strange to us
anymore, nothing can be truly “ours.” Cf. travels in §44
and dangers of hospitality (§41, etc.); “drop the reins” at
infinity (and this in contrast with Kant’s conception of
sublime).
§225 Pleasure and pain no argument (cf. §§46, 124, and 293),
no measure, not opposites as we see in tragedy §229; “our
pity” in contrast with “their pity,” religion of pity; the
discipline of suffering “Die Zucht des Leidens”; pity the
pity of those who want to abolish suffering (while they
want to increase it).
§226 Important section on “immoralism.” Contrary to appearances, immoralists remain “men of duty” and dance in
their chains.
§227 On free spirits and the perfection of their principal virtue
of “honesty.” On how every virtue ultimately leads to stupidity and how free spirits need to beware of this. Reference
to “we last Stoics.” Fear of being misunderstood and being
mistaken for others. Is this not the fate of all innovators?
§228 On the boring character of all moral philosophy to date
and on why there is a need to think of moral questions
and problems as calamitous and fateful (the future of
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OVERVIEW OF THEMES
humankind is at stake). The idea of promoting the
“general welfare” represents no real ideal or goal, not
even an intelligible concept, but only an emetic. The
need to recognize an order of rank between human
beings and moralities.
§229 Important section on the extensive character of cruelty
which extends to intellectual activity and the search for
knowledge. It is a piece of clumsy psychology to suppose that cruelty only comes into being at the sight of
the suffering of others—there is also an abundant
enjoyment of one’s own suffering.
§230 On the fundamental will of the spirit or mind, which
has cultivated Protean arts and artifices of assimilation, incorporation, and self-deception and as a way of
aiding the feeling of growth and increased power. Mind/
spirit compared to a stomach. This will to simplification, appearance, and surface can be countered with a
different inclination, the sublime one of the seeker of
knowledge who demands profundity and multiplicity.
This is represented by the “extravagant honesty” of free
(very free) spirits. On the need to translate the human
being back into nature so as to become master of the
numerous vain and enthusiastic interpretations that
have been painted over the “eternal basic text of homo
natura” (Nietzsche makes a reference to the ‘sealed’
ears of Odysseus, but in fact only the ears of his sailors
were sealed so that they would not hear the sirens’ song
or the pleas of Odysseus for the ship to change course).1
§231 On learning and how it changes us. But is there not at
the bottom of us something that cannot be taught,
some granite of “spiritual fatum,” such as predetermined
decisions and answers to predetermined questions?
Nietzsche gives the cardinal problem of “man and
woman,” as an example.
§§232–9 Notorious and playful presentation of Nietzsche’s
“truths” about “woman as such”; contains an unfashionable attack on “modern ideas” for their shallowness,
including (in §239) “scholarly asses” of the male sex
who wants woman to defeminize herself and imitate all
the stupidities of European man.
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NIETZSCHE’S BEYOND GOOD AND EVIL
Part VIII: “On Peoples and Fatherlands”—this part further
develops the ideas of our ancestry, decadent heritage, and future
possibilities. Wagner is offered as an exemplar of a mixture of
types, and Nietzsche analyzes him as both a modern type and an
individual with distinct possibilities. Nietzsche engages a variety
of distinctively modern and contemporary concerns, including
nationalism, programs for racial purity, and cultural decadence.
§240 On Wagner’s music, especially the Meistersinger, which
is interpreted as providing insight into the German
character as one that as yet has no “today.”
§241 What it means to be “good Europeans”; imaginary
conversation between two patriots.
§242 Locates a “physiological process” taking place in
Europe’s democratic movement; Europeans become
increasingly similar, a supra-national and nomadic type
is emerging. Democratization of Europe produces two
different main types of human being.
§243 Short parable on the constellation of Hercules expressing the hope that a new type of human is emerging.
§244 Lessons on German “profundity.”
§245 Continuation of the exploration of German character
through music.
§§246–7 Examination of German language, writing, and style.
§248 Two types of genius.
§249 Maxim on how every people has its own hypocrisy that
it calls its virtues.
§250 What Europe owes to the Jews, including the “grand
style in morality.”
§251 The “European problem” defined as the cultivation of
a new caste to rule Europe; important reflections on
anti-Semitism and Jewish assimilation.
§252 Why the English are not a philosophical race.
§253 Why the plebeianism of modern ideas is due to England.
§254 The superiority of the French national character.
§255 Contrast between northern and southern European
temperaments in relation to music.
§256 The “insanity” of nationalism conceals the fact that
Europe wishes to become one. Great Europeans from
Napoleon and Goethe to Schopenhauer and Wagner
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OVERVIEW OF THEMES
have worked towards a new synthesis preparing the way
for the European of the future. Wagner as not simply a
German patriot but part of the European movement
towards unity.
Part IX, “What Is Noble?”: Explores the possibilities
for nobility, given the inheritance and descent of modernity.
Nietzsche’s finale ultimately attempts to create a perspective that
comes close to the view that might be enjoyed by the very free
spirits of §44. Mindful of the limitations of such a perspective,
Nietzsche endeavors to draw on the capacities he identifies as
characteristic of free spiritedness in previous parts. Especially
important is the perspective readers are able to achieve on how
Nietzsche thinks about the formation and maintenance of orders
of rank, and once this becomes possible, Nietzsche begins to
destroy his own text much like a Mandala sand painting, which
is destroyed as soon as it is finished. This suggests that the title
question what is noble? is not as much answered as it is given
to the reader to ask and explore.
§257 How the “enhancement” of the type “man” has allegedly
been secured and the origins of aristocratic societies.
§258 Further insight to “aristocratic radicalism.” A healthy
aristocracy experiences itself not as a function of society
but as its meaning and highest possible justification.
§259 Definition of “life” as resting on appropriation, injury,
overpowering, and exploitation. Appeal to honesty about
the basic facts of “life” and how European consciousness
resists instruction on this issue.
§260 Outline of the two basic types of morality: master and
slave moralities. Note that in all higher and mixed cultures
the two interpenetrate and can even be found together in
the same human being. Reference to love as passion and
the “gay science.”
§261 Why the noble human being lacks vanity. Further differences between master and slave moralities enumerated.
§262 The evolutionary history of aristocratic societies and
their decline; appearance of the “individual” that is
obliged to be its own lawgiver; dangers of the morality of
mediocrity.
25
NIETZSCHE’S BEYOND GOOD AND EVIL
§263 The instinct for rank and delight in the nuances of
reverence are signs of a high rank. Praise for the Bible
and further criticism of “modern ideas.”
§264 Heredity and the problem of race.
§265 Why egoism belongs to the noble soul.
§266 Quotation from Goethe on what one respects highly.
§267 Chinese proverb on the need to be “small,” used to illustrate the difference between ancient and late civilizations.
§268 What is “common” in experience, language, sensations,
and so on.
§269 On why the corruption of the higher human beings, or
souls of a stranger type, is the rule and how this induces
compassion in the psychologist. Insight into idealists,
woman, and Jesus, in whom lies concealed a painful
case of the martyrdom of knowledge concerning love
and creates a god who is all love.
§270 Why profound suffering ennobles and separates—
and also assumes a disguise of cheerfulness (such as
Epicureanism).
§271 The sense of “cleanliness” is what separates people; on
saintliness.
§272 Signs of nobility, including not thinking of our duties
as duties for everyone.
§273 What is required in the striving for something great.
§274 On the nature of the higher human being, including
knowledge of kairos or acting at the right time.
§§275–7 Further differences explored between the noble and
common types.
§278 Parable on the “wanderer” and the need for masks.
§279 Why human beings of deep sadness betray themselves
when they are happy.
§280 Parable on going backwards so as to take the leap or
jump into the future.
§281 Why Nietzsche as a philosopher poses a riddle but not
one he feels disposed to answering such is his mistrust
of the possibility of self-knowledge.
§282 Parable on dining to illustrate the predicament of the
noble human being.
§283 Why the philosopher must often conceal his true ideas
behind a mask.
26
OVERVIEW OF THEMES
§284 What is required for living with proud composure in which
one can employ at will one’s affects and one’s pro and con,
including the four virtues: courage, insight, sympathy, and
solitude.
§285 The greatest thoughts are the greatest events and what
is great as thought and an event is always the last to be
comprehended.
§286 Quotation from the final scene of Goethe’s Faust in which
the soul of Faust rises to heaven. Nietzsche supposes an
opposite type that also has height and free vision but looks
down.
§287 What the word “noble” can still mean for us today; the
noble soul is one that has reverence for itself.
§288 On virtue as “enthusiasm” or the possession of “spirit.”
§289 Lesson on the hermit and the philosopher (the philosopher has been a hermit) in which the hermit holds that one
writes books precisely in order to conceal what one really
harbors. Every philosophy is a “foreground philosophy,”
and there can be no final stopping place in philosophy.
This is why every philosophy conceals another one and
every word is a mask.
§290 The profound thinker is more afraid of being understood
than misunderstood.
§291 Another section on man as falsifier or forger (e.g., in
the domain of morality), thus there may be more to the
concept of art than is typically supposed.
§292 Definition of the philosopher as a “fatal” human
being.
§293 Pity has value when it comes from a master type of human
being but little or no value when it is expressed by those
who suffer and preach it. Contemporary Europe is marked
by a pathological sensitivity to pain (cf. §225). Another reference to the “gay science.”
§294 The order of rank among philosophers is to be determined
by the rank of their laughter.
§295 In praise of the “genius of the heart”; Nietzsche speaks of
himself as the last disciple and initiate of the god Dionysus.
§296 Nietzsche laments the fact that his thoughts—colorful,
young, and malicious—are already becoming immortalized and fixed as “truths.”
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NIETZSCHE’S BEYOND GOOD AND EVIL
“From High Mountains”: Nietzsche’s Aftersong—Nietzsche
brings the book to a final close with this song to friends: the
friends he has surpassed and the new friends he now awaits;
bending of the bow and striking of the arrow; noon as the
curious time of the shortest shadow and when one becomes
two; arrival of Zarathustra and marriage of dark and light
(beyond the metaphysical opposition of good and evil).
28
CHAPTER 3
PART I: “ON THE PREJUDICES OF
THE PHILOSOPHERS”
one really has to wait for the advent of a new species of
philosophers, such as have somehow another and converse taste
and propensity from those we have known so far (BGE 2).
Nietzsche cleverly and eloquently opens part I claiming his
project entails a “rendezvous of question marks” (BGE 1).
Questioning is his chief objective; and he intends to do it as
deeply and thoroughly as possible, trying not to shrink away
just when it becomes most difficult. Nietzsche repeatedly raises
the question what is the value of truth—how has truth come
to be valued as it is, and where has that led us? In contemporary philosophical language, what is the normativity of truth?
And further—concerning philosophy, science, and other forms
of inquiry—how does the will to truth stand in relation to
other values and desires? Is it really most primary in terms
of what ultimately motivates such work? This new focus of
inquiry is what Nietzsche links with the practice of “intellectual
conscience,” discussed at length in the chapters on parts VI
and VIII.
In assessing others’ philosophic projects, Nietzsche looks for
how their views are indicative of a judgment concerning the
value of life, and he explores relations among certain kinds
of judgments (and conditions prior to judgment) from a metaphilosophical perspective to demonstrate how and why, in the
history of philosophy, we have made very little progress in resolving some of our most ardent concerns, including: what is the
ultimate nature of reality? what is the status of human freedom?
and what is the nature of change, growth, and development?
Further, he considers various conditions that would have to
occur in order for things to be otherwise, in order for there to
29
NIETZSCHE’S BEYOND GOOD AND EVIL
be a future philosophy that does not simply reiterate and repeat
these errors of judgment. One such condition is recognition and
development of a new kind of taste.
Precisely what Nietzsche means by “taste” and why it matters
are complicated and multi-dimensional issues. Only rarely does
Nietzsche mention discussions of “taste” in the history of philosophy, as for example, when he refers several times (in ways
that are somewhat ill-informed) to Kant’s conception of “disinterestedness” in his Critique of Judgment. Sometimes, Nietzsche
appears to be discussing taste in a rather pedestrian sense—
the ordinary enjoyment that people seek out in their everyday
experiences, such as the taste for newspapers and beer. These
observations might seem irrelevant, although it becomes clear
Nietzsche intends something more, even these “loves” are relevant for his analysis. This stands in sharp contrast with Kant’s
concern with a kind of taste for something beyond what is
merely “pleasing,” and with the views of others who claimed to
be identifying and distinguishing refined taste.1 Nietzsche is
interested in these other senses too; he just doubts they are
unrelated to his broader concern about values and how they
shape objects of inquiry and motivate action. The topic recurs
throughout BGE, ultimately leading to exploration of the concluding question “What is noble?”
From the start, we notice there are at least three dimensions
to judgment Nietzsche explores: (1) the relations between judgment of the value of life and judgment of the value of truth and
knowledge; (2) conditions for judgment and “prior,” unconscious
motivations influencing conscious, stated motives—prejudices;
and (3) operations of judgments of taste as illustrative of the
conditions identified in “2” and ultimately reflective and indicative of judgments of the value of life, as in “1.” Much of BGE
explores how these three dimensions of judgment function and
are related in the case of philosophy, and Nietzsche anticipates
various changes that might have to occur in order to effect new
possible ways of thinking. Part I introduces a host of terms and
key ideas that Nietzsche develops, combines, and advances in
the rest of the book, so it is necessary here to deviate from the
format of the rest of the book, which largely traces developments as they appear in the text.
30
PART I: “ON THE PREJUDICES OF THE PHILOSOPHERS”
WILL TO TRUTH, WILL OF LIFE
The question Nietzsche lays at the feet of his readers, put simply
and starkly, is: What in us wants truth? (BGE 1; cf. BGE 11, BGE
16). He asks repeatedly, and shows how the pursuit of truth
takes curious turns. He does not deny truth; rather he challenges
dominant assumptions we have about the good of truth and its
normative force: Why not prefer untruth? An initial response is
obvious: we want truth because it is useful; it helps us get on in
the world. Nietzsche doesn’t deny this. But why not stop there?
There is very much involved in “getting on” in the world that
depends on untruth, or at least on overlooking “the truth” of
some things. Practically speaking, truth matters, but so does
untruth.
Untruth can take a variety of forms and connote different
senses,2 including: (1) simplification—we might think of this as a
kind of partiality: “untrue” because incomplete; (2) artificialization, which helps us better capture or sort out experience:
untrue because the ordering we use to make sense of something
is not really to be found in the world itself; (3) invention or fabrication, or an exercise of creatively producing images of all sorts:
untrue because such images are not direct representations of
anything particular in nature. Thus, we can see it is possible for
something to be untrue while not absolutely and completely
false.3 Untruth, in these senses, has its practical advantages; it is
unavoidable and admits of a variety of senses and degrees.
Conversely, the same could be said for truth—it has various
referents and admits of a scale. Nietzsche challenges the simplistic but enduring mistake of assuming that truth and untruth are
opposite values rather than there being various gradations,
“shades” of truth and apparentness (see ahead in BGE 32 and
discussion of the “will to appearance” in our Chapter 9 [part
VII]). Nietzsche sums up this worry in section 2 in which he
discusses the “faith in opposite values.” Throughout part I,
and periodically the rest of the book, Nietzsche examines other
instances of how the “faith in opposite values” generates other
false dilemmas that push philosophers into dead-ends, such as
the question of human freedom, for example, whether we are
absolutely free or absolutely unfree, discussed below. Overcoming the “faith in opposite values” is important not only for
31
NIETZSCHE’S BEYOND GOOD AND EVIL
gaining greater subtlety in our judgments concerning truth but
also for surmounting a potentially harmful aversion to untruth.
At least since Plato, as he notes in the preface, truth has come to
have intensive moral values attached to it—truth is good; untruth
is bad, at times evil, and should be avoided if not eradicated.
These attachments of moral and epistemic values also have
certain affective associations. We presume that what is “good”
is good to want (and have) and what is bad is not; and when we
cannot have the good, we feel bad, deprived, and wish it were
otherwise. This is a rather unfortunate circumstance if it should
turn out to be the case that untruth is not only inevitable but
also advantageous, since we would potentially avoid (and feel
bad about) what could in fact be good for us.
We have mentioned there are certain specific practical advantages of untruth in the fuller senses outlined above—consider
the enormous gain we enjoy through applications of the artificial structures of physics in engineering. But Nietzsche has in
mind more general, broader advantages of untruth and the
difference our affective attachments to it might make. These
concerns are linked with what Nietzsche has to say about the
“will of life,” which he contrasts with the “will to preserve
life” and various other motivations that might be thought
prominent in human experience such as the pursuit of happiness
or pleasure, safety, or security. Moreover, Nietzsche thinks this
will (to life, which can have various degrees of strength or
intensity) is also a powerful source of motivation in forming
“pre-judgments,” prejudices about which we are generally
unconscious, but nevertheless direct what we judge as true, real,
and good.
WILL AND AFFIRMATION OF LIFE
Even though we might highly value truth—enough that we
are willing to sacrifice very much for it—Nietzsche speculates
that, “For all the value that the true, the truthful, the selfless
may deserve, it would still be possible that a higher and more
fundamental value for life might have to be ascribed to deception, selfishness, and lust” (BGE 2). Nietzsche thinks although
philosophers often claim to value truth above all else, it might
nevertheless be the case that a will of life is higher or has greater
force and influence, and that will also wants untruth when it is a
32
PART I: “ON THE PREJUDICES OF THE PHILOSOPHERS”
condition of life (cf. BGE 24). We can see this expressed not
only in our conscious motives but also physiologically (BGE 3;
cf. BGE 23). At least two questions arise: what is the nature
of what we are calling “will” here? and how does Nietzsche’s
idea of human motivation as driven by “will of life” compare with
some sort of “instinct” for self-preservation? Nietzsche addresses
both of these concerns in part I, and he pursues them further
throughout the book and his writings that follow.
We cannot understand what Nietzsche means by “will” and
why he discusses it without recalling Nietzsche’s admiration of
and disagreements with Schopenhauer (1788–1860), whose
works he read with relish many times. Schopenhauer basically
accepted Kantian idealism: what we know as “the world” is the
product of the organizational structure and shaping forces of
mind such that we “know” things insofar as they appear to us,
insofar as they are phenomena; there is no knowledge of the
world as such (in itself), independent or “outside” of human
thought.4 But unlike Kant, Schopenhauer thought it possible to
bridge the phenomenal world of appearances and the noumenal
world of things in themselves: for Schopenhauer, appearances
are objectifications, representations of the world as will, the ultimate reality. We can know this by virtue of our felt experience
of ourselves as embodied and willfully causing bodily action: in
action we both sense our will as the cause of those actions and
see the objectifications of will that result (i.e., the movements
of the body). Thus, we have access to immediate knowledge,
according to Schopenhauer, of the noumenal world—will. All
that appears to exist is a representation of will, the fundamental
basis of everything. Unlike other philosophers who consider will
an important part of the soul that facilitates its development
toward full completion and perfection, Schopenhauer thinks
will is all there is, and it is essentially purposeless striving. This
lies at the heart of his pessimism: will does not have any particular aim, and it is not leading toward some ultimate perfection.
There is desire, yearning, want, and nothing more. The world of
appearances presents us with many different individual entities,
but behind it all there is nothing but striving will.
While immensely influenced by Schopenhauer, Nietzsche had
his own ideas about the concept of will and the activity of willing, which are indicated in part I, such as in his critiques of
33
NIETZSCHE’S BEYOND GOOD AND EVIL
“immediate certainties” (BGE 16) and the distinction between
the real and the apparent worlds (BGE 10); his complex conception of soul (BGE 6, 12, 17, and 19), and his challenge to the
ideas of causality upon which Schopenhauer’s views depend
(BGE 21). But what are most indicative of Nietzsche’s pull
away from Schopenhauer are his views about the complexity of
what we synthesize and bring together under the simple term
“will” (BGE 19), and his rejection of Schopenhauer’s particular
form of pessimism (discussed more fully in part III, Chapter 5).
However, there’s an important twist to note right away: Nietzsche’s
main problem with Schopenhauer’s pessimism is that he does not
take it far enough, he isn’t honest enough to pursue it to its final
conclusions (such honesty, in the form of what Nietzsche calls
“intellectual conscience,” is discussed in Chapters 7 and 8). Thus,
in many respects, Nietzsche retains a deep commitment to a central dimension of Schopenhauer’s philosophy (particularly, his
view that the world itself is valueless and lacks ultimate, positive
purpose), but he tries to take those ideas even further. Nietzsche
thinks his own conception of the world as will to power accomplishes this and allows him to explore a host of questions
Schopenhauer did not, could not, including “the problem of
morality” (see Chapter 7 on part V) and how it is possible nevertheless to affirm life, to love it.5
Before turning directly to the issue of Nietzsche’s pessimism,
we should clarify the claim that Nietzsche does not preserve the
distinction between appearances and reality that plays a major
role in the views advanced by Kant and Schopenhauer. Thus,
Nietzsche’s “will to power” is not his candidate or substitute for
the “in-itself,” the real world of noumena behind everything else.
“Will to power” is descriptive of the overall tendency of what he
calls “life”—everything seeks expansion of life, its conditions to
live (BGE 6, 13, and 23). It is also important to notice here that
“expansion” and “preservation” are not necessarily identical;
indeed, sometimes (perhaps often) expansion is pursued even at
the risk of preservation, as Nietzsche writes in the section in
which he formally introduces the idea of “will to power” (it
also appears briefly in BGE 3, 6, and 9): “physiologists should
think before putting down the instinct of self-preservation as
the cardinal instinct of an organic being. A living thing seeks
34
PART I: “ON THE PREJUDICES OF THE PHILOSOPHERS”
above all to discharge its strength—life itself is will to power; selfpreservation is only one of the indirect and most frequent
results.” We return to these ideas in greater detail below in consideration of what Nietzsche thinks it would be possible to
recognize if we were not blinded by some of the specific prejudices and views toward life he thinks have characterized much
of philosophy and were free to conceive our own selves, motives,
and future possibilities in new and different ways.
Challenges we face in rising to this task include pessimism—
the view that life is not worth living—and nihilism—the view
that there are no values, that nothing has any value (including
life). For Nietzsche, these are gravely serious matters because
they bear quite directly on the nature of our constitutions. He
is interested in the psycho-physiological effects these have:
these dispositions and beliefs express the relation of drives we
are (BGE 6). A pessimistic constitution can be indicative of a
life form in decline, in which the entity is not so strongly motivated by continuation or preservation much less cultivation and
enhancement of life.6 Such an organism might be dysfunctional,
with disintegrating instincts, what Nietzsche calls a “weaker”
will (BGE 2; cf. BGE 21). Someone who expresses nihilism might
lack reasons to pursue anything in particular, have any particular sort of order, and prefer anything above anything else.
Nietzsche thinks modern human beings are especially susceptible to these conditions.
All human beings have faced pessimism. There is plenty in life
that is difficult. We all suffer, and in the end, we all die. Moreover, this cycle—including the various turns that make up the
momentous occasions in our lives—just repeats itself in countless iterations: it is the same drama just with different actors, as
Nietzsche writes in WS 58. Viewed from the perspective of life
(and all eternity), our problems, challenges, and accomplishments are utterly mundane and insignificant. And it is not just
our own suffering that induces stress and distress: the suffering
of others also bothers most of us, compounding our suffering as
we suffer because of the fact that others do. Our disposition
toward suffering is especially telling, Nietzsche thinks, of our
judgment of the value of life. Given suffering, which seems
inescapable, is life worth it? Whether we answer “yes” or “no”
35
NIETZSCHE’S BEYOND GOOD AND EVIL
is indicative of the relative strength of our constitutions, he
suggests, indicative of the relative strength of will to power we
express.
Most of us find ways to console ourselves, compensate for,
or redeem suffering. Familiar strategies include distracting ourselves (e.g., celebrity gossip and politics), escaping it (e.g., alcohol
and other narcotics, or religious fixation on an “afterlife”), and
ignoring it by putting on a cheery face (though this might be
the least successful strategy given how pervasive and persistent
suffering can be). Another approach is to seek redemption or
compensation for suffering, which might utilize one of the other
strategies above, as for example, in the redemption of the life
of suffering in this world through a perfectly cheerful afterlife.
We shall discuss this at greater length in the next chapter when
considering Nietzsche’s thoughts about how art might offer
a kind of redemption in this life rather than an afterlife, and
thus potentially be a way of overcoming pessimism without
escaping or ignoring it, which was a theme explored in his first
book.
As previously mentioned, we should not think pessimism is
all bad; on the contrary, Nietzsche describes his own aspirations
as achieving a “pessimism of strength” (GS 370; cf. BT “Attempt
at a Self-Criticism”), and he reports he arrives at the perspective
of eternal recurrence through his effort “to think pessimism
through to its depths and to liberate it” (BGE 56). Whereas in
BT Nietzsche casts Homer as giving the ancient Greeks a hardwon cheerful veneer, which is instructive provided we do not
mistake it for ignorance or naiveté, he considers Schopenhauer
as providing a dose of brutally honest sobering reality at a time
when there is far too much mindless optimism and distraction
in the forms of blind convictions about human moral progress, dreams of transcendence of human limitations by virtue
of technological advancements, and optimism that science will
ultimately lead to human perfection and solutions to all our
problems. The challenge Nietzsche tries to meet involves exploring how it is possible to draw on the benefits of each: a sobering
look at what we are entitled to believe about the nature of our
existence and the exercise of our human creative capacities in
the course of maximally esteeming precisely this life. This entails
36
PART I: “ON THE PREJUDICES OF THE PHILOSOPHERS”
a great deal of reflection on who and what we are and how and
why we value what we do.
CONDITIONS OF JUDGMENT: OUR CONSTITUTIONS
Nietzsche thinks what we refer to as “consciousness” and
endeavor to distinguish from unconscious, non-reflective
“instinct” is in fact a variant or extension of the latter (BGE 3)
insofar as what we call “instinct” channels and guides what we
think and how. Thus, Nietzsche had great interest in studies of
heredity, morphology, and evolutionary biology.7 Throughout
part I, Nietzsche considers the “prejudices of the philosophers”
in terms of what he calls “a desire of the heart” (BGE 5), which
is abstracted and refined, justified after the fact, and presented
as though it were pure, objective, and independent of any personal need, wish, or interest. Rather than discoverers of truth,
philosophers are actually advocates for their prejudices even
though they do not wish to be called such. What Nietzsche calls
conscience would have them admit as much and wear their prejudices on their sleeves. This last point is especially important,
because Nietzsche is not suggesting that if philosophers really
want to get at the truth they should avoid all prejudice.
As for the form of these prejudices, Nietzsche thinks some
are motivated by settling personal grudges or feuds (suggested in
the case of Epicurus: BGE 7), while others refer back to a desire
for life—that is, for more of it, namely to expand; or for less of
it, that is, to flee (cf. BGE 28 and GS 340). Four key sections in
this part provide the basis for a much richer appreciation for
how Nietzsche thinks about the human constitution and its
capacities for judgment of the sorts identified at the head of this
chapter. In section 6, Nietzsche writes that what “characterizes”
(bezeichen) the philosopher is his “morality,” which “bears
decided and decisive witness to who he is—that is, in what order
of rank the innermost drives of his nature stand in relation to
each other” (BGE 6). Earlier in the same section, Nietzsche offers
the idea that what we are is a composite of drives, each of which
has sought to rule the others and articulate the world from its
perspective: “every single one of them would like only too well
to represent just itself as the ultimate purpose of existence and
the legitimate master of all the other drives.”8 In short, one way
37
NIETZSCHE’S BEYOND GOOD AND EVIL
to look at what we are is as a site of struggle among these drives,
each of which seeks to order the constitution of the whole and
set the terms for action. Since “every drive wants to be master,”
we can analyze philosophies as indicative of characters of orders
person are, particularly what drives rule and how they establish
relations among other drives.
How Nietzsche describes drives and their relations as constitutive of the “soul”9 bears some significant similarities to that
of Plato’s Socrates: he conceives it as an arrangement of many
parts, whose order is indicative of what rules the whole. Moreover, Nietzsche considers better and worse ways this occurs, in
terms of how ordering is achieved, the means used to achieve
it (his next book, GM, offers an in-depth analysis of how the
ascetic ideal functions in that way); what particular order is
achieved; and how the particular order is maintained (how
whatever rules continues to do so). But whereas Plato’s Socrates
appears to think there is a good and just order, Nietzsche is
concerned with analyzing how such arrangements come to be,
how estimations of the value of life play a role in ordering, the
fragility and stability of such arrangements, and how conceptions of soul bear on the other concepts we have. This latter
concern is particularly evident in section 12, which also provides
insight into how Nietzsche ends up talking about “soul” in the
first place, even though he is hostile to many things metaphysical
and prefers the modern scientific conception of the human to
its religious counterpoint.
A specific prejudice Nietzsche examines at the core of philosophy is what he calls “the atomic need”—a longing to determine
the fundamental “stuff ” of the universe great and small—and
he thinks this need is a major culprit in mangling thinking such
that it has led to the pursuit of a set of dead-ends. In section 12,
Nietzsche considers Boscovich’s arguments against the concepts
of “substance” and “matter” in which he develops a theory of
non-material, dynamic force-points or particles in contrast with
the Newtonian conception of corpuscular atoms.10 Even though
Boscovich might have managed to vanquish the notion that one
needs the atom to offer an account of substance, he did not
eradicate the “atomic need,” which Nietzsche thinks is metaphorically transferred and lives on in all sorts of forms, including
our conception of ourselves. What Nietzsche calls “soul atomism”
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PART I: “ON THE PREJUDICES OF THE PHILOSOPHERS”
is a manifestation of this need (cf. WS 9–11), which seeks to
identify an indestructible eternal core of things. But getting
beyond this need does not necessarily mean giving up on the idea
of a soul. Nietzsche suggests that there might be ways of revising
the “soul hypothesis,” including conceiving a “mortal soul,” or
“soul as subjective multiplicity,” or “soul as social structure of
the drives and affects” (§12), and in fact, he tests out several
of these in the book. Doing this conceptual replacement work is
one dimension of a wide-ranging set of activities, inclinations,
and cultivated capacities Nietzsche envisions as future philosophy, and it will take us virtually the rest of the book to identify
and collate them. For now, we note Nietzsche associates this
work of creating new (more adequate and fruitful) conceptions
with a form of artistic power, the precise nature of which is
uncertain even for Nietzsche, though he will try to draw increasingly more precise distinctions between such activity and its
contrasts. Two helpful indications of what this might entail are
available to us at this point as this allows us to make some quick
observations about Nietzsche’s empiricism and naturalism.
In section 10, Nietzsche discusses the age-old philosophic
argument of how to distinguish and reconcile the world of
appearances and the world as it really is. Nietzsche thinks this
exhausting problem can lead to nihilism: consider the debate
that leads Parmenides to conclude that “all is one” and the
apparent world of change (the world of our experience) is an
illusion; the developments of modern empiricism and idealism
reflect the very same concerns that motivated the earliest Greek
thinkers, Plato, the Epicureans, and the Stoics [cf. BGE 7–9]);
yet others evince what is described above in terms of an affirmative will (“stronger and livelier thinkers who are still eager
for life”), arguing for “perspective” and denying the (ultimate)
reality of the sensual world. Nietzsche calls these “skeptical antirealists and knowledge microscopists,”11 who are anti-modernists
wishing to retain an ancient sense of human nobility they find
lacking in the modern “village fair motleyness and patchiness.”
While admiring their skepticism, Nietzsche thinks they do not
follow their ideas far enough, namely to the point of questioning
the value of truth and the basis of nobility, such as he anticipates possible: “A little more strength, flight, courage, and artistic
power, and they would want to rise—not return!” (BGE 10).
39
NIETZSCHE’S BEYOND GOOD AND EVIL
In other words, instead of resorting to retrograde ideas, the antirealist rebels against modern philosophy might have created new
conceptions of human existence and its possibilities.
Nietzsche’s apparent admiration for the “sceptical anti-realists”
of section 10 stands in contrast with his apparent praise of
“sensualism” in section 15, which has been the subject of significant discussion in the Nietzsche literature, particularly as it
bears on Nietzsche’s naturalism and his assessment of the aims,
methods, and results of science. There is a sizeable body of
secondary literature that relies upon certain assumptions about
the meaning of Nietzsche’s claim, “Sensualism, therefore, at
least as a regulative hypothesis, if not as a heuristic principle,”
and engaging it would take us too far afield from the main
focus of this chapter, but we can make a few points about
Nietzsche’s apparent ambivalence about “sensualism” here.12 In
BGE 14, Nietzsche contrasts the noble thought of Plato who
“mastered the senses” by dulling and containing sense evidence
with those who are captivated by sense evidence, thinking it
supplies the basis of explanation rather than interpretation—
Nietzsche associates this with “popular sensualism.” But he
further contrasts this with a different sort of imperative stance
associated with the idea of “sensualism . . . as a regulative
hypothesis.” In setting these views side by side, we can see there
is a significant difference between them: “was sich sehen und
tasten läßt—bis so weit muss man jedes problem treiben” (only
what can be seen and felt—every problem has to be pursued to
that point; BGE 14 ) and “wo der Mensch nichts mehr zu sehen
und zu greifen hat, da hat er auch nichts mehr zu suchen” (where
one cannot find anything to see and to grasp he has no further
business; BGE 15).
The first concerns the extent to which a problem is pursued
by those holding the view of popular sensualism; the second
is about the limits of problems when guided by sensualism as a
regulative ideal. Nietzsche is certainly not rejecting the value
of sense experience, but neither is he limiting knowledge to
whatever can be the subject of empirical investigation nor is he
simply endorsing scientific explanation.13 Instead, he calls readers to reconsider the relation between invention and discovery,
and this might be the best way to understand what is at stake
40
PART I: “ON THE PREJUDICES OF THE PHILOSOPHERS”
for Nietzsche in the possibilities for revised conceptions of the
soul hypothesis.
In sections 11 and 12, Nietzsche suggests a new relation
between inventing and discovering—in which erfinden might
eventually lead to finden—could provide cues for possible
applications of the philosophical creative power previously
mentioned. In this case, it is important to not think of invention
as sheer (trivial or capricious) invention; the creation of new
soul hypotheses would not necessarily be pure fiction. That
Nietzsche anticipates such revised concepts will be inventions
rather than discoveries is consistent with what he says about
truth and what he has suggested about the limits of human
knowledge, particularly as it is sought in philosophy. But at this
point in the text, Nietzsche has yet to give much indication of
how inventions might lead to discoveries, so we must continue to
try to make sense of what this might mean as we move through
the book.
The contrast between invention and discovery is complemented
by Nietzsche’s distinction between interpretation and explanation.
Nietzsche thinks even the formalized sciences provide us with
what are interpretations, not explanations of the phenomena
investigated—as much as philology, which was trying to formalize its methods so as it make itself a science, provides
interpretations of its objects of investigation, so too does physics.
(It will take some work for Nietzsche to distinguish better from
worse interpretations, but it is clear he does think there are
differences; the fact that there are many interpretations does not
mean all interpretations are equally valuable.) Moreover, such
descriptions are always organized to suit our purposes or
interests. We continue to place more faith, namely faith in the
possibility of “world explanation” in physics because of an abiding faith in the senses. This is curious if we recall Nietzsche’s
discussion from section 13, since faith in the senses should have
been irremediably shaken by science (Nietzsche offers the works
of Copernicus and Boscovich as examples of what can undermine our senses of both the cosmic and the microscopic). So,
these scientific discoveries should have at least challenged the
sense-perceptive basis of science and empiricism, and yet they did
not. That we continue to have such faith that science is, in fact,
41
NIETZSCHE’S BEYOND GOOD AND EVIL
supplying explanations rather than interpretations, shows the
stubborn nature of our prejudices.
Nietzsche suggests his own conception of soul in section 19
in which he claims that “our body is but a social structure
composed of many souls [. . .] in all willing it is absolutely a
question of commanding and obeying, on the basis, as already
said, of a social structure composed of many ‘souls.’ ” This
section not only helps us better understand Nietzsche’s conception of human subjectivity (with possible implications for a
different conception of agency) but also sheds light on his
hypothesis, discussed below and in the next chapter, that “the
world defined and determined according to its ‘intelligible
character’—it would be ‘will to power’ and nothing else” (§36).
In section 19, Nietzsche discusses the complexity of willing,
which we are inclined to think of as simple in its composition
because we utilize a single word to describe what is a multifaceted process, another of our prejudices Nietzsche singles out
in part I. This complexity is comprised of at least three aspects:
sensations, thoughts, and affects. Cautiously, Nietzsche writes,
“let us say that in all willing there is, first, a plurality of sensations.” Moreover, every episode of willing is organized in terms
of “a ruling thought”: “let us not imagine it possible to sever this
thought from the ‘willing,’ as if any will would then remain
over!” And “above all,” Nietzsche claims, there is affect in willing. It includes “straining of attention” focusing on the object or
aim willed, and an “unconditional evaluation that ‘this and
nothing else is necessary now.’ ” Such affects are appropriate to
a commander, but in this case what is commanding and what is
being commanded are not two separate and distinct entities:
all commanding is a commanding over something else within
oneself that “renders obedience” or is believed so. Thus, it seems,
all willing involves both commanding and obeying: “we are at
the same time the commanding and the obeying parties.” (As an
aside we can note this is partially offered as counter-evidence
to the faith in opposites and the prejudice that something
cannot be both simultaneously [§2].) These characteristics—
commanding and obeying—have accompanying sensations,
which are in tension. Along with acts of will comes the duality
of sensations of “constraint, impulsion, pressure, resistance, and
42
PART I: “ON THE PREJUDICES OF THE PHILOSOPHERS”
motion.” But we grow accustomed to disregarding these
oppositions “by means of the synthetic concept ‘I.’ ”
What we call “will” has its appearance (as Anschein) in the
feelings that accompany obedience to commanding, and we
mistake this for the cause of the feelings. We might rightly
see Nietzsche as offering a phenomenology of willing here, which
also focuses on the psychological dimensions of motivation
rather than an explanation of willing.14 The terms of this sort
of experience and where it leads us philosophically and psychologically also direct us to Nietzsche’s hypothesis of will to power.
He seems to think the appearance of will emerges secondarily
in enjoyment derived in the “success” of willing, in “an increase
of the sensation of power, which accompanies all success.”
Notice that what is significant is the sensation of power and not
necessarily actual achievement of power. This can be compared
with the description of the “sovereign individual,” mentioned in
GM II:2, who is distinguished by his immense “sensation of the
feeling of power” among other things. Overcoming obstacles
produces a sensation we call willing; the pleasure of that sensation is intensified in taking ourselves to be the cause of such
triumphs.
As Nietzsche further elaborates the relation between the
“synthetic concept of the ‘I’ ” and willing, he claims these
multiple activities of commanding and obeying, presenting
obstacles and overcoming them, involve us in thinking not
only of a soul but of various “under-wills” or “under-souls”
struggling and competing to rule. In this way, we are like social
structures of many souls, an idea that harkens back to Nietzsche’s
discussion of soul atomism in section 12. And if we are social
structures then willing itself (as expression of the activity and
interrelation of the various parts of the “commonwealth” we
are) is subject to moral consideration. There is, in other words
and as philosophers much earlier and later would consider it, an
ethos of the self, the soul, which coordinates with the order of
rank it is and the character of the ordering thus maintained.15
In this respect, Nietzsche claims, “it is only a matter of strong
and weak wills” (§21) rather than “free or “unfree” ones. Souls
are conceived by Nietzsche as social structures subject to
order of rank in accordance with the relative strength of their
43
NIETZSCHE’S BEYOND GOOD AND EVIL
constitutive drives. This order of rank reflects the values of the
drives that dominate, and this is what amounts to what can
also be called taste—it consists of a set of priorities among
drives that characterize and orient the activity of any particular
organism or organization in question. What we want and what
we value matter very much for Nietzsche, because those things
determine or give shape to how we live (i.e., that for which we
have a taste orients what we pursue, what we define as meriting
risk, and what we avoid).
JUDGMENT AND TASTE
For this reason Nietzsche thinks his contemporary evolutionary
theorists who attribute to the whole species the ultimate value
of self-preservation, particularly conservation, simply fail to
account for the complexity of human valuation and the ways in
which it conditions life (§13). In this respect, Nietzsche focuses
his attention on a nexus of judgment, value, and taste. Judgment
concerns not only the true and the false but also the value of the
true and the false: why pursue truth, what in us wants the truth,
why might we also pursue untruth? What we judge and how we
exercise judgment are related to conditions of life, what makes
it possible for us to live and how. Other philosophers had
considered this in the past, of course, most famously (for our
purposes) Kant, who distinguished forms of judgment, including the kind of judgment that leads to knowledge (pure reason),
judgments about what we ought to do (practical judgment), and
judgments of the beautiful and sublime (aesthetic judgment).
But Nietzsche opposes this separation, denying there are separate “faculties” or realms of judgment. He considers instead
hierarchies of interests (often in terms of aims of drives) that
coordinate with orders of rule of the various parts making
up individuals, as we shall see further below and throughout
the book.16
Nietzsche thinks the kinds of lives we prefer and seek are
fundamentally related to tastes, as reflected in his early claim
that philosophy is not merely the love of wisdom, as the tradition often identifies it, but also involves having “sharp taste.”17
Thus, his discussion of the multifaceted nature of “Judgment” is
essentially related to questions of taste, particularly and ultimately whether one has a taste for life (cf. §9). Much like Plato,
44
PART I: “ON THE PREJUDICES OF THE PHILOSOPHERS”
Nietzsche distinguishes noble tastes from those that are base,
although (as evident in §14), he greatly differs with Plato about
what is noble and how it is determined.
In conceiving human willing as the expression or unfolding
of a complex interaction of obeying and commanding parties,
we can see Nietzsche’s perspectivism as linked with the constitution of what philosophers call “the subject”: that which says
“I” refers to whatever happens to be the ruling party in the mix.
A perspective is a viewpoint from a position of commanding
or obeying, shaped by the interests and values of that party.
Subjects view the world from the perspectives of their ruling
drives, and these drives can be distinguished in terms of what
they want; that is, they are defined in terms of what they seek or
pursue, or, finally, what they value. A will to truth is the expression of merely one of many such drives, which include making
money, politics, and so on (§6). Drives may be piqued, agitated,
or strengthened by popular opinion—they come to be strengthened by virtue of being widely shared among a number of
subjects, and they rule in this way. What Nietzsche thinks is distinctive about philosophy is that moral valuations predominate
and establish ranking orders among the other drives. Again,
since willing, as discussed in section 19, is encompassed in the
“sphere of morals” and “morals [are] understood as the doctrine
of the relations of supremacy under which the phenomenon
of ‘life’ comes to be,” philosophical perspectives can shape or
condition ways of life, possibilities for living, and not merely
different ways of thinking. This idea is contained within our
conception of what constitutes an ethos: it is the set of values
that gives rise to whole ways of being. This idea cues us to
what Nietzsche has in mind at the end of part I when he writes,
“psychology shall be recognized again as the queen of the sciences” (§23). He refers, at least in part, to an ancient sense of the
study of the soul, although he is obviously departing from
the conception of the soul as attributed to Plato or later to the
“soul atomists.”18
The philosophers of the future, it seems, if they are identical
to those who will endeavor to articulate “a proper physiopsychology” (§23) will practice psychology in the sense of
exploring the nature of the human soul, with particular attention to the command structure that emerges in the context of
45
NIETZSCHE’S BEYOND GOOD AND EVIL
willing (§20) and mindful of the conceptual quagmires Nietzsche
identifies in this part. There can be no value-less willing, no
thinking without willing, and therefore no philosophy free of
values. Thus, it would seem, whatever the future philosophers
do, it cannot be free of prejudice. The “free spirits” related, if
not identical to, the future philosophers, therefore cannot be
free or rid themselves of values. Their task must be somehow
otherwise defined.
When we look at Nietzsche’s critiques of values and judgments we see he measures them in relation to the conditions
of life they support. What kind of taste is cultivated so as to
direct life in a certain way, bring out certain qualities or characteristics rather than others?19 What is thereby strengthened
or weakened, and how? As we shall see, particularly in later
chapters, Nietzsche seems to envision philosophers potentially
playing roles in actually cultivating new tastes. Thus, future
philosophers do not simply try to understand the world; they
seek in some major respects to change it, and not just by helping
others know better, though this seems to be a dimension of what
part I describes, but also potentially in order to act differently
because they want different things. Motivating different action
does not simply turn on argument; it requires cultivation and
coordination, or direction of desire. Nietzsche’s assessment of
the condition of modern human beings turns on the difficulty
of this task.20
Taste is relevant insofar as what we want determines the
direction of our attention and energy, and what we love (what
wins out as wanted most) does this even more so. Thus, as he
puts it in section 5, “wishes of the heart” motivate our interpretations of the world, our metaphysical systems and conceptual
structures. Nietzsche is concerned to further investigate the
nature of such desires, how we come to have them, and their
various possibilities, because he does not advocate simply following one’s heart’s desire. As previously discussed in relation
to his investigations of our prejudices, Nietzsche thinks we need
to exercise a good deal more “conscience” in understanding
the origin and nature of our prejudices. Moreover, the content
of those judgments—what is valued and why—also deserves
scrutiny, particularly in relation to the degree to which such loves
46
PART I: “ON THE PREJUDICES OF THE PHILOSOPHERS”
are compatible and conjoined with a love of life. Very much like
the Platonic Socrates of the Republic, Nietzsche is concerned
about “right tastes” (e.g., Republic 410–12), although what makes
a taste right or otherwise “good” is a matter for considerable
reflection, and much of BGE explores just that concern right
up until the very end with the questioning of what is noble.
NIETZSCHE’S HYPOTHESIS AND HIS NEW PSYCHOLOGY
There may be no more popular association with Nietzsche’s
philosophy than the notion that he is a philosopher of power.
While familiar, Nietzsche’s views on power are generally not
well understood. By way of concluding this chapter, we introduce Nietzsche’s self-proclaimed “proposition” concerning “will
to power.”
Insight on Nietzsche’s curious idea can be gained negatively:
“will to power” is neither a substance nor a description of
people’s motivations. Nietzsche does not postulate some ultimate will that is behind and responsible for all (Schopenhauer’s
view). As discussed above, in section 19 Nietzsche highlights the
fact that what we call “will” is a complex of thinking, feeling,
and affect. Thus, “will to power” is chiefly defined as a psychological and physiological perspective or orientation and not first
and foremost a political aim or objective. Finally, it is not an
imperative or normative view about the value or desirability of
getting power over others, although subduing, dominating, and
exploiting are each manifestations of will to power (BGE 230,
see Chapter 9).
The idea of “will to power” is formally introduced in section
13, where Nietzsche challenges “physiologists” and their idea
of an “instinct of self-preservation” as the most influential
instinct directing the behavior of organic life. In commenting on
the theory of conservation, Nietzsche refers to what he understands of debates in the nascent evolutionary theories. Nietzsche
agrees with those such as Rolph and Roux who think organisms
seek expansion, or growth, rather than their own preservation
at virtually all costs.21 This serves as a clear indication that
Nietzsche is not simply discussing a psychological tendency of
human beings. He experiments with a variety of ways of elaborating these ideas in his notebooks and later writings. From the
47
NIETZSCHE’S BEYOND GOOD AND EVIL
very first to the last, he attempts to makes sense of the world in
terms of struggling forces, which result in various interpretations
rather than political projects: “The will to power interprets”
(KSA 12:2[148]).22 Such interpreting:
defines limits, determines degrees, variations of power. Mere
variations of power could not feel themselves to be such:
there must be present something that wants to grow and
interprets the value of whatever else wants to grow. Equal
in that—In fact, interpretation is itself a means of becoming
master of something. (The organic process constantly presupposes interpretations.) (ibid.)
In the end, what we designate with the word “life” is, according
to Nietzsche, “the tremendous shaping, form-creating force
working from within which utilizes and exploits ‘external circumstances’ ” (KSA 12:7[25]). There is no substance or core that
wills. There is simply this activity; what exist are centers of force
(“dynamic quanta”) situated in relation to others, and what
they are is constituted in and by their relations. What we call
“the individual” is “itself [as] a struggle between parts (for
food, space, etc): its evolution is tied to the victory or predominance of individual parts.” Its passing occurs in the context
of “an atrophy, a ‘becoming an organ’ of other parts” (KSA
12:7[25]).23
Since Nietzsche’s physics of interpretation and incorporation
conceives human beings (and all entities) as pluralities of relational affects, by living, by taking any action at all, we play a role
in creating reality. And the same holds true of our interactions
with others. We not only participate in shaping social reality, but
through engaging others, eliciting affects, and being involved in
relations with them, we are constituted by and participate in
constituting others as well.
In Thus Spoke Zarathustra Nietzsche’s character Zarathustra
articulates alternative ways of conceiving what a human being
is, how it develops, and how such conceptions might be relevant
for reflections on the aims of humanity as such. It is helpful to
keep these possibilities and their prospect in mind when reading
BGE. The activity of the future philosophers and free spirits,
the nature of future philosophy, and the orienting force of new
48
PART I: “ON THE PREJUDICES OF THE PHILOSOPHERS”
possible conceptions of nobility are certainly related to such
ideas. Thus, as we approach the end of Nietzsche’s first chapter,
which considers a variety of impediments to our development,
we might be reminded of some of these alternatives Nietzsche
considered previously.
In the second book of Z, the part titled “On Self-Overcoming,”
Nietzsche offers his first elaboration of the idea that all existence
is characterized by will to power in a speech addressed to “you
who are wisest,” the “lover of truth.” The desire to render intelligible what is true, good, and real is described as a manifestation
of will that ultimately seeks power. Zarathustra observes will to
power in life as establishing a dynamic of obeying and commanding. Every being aims at commanding, and what cannot
command obeys. He describes this activity as experimental and
risky: even what might be considered greatest will yield, will risk
itself for the sake of power: “And as the smaller yields to the
greater that it may have pleasure and power over the smallest,
thus even the greatest still yields, and for the sake of power
risks life.” The dynamic that characterizes life is described as one
of creation and recreation. The process does not simply characterize discrete relations. “Life” itself whispers in Zarathustra’s
ear that it is: “that which must always overcome itself.” Everything is connected in the paradigm of self-overcoming.
Within this paradigm Nietzsche’s Zarathustra offers an
alternative account of redemption.24 The overcoming being
Zarathustra anticipates does not become the measure of all
things but engages an activity of esteeming, of willing, that aims
at determining value. This enterprise is redemptive because it
seeks to replace or re-stamp values that hitherto have been
received. A particularly curious feature of Zarathustra’s conception of redemption is that it is organized, at least partially,
in terms of the past: “All ‘it was’ is a fragment, a riddle, a dreadful accident—until the creative will says to it, ‘But thus I willed
it.’ Until the creative will says to it, ‘But thus I will it; thus
shall I will it’ ” (Z:II “On Redemption”). Zarathustra’s redemption takes the form of a creative backward willing. In such a case,
one wills the past as if it were one’s own responsibility, as if it
were the result of one’s own willing it to be so. This is not merely
reconciliation with the past or passive acceptance of what has
transpired; rather it is at least partially reconstituting the past
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NIETZSCHE’S BEYOND GOOD AND EVIL
along the lines of that which one affirms. Thus, the past becomes
one’s own insofar as its significances and relations that serve
as the bases for value become essentially related to one’s own
perspective. A perspective thus transformed by the reconstituted
past potentially revises or reorients future interpretations. These
ideas lie at the heart of Nietzsche’s interest in history and the
kind of historical development that he associates with genealogy. Throughout BGE, we shall see Nietzsche appropriating the
past as well as scrutinizing past appropriations by others.25 To be
able to engage in this sort of activity is a kind of liberation as
Nietzsche sees it. The idea of will to power is meant to provide
a new way of looking at the world that potentially facilitates
new inventions that might lead to new discoveries. It does not
involve being free from the past, starting from scratch, retaining
no trace or influence of what one has been—such is impossible:
there is no such “blank slate”—but it is being free to utilize the
past in certain ways even though the success or failure of one’s
endeavors in such projects is undetermined and uncertain. We
explore this further in the next chapter.
Emphasis on this possibility of the concept of will to power
allows us to see that Nietzsche conceives his project, his “prelude
to philosophy of the future,” specifically as a kind of action, a
doing; and the stakes of this enterprise are not only possible different ways of living but the very possibility of living (this partially
explains Nietzsche’s penchant for melodrama). He regards his
project as so dangerous because he thinks it can undermine the
conditions of life. As we make our transition from part I to part
II, we can take further stock of just what Nietzsche’s project
seems to be and how he is pursuing it. One thing we can clearly
recognize at this point is that a facet of his “doing” is an “undoing,” a loosening of some sense of security we might have in
the thought that even though we might not yet have answers to
our philosophical and scientific questions, we are nevertheless
making progress, or that progress is at least possible. Nietzsche
challenges both the desirability of this goal and its likelihood.
In part I Nietzsche endeavors to lend credence to his claim
that “The power of moral prejudices has penetrated deeply into
the most spiritual world, which would seem to be the coldest
and most devoid of presuppositions and has obviously operated
in an injurious, inhibiting, blinding, and distorting manner”
50
PART I: “ON THE PREJUDICES OF THE PHILOSOPHERS”
(BGE 23). Part I describes this power as immense and irresistible
and how human thought, especially Indo-European thinking, is
almost entirely directed by prejudgments that close us off from
and inhibit certain kinds of inquiries, and others that send us
down dead-ends, sometimes with disastrous consequences. But
our situation must not be absolutely hopeless, for even though
it might well be that “the falsest judgments are the most indispensable for us” (BGE 4), it is still the case that we can recognize,
along with Nietzsche, the lack of justification we have for some
major assumptions that direct both metaphysics and physics,
and we can at least attempt to avoid some of these errors or draw
on more adequate assumptions. As discussed above, these enduring concepts and features of thought include: our assumptions
that “the things of highest value must have another origin” (i.e.,
an “other-worldly” character); our understanding of the basic order
of thought on the basis of the principle of non-contradiction
(sorting what is from what isn’t, existence vs. non-existence,
what is and is not the case, etc.) because of our “faith in opposite
values” (BGE 2); false dilemmas, such as whether the will is free
or (its opposite) unfree (BGE 21) and the division of the world
into “the real” and “the apparent” (BGE 10); the unjustified
assumption that there must be an “ego,” an “I” that is the responsible cause for, and the agent of, the activity thinking (BGE 17),
a “superstition,” which has saturated even our grammar such
that we can’t get along without subjects that stand behind and
are thought to be the causes of activity (BGE 17, 6, and 20); our
reification of what we perceive as cause and effect (projecting a
kind of agency onto “nature” or “the world” [e.g., BGE 21]); and
our tendency toward atomism, which extends not only to nature
but also to our conception of individuals, which are (at the least!)
complex and synthetic (BGE 6, 12, 16, and 17–21). The examples
Nietzsche discusses are not merely isolated cases of erroneous
thinking that ought to be avoided; rather they are indicative of
much larger problems for traditional philosophical projects.
Finally, Nietzsche makes at least three claims about the nature
of thinking that shed further light on how such “prejudices”
matter: (1) concepts grow organically, not in isolation (BGE 20);
(2) consciousness is not something wholly separated and isolated
from what we regard as instinctual: our ideas are influenced
by and “channeled by [our] instincts” (BGE 3), and these have
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NIETZSCHE’S BEYOND GOOD AND EVIL
physiological and evolutionary conditions (BGE 20 and 23); and
(3) valuations orient our ideas, even logic (BGE 3). In the case
of philosophers, this is even more exaggerated, since there are
whole moralities at work (BGE 6, cf. 8–9, and 19; consider also,
for example, the normativity of truth: BGE 1–4, 10, 13, and 23).
Nietzsche announces from the start that he is involved in
questioning “the value of truth,” the will to truth (BGE 1).
These are not just the musings or momentous deep thinking of
Nietzsche himself, but rather a place we have arrived in late
modernity (as suggested in the preface and repeatedly through
the use of the first person plural “we”). Nevertheless, Nietzsche
thinks he is pursuing something extraordinarily profound (BGE 1
and 23), and in a manner that is like none other. We get the sense
Nietzsche thinks he (or someone in the future) can somehow get
out of the “orbit” of thinking that has constituted philosophy
thus far and accounts for why “the most diverse philosophers
keep filling in a definite fundamental scheme of possible philosophies” (BGE 20). Does Nietzsche somehow think he will help
us get out of this scheme or expand it beyond recognition? This
will be a question we will pursue throughout the book.
We are thus primed to encounter Nietzsche’s discussion of
“The Free Spirit” or “The Free Mind” in part II. We now can see
that we are not talking about a special form of metaphysical
freedom; neither are we talking about simply ridding ourselves
of all prejudices, and we are certainly not pursuing a social or
political campaign for freedom in the democratic sense. In fact,
we can already recognize why it might be that Nietzsche thinks
democratic ideals are problematic and dangerous given his
politics of the soul we have just glimpsed. In particular, the
notion of the importance of rank ordering of desires is in tension with the inclination to treat everything as equal, the same,
to not give priority to rule of what is distinguished as what is
best. How this stands in relation to the ideas of another philosopher who similarly seemed to have an interest in the “politics
of the soul,” Plato, will be explored in the next two chapters
(on parts II and III) as we begin to see Nietzsche’s fuller development of what he earlier introduced as the possibility for
“refinement of the ‘soul hypothesis’ ” (§12) and how such might
sharpen the “question of morality” (part V), which is one of the
main problems of the book.
52
CHAPTER 4
PART II: “THE FREE SPIRIT”
Part II of BGE is usually translated as “The Free Spirit,” and
most of the English-language scholarship on Nietzsche uses
the phrase, but it could also be translated “the free mind” or
“free-mindedness,” and it is in this chapter we find one of the
most comprehensive, concentrated accounts in all of Nietzsche’s
writing of his own positive views. Virtually every topic of consequence in the book is raised in this part; many ideas vital to
popular interpretations of Nietzsche, such as his perspectivism
and his hypothesis concerning will to power, receive direct articulation here. Readers also witness Nietzsche trying to push
himself to practice the intellectual conscience mentioned in the
preceding chapter. In so doing, he forsakes certain facets of his
earlier conception of the free spirit (a kindred of Voltaire), and
strives to achieve a perspective somewhat freer of moralized
prejudices, those assessments and orientations treated in the
prior chapter. Three major sets of concerns form the basis of
our discussion: (1) Nietzsche’s views about knowledge (especially
§§24–5); (2) related considerations about understanding, including interpretation, masks, and intelligibility (especially evident
§§26–8, 30, 34, and 40); and (3) how his considerations of knowledge and understanding bear on the future possibilities for
philosophy, particularly philosophical engagement beyond good
and evil (e.g., development beyond the morality of intention
[31–3]; Nietzsche’s “proposition” of will to power [36], the “new
philosophers” [42–3] and how they might arise [29, 41, 44], and
how we are to understand this vision as it relates to the free
spirit [35]). We discuss the “free spirit” in detail toward the end
of the chapter. We can note for now that although Nietzsche
envisioned a series of his writings as thematically exploring the
“free spirit,”1 part II of BGE is the only substantial part of any
single work that bears that title, and it was written at a time
when it seemed Nietzsche had concluded his “free spirit” series
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NIETZSCHE’S BEYOND GOOD AND EVIL
(prior to writing Z). As a portrait or at least a sketch of future
philosophers becomes clearer in this part; we will explore the
notion in relief as compared with his earlier writings.
KNOWLEDGE: WILL TO TRUTH AND THE WILL
TO IGNORANCE
Part II opens with a bit of irony when in section 24, Nietzsche
invokes Jan Hus (1369–1415), “Oh holy simplicity!”. The Latin
phrase he cites is a common one underscoring human naiveté.
Despite our commitments to truth (indeed, perhaps even because
of such), we live in states of simplification (Vereinfachung)
and falsification (Fälschung), as the foregoing part illustrated.
Nietzsche opens his discussion on the “free spirit” with the suggestion that there are many ways in which our minds are not
free insofar as we are constricted by significant prejudices that
amount to perversions and falsifications of thought. But these
impediments to freethinking also serve the purpose of providing
another sense of freedom achieved through creativity and invention. As we shall see in a section below, this partly involves
not compulsively or stubbornly clinging to contradictions and
problematic concepts identified in the first part. In this respect,
Nietzsche repeats his concerns about contradictions he uprooted
in the first part of the book (e.g., the contradiction in terms of
the notions of “immediate certainty,” “absolute knowledge,”
and “thing in itself,” references to major concepts in the history
of modern philosophy, particularly in the views of Descartes,
Hegel, and Kant). This is the hallmark, but not the limit, of
independence for Nietzsche, and it is an important step on the
route to intellectual conscience. As we will see, Nietzsche thinks
that instead of securing a foundation for knowledge, we have
created for ourselves a foundation of ignorance (Unwissenheit)
that allows knowledge to rise further (cf. §10) for the enjoyment
of life. This will to ignorance, or unknowing, this will to lacking
certainty and truth should not necessarily be conceived as precisely the opposite of the will to knowledge (again, following
Nietzsche’s critique of opposing values [§2]); instead, it is rather
“its refinement” or purification.
We can see “refinement” as having at least two dimensions: as
purification it involves an attempt at cleansing the moral stain of
untruth, falsification, and artificiality; and as refinement it seeks
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a certain kind of knowledge resembling skepticism, which is
critical of certain ways of thinking and their products. Nietzsche’s
practice of this activity, however, does not terminate with the
conclusion that no knowledge is possible; neither does it claim to
have discovered the real or true path to knowledge. It offers a
refined understanding of knowledge and a different route to
achieve it, which involves the practice of intellectual conscience.
This is possible, Nietzsche thinks, with the acquisition of a
certain kind of taste, a kind of love, namely that for life. The
dynamic between the will to knowledge and the will to ignorance
is given a somewhat different twist later on in section 230 in part
VII, “Our Virtues,” so we return to this notion later. For now, it
is worth noting the ironic way part II begins, since in the section
following the opening with Hus, a martyr burned at the stake
that influenced Martin Luther, Nietzsche specifically cautions
against becoming a martyr for truth.
Nietzsche’s chapter on the free spirit also assesses the past
relationship between science and philosophy and envisions its
future. What has been said about science in the preceding
chapter and the issue of whether Nietzsche is an advocate of
scientific reasoning or its staunchest critic and destroyer must
be read in this light. When Nietzsche writes that “until now”
science has had to build itself on a foundation of ignorance, he
seems to be suggesting a new relation is possible in the future,
a new course that perhaps begins with his own book. “Until
now,” Nietzsche tells us, science emerged out of and rested
upon a “solidified granite foundation of ignorance, the will to
know rising up on the foundation of a much more powerful
will, the will to not know, to uncertainty, to untruth!” This relation, contrary to what we might believe and contrary to what
Nietzsche’s contemporary “Free Thinkers” (Freidenker) might
have thought,2 is not one of direct opposition—replacing untruth
with truth, ignorance with real knowledge—but rather “its
refinement.” The will to untruth is an expression of our tendency
to simplify and falsify, which Nietzsche thinks serves life. Pursuit
of untruth provides a measure of perceptible freedom, a sense of
bravery, a touch of lightness that makes it possible to be joyful,
to take delight in life. Even “the best science” will “best know
how to keep us in this simplified, utterly artificial, well-invented,
well-falsified world”; it remains “unwillingly willing” to embrace
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NIETZSCHE’S BEYOND GOOD AND EVIL
error in this sense precisely because “being alive—it loves
life!” Envisioning what such a project might entail and how it
encourages us to think about the value of truth itself are difficult
challenges Nietzsche begins to address in this part.
Thus, in section 25, Nietzsche expresses deep concern about
those who would sacrifice their lives in the name of truth itself
(rather than, perhaps, for particular truths). He emphasizes the
importance and priority of questioning one’s views rather than
clinging to one’s convictions strictly on the basis of a commitment to truth, particularly when such convictions are harmful
to life such that one must sacrifice life in order to cling to them.
So here Nietzsche underscores the importance of questioning
for life as essential to life, an idea that the very first section raised
as a dangerous possibility.
Those who secure the “good solitude” for themselves and
those who seek it willingly are contrasted with those forced
into solitude because of their inability to engage their enemies
or because of persecution. Spinoza and Bruno are cited as
examples of the latter that, because they became “compulsory
recluses,” ended up as “vengeance-seekers and poison brewers,”
who exhibit the “stupidity” of “moral indignation.” The latter in
a philosopher, Nietzsche claims, is a sure sign that “his philosophical sense of humor has left him.” We might imagine that
part of what constitutes such comedy is the gaiety and lightness
summoned in the prior section (§24). As Nietzsche considers
how martyrs for truth become degenerate (suspicious, resentful,
“poisonous”), he suggests the kind of freedom he envisions is a
condition for being good (gives one a right to be good), more
precisely, for remaining or staying good. This is surely relevant to
the title: in this passage, we have a different sense of ‘good’ than
the sense we are supposed to get beyond, which is invoked in the
opposition of “good and evil.”
The appropriate response to the degenerate philosopher
appears to be laughter, for he puts on a show like a satyr play,
“an epilogue farce” (§25). This recalls an earlier set of passages
in part I in which Nietzsche also evokes the satyr play and the
ass (§§7–9). Satyr plays in ancient Greece followed series of
tragedies and provided what might be regarded as comic relief
from the drama that preceded them. A philosopher’s desire to
sacrifice himself for the truth is not so much something to be
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lamented as it is a comic event that also reveals, in the end, the
“order of rank the innermost drives of his nature stand in
relation to each other” (§6). His will is weak, as evident in his
inability to affirm life (§21). And with that, we know that “the
long, real tragedy is at an end” (§25). This, Nietzsche claims,
entails “assuming that every philosophy was in its genesis a long
tragedy.”
The reference to actors and the satyr play recalls Nietzsche’s
earlier discussion of Epicurus and his view of the Platonists as
Dionysiokolakes (§7), which he follows with a citation from the
ass festival (§8).3 As Kaufmann points out in his translation of
BGE, the Greek term here is ambiguous, since dramatists could
be regarded as followers of Dionysus, the god of the theatre
and the deity thought to be behind each mask, and Plato is
known to have failed in the practical application of his moral
and political views in his counsel of the tyrant Dionysos of
Sicily. Nietzsche’s expression here also calls to mind the conclusion of his first edition of GS, whose fourth part (and original
conclusion) ends with a section entitled “Incipit tragodia”—
let the tragedy begin—a section in which readers are introduced
to Zarathustra, the protagonist of the book Nietzsche wrote
between publication of the first edition of GS and BGE. In
these works we can see how Nietzsche thinks philosophy
involves a kind of tragic undergoing (we meet the title character
Zarathustra as he descends among humankind, an episode to
which we find allusion in §26) and overcoming.4 By the time
Nietzsche writes BGE Zarathustra has died,5 but his is not a
tragic ending: the philosophy that emerges from his tragic beginning is still unfolding in Nietzsche’s works.
Nietzsche’s examples of decadents who become poisonous
are interesting, and these are revealing of his ideas about knowledge and his own project. Bruno (1548–1600) is the sort of
figure we might imagine would have appealed to Nietzsche, and
one attractive to those sensualists mentioned in the first part
(§§14 and 15). Bruno was martyred for his support of the ideas
of Copernicus (cf. §12). He was shunned from nearly every
academic community because of his opposition to Aristotle, he
advanced the view that the world was eternal and ever-changing,
and he anticipated a theory of relativity in his arguments against
Aristotle’s notions of opposites: “there is no absolute up or down,
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NIETZSCHE’S BEYOND GOOD AND EVIL
as Aristotle taught; no absolute position in space; but the position of a body is relative to that of other bodies. Everywhere
there is incessant relative change in position throughout the
universe, and the observer is always at the center of things.”6
In a play he wrote, which evokes themes of satyr plays, Bruno
features the “ass of Cyllene,” which skewers superstition. The
“ass” is everywhere, not only in the church at the time of the ass
festival (and at other times) but also in all other public institutions, including courts and schools. Bruno was a skeptic,
particularly about theological matters in which scientific reasoning offered evidence contradicting matters of faith, and he was
an advocate of free thought. We might, then, think he would be
a perfect model for a free spirit. And he was—but not the sort
Nietzsche appears to be advocating. Bruno was an icon for the
“free thinkers” (Freidenken) movement,7 with which Nietzsche
explicitly contrasts his free spirits in section 44, as discussed
below, but before moving on to this we press further on how
Nietzsche thinks about understanding and the routes to achieving and expressing it.
UNDERSTANDING: MASKS, INTERPRETATION,
AND INTELLIGIBILITY
It can be difficult to pin Nietzsche down, to know just what he is
talking about, and sometimes, this seems to be exactly what he
wants. There is plenty of evidence in this part of the book that
Nietzsche is interested in indirect communication. This opens
further opportunities for exploration, particularly if we consider
Nietzsche’s comments about “masks” (§40) in relation to his
conception of tragedy (and philosophy as tragedy) as well as the
musical and temporal dimensions of the text, all with an eye
toward deepening our understanding of Nietzsche’s ideas about
perspective and the revaluation of appearances.
While part I of BGE was about unmasking the prejudices of
the philosophers and challenging the integrity of those specific
masks, Nietzsche’s goal was not simply to eliminate masks or
even necessarily bring about their willful replacement. Sometimes
Nietzsche intends to deceive, as he himself tells us. Thus, it is
plausible and reasonable to expect that he dons masks in his texts
(e.g., §30). And it becomes clearer, once we appreciate his conception of the “soul as subjective multiplicity” and its development,
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that he thinks masks are inevitable, unavoidable, and that individuals in some respects bear resemblance to characters in the
ancient Greek plays (§40). We would do well to pay attention to
this, not so as to disclose evidence of Nietzsche’s free-wheeling
inventiveness, leading us wherever he or we want to go, but rather
to appreciate the dramatic context of masks and Nietzsche’s
view about the relation between philosophy, drama, and music.
In BT, Nietzsche dramatizes the tragic effect resulting from
the dynamic tension of creation and destruction in the opposition of the artistic forces of the Apollinian and Dionysian.
“Apollo” and “Dionysus” are names Nietzsche gives to formative tendencies that characterize both human culture and the
creative forces of the world more generally. Ancient Greek tragic
art, on Nietzsche’s account, created an arena in which the best
was drawn out of each opponent, in a dynamic through which
neither was allowed to dominate. In contrast with Aristotle,
who thought the pleasure of tragedy was the result of a kind of
purging (catharsis), and Schopenhauer, who thought that tragedy stills the strivings of the Will, Nietzsche thought the pleasure
of tragedy stemmed from a productive potency, the expression
of creative power, which could invest a human being with significance that was unattainable solely through the idealized imagery of
the Apollinian or the rapturous ecstasy of the Dionysian (BT 22;
cf. BT 7). We might contemplate how this is possible by considering further the relation between the masked and the mask.
Dionysus, god of the theatre, was thought to be behind each
masked character. The god Dionysus himself is not visible, and
appears only through and by virtue of masking; he is the god of
formlessness, destruction, sometimes chaos. Apollo is the god
of appearance, form and light, illumination, and sometimes
intellection. United in the context of a tragic work of art, the
Apollinian mask does not simply cover or hide the real Dionysus
who lies underneath. Together, Apollo and Dionysus create a
real character, one true in the sense of true to human existence,
sometimes in an idealized or exaggerated form that heightens
awareness of certain, very human, characteristics and their possibilities for both glory and ruin. So when Nietzsche champions
donning masks, he is not advocating hiding or necessarily engaging in deception. He is, at least at times, invoking this form of
creative activity that taps a distinctive kind of productive power.
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NIETZSCHE’S BEYOND GOOD AND EVIL
Tragic art, according to Nietzsche, dramatizes the struggle
between competing perspectives of the individualized and undifferentiated, the intelligible and the mysterious. It symbolizes the
entire process of human creative appropriation of opposition
and resistance. It offers a spectacular display of superficial images,
playfully built up and destroyed in a single work.
One of the most common interpretations of Nietzsche’s BT
is that it advances the claim that tragic art collapsed with the
diminution of the Dionysian.8 But we can see this tells only half
the story. If we focus on the effect the alleged abandonment of
Dionysus has upon the most crucial element of the tragic—
namely, the productive power of the union of the opposing
contestants—then we see that Nietzsche’s concern is for both the
Dionysian and the Apollinian. Certainly, Nietzsche thinks the
Dionysian is valuable, and Dionysus makes an appearance at
the end of this book and in Nietzsche’s later works, but readers
should avoid hastily concluding that Nietzsche admires tragedy
simply or exclusively because it gives the Dionysian its expression. Tragic art is so powerful, Nietzsche claims in his early work,
because it creates a contest of equally fundamental forces in
which, to cite “Homer’s Contest,” the opposing parties “incite
each other to reciprocal action as they keep each other within
the limits of measure” (HC p. 789).9 Readers encounter this idea
of the importance of opposites, their relations, and their dynamic
interrelations throughout BGE, as for example, in the interplay
of the will to truth and the will to ignorance in section 24, and
his return to it in section 230.10 With these ideas in mind, we
might look back to a set of passages that were bypassed in the
previous chapter, sections 7–9, since they shed further light on
the idea of the philosopher as a certain kind of actor (all people
are actors of some sort), and philosophy perhaps plays some
role in bringing about a new relation between appearance and
reality, truth and falsity, through appreciation for the relation
between the mask and the masked.
Recall that Nietzsche thinks it possible to discern the “order
of rank the innermost drives of [a philosopher’s] nature stand in
relation to each other” (§6) according to the morality he holds.
As a case in point, he offers a brief analysis of the Hellenistic
philosopher Epicurus (341–270 BCE). Epicurus was known for
his materialism (diametrically opposed to the idealism with
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which the Platonic philosophers would be associated) and along
with that his naturalism. Epicureans not only provided an
account of what we are (i.e., nothing but material atoms in a
certain arrangement) but also an ethics oriented around practices to facilitate shedding irrational fears and desires, especially
those associated with the fear of death.11 In his De Finibus
(“On Moral Ends”), Cicero criticizes Epicureanism, particularly
its ethics. This section of BGE is clearly related to the nearby
section 9, where Nietzsche mentions other Hellenistic philosophers, namely the Stoics for whom virtue was the good life
achieved through self-commanding. In this case self-control
was viewed as having the ultimate worth and constituting the
greatest power, and pity was discouraged.12
Sandwiched between these sections is a curious reference
in Latin to the ass festival, mentioned above. It is strange that
Nietzsche would interrupt the flow of his text here, but it is not
as much of a diversion as it might initially seem. In referring to
the ass festival, Nietzsche at the same time makes reference
to the even more ancient satyr play. So, following the reference to
philosophers as actors and their works as theatrical play (§7),
Nietzsche alludes to a facet of ancient drama that seems especially apropos for his critique—the buffoon in the satyr play.
Much as the foolishness of the satyr play followed the deadly
serious ancient Greek tragedies, Nietzsche thinks that the even
the most serious, somber, and dramatic metaphysical views
are eventually followed by the levity of the satyr play of the
philosophers’ convictions (cf. GS 1 and other passages on actors
and superficiality). That convictions are figured as actors in
a satyr play means Nietzsche views them as buffoonish and
comical. Moreover, this is also a clear allusion to his Z, where
Nietzsche uses the figure of the ass as one that solely says
“yea-yuh” to everything and thus to nothing of any genuine
significance.
Even philosophers who endeavor to avoid superficial trappings by getting “back to nature” face problems on Nietzsche’s
view. As it becomes clearer still, Nietzsche is not claiming that
the philosopher should have no values or that he should strive
for the kind of supposed objectivity of the scientist. In the first
place, Nietzsche does not think this is possible (recall, even the
quest for what is definite or for what is true, as opposed to merely
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NIETZSCHE’S BEYOND GOOD AND EVIL
apparent, reflects some kind of estimate, which could very well
be mere folly [§3]). And in the second place, values are what give
direction and organization to whole philosophical metaphysical
views. The problem is that philosophers fail to recognize their
truck with and responsibilities for values. A great example of
this is the Stoic dictum to live according to nature. This is at once
laughable and pitiful to Nietzsche. The Stoics placed great
emphasis on cultivation of self-control based on fairly strident
moral views—they sought a kind of natural justice within themselves and the world. But nature, Nietzsche claims, is neither
just nor unjust—rather, from a human perspective it is tremendously wasteful (e.g., fish lay thousands of eggs resulting in just
a few animals that survive to adulthood), indifferent (there is
no temperance in earthquakes such that ‘innocent’ lives are
spared), purposeless (although the temptation to see it otherwise
is great, as discussed below), “without mercy and justice,” and
at once “fertile” in some respects while also “desolate.” Given
these conflicting, opposing, inconsistent, and unpredictable
characteristics, how could we possibly divine a rule for life
from this? Living itself, Nietzsche suggests, takes the form of—
it simply is—“estimating, preferring, being unjust, being limited,
wanting to be different” (§9). Thus, in a certain sense living an
individual life seems to involve distinguishing oneself from the
whole. And even if the Stoic maxim could be revised to take
this into account so as to claim that we should “live according
to life,” what could that possibly mean—how could we not
do that?
What Nietzsche thinks is really going on with the Stoics is
that they wish to impose their morality on nature itself (not just
on other human beings, although obviously on them too).
Because they have already decided that nature itself embodies
Stoic values, they are incapable of seeing it any other way. The
Stoic case is extreme, only because of the rigid control it expects
of its adherents. But, in fact, every philosophy works this way—
“it creates the world in its own image.” This drive toward
world-making is both tremendously creative and tyrannical,
exhibiting the form of all drives seeking power (which Nietzsche
gives the name “will to power”). At the end of section 9,
Nietzsche claims philosophy is the most tyrannical drive toward
this ultimate form of creative activity. We might further suppose
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that if this is so, then it is potentially the most powerful and
certainly among the most interesting.
In BT 6 Nietzsche provides a powerful description of how in
early tragic art (until the time of Euripides), Dionysian music
finds its reflection in the Apollinian in which the appearance
of Will is the form of its longing, and desire is brought forth.
The Apollinian depends upon the music, and the music endures
the conceptualization manifest in the Apollinian. Euripides is
supposed to have initiated a new contest in which an emaciated
Dionysus is pitted against a Cycloptic Socrates (transmogrified
by his atrophied rationality) in a struggle in which neither can
emerge as truly better for having engaged in the fight. Nietzsche
seeks a route to revivifying the tragic agon which, in his first
book, he imagines as potentially realized in innovations Wagner
brings to the opera when he makes music (which lacks a visible
form) itself a character capable of interacting with others who
appear, take shape. Though he abandons the specific course to
this end, we might well recognize Nietzsche’s goal as constant.
Revivifying the tragic agon, reactivating a grand contest that
makes it possible to say “yes” to life, continues to be part of
Nietzsche’s project for most of his philosophical career, and his
invocation of the artist and his task as artistic at the end of part
III should attune us to this fact. But in the writings after Z it also
appears that Nietzsche becomes increasingly ambivalent about,
and perhaps eager to look beyond, the tragic. For example, in
BGE, although the philosopher may appear a tragic or comedic
figure, Nietzsche scouts a perspective from which this, and
all human trials and tribulations, would appear as laughable
(worthy of “divine laughter” [§30]). As we shall see, however, it
is not clear whether Nietzsche thinks such a perspective, something like a god’s eye view that he seems to reject in other places
in the book, is really possible. Moreover, Nietzsche also seems
ambivalent about the kind of reaction such a perspective might
elicit: it might just as well provoke rage or pity. This is a concern
discussed at the end of part III and in our own chapter on
part IV. Questions remains though concerning how such artistry
occurs and whether and how this is relevant to the sense and
extent to which Nietzsche thinks the task of the future philosophers is “to form man” (§62) Before we leap to that question,
we should further consider how Nietzsche begins to anticipate
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future philosophers and their possible emergence from a perspective beyond good and evil.
INTERPRETATION, PERSPECTIVE, AND VALUE
In sections 26–31, Nietzsche explores several related ideas he
previously introduced, including the idea that orders of rank of
drives are definitive of character (§6) and how the notion of the
soul as “subjective multiplicity” might be more adequate than
the conception of soul as atomic (§12). He does this in consideration of how “lovers of knowledge” emerge, express their taste
for knowledge, and face challenges that threaten their development. Section 26 begins with a simplistic image of a “choice
human being” who “saves” himself from the “many” or the
“crowd.” The image of the lonely (noble) philosopher who finds
the common “rabble” beneath him is familiar enough in the
history of philosophy, and Nietzsche is perhaps appealing to
those inclined to think that way. But rather than endorsing this
view of the philosopher, Nietzsche unravels it, makes it more
complex, and undermines the ideas of what such a person really
seeks as well as his or her own integrity or stability. Moving from
the simplistic notion of the noble and base at the beginning of
section 26, Nietzsche conjures images of people who are rather
like hybrid figures, mixtures of base and common elements:
Cynics are cast as those who are able to gain some distance
on themselves and recognize what is base within, combinations
of types (e.g., Galinani as a mixture of “billy goat and ape,”
figures with a scientific head placed on an ape’s body, those
who are like satyrs, half-man, half-goat).13 The purpose of this
section seems to be to highlight the difficulties of perceiving
the exception and rule, high and low. But also problematic is
the determination of such values and distinctions. It seems
clear Nietzsche is staking out the view that “whenever anyone
seeks, seeks, and wants to see only hunger, sexual lust, and
vanity as the real and only motives of human actions” (cf. §23),
and without disgust or dismay, that person is onto something,
has an insight that is valuable for the “lover of knowledge.”14
One can detect yet another revision to and deviation from a
classical view of philosophy, namely the Socratic conception of
philosophical pursuit as a form of self-knowledge. Given the
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propensity to hybridization of organic being Nietzsche advances,
self-knowledge is rather elusive if not impossible.
Further, it is not only difficult to understand oneself, it is also
difficult to be understood, as Nietzsche discusses in section 27.
Thus, if one thinks of philosophers as those who have some
mission to impart knowledge to others, this is a problem. Part of
the trouble is that differing orders of rank have different orders
of ruling, different ways of maintaining the orders they are.
One way of considering the relations among the multiple parts
is in political terms, like Plato’s Socrates in book VIII of the
Republic, and as when Nietzsche describes individual constitutions in terms of commonwealths, as discussed in the previous
chapter. Another way to appreciate differences among constitutions is by virtue of their temporal registers (§§27 and 28),
what one might call the music of their souls, harkening to
an even earlier philosophical notion allegedly held by the Pythagoreans.15 We return to the importance of tempo in later
sections of the book (especially the chapters on parts IV and
VIII.) For now, we note that Nietzsche calls attention to the
fact that some move and think swiftly, some slowly; some leap,
and thus have difficulty understanding others unlike them. But
Nietzsche also challenges the views that one wants to be understood with ease—rather, Nietzsche admits he tries to make his
work difficult to understand (§27), and at least part of the reason
for this is that he is encouraging the disuse of a good number of
familiar terms and concepts. The challenges of interpretation
Nietzsche elaborates here stem, in part, from his view that there
are different orders of rank of the parts of the soul (§30), that
these orders are difficult to discern with any confidence, and
this makes communication among the parts and among other
orders difficult.
Another challenge posed to inquiry and explication of the
world is that the opposition of the real and the apparent (discussed in the previous part) does not seem to hold. Nietzsche
suggests our desire to say “yes” or “no” to any appearance of
reality (as discussed in §34) is linked with the youthful “taste for
the unconditional” to which he draws attention in section 31.
We approach the world and cope with it on the basis of “perspective estimates and appearances” (§34; cf. §§2 and 3, where
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NIETZSCHE’S BEYOND GOOD AND EVIL
Nietzsche mentions “foreground estimates” and “provisional
perspectives”). In terms of their value, Nietzsche claims, “it is no
more than a moral prejudice that truth is worth more than
mere appearance”; moreover, this is a particularly harmful prejudice if it should turn out that untruth is a condition of life,
as Nietzsche thinks it is. Thus, he questions the diametrical
opposition of the true and the false, particularly when indexed
to good and evil. But rather than simply obliterating the distinction between true and false or undermining any basis for valuing
one over the other, Nietzsche contemplates the replacement of
the dualism with a continuum: “Is it not sufficient to assume
degrees of apparentness and, as it were, lighter and darker
shadows and shades of appearance—different ‘values,’ to use the
language of painters?” Again, the idea here is not to rid the
world of claims to truth or falsity or replace epistemic values
with aesthetic ones but rather to develop a more subtle appreciation for the different kinds of claims we might make, their utility,
and their value, and in this respect to recognize as potentially
quite valuable what is fictional, merely apparent, and literally false
but useful. Questioning the motivations and necessity of judgments such as these and developing openness to reconsidering
some of our most cherished beliefs about the world and ourselves is one facet of the new kind of conscience Nietzsche
anticipates for his free spirits and future philosophers.
Nietzsche’s contemporary “free thinkers” took their independence of mind as one of their hallmarks. The difficulty of
genuinely achieving such a state should by now be clearer, and
Nietzsche repeatedly undermines both the conception of independence and its possibility. In section 29, Nietzsche describes
the process of achieving independence metaphorically as entering “a labyrinth” in which lurk “dangers” that can lead to
one being “torn piecemeal by some minotaur of conscience.”
There are two things to flag about this passage, to which we will
return in this part and in later chapters. The reference to the
humanoid Minotaur and the labyrinth certainly evokes the story
of Theseus and Ariadne and the eventual relationship of Ariadne and Dionysus, which is mentioned at the end of BGE.
The other point of note is the word Nietzsche uses for independence: “unabhängig” (literally, not stuck, not dependent), and
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Nietzsche returns to this idea and elaborates it at the end of
part II, as we discuss below.
BEYOND THE MORALITY OF INTENTION
Following Nietzsche’s elaboration of the challenges facing the
spirit that might develop and ripen as he anticipates, Nietzsche
begins to look toward the future. It is an indication of our
youthfulness that we have “a taste for the unconditional” in
which we “venerate or despise without that art of nuance which
constitutes the best gain of life” (§31). This recalls our earlier
discussion of Nietzsche’s concern for taste, the relation between
tastes and forms of life, particularly a life informed by a positive
estimation of the human condition. The morality of good and
evil, based on its diametrical and radical opposition and its
“faith in opposite values” (§2) evinces the kind of taste Nietzsche
identifies in section 31. But readers detect a glimmer of hope in
his account, since the following sections 32 and 33 link this with
a kind of immaturity that he anticipates we just might be able
to overcome.
Section 32 is particularly important for appreciating Nietzsche’s
title Beyond Good and Evil and what it might entail. In it, he
provides a sweeping history of the development of morality as
such, a version of which he provided in earlier writings, and
which he elaborates in much greater detail later in the book
(part V) and in subsequent volumes (especially GM).16 It is useful to note that Nietzsche does not present himself as offering
a comprehensive or even necessary account. He provides instead
at least two models for responsibility, articulating them just
enough to aid in imagining a third. This section should be read
in light of others in which Nietzsche anticipates different conceptualizations for key notions such as the soul, the cosmos, and
our place within it. But Nietzsche is not just interested to coming
up with new ideas; he is keen to consider the relation between
the way we think about these basic concepts and how our thinking informs other, perhaps seemingly unrelated ideas, and how
these influence action and even whole ways of life.
The two types of ways of thinking about the relation between
action and value are exemplified in works of ancient literature
and modern moral philosophy; thus, Nietzsche associates the
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latter with a specifically “moral period,” whose reasoning would
appear alien to the characters in ancient literature.17 He writes,
“During the longest part of human history—so-called prehistorical times—the value or disvalue of an action was derived
from its consequences [. . .] it was the retroactive force of
success or failure that led men to think well or ill of an action”
(§32). Nietzsche associates this with a “pre-moral” history, in
part, because it presumed a somewhat less complex form of
agency and attendant culpability. The development of what we
might recognize today as morality obviously required multiple
steps that Nietzsche regards as both inventive and conservative
in some respects. The inventive dimension results in new depth
in the conception of the human soul insofar as modern moral
reasoning inserts a new entity (or facet) behind the action, as
the cause of the action: intention; and it attaches value to that
regardless of consequence. This is conservative in the sense
that it is “an unconscious aftereffect of the rule of aristocratic
values and the faith in ‘descent’ ” in which what matters most
is one’s origins, or, to use a term that will be prominent in
Nietzsche’s subsequent work, the genealogy of an action. It is
interesting to notice that this is no gradual progression of greater
understanding based upon ever more expansive horizons:
Nietzsche describes it instead as “a reversal of perspective!” that
involves a “narrowness of interpretation.” It is at once ingenious
(as testimony to human creative power) and calamitous (resulting
in a prejudice of value that produced some of the most destructive self-loathing and self-denial imaginable). Thus, Nietzsche
inquires whether we are on the threshold of yet another “reversal” of perspective that would produce another “fundamental
shift in values,” what he “negatively” describes as extra-moral
(aussermoral), outside of or beyond the moral.
This section provides us with much to consider about Nietzsche’s
overall goals and his routes to achieving them. One thing we
might notice is that it is not simply that Nietzsche turns his back
on morality and encourages others to do the same, but rather
he anticipates a movement in human development that would
render contemporary moral deliberations obsolete, one that
would invalidate its norms and judgments. The other important
facet to notice is how Nietzsche speculates this might occur, what
it entails: another reversal of perspective. We might imagine this
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would occur on the basis of a widening rather than narrowing
of view, though this is not quite clear. How it might be a broadening is suggested in Nietzsche’s repeated appeal to a “life”
perspective, but he also suggests even further intensification of
the penetrating view that resulted in the postulation of intent, a
“growth in profundity” insofar as one might regard intent and
what is conscious as “surface and skin—which, like every skin,
betrays something but conceals even more” (§34). In trying to
cast an eye beyond the morality of intention, Nietzsche speculates, “the decisive value of an action lies precisely in what is
unintentional in it.” This requires seeing intention as “a sign
and symptom that still requires interpretation,” which, in large
measure is what Nietzsche endeavors to do throughout much of
the book, and as we soon see, one of the ways he attempts to
do this is through shaping a new perspective that frees us, makes
it possible for us to see, feel, and think differently. Nietzsche’s
free spirits claim such a perspective and herald those who might
philosophize from it.
PHILOSOPHERS OF THE FUTURE
Section 42 announces the arrival of a new species of philosopher, “the philosophers of the future,” whom Nietzsche also
calls Versucher—attempters, experimenters. This name for the
future philosophers draws together a cluster of ideas raised
in earlier sections and also recalls Zarathustra’s description of
human society: “ ‘Human society is a trial [Versuch]: thus I teach
it—a long trial [Suchen]; and what it tries to find is the commander [Befehlenden]. A trial [Versuch], O my brothers, and
not a ‘contract.’ Break, break this word of the soft-hearted
and half-and-half!’ ” (Z:III “On Old and New Tablets,” 25).
In section 36, Nietzsche describes an experiment [Versuch] he
thinks the “conscience of method demands” and which leads
him to “posit[ing] the causality of the will hypothetically as
the only one,” speculating that “all organic functions could be
traced back to this will to power.” We gain insight here as to
what the experimentalism of the future philosophers might be
(more is suggested later in part VI): it involves experimenting
with hypotheses following from the conscience of method that
emerges in the wake of the critique of the “prejudices of the
philosophers.”
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NIETZSCHE’S BEYOND GOOD AND EVIL
Yet more is connoted with the German word Versuch (as
Kaufmann notes): Versuch also conveys a sense of “temptation.”
Kaufmann’s Z translation, cited above, obscures this sense,
which is easily recognized once we see the German text added
to the passage. Human society, human association is a temptation, a lure. It is not that we should avoid it altogether, as
we see in section 41, but we should resist getting stuck there.
However, Nietzsche’s text, considered as a whole is ambiguous
about the extent to which temptation plays a role. In part VI
he cautions against the Verführer (§205), the seducer (and he is
critical of the seductive nature of pretenses to disinterest and
altruism in §33), and yet something of the sort is suggested in
the value-creating power of the future philosophers, whose great
contribution to human welfare is that they make it possible to
want something other than what we currently do, to feel differently about what is good, what is desirable. The philosophers
of the future not only have different tastes; they become the
new standard bearers of taste. This is explored further in part
IX, where Nietzsche inquires into what might constitute a new
sense of nobility. For now we can take notice of the fact, as
many philosophers have previously, that taste does not become
shared on the basis of an argument, demonstration, or proof.
Taste is minimally about what one judges to be good, experiences as good in the sense of heightening and enhancing one’s
life. Directing desire in the way that the future philosophers are
conceived as doing later in the book (e.g., §§61 and 211) involves
some measure of seduction that draws upon the refined simplification and falsification highlighted in the opening section of
part II and vivified in the portrait of Dionysus at the end of the
book (§295).
We are now in a better position to understand what is said
about “commanding” and “independence” in section 41, where
Nietzsche writes: “One has to test oneself to see that one is
destined for independence and command [Befehlen].” Here,
Nietzsche uses the same term he did in the passage from Z
cited above, and readers might recall that he discussed commanding earlier in section 19: “we are at the same time the
commanding [Befehlenden] and the obeying [Gehorchenden]
parties.” The Versucher-philosopher is surely not strictly a commander over others. There is nonesuch pure and simple as
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PART II: “THE FREE SPIRIT”
Nietzsche considers it. (This, however, does not necessarily mean
Nietzsche is not thinking of commanding as having some sort
of control over others, only that such need not necessarily be
only what he is thinking.) To further explore both the free
spirits’ and future philosophers’ relation to others we can recall
the earlier discussion about independence (§29).
In section 41, Nietzsche returns to Unabhängigkeit.18 We have
already noted the choice of terms as interesting because he could
have used the more positive term Selbständigkeit19—literally,
able to stand by oneself, for oneself. Instead, he uses the negation of a term now commonly used in medicine and psychology
for addiction, Abhängigkeit. Literally, clumsily, Unabhängigkeit
means to be in a condition of not hanging on to (or being
stuck to) something. When Nietzsche provides examples of what
might constitute the “most dangerous games” one must play
to see whether one is destined or determined to command, he
lists a variety of things one must endeavor “not to remain stuck
to.” The difference this makes is that Nietzsche is not suggesting
that we have no attachments, or that we truly stand alone.
Instead, he is saying we shouldn’t get stuck, or more precisely,
shouldn’t remain stuck. We might very well need other persons
and draw near to people we love; we might need a sense of connection to a homeland; we might take pity on others, or even all
of humankind (§225); we might yearn to practice science and
have virtues. Nietzsche’s point is that we should not remain
stuck there—or anywhere. This idea is part and parcel of his
critique of the taste for the unconditional (e.g., §31). Nietzsche’s
ideal, if one is indicated here, is not one who simply stands alone
but rather one who doesn’t get stuck anywhere for too long, not
even (as the selbständig person might) to our own detachment.
Attachments are good, necessary; we form them in relation to
our tastes. The problem occurs when we do not let go even when
we have outgrown them or have good reasons to form other
associations we let these attachments define who we are and we
make them an essential part of our being.20 So, the free spirits
Nietzsche envisions do not long to be free of human community,
if they did, hospitality could not be their greatest danger, as it
is described in section 41 and implied again in section 44.
In light of these remarks, we can better appreciate what
Nietzsche means when he says that we should “take a stick and
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NIETZSCHE’S BEYOND GOOD AND EVIL
give any eyewitness a sound thrashing” when there appear
“actions of love and extravagant generosity” (§40). The idea is to
rid the witnesses’ memories of such loving and generous actions
not because they are bad or shameful but rather because they
are so enticing that they might draw us in such a way that we
get stuck where and when we should move on. Hospitality can
be the downfall of a rich spirit, particularly if we recall from
section 13 that “a living thing seeks to discharge it strength.”
In Zarathustra’s language, the overman seeks to be rich enough
so as to be constantly overflowing, to engage in gift-giving. But
there is difficulty in discerning at what point one’s giving away
gives way to one’s own destruction.
The organic metaphors of growth, maturation, and cultivation are significant in the concluding section 44, though their
use is somewhat curious for the purposes to which Nietzsche
appears to be putting them. When we cultivate a garden, we do
not expose it to the harshest conditions in order to strengthen
or improve it, and yet that seems to be how he thinks about “the
plant man.” Exposure to danger and risk are—somehow—the
way human beings improve and become stronger. Is this just
the result of Nietzsche’s idealization of the heroic individual?
Surely so, to some extent; but we can also see how this idea is
compatible with what Nietzsche thinks constitutes esteeming
life as he anticipated in the first part of the book. It is worth
thinking more about what is being valued here, how, and why,
particularly in Nietzsche’s claims that:
we think that this has happened [cultivation of the plant
man] every time under the opposite conditions, that to this
end the dangerousness of his situation must first grow to the
point of enormity, his power of invention and simulation
(his ‘spirit’) had to develop under prolonged pressure and
constraint into refinement and audacity, his life-will had to be
enhanced into an unconditional power-will. We think that
hardness, forcefulness, slavery, danger in the alley and the
heart, life in hiding, stoicism, the art of experiment and
devilry of every kind, that everything evil, terrible, tyrannical
in man, everything in him that is kin to beasts of prey and
serpents, serves the enhancement of the species ‘man’ as much
as its opposite does. (§44)
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This is consistent with what he writes at the end of part I,
where he suggests that, “If [. . .] a person should regard even the
affects of hatred, envy, covetousness, and the lust to rule as conditions of life, as factors which, fundamentally and essentially,
must be present in the general economy of life” he might further
conclude, no matter how sickening it might be, that these same
conditions “must, therefore, be enhanced if life is to be further
enhanced” (§23; cf. §§2, 26, and 188). In this light we can see
Nietzsche’s “free spirits” are clearly distinct from humanists, the
likes of which Voltaire might be thought to be representative.
FREE SPIRIT REDUX
The original 1878 publication of HH, subtitled “A Book for Free
Spirits” [Ein Buch für freie Geister], was dedicated to Voltaire,
so when Nietzsche gently chides Voltaire in section 35, he is
clearly indicating a shift from his earlier thinking about his
“free spirits” and their relation to the Free-thinkers to whom they
might bear resemblance. We are now in a position to mark these
distinctions more clearly and consider what Nietzsche thought
his own free-spiritedness or -mindedness led him to pursue. While
Nietzsche clearly is not a humanist as many free-thinkers were,
he is also not a misanthrope. Loving life, as Nietzsche imagines
it, includes even the affirmation of things that from the humanist perspective look lamentable, pitiable, and even abominable.
The Freidenker share a faith in the power and goodness of
human reason as the route to truth. While Nietzsche embraces
replacement of Luther’s “worm of conscience” (the bad conscience) with the “conscience of reason,” he rejects unconditional
thinking. Like the Freidenker, Nietzsche affirms independence
and a certain kind of autonomy, but he conceives of this as freedom from attachment (not self-standing). Nietzsche embraces
freedom from the grip of morality, which stands in some tension
with the humanism of most Freidenker, but he arrives at this
position thinking that it might be possible to get beyond it. All
of this is captured in his thought experiment of the will to power
to which we now return.
We have already elaborated some of the important sources for
Nietzsche’s thought of will to power and its content in the discussions of sections 13 and 23 above. Here, we want to explore it
as exemplary of Nietzsche’s own free-spiritedness or -mindedness
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NIETZSCHE’S BEYOND GOOD AND EVIL
and how he might construe this as an outcome of his practice
of intellectual conscience, which we highlighted above. Immediately, we are invited to join a Versuch, to suppose that we give
up our intellectual props, what we take for granted as “given,”
to “suppose nothing else were ‘given’ as real except our world of
desires and passions and we could not get down, or up, to any
other ‘reality’ besides the reality of our drives—for thinking is
merely a relation of these drives to each other” (§36; cf. §§16 and
19). Nietzsche asks whether this could provide a sufficient basis
for understanding the world in which the relations of our affects
provide insight to a “pre-form of life” in which “all organic functions are still synthetically intertwined along with self-regulation,
assimilation, nourishment, excretion, and metabolism” (ibid.).
Nietzsche thinks his experiment is not only justifiable but also
required on the basis of intellectual demands for simplicity and
consistency—he claims his is an attempt to find a single form of
causality rather than having to rely on several. While this might
seem to violate his prohibition on unconditionality, Nietzsche
makes it clear that he is not dogmatically insisting that there be
only one form of causality but rather that before we postulate
several sources, we should “push to the limit” even “to the point
of nonsense” of what we have and not simply recoil when we
do not like the way things are going. He calls this the conscience
of method and the moral of method: it is a practice of seeking
that maintains its commitment to truth even if it undermines
other cherished beliefs, or the foundations of the inquiry itself.
Nietzsche then reconsiders the conception of will as efficient
(in ways that are somewhat in tension with his earlier discussion
of willing in §19). If we “push it to the limit” as described above,
then we have to further experiment (again, Versuchen) with “the
hypothesis” of will as the sole causality, the idea that only will
can affect will, not “stuff,” and all effects, insofar as they depend
upon some active force, are the effects of will.21 It is on this
basis of reasoning that Nietzsche supposes what he calls his
“proposition”: “our entire instinctive life [is] the development
and ramification of one basic form of the will—namely, of the
will to power.” It is significant that Nietzsche takes unusual care
here in identifying a positive view he claims and a fairly detailed
account of how he reached it.22 On this basis he arrives at the
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perspective he claims at the end of the section, the one from
which we might imagine the book is written (recalling the claims
of §23): “The world viewed from inside, the world defined and
determined according to its ‘intelligible character’—it would be
‘will to power’ and nothing else.”23 Looking further ahead to
the fifth book of GS, written and published just after BGE, we
can see how knowledge of pushing to the limits in this way is
empowering and liberating, for it strengthens one’s ability to
command and thereby lessens one’s need to be commanded by
others, as for example, in the need for the unconditional.
Section 347 of GS critically scrutinizes faith, dogma, and what
Nietzsche calls fanaticism in terms of the organization of the
commanding/obeying structure he articulates repeatedly in
BGE. While we are all orders of command and obedience, what
commands and what obeys, how commanding occurs and exercises its control in relation to the other parts, the extent to
which we consciously identify with what commands, and the
felt quality of power we experience all vary considerably and
provide the bases for the distinctions of types Nietzsche describes
throughout his works. In the case of the believer, Nietzsche
thinks this command structure is so dilapidated and dysfunctional that the only way it can experience the pleasure of power
is, perversely, by being subject to it, by being commanded: “the
less one knows how to command [befehlen], the more urgently
one covets someone who commands, who commands severely”
(GS 347). What Nietzsche describes as the “free spirit par
excellence” is someone with “such a pleasure and power of selfdetermination [wäre eine Lust und Kraft der Selbstbestimmung],
such a freedom of the will [eine Freiheit des Willens denkbar] that
the spirit would take leave of all faith and every wish for certainty,
being practiced in maintaining itself on insubstantial ropes and
possibilities of dancing even near abysses.” Having explored the
ways in which the free spirit is free, as described in BGE part II,
we can appreciate that how the free spirit encountered in later
portions of GS has developed an organization and relation of
affects (which Nietzsche identifies both with strength [BGE 21]
and health [HH P:4]) that allow him to be free of the need to
be commanded, to identify with and experience the powers of
command within himself. While this resembles other conceptions
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NIETZSCHE’S BEYOND GOOD AND EVIL
of autonomy in the history of philosophy, it is distinctive in
its recognition of complexity, flexibility, and content (i.e., the
pleasure in living, feeling oneself to be a power in the world
such that one does not need to seek out or cling to unconditional
supports).24 How this stands in contrast to the perspective, tastes,
and needs of the religious being is explored next.
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CHAPTER 5
PART III: “WHAT IS RELIGIOUS”
The German title of the chapter is Das religiöse Wesen and could
also be translated as religious “essence,” “nature,” “matter,” or
“disposition.” In it, Nietzsche continues in part the analysis
of religious matters he conducted in his free spirit trilogy
(1878–1882).1 The analysis of the religious “essence” in BGE
focuses its attention not on the objects of religious dread and
longing but on the religious being.2 What is the history of
the problem of “science and conscience” (Wissenschaft and
Gewissen) in the soul of the religious human being? Given his
reputation as a free spirit, atheist, and self-proclaimed antiChristian, the reader might expect that Nietzsche is simply going
to be hostile toward religion, but this is far from the case and
the great surprise of the material contained in Nietzsche’s
nuanced and complex work. The chapter is also notable for
its enigmatic presentation of the eternal recurrence (§56), the
second such presentation in Nietzsche’s published corpus outside of Z. It is not insignificant that the thought is presented as
an “ideal” of a type in a chapter devoted to religion.
THE INTELLECTUAL CONSCIENCE
Nietzsche opens the chapter in section 45 by speaking of the
human soul and its limits, of its history to date and “as yet
unexhausted possibilities,” and says this is the “predestined
hunting ground” of a born psychologist and lover of the “great
hunt” such as himself. He confesses to feeling isolated in this
great task; scholars, he says, cannot be relied upon since the
“great hunt” also contains “great danger” and here scholars lose
“their keen eye and nose.” Nietzsche soon makes it clear in the
section that his concern is with the psychology of the religious
human being, and to work on this problem one might need
an “intellectual conscience” as “profound, wounded, and monstrous” as that possessed by Pascal. Here we are dealing with a
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NIETZSCHE’S BEYOND GOOD AND EVIL
“swarm of dangerous and painful experiences,” and to survey
the psychological field of problems such experiences throw up
one needs a “malicious spirituality” capable of arranging the
material and forcing into formulas.
Pascal held that even if the Christian faith was not capable
of proof, it is the fearful possibility that it is in fact true that
should compel us to prudently become a Christian. Pascal is
a figure that fascinates Nietzsche. In AOM 408 he mentions him
as one of several figures from whom he will accept judgment,3
while in EH (“Why I am so Clever” 3) he describes him as “the
most instructive victim of Christianity,” and in a note from 1887
as “the admirable logician of Christianity” (KSA 12:10[128];
WP 388). Pascal embodies in his intellectual being what characterizes Christian faith from the start, as Nietzsche makes clear in
the next section (§46): “a sacrifice of all freedom, all pride, all selfconfidence of the spirit,” and, at the same time, “self-mockery,
self-mutilation.” The Christian faith is marked by a cruelty and
self-mutilation (“religious Phoenicianism”), which afflicts a conscience that is over-ripe, manifold, and pampered. Here we have
a peculiarly religious psychology in which, Nietzsche says, “the
subjection of the spirit” must hurt indescribably. Without the
Christian faith, Pascal thought, we would become, no less than
nature and history, “a monster and chaos,” and this requires our
negation of nature, history, and man (KSA 12:9[182]; WP 83).
Pascal employs moral skepticism as a means of exciting the need
for faith and for it to be justified. In short, Christianity breaks
the strongest and noblest souls and Nietzsche says in a note of
1887–1888 that he cannot forgive Christianity for having
destroyed a man like Pascal (KSA 13:11[55]; WP 252; see also
KSA 12:5[25]; WP 276 on the gloominess of the strong, such as
Pascal and Schopenhauer).4
Intellectual conscience is the key to understanding important
aspects of Nietzsche’s philosophy: how it works, what drives it,
and the questions it poses and makes central. It is a curious
conscience in a way: it tells us what is wrong or faulty in our
ways of living, thinking, and feeling and rejects in principle anything that has been merely inherited and passed down and on
(whether consciously or not). It aims to give us a set of methods
and tasks by which we can become those that we are, supposing
we want to become them. What is the case for Nietzsche is that
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we do not know; we don’t know what we claim to know (this
is especially true with respect to the whole field of “morality”).
We in modern Europe, he says, claim to know what Socrates
confessed he didn’t know, namely, what morality is. Nietzsche
construes the intellectual conscience as the superior form of
conscience, the conscience behind our conscience (GS 335). As
the practice of genuine science it challenges practical reason and
the attempt to use knowledge to satisfy the heart’s desire (A 12).
The intellectual conscience demands that we do not accept
anything on trust and that we question existence. Nietzsche
writes on this most potently in GS 2:
To stand in the midst of the “discordant concord of things,”
and of this whole marvellous uncertainty and rich ambiguity
of existence without questioning, without trembling with the
craving and rapture of such questioning . . . this is the feeling
I look for in everybody. Some folly keeps me persuading that
every human being has this feeling, simply because he is
human. This is my kind of injustice.
In GS 319 Nietzsche speaks of making our experience a matter
of conscience for our knowledge, which entails practicing a type
of honesty (Redlichkeit) that is quite alien to founders of religion and moral systems. It requires listening to the sounds of
one’s being and being conscientious through knowledge: “What
did I really experience? What was going on inside and around
me? Was my reason bright enough?” Those who are thirsty for
reasons and knowledge want to face their experiences as sternly
as a scientific experiment, “hour by hour, day by day!” They
want to be their own experiments and guinea pigs. In GS 324
Nietzsche speaks of the great liberation in terms of life being an
experiment for the knowledge-seeker, which is to be practiced
not as a duty, a disaster, or a deception, but rather a world of
dangers and victories in which heroic feelings have their dance
and playgrounds. With the principle “Life as means to knowledge” one can live not only bravely but also gaily or cheerfully.
We do not live in fear of life or wish to shield ourselves against
misfortunes and wrong turnings simply because we are confident in our possession of intellectual resources and physical
strength and that will enable us to profit from all experiences,
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NIETZSCHE’S BEYOND GOOD AND EVIL
good and bad. In GS 335 Nietzsche addresses the issue of how
difficult it is for us to follow the Delphic oracle, “know thyself,”
and observe ourselves adequately. The aphorism is entitled
“Long live physics!” and its opening questions make it clear that
by physics Nietzsche simply means the methods and techniques
of observation and self-observation. At the end of the aphorism
he argues that we can no longer posit valuations and ideals either
in ignorance of what we discover to be lawful and necessary in
the world or in contradiction to it. This attraction to “physics”
places a constraint on creation, and what compels and binds us
to it is our honesty or probity. Nietzsche is subjecting our claim
to being sincere and upright to the scrutiny of the intellectual
conscience. We need to put our claims to sincerity or rightness
to the test, and in part this test is “physics” where it denotes
learning the physiognomy of moral judgment and evaluation
(e.g., its prehistory in the instincts, the likes and dislikes, etc.).
“Physics” is shorthand for knowledge and its practices. The
Latin probus means “good”: in this aphorism Nietzsche’s basic
task is to push us to the limits of what it means to be good or
just. In short: one can never be good or just enough, the scope
for self-deception and dishonesty is immense. For Nietzsche,
knowledge requires thinking against oneself and refashioning
the heart’s desire (see §23 on the “hearty conscience”).
This problem of “knowledge and conscience” is given a prominent place in BGE III and returns as an important theme
in later chapters, notably, when Nietzsche addresses himself to
the task of the future philosopher. As one commentator has
noted, the new philosopher is faced with the task of forging
a new conscience on the basis of new knowledge (e.g., life as
will to power): “Hardness of conscience is a Christian attainment not to be abandoned but transformed into a post-Christian
conscience, intellectual conscience or the vice by which the
mind rules the heart” (see BGE 230 on being “hardened in the
discipline of science”).5
REVALUATION OF ALL VALUES
Nietzsche makes two main points in section 46. The first key
point is that the faith of original Christianity is not the faith of
a Luther or a Cromwell, “or some other northern barbarian of
the spirit,” but rather the faith of Pascal since it amounts to a
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continual suicide of reason. Right from its inception, then,
Nietzsche contends, Christian faith is a form of sacrifice (of
freedom, pride, self-confidence, etc.). It rests on a pampered
conscience. This conscience, however, has bred within us qualities such as doubt and suspicion, which can now be utilized by
free spirits to carry out the “self-sublimation” of morality and to
question the universalist claims and hegemony of “morality.”
Nietzsche, for example, will go on in the book to make use of the
honesty of the intellectual conscience in his call for man to be
translated back into nature (BGE 229–30). The second key point
he makes concerns the revaluation of all values of antiquity
promised by the paradoxical formula, “god on the cross.” Here
Nietzsche touches on a topic that will occupy him in the first
essay of his next work, GM, and the idea that in ancient history
there took place a slave revolt in morality. He notes at the end of
section 46 that the last great slave rebellion took place with the
French Revolution. The Oriental slave took revenge on Rome:
on its noble and frivolous tolerance and its “catholicity” of faith.
The psychology of the slave can be understood in terms of a
need for the unconditional; what outrages the slave about the
masters is the latter’s freedom from the fanaticism of faith, “that
half-stoical and smiling unconcern with the seriousness of faith.”
Nietzsche thus points out that “Enlightenment” about faith is
what outrages since it has eschewed the need for the fanatical
and unconditional.
Let’s focus on the two terms Nietzsche uses to explain the
slave revolt: inversion and revaluation. The formula “god on the
cross,” Nietzsche says, amounts to the boldest “inversion”
(Umkehren) yet seen in history; it also promised a “revaluation”
(Umwerthung) of the values of antiquity. What is being
“inverted”? And what is an act of inversion? To invert is literally
to turn upside down, so in this case Nietzsche is getting at the
fact that the slave revolt inverts a previous moral order and
set of perspectives of the world (perspectives on suffering and
cruelty, on good and bad, on what is noble and base), but it does
so in a manner that remains in thrall to that which it seeks to
overcome or conquer: it is essentially reactive (“the meek shall
inherit the earth” as a declaration of revenge, for example).
A revaluation by contrast suggests a new positing of values and
a break with previous values (good and evil over good and bad,
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humility over self-confidence). The two are closely linked of
course in Nietzsche’s mind. He sees his own revaluation project
not so much in terms of the creation of new values—that is to
come in the future and after the revaluation—but more in terms
of humanity performing a supreme self-examination (EH “Why
I am a Destiny” 1). The task is to reverse prevalent valuations
that reversed ancient valuations and thus conduct an immanent
or internal criticism: what claims to be “eternal” will be shown
to be historically specific; what claims to be absolute will be
shown to be perspectival; in short, our “morality” will be shown
to be mendacious, hypocritical, and dishonest.6
Nietzsche stresses the fact that because Christian language
is essentially dead for us moderns, we no longer can feel the
gruesomeness of the formula “god on the cross” as it would
have struck a classical taste. But he wants us to reimagine its
“horrible” and “questionable” character. What in fact characterizes modern man is not so much the task of revaluation but
rather the temptation of a new European Buddhism, and it is
this movement Nietzsche seeks to uncover and take to task
in his next book, GM. Today, Nietzsche observes in a note of
1885–1886, Christianity has declined in fearfulness and we see
emerging an “opiate Christianity,” one that is intended to soothe
diseased nerves and has no need of the fearful solution of “god
on the cross.” This explains why Buddhism is gaining ground
in Europe (KSA 12:2[144]; WP 240).
Section 47, along with sections 50 and 51, treat the enigma
presented by the figure of the saint and we will take them
together. In section 47 Nietzsche focuses on Schopenhauer and
Wagner as two recent examples where this enigma reveals itself.
In Schopenhauer’s case there is the fixation on the question
of how a denial of the will to life through a saintly existence is
possible. Nietzsche contends that this question seems to have
been the one that inspired Schopenhauer to become a philosopher. In Schopenhauer this is not the moral saintliness of the
compassionate person, but rather the ascetic saint who secures
the highest insight into the nature of reality. The world and the
people in it are disowned. The highest good sought by philosophers from Plato to Kant does not consist in feeling universal love but in the denial of the will. This is Schopenhauer’s
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doctrine of renunciation. The transition to it can be explicated
as follows:
(a) The compassionate person “knows the whole” and “comprehends its inner nature”; all that exists is involved in
a constant passing away, a vain striving, and a continual
suffering. Wherever we look we see a suffering humanity,
a suffering animal world, and a world that passes away
(WWR I p. 379).
(b) We now reach the point at which this “knowledge” becomes
a quieter of all and every willing, and where the will now
turns away from life, “it shudders at the pleasures in which
it recognizes the affirmation of life.”
(c) At this stage we attain to a state of voluntary renunciation,
resignation, true composure, and complete will-lessness. Seeing
the vanity of all existence we now wish to deprive desires of
their sting, to close the entry to all suffering, “to purify and
sanctify ourselves by complete and final resignation” (ibid.).
Schopenhauer is basically tracing a path from virtue to asceticism. One has to develop an aversion to the will and know this
as an eternal truth. This means renouncing nothing other than
one’s “inner nature,” including one’s sexual impulses: “voluntary
and complete chastity is the first step in asceticism or denial
of the will to life.” The human being who remains in a state
of delusion is like someone who lives life as a circle of red-hot
coals with a few cool places that console him. The human being
of true wisdom sees himself in all places, hot and cold simultaneously, and so freely withdraws from life. The saint effects the
transition from virtue to asceticism through a rigorous and
exacting practice of self-discipline, involving not only fasting
but self-castigation and self-torture. Only through constant
privation, and the suffering this entails, can the saint kill that
which he abhors and knows to be the source of all human misery
and suffering. Moreover, Schopenhauer goes so far as to say
that the saint positively welcomes every suffering that comes to
him be it through chance or the wickedness of others, including
every injury, every ignominy, every outrage, and every humiliation. Why? Because they provide him with the opportunity of
proving to him that he longer affirms the will.
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There are several questions one can ask about Schopenhauer’s
“deduction” of the saintly existence, including how compatible
it is with the rest of his system in The World as Will and Representation (e.g., if Schopenhauer is right about the fixity of
intelligible character, how can someone with an inborn sinful
character become saintly?). However, this need not detain us
here. Instead, let us return to Nietzsche in BGE. Nietzsche’s
focus is explaining how the whole phenomenon of the saint has
exerted such an extraordinary attraction on human beings of all
types and ages, including philosophers. His answer, “beyond any
doubt,” is that it carries with it the air of the miraculous, such as
“the immediate succession of opposites,” of states of soul that are
judged morally in opposite ways (§47). It appears as something
palpable to us that the sinner or bad person has suddenly and
miraculously been transformed into a saint or good person. As
a result, the psychology developed to this point in intellectual
history suffers shipwreck, and Nietzsche wonders whether this
was because hitherto this psychology has been developed under
the dominion of morality, that is, the system of thought that
believes in opposite moral values and reads and interprets them
into the texts and facts (see BGE 2 on these opposites). Nietzsche
invites us at the end of the section to consider that what might
be at work here is a “mistake of interpretation” and “lack of
philology” or close and slow reading. Throughout his works,
Nietzsche emphasizes the need to read well and actively seeks
to cultivate the right readers (see, for example, D Preface, GM
Preface; and discussion of part IV).
THE RELIGIOUS INSTINCT
In section 51 Nietzsche’s focus is on probing why the most
powerful individuals have equally been drawn to the saintly
figure and bowed before him. His answer is that they see in the
saint, consciously or not, a will to power expressing or manifesting itself no matter how perverse and monstrous this will to
power is. As such, the powerful were honoring something in
themselves when they honored the saint. In addition, the powerful ones learn a new fear before the figure of the saint: such is
his miraculous and elevated state above nature that the thought
arises in them that there has to be some reason for this existence
of ascetic self-denial and anti-nature, as if he possessed some
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“inside information.” It is the will to power that brings them to
a halt before the saint. Nietzsche ends the section on a playful
note by not finishing his sentence: “they had to ask him.” The
most likely conclusion Nietzsche wants his readers to infer is the
lesson of the will to power: the powerful ones lacked a proper
psychology and could not infer what we are now able to, namely,
that the “meaning” of the saint resides not in the external will
of a transcendent power (God) but in life conceived as will to
power and which is able to assume spiritual forms as it becomes
sublimated.
Section 49 contrasts Greek religiosity with Christianity: where
the former is a religion of gratitude the latter is a religion of fear.
In section 52, Nietzsche contrasts the Old and New Testaments
and sees the latter as more to the taste of modern Christians (it
was also Schopenhauer’s preferred text), whereas his taste, so the
hint is given, is for the former. The Old Testament is Jewish and
a book of divine justice. It is a monument to what humanity was
once capable of, containing speeches “in so grand a style that
Greek and Indian literature have nothing to compare with it.”
We can only stand in reverential awe, even terror, before it. The
New Testament, the book of grace, by contrast appeals to the
taste of us “tame, domestic pets” of modern-day Europe. Given
this fundamental contrast between the two books, Nietzsche
asks, was it not a great literary sin to have put them together in
the one Bible?
In section 53, a short section, Nietzsche asks, “why atheism
today?” and responds in essence by suggesting that it is because
the human, all too human qualities of God, as that which we
have bestowed on him, have been refuted: God the father, the
judge, the rewarder, and so on. In addition, Nietzsche notes—a
point he had already made in D—God is notoriously unclear in
his communication (we simply don’t know what he wants or
what his intentions and plans are) (see D 91). God does not hear
our pleas to him and even if he did hear he would not know
how to help: there is a huge chasm between us and this distant
God. However, at the end of the section Nietzsche claims that
the religious instinct in man is far from diminishing as a result
of the rise of atheism; on the contrary, it is growing powerfully
even though the “theistic satisfaction” is refused with a deep
suspicion. What exactly does Nietzsche mean in making this
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complex point? On the one hand, he might be referring to the
fact that although atheism is in the ascendancy, our ways of
thinking still remain in the grip of morality and metaphysics, in
short, the “prejudices” he sought to expose in part I of the book.
On the other hand, he may be referring to his “religious” satisfaction, which is about to come to the fore in section 56, in which
the will to power and affirmation of life are to be subject to
a kind of deification and eternalization. This suggests that the
religious instinct is not only a religious neurosis as seems to be
stated in section 47 but rather that it can assume both neurotic
and healthy forms as a kind of god-forming and worshipping
instinct, such as the expression of gratitude to life.7 In this respect,
atheism is something of a modern disaster for Nietzsche simply
because humankind is left empty, unable to satisfy its religious
instinct and devotes all its energies to an entirely secular culture
with no aspiration to anything higher or superior to itself.8
In section 54 Nietzsche focuses on modern philosophy as
a form of epistemological skepticism and that is, “overtly or
covertly,” anti-Christian but not anti-religious (and as stated in
the previous section). The attempt has been made to get rid of
the old concept of the “soul.” Hitherto the soul was believed in
as one believed naively in grammar and the grammatical subject,
as in Descartes’s famous proposition about the cogito: “I think,
therefore I am,” in which “I” is the subject and thinking is the
predicate: “thinking is an activity,” Nietzsche says, that supplies
the subject as the cause of thinking. Nietzsche then talks about
how Kant refined and criticized this proposition by making the
“I” the effect of a synthetic unity of apperception necessary for
thinking but in which neither subject nor object can be proved as
such. Rather, they enjoy a merely apparent existence in the sense
that they are not substantial entities but formal ones: they are
empirically real but not metaphysically foundational.9 When
we speak of substances and faculties—the Ego, the Will, and so
on—we are engaged in fabrication. We are distorting and simplifying processes and events that are much more complex than our
categories and established modes of thinking enable us to appreciate. Nietzsche wishes us to be on guard against this tendency to
substantialize entities, including ourselves, in this way, and this
is why he is sympathetic to Kant’s critique of the paralogisms
of pure reason in his Critique of Pure Reason (1781/7) since the
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positing of the transcendental unity of apperception does not
allow us to make any knowledge claims about the subject as a
substance. In this respect, Nietzsche notes, modern European
philosophy appears to be is moving toward a position on the
“I” and the soul held by Vedanta philosophy and that formed
part of its tremendous power (see also GM III:27 on this
philosophy).
In section 55 Nietzsche writes of a “great ladder” of religious
cruelty composed of numerous rungs, and singles out what he
takes to be the three most important (a) the sacrifice of human
beings in a pre-moral period to one’s god, such as one’s most
loved ones or of the first born in prehistoric religions; (b) the
sacrifice, “in the moral period” he says, of one’s strongest
instincts to one’s god, and which centers on the cruel eyes of
the ascetic and enthusiast of the “anti-natural”; (c) finally, the
sacrifice of God himself and, as a piece of self-cruelty, in favor
of the worship of the nonhuman (stone, gravity, fate) and the
nothing. It is this final sacrifice, Nietzsche says, that is reserved
for the generation now coming into existence. This final sacrifice
contains a “paradoxical mystery,” since it sacrifices those things
for the sake of which the other sacrifices of humanity were made
and that hitherto consoled it, such as “all hope, all faith in
hidden harmony, in future blisses and justices . . .” This amounts
to a nihilistic sacrifice.
ETERNAL RECURRENCE
In EH Nietzsche recounts the story of Zarathustra and mentions
how the basic conception of the work, the idea of eternal recurrence, offered as the highest formula of affirmation attainable,
“came” to him. He tells us that the idea belongs to August of
1881, and was jotted down on a piece of paper with the inscription “6000 feet beyond man and time.” He was walking through
the woods beside the lake of Silvaplana in Sils Maria when he
stopped beside a mighty pyramidal block of stone: “Then this
idea came to me.” In his unpublished notebooks, dating from
August 1881, Nietzsche presents the eternal recurrence variously
as a cosmological hypothesis, a new center of gravity with respect
to existence, an existential challenge, and a new mode of being
ethical (of any action I propose to undertake I can ask myself,
“do I want to do this again and again?”).10 In the first published
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presentation of the thought in GS 341 Nietzsche employs the
thought to bring the text to a climatic denouement, providing
an affirmation of life in its sternest and most troubling forms
and as a counter-doctrine to the famous dying words of Socrates
(“I owe Asclepius a cock”), which Nietzsche reads as expressing
a desire to escape from life since it is but one long illness
(GS 340). The original 1882 edition of the text concludes with
an aphorism that introduces the figure of Zarathustra into
Nietzsche’s writings for the first time and in which, it is stated,
“the tragedy begins” (GS 342). In GS 341 the thought centers
on a demon that steals into our existence and the hour of most
solitary solitude and presents us with the challenge of the
thought that asks us if we are prepared to live over again and
again this existence in the same sequence and succession. How
well-disposed toward ourselves and life, it is asked, would we
have to become to want nothing more ardently than this ultimate and eternal confirmation and seal? That is, how could we
transform such a burdensome thought (“the greatest weight”)
into something joyful? It is only in the notebooks that Nietzsche
works out various sketches for a cosmological “proof ” of the
thought. For Nietzsche, then, it is a hypothesis—he considers
it to be the most scientific of all hypotheses, and one that is
appropriate for a totally godless universe in which there are no
end goals or final purposes at all—and one that he challenges
himself to hold: he thinks he has the earned the right to hold it
on the basis of his having worked his way through, but also
beyond, Schopenhauer’s pessimism. In essence, Nietzsche depicts
a world of forces that suffers no diminution and no cessation, it
is a world that never reaches equilibrium, so that whatever state
this world can achieve, it must have achieved not only once but
innumerable times. Let us take this very moment, Nietzsche says:
has it not already been here once before, and many times, and
will it not recur as it is? Is it not the same with the moment that
gave birth to this one and with the moment that will be its child?
He then turns to address humanity in this way. The whole of
one’s life turns again and again like an hourglass, including every
pain and every pleasure, every friend and foe, every hope and
every error—“the entire nexus of all things.” Nietzsche adds:
“This ring, in which you are a grain, shines again and again.” He
concludes with the decisive insight: “In every ring of human
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existence there is always an hour in which the most powerful
thought surfaces, first for one, then for many, then for all, that of
the eternal recurrence of all things—it is each time for humanity
the hour of midday” (KSA 9:11[148]).11
In section 56 Nietzsche presents eternal recurrence as expressive of an ideal of a superhuman well-being: “the ideal of the
most audacious, lively, and world-affirming human being.” To
be capable of holding to this view one needs to have become
supremely well-disposed toward oneself and life, and this is why
the affirmation of the thought implies or requires entitlement.
Here it works in the context of working through the world-weary
pessimism of Schopenhauer’s denial of the will to life, and takes
Schopenhauer’s pessimism into dimensions of life it did not have
the courage to go.12 In section 56 he writes of seeing a drama or
hearing musical performance and declaring loudly “de capo”
(from the beginning), which we don’t just say to ourselves but
to the whole drama of which we are a part and which requires
our existence for its completion and perfection. To say “yes” in
Nietzsche’s sense (highest formula of affirmation attainable) is
to include the repetition of the “yes” (“I want it again and
again”). It is this “again and again,” the repetition, that confirms
and seals. In a note of 1881 he writes:
We always want to experience a work of art over and over
again! One’s life should also be fashioned in this way, so that
one has the same wish as regards each of its parts. This is the
main idea! Only at the end will the teaching be presented of
the repetition of everything that has been, once the tendency
has first been planted, so as to create something, which can
flourish a hundred times more strongly in the sunshine of this
teaching! (KSA 9:11[165])
With regards to this section in the chapter, attention should be
paid to the following: (a) Nietzsche is attempting to think pessimism down to its depths and to liberate it from the narrowness
and simplicity (“half-Christian” and “half-German”) in which
it has presented itself to us in the nineteenth century, notably the
philosophy of Schopenhauer; (b) Nietzsche is attempting to
think and work through pessimism “beyond good and evil”
and free of “morality,” with an “Asiatic and supra-Asiatic eye”
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(the reference is clearly to Nietzsche’s appropriation of the
historical and fateful figure of Zarathustra)13; (c) that this
attempt may lead, without intending it and just possibly, to an
inverse or opposite ideal (umgekehrte Ideal); (d) and, finally,
that the affirmation contained in the thought makes both the
spectacle necessary and the affirmer himself necessary; would
this not be, Nietzsche ends by saying, “a vicious circle made
god?”. It seems clear here that (a) the “god” in question is not
the God of Christianity but Dionysus (see also BGE 295), and
(b) Dionysus provides a personification of cosmic eternal recurrence.14 If this is right it cannot be the case, then, that merely
an erotic necessity is at work for Nietzsche; rather, the “necessity” in question must be of stronger kind, namely, a physical or
cosmological one (though we can imagine human beings coming
to love this necessity as in Nietzsche’s doctrine of amor fati, GS
276; EH “Clever” 10).15
With the thought of eternal recurrence, to what extent is
Nietzsche offering a religion of the future to supplement or
complement his philosophy of the future?16 This thought, he
says, contains more than all religions that teach us to despise
this life as something merely fleeting and to focus our gaze on
an indeterminate other life (KSA 9:11[159]). It is an experiment
designed for new modes of living. This “powerful thought” uses
the energy that has hitherto been at the command of other aims.
It has a transforming effect, not through the creation of any new
energy but simply by creating new laws of movement for energy.
It is in this sense that it holds for Nietzsche the possibility of
determining and ordering individual human beings and their
affects differently (KSA 9:11[220]). For Nietzsche the eternal
return is “the hardest thought” (der schwerste Gedanke). He
stresses it can only be endured through a revaluation of all
values: “No longer joy in certainty but in uncertainty; no longer
‘cause and effect’ but the continually creative; no longer will to
preservation but power; no longer the humble expression, ‘everything is merely subjective,’ but ‘it is also our work!—Let us be
proud of it!’ ” (KSA 11:26[284]; WP 1059). In order to endure
the thought of return one needs freedom from morality, new
means against the fact of pain, and enjoyment of all kinds of
uncertainty and experimentalism as a counterweight to extreme
fatalism. It is this “greatest elevation of the consciousness of
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strength of human beings” that comes into being as the overhuman or superhuman is created (KSA 11:26 [283]; WP 1060).
We should not be on the lookout for unknown felicities or
bestowals of grace; rather, we should make the effort to live in
such a way that we wish to live this life again and like this for
“eternity.”
In one note from 1887 Nietzsche speaks of his “fundamental
innovations,” saying in place of moral values he posits purely
naturalistic values; in place of society the culture complex; in
place of epistemology a perspectival theory of the affects; and
in place of metaphysics and religion the theory of eternal recurrence (as a means a breeding and selection) (KSA 12:9[8]; WP
462). Nietzsche will treat religions as means of cultivation/
breeding and education later in this chapter of BGE. Eternal
recurrence has an affinity with religion in that it is a doctrine
of (Dionysian) faith (TI “What I Owe the Ancients”: 4–5). But it
is a faith concentrated on life, on the this-worldly character of
the actual world, not otherworldliness. Nietzsche conceived the
cultivation of the teaching in terms of a slow sinking in: “whole
generations must build upon it and become fruitful so that it
will become a large tree, which would overshadow all humanity
to come” (KSA 9:11[158]). Like religion, it must provide a
response to pain and suffering since these are what lead people
to embrace metaphysics and religion in the first place. This explains
why Nietzsche says that to endure the thought of return, one
needs various things such as freedom from morality (in the sense
of the eternal peace of the transcendent, the purity of the good),
new means against the fact of pain, and the enjoyment of all
kinds of uncertainty and experimentalism.
What would be the new means against pain and suffering?
For Nietzsche it is not suffering per se that is a problem for
human beings but rather senseless suffering. As Nietzsche says
in GM, human beings can welcome suffering provided there is
a meaning to it or that can be credited to it. He further notes in
this text that suffering was not senseless for either human beings
of ancient or primeval times or for Christians; it is only becoming such for us moderns and for obvious reasons. The naïve
humans of ancient times saw suffering as a spectacle and created
festivals of cruelty devoted to this spectacle; the Christian sees in
suffering an entire hidden machinery of salvation. So, how will
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we atheistic moderns now approach questions of pain and suffering? At the moment, Nietzsche thinks we are responding to
this by relying upon or trusting the gay science—life as a riddle
or life as a problem of knowledge (GM II:7). This is our hope
and eternal recurrence is our consolation. But it is not without
ground: the pessimist of strength finds “senseless ills” the most
interesting; they are entirely natural and stripped of evil (KSA
12:10[21]; WP 1019). Nietzsche does have a worry about this and
it informs his analysis of the ascetic ideal in GM III. The danger
is that we will remain “idealists of knowledge” when we need
more than this idealism. That is, knowledge is only of value if it
transforms us. This is why Nietzsche’s great question is (from
1881–1882): “to what extent truth and knowledge stand or
endure incorporation?” (see GS 110, for example). By truth and
knowledge here he means the truth and knowledge that go
against the heart’s desire and can generate new life, new values.
A critic might say of those embarked on this search that they
are disappointed idealists or children that have had their hands
burnt. Nietzsche, however, thinks we can conceive of ourselves
differently, namely, as those who take delight in the boundless
or the free as such (the new open sea of GS 343):
an almost Epicurean bent for knowledge develops that will
not easily let go of the questionable character of things; an
aversion to big moral words and gestures, a taste that rejects
all crude, four-square opposites . . . we still ride mad and
fiery horses, and when we hesitate [as we do] it is least of all
danger that makes us hesitate. (GS 375)
Eternal recurrence is not a religion if we understand religion
to denote a teaching or doctrine that brings and binds people
together in the form of a community in which they can recognize
each other.17 The “new” for Nietzsche cannot come from community. He does value friendship and perhaps this is the model
he would use to think how new individuals would relate to one
another. He envisages “solitaries” who have seceded from society,
but it is not clear if he thinks this is a temporary measure or
expedient, or a necessary act in a transitional phase and that
at some point in the future a new society will, or could be, constituted. Nietzsche writes perceptively of founders of religion
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(GS 353), but stresses in EH that he is no such founder. In his
notebooks of the mid 1880s Nietzsche writes of the need for a
doctrine that would be powerful enough to work as a cultivating
or breeding agent, in which the strong would be even further
strengthened (those who can live without extreme articles of
faith and are not fanatics) and the world-weary would be paralyzed or even destroyed (see, for example, KSA 11:25[211]; WP
862). Nietzsche makes some further points on eternal recurrence
as a practice: we make no claim to being “holy” when we practice it (we are far too modest for this); and the thought is an
“innocent” one in the sense that it neither apportions blame to
those who are overwhelmed or crushed by it, nor merit to those
who are able to be equal to it. Eternal recurrence, to conclude,
is a religious thought where this entails living a conscientious
life and one that is dedicated to the affirmation of life “beyond
good and evil.” It is a thought that sanctifies life “as it is and
was” and wants this repeated to eternity. The thought carries
with it an affirmation of “necessity” without assuming an imperative form. Nietzsche does not expect that everyone will prove
equal to the thought and be able to “will” it, and there is no
idea of an “ought” attached to it. One might suggest that the
thought—and as articulated in BGE 56 with the “vicious circle
become god”—is designed to replace the psychical function of
a god and, as such, is intended as a kind of theogony.
FREE THINKING
Section 57 is a playful section in which Nietzsche speaks of
man’s “spiritual eye” enlarging the space around him so that
his world becomes ever more profound with “ever new stars”
and “ever new riddles” becoming visible. Perhaps, Nietzsche
wonders, what the spirit’s eye has exercised its attention on was
but an occasion for this exercise, “a playful matter” and “something for children and those who are childish.” Perhaps again we
can imagine a future when such portentous and dreadful concepts as “God” and “sin” will seem to us as nothing more than a
child’s toy and a child’s pain appear to an old man; and then
would this old person still be in need of another toy and another
pain, “still child enough, an eternal child!” Nietzsche here may
both be alerting us to a religious “fact” of human nature—the
need for fantastical conceptions and projections of reality—and
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lamenting the fact that mankind is so caught up in childish
fantasies and unable to attain maturity. However, the reference
to the “eternal child” recalls Heraclitus’s image of eternity (aeon)
as a child playing the dice game of existence, which so appealed
to Nietzsche (see Philosophy in the Tragic Age of the Greeks,
section 7). So, although we might experience distress in the face
of the human need for childish fantasy, including fantastical
concepts such as “God” and “ ‘sin,” the child is ultimately for
Nietzsche an image of liberation and joy and in our constructions and ideals we will be “eternal” children. This conception
of the child is signaled at various points in his writings: it indicates a capacity for playful inventiveness and innocence with
respect to “earthly seriousness” to date (GS 382), and Nietzsche
provides the “ideal” of a new kind of spirit that can play “naively”
(with overflowing power and abundance) “with all that has
hitherto been called holy, good, untouchable, divine” (ibid.).
Thus, even those who have freed themselves from the dogmas—
and toys—of the past remain in need of new toys and different
pains as part of the necessary stimuli of life. In “Of the Great
Longing” in Z Nietzsche writes of the giving of “new names and
many-coloured toys”18 (on the child as a figure of “innocence”
and play see Z I: “Of the Three Metamorphoses”). Of course,
for Nietzsche the new thinkers of the future will, in their construction of ideals, endeavor to remain true to earth and in this
respect their implication in the “eternal child” will be quite
different in character from the religious and metaphysical teachers of the past who have taught humankind to despise the earth
and seek escape from the human and the humanly conceivable
and palpable.
PHILOSOPHY AND RELIGION
The chapter on religion concludes with two quite long and
important sections on the relation between philosophy and religion. Nietzsche begins section 61 by stating what the philosopher
is for “we free spirits,” namely, the one who has “the most comprehensive responsibility” and the “conscience for the overall
development of the human being,” and, as such, he will exploit
religions for the ends of cultivation or breeding and education
in the same way he exploits the political and economic circumstances of his time. This section is important since it indicates
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that Nietzsche’s concern is not with the fate of a specific social
class or elite group of individuals but rather has a “generic orientation” toward humankind as such: What is humankind to
become? What is its fate? Contra the democratic Enlightenment,
which is centered on herd-animal existence and equalization of
all, Nietzsche’s “new Enlightenment” focuses on what is excluded
by the herd and concerns all of us: “the self-overcoming of the
human” (i.e., its enhancement and perfection).19 Nietzsche now
enumerates the uses of religion, which include: as means for
overcoming resistances and the ability to rule (it creates a bond
between rulers and subjects); it is a means for obtaining peace or
serenity from the “noise” of cruder forms of government, as well
as purity from the “necessary dirt” of politics. Nietzsche gives
the example of the Brahmins to illustrate the latter point. In
addition, religion can give to a portion of the ruled instruction
in how to prepare themselves for future ruling and obeying,
walking the path to a higher spirituality and so having opportunities to test out the feelings of self-overcoming, silence, and
solitude. Here, Nietzsche says, asceticism and Puritanism are
indispensable means for educating and ennobling a race seeking
to become master over its origins among the rabble and working
its way toward future governance. Finally, for ordinary human
beings or the great majority who exist for service, religion provides invaluable contentment with their station in life and their
type of existence, in short, ennobling obedience: “Religion and
religious significance spread the splendour of the sun over such
ever-toiling human beings and make their own sight tolerable to
them.” Nietzsche compares the effect of religion on the majority
to that exerted by Epicurean philosophy on sufferers of a higher
rank, such as certain kinds of philosophical types: it refreshes,
soothes, and refines and even sanctifies and justifies suffering.
Both Christianity and Buddhism can be respected in this regard
as religions that have taught the lowliest how, through piety,
to place themselves in a higher order of things, no matter how
illusory, and so maintaining their contentment with the real
order in which their lives are hard (and necessarily so, Nietzsche
adds in conclusion).
In section 62, the final section, Nietzsche turns his attention
to the other side of this reckoning of religions for life, and in an
effort to expose their dangerous character. The essential danger
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lies when religions seek to establish themselves as sovereign in
life, no longer serving as a means of education and cultivation
in the hands of the philosopher. His chief concern is with the
fate of the higher types of human being and how religions
endanger their flourishing. His concern centers on two “facts” as
he sees them: (a) as in the rest of the animal kingdom there is
among humans an excess of failures (the sick, the degenerating,
the infirm); (b) the successful among humans are always the
exception and their complicated conditions of life can only
be “calculated” with great subtlety and difficulty. As far as the
“economy of mankind” is concerned it is ruled over by the
accidental and a law of absurdity.
Nietzsche now asks the question: what is the attitude of the
aforementioned religious toward this excess of cases that do
not turn out right? His answer is that both seek to, above all,
preserve life, “to preserve alive whatever can possibly be preserved.” In short, they are religions for those who suffer from
life. While they can receive credit—“the very highest credit”—
for their preserving care, the danger is that such religions, when
they exist as sovereign, are among the principal causes that
keep the type “man” on a lower rung of the ladder of life. Or,
as Nietzsche perhaps dangerously puts it, “they have preserved
too much of what ought to perish.” Nietzsche immediately goes
on to express gratitude toward these religions, noting what the
spiritual human beings of Christianity have achieved in Europe.
But he reiterates his main point: this has been at the cost of
worsening “the European race” and standing all valuations on
their head, for example, breaking the strong, casting suspicion
on joy in beauty, turning the instincts of the strong, domineering,
and turned-out well types into uncertainty, agony of conscience,
and self-destruction: “invert all love of the earthly and of dominion over the earth into hatred of the earth and the earthly.” Has
not an attempt been made to apply “a single will” over Europe
for 18 centuries with the aim of turning man into a “sublime
miscarriage” (sublime Missgeburt)? Such a “monster” is interesting and of a higher, refined kind (hence the word “sublime”), but
nevertheless, Nietzsche thinks, it is a miscarriage of what could
be bred and educated under different circumstances. With respect
to these tasks, then, Nietzsche holds Christianity to be the most
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presumptuous religion to date, as well as the most calamitous.
What has been bred, and whose hegemony now needs contesting, is man as “the herd animal.” This phenomenon is what
Nietzsche returns to focus his attention on in part V on morals
after his section on epigrams and interludes, which provides a
pause and perhaps some necessary relief after this consideration
of such serious matters.
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CHAPTER 6
PART IV: “EPIGRAMS AND INTERLUDES”
The fourth part of Nietzsche’s BGE provides significant insight
to the organization and structure of the book and its project.
It follows three broad-ranging parts that provide an overview
of the book as a whole: the question of the value of truth and
its evidence in the prejudices of philosophers, anticipation of
liberation from at least some of those prejudices (or the grip
of such prejudices), and analyses of current and possible future
spirituality, broadly conceived. Up to this point, Nietzsche’s text
breathlessly builds expectations concerning the urgency and
necessity of this development.
Part IV follows the depiction of awesome yet terrifying images
of the “philosopher of the most comprehensive responsibility,”
who “will make use of religions for his own project of cultivation and education, just as he will make use of whatever political
and economic states are at hand” (§61), and the “ ‘spiritual men’
of Christianity” who are responsible for having “invert[ed]
all love of the earth and earthly [. . .] until [. . .] ‘becoming
unworldly,’ ‘unsensual,’ and ‘higher men’ were fused into a
single feeling.” [Ein Gefühl zusammenschmoltzen] (§62). What
is identified here as “fusion” in Nietzsche’s text refers to the
organization and coordination of the various constituents of
the “order of rank” human beings are. What seems to be particularly impressive and utterly fascinating to Nietzsche is how
in the “primeval forest” (§45) of the human spirit the governing
drive binds together certain things to coordinate and direct its
form of life. This is explored throughout the book with morality
identified as one of the most powerful forces in effecting such
a process. As we shall see, particularly in parts VIII and IX,
Nietzsche anticipates what it might take to break that bond and
create a different fusion.
At the end of part III, Nietzsche presents two responses to the
pathetic and gruesome amalgamation that constitutes modern
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humanity. Catching sight of modern human beings could inspire
either divine laughter or destructive rage. Hesitating to enact
either of these responses just yet in his psycho-philosophical
drama, Nietzsche provides “Sprüche und Zwischenspiele,” or
“epigrams and interludes.”1
Throughout, we have noted the fact that Nietzsche regarded
BGE as having a special relationship to his Z, which he ultimately completed just prior to BGE.2 Beyond Good and Evil is
supposed to convey the same ideas as Z, just expressed very differently. But BGE does not simply originate as Z’s afterbirth.
Near the physical center of the text, these “Sprüche und Zwischenspiele” are intimately and historically related to the core of the
whole project. In 1882, Nietzsche drafted a set of 445 aphorisms
that he considered adding to D (originally published in 1881),3 with
a suggested title of “Jenseits von gut und böse: Sentenzen-Buch.”
Thus, BGE had a rather different conception for its form in its
earlier beginning.
Most of part IV is drawn directly from this earlier material,
and part of what it aims to do is provoke different feelings,
possibly a new Ein Gefühl zusammenschmoltzen. For example,
included in the original set is a “Sentenz” that contrasts feeling
grateful (dankbar) with the feeling of vengeance (rachsüchtig).
Great obligations lead not to gratitude, as we might currently
expect, but rather to vengeance (KSA 10:3[1].206) for the binds
they create become unbearable.4 We see this idea developed
explicitly later on in GM, where in the second essay, Nietzsche
discusses the development of moral concepts from those originally in circulation in an economy of debt. In BGE, we have
already been introduced to the topic of “gratitude,” although it
has not yet been developed as a theme. In the section that ends
part II (§44), the “we” that claims entitlement to the name “free
spirits” indicates its gratitude for “need and vacillating sickness”
and gratitude “to god devil, sheep, and worm in us.” Gratitude
also comes up at the end of part III (§62), where Nietzsche
(again using “we,” but this time more generally) expresses gratitude for those “spiritual men” just mentioned, who stretched the
soul in incomparable ways even though the “sovereign religions”
(among which Christianity numbers) preserved what really
“ought to have perished”: “What we have to thank them for
is inestimable; and who could be rich enough in gratitude not
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NIETZSCHE’S BEYOND GOOD AND EVIL
to be impoverished in view of all that the ‘spiritual men’ of
Christianity, for example, have so far done for Europe!” An ethos
of gratitude, plenitude, and overflowing seems to be the antidote, anticipated in Z, to the ascetic economy of guilt and debt
analyzed in GM.5
One way to approach this curious collection of aphorisms
could be to identify themes that account for their particular
organization (e.g., Lampert’s approach) and show how the aphorisms are abbreviations and condensations of themes addressed
elsewhere in the book (e.g., Burnham’s). These are valuable perspectives. Our focus is on the context of the material, why it
appears in the book at all, its specific place within the text, and
what this indicates about Nietzsche’s overall aims. Yet, we offer
at least one general observation about the thematic content of
the lot. Nearly every other “saying” in part IV makes reference
to some form of love or to some effect love has on us,6 whether
it heightens and ennobles, or how our capacity for love exemplifies gratitude and plentitude (relative degrees of strength). Very
many of the “sayings” treat precisely and positively affirm the
perspective Nietzsche advanced as the (“real and only”) basic
motives of human existence, particularly “hunger, sexual lust,
and vanity” (§26). These Sprüche Nietzsche offers are expressive
of the perspective he thinks is buried and transmogrified by
Christian morality; they work in concert with his ultimate
effort, discussed below, to affirm life. See, for example, “hunger”
treated in sections 83, 141, and 143; “sexual lust” mentioned in
sections 75, 114, and 123; and self-love in the form of “vanity”
mentioned in sections 73a, 111, 122, 170, and 176. In the end, as
we discuss in the chapters on parts VIII and IX, Nietzsche anticipates the overcoming of the morality of pity and selflessness in
a form of amorous spirituality. There is a good deal of further
analysis that informed readers might engage, which we hope to
facilitate with this chapter.
We can approach a better understanding of the purpose of
this part through an initial analysis of its title: We have Sprüche—
which Nietzsche discusses directly elsewhere in the text and in
other places in his writings—and Zwischenspiele—which is a
term evocative of specific parts and functions of artistic works,
particularly musical compositions and theatrical works. Part
IV is distinctive among Nietzsche’s writings as a collection of
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aphorisms presented as a collection within the book.7 They
are true to a style Nietzsche exhibited in earlier works, as for
example, in his HH volumes and D. He makes use of what could
be identified as aphorisms in other places in BGE, two groups
of which we will focus on in later chapters (the “Sieben WeibsSprüchlein” in “Our Virtues” and sections 275–87 in the
concluding part, “What is noble?”). We can relate these to
several important themes, including how Nietzsche thinks about
aphorisms more generally as they relate to activities of reading
and interpretation, their relation to prior discussions of taste
and the creation of a desirable future, and how their designation
as Zwischenspiele indicates Nietzsche’s engagement with certain
musical ideas that suggest an effective function of cultivating
certain powers of attention and listening that are important
for the audience he is trying to create and reach. The remainder
of this chapter is devoted to considering each of these terms
in turn.
SPRÜCHE
“Sprüche” might be translated as “sayings” or “epigrams,”
and sometimes Nietzsche uses the term synonymously with
“aphorisms” (he also occasionally uses the term “aphorism”).
Famously, Nietzsche comments directly on aphorisms and what
they require of readers: “An aphorism, properly stamped and
molded, has not been ‘deciphered’ when it has simply been read;
rather, one has then to begin its exegesis, for which is required
an art of exegesis” (GM P:8). He then goes on to claim that he
provides an elaborate example of the kind of activity he is talking about in GM III, which begins with an epigraph. The whole
of GM III, it seems, is supposed to be an exegesis of that initial
epigraph. Divergent and extravagant explications of this appear
in the scholarly literature.8
Nietzsche mentions exegesis (Auslegen) several times in the
course of BGE. He refers to physics as “an interpretation and
exegesis of the world” (§15) and claims logic is dependent on
“interpretation of the process [which] does not belong to the
process itself ” (§17); he sees his own project as “putting his
finger on bad modes of interpretation” (§22); and he notes a
lack of philology as what enables the disabling thinking of “the
religious neurosis” and its faith in “the immediate succession of
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opposites” (§47). He eventually comes to see all of morality as
an interpretation of the meaning and significance of human
existence, which partially accounts for its inventiveness and thus
its artificiality (discussed in part IX).
The activity of interpretation Nietzsche seeks to cultivate
is clearly linked with identifying what it takes to read him
well, a subject to which he periodically turns in his works. This
has temporal dimensions—reading slowly—and taps some of
the same critical capacities that are supposed to eventually
develop among coming philosophers Nietzsche imagines in “We
Scholars” (§210).
As to how aphorisms, specifically, play a role in exegesis,
we can look ahead to section 235: “There are expressions and
bull’s-eyes of the spirit, there are epigrams, a little handful of
words in which a whole culture, a whole society is suddenly
crystallized.” A distinguishing feature of aphorisms is that they
can crystallize, instantly capturing and conveying the spirit of a
whole culture. The efficiency, immediacy, and vivacity of this
phenomenon are particularly interesting to Nietzsche, and he
endeavors to do this with his own thoughts, both here in part IV
and later in part IX. Moreover, as a self-proclaimed work in
“psychology,” or study of human psychic constitutions (metaphorically “souls”), characterizations of the “spirit” that animate
cultures or make forms of life possible are inherent to Nietzsche’s
project (§23). Collecting these is clearly part of providing a
“typology of morals,” as Nietzsche describes his task in the next
part (§186): “to collect material, to conceptualize and arrange
a vast realm of subtle feelings of value and differences of value
[. . .].” Further, Nietzsche thinks, these forms are expressive of
feelings, “which are alive, grow, beget, and perish—and perhaps
attempts to present vividly some of the more frequent and recurring forms of such living crystallizations” (§186). In seeing values
live, we can perhaps better understand how they animate forms
of life, how such feelings make a difference in the organizations
that constitute individual and social organisms.
Yet, the aphorism, for Nietzsche, potentially does more than
simply reflect or display something. Another key feature of
aphorisms is that they can be effective, they can do something
other than just saying or asserting.9 This is suggested later in
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PART IV: “EPIGRAMS AND INTERLUDES”
section 246: describing a “master in the art of prose,” Nietzsche
claims he “handles his language like a flexible rapier, feeling
from his arm down to his toes the dangerous delight of the
quivering, over-sharp blade that desires to ‘bite, hiss, cut.—’”
But aphorisms do not simply have aggressive, corrective,
or critical functions. The affective dimensions of reading and
writing, the tempo and musicality of language, and “reading
with one’s ears” are of significant interest to Nietzsche throughout his works, interests expressed directly and quite clearly from
at least Z onward. In this respect aphorisms can also have therapeutic effects. Marsden points out Nietzsche’s interest in the
relation between understanding (how we make sense of the
world; Sinn) and sensation (Sinne);10 this theme recurs in GS and
elsewhere. Nietzsche’s aphorisms also appear to have a practical,
therapeutic purpose of retraining the senses, facilitating different ways of listening and hearing, new forms of seeing and
understanding. “We have to learn to think differently—in
order at last, perhaps very late on, to achieve even more, to
feel differently” (D 103).
Finally, the aphorism has the ability to condense thought
and draw the reader into processes of thought that make them
their own. “He who writes in blood and aphorisms does not
want to be read, he wants to be learned by heart. In the mountains the shortest route is from peak to peak, but for that you
must have long legs. Aphorisms should be peaks, and those
to whom they are spoken should be big and tall of stature”
(Z:I “Of Reading and Writing”). As to whom such persons
are, Nietzsche at times seems to think they do not yet exist;
they belong to the future (though this notion is challenged by
his thought of eternal recurrence, mentioned below). If this
is the case, part of his task seems to involve preparation for
this future, cultivating some of the powers that the free spirits
and future philosophers might possess. One of these capabilities is a different kind of listening that will enable them to
“hear what is spoken.” Nietzsche’s Zwischenspiele, we suggest,
at least partially have this function, and this is consonant with
his attentive regard for music, the musical qualities of language,
and the appeal to Dionysus, god of music and wine, at the end
of the book.
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NIETZSCHE’S BEYOND GOOD AND EVIL
ZWISCHENSPIELE AND THE LISTENER OF THE FUTURE
The introduction of the “Epigrams and Interludes” following
the dramatic conclusions of parts II and III certainly affects
the tempo of the entire book. As we have already noted in the
chapter on part II, Nietzsche is interested in the relation between
tempo and thought and the rhythmic, temporal, and musical
qualities of languages.11 Throughout the book, Nietzsche discusses the misrecognition, misunderstanding, and mischaracterization, which typify human quests for knowledge and perfection.
In section 27 Nietzsche remarks that one reason for such misunderstanding is the difference in tempo of thinking and living.
Those who think at the pace and intensity of the current of the
river Ganges, for example, are hardly recognizable by those
who think and act at the pace of tortoises, or walk like frogs. To
make communication possible, some “subtlety in interpretation”
is necessary. In the same passage, Nietzsche uses Sanskrit words
to convey the terms of contrast, and in the following section
(§28), he remarks that “what is most difficult to render from one
language into another is the tempo of its style, which has its basis
in the character of the race, or to speak more physiologically,
in the average tempo of its metabolism” (§28). “Tempo of metabolism,” or the speed and meter that characterize the intensity
and expression of will to power can be indicative of a general
disposition toward life. This is not simply a matter of personal
or individual preference but is embedded in cultural practices,
most fundamentally in language. And languages have their general rhythm, cadence, and measure, which affect not only how
one speaks but also what one can say.12 In this section, Nietzsche
makes use of four different languages: German, Italian (specifically musical terms), Latin, and French.
The significance of Nietzsche’s discussions of tempo and language is heightened in part VIII, where he explores the European
inheritance and resources (and liabilities) it might offer for
the future. Nietzsche’s BGE exhibits dramatic qualities, which
include both the melodrama and foreboding and the even the
“mood” of what he discusses (as for example, the pursuit of
pessimism, or cheerfulness) as well as the pacing of ideas and
their expression. The appearance of the collection of aphorisms
that constitutes part IV significantly impacts the tempo of the
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work and serves to explicitly highlight and heighten its dramatic
qualities.
The term “Zwischenspiele” refers to a period between main
acts of a play (or opera) or between movements in a musical work.
Such interludes have the functional purpose of lending time for set
and costume changes, providing both actors and audience members
with a break, and facilitating transitions. One of Wagner’s innovations was what he called the “art of transition,”13 the perfection
of which aimed at sustaining continuous music. Indeed, Wagner
claimed that what distinguished him from his contemporaries and
predecessors was that he departed from modern arrangements
“into arias, duets, finales, etc., and instead relate[d] the legend in
a single breath.”14 Nietzsche himself mentions the significance of
what can be said in a single breath in section 247.
The passage reflects Nietzsche’s concern with both listening
and speaking. In the section immediately preceding it, he writes,
“there is art in every good sentence—art that must be figured
out if the sentence is to be understood! A misunderstanding
about its tempo, for example—and the sentence itself is misunderstood. That one must not be in doubt about the rhythmically
decisive syllables [. . .] that one lends a subtle and patient ear
to every staccato and every rubato [. . .] who among bookreading Germans has enough good will to acknowledge such
duties and demands and to listen to that much art and purpose
in language? In the end one simply does not have ‘the ear for
that’ ” (§246). In part V, Nietzsche writes: “Hearing something
new is embarrassing and difficult for the ear; foreign music
we do not hear well. When we hear another language we try
involuntarily to form the sounds we hear into words that sound
more familiar and more like home to us” (§192).
Nietzsche claims later that his Z inaugurates “a rebirth in the
art of hearing” (EH Z:1) and can be regarded as music.15 Yet in
EH, he acknowledges that while Z might be likened to music
and requires a new “art of hearing,” it nevertheless has not
been heard: “My Zarathustra, for example, is still looking for
those [with good ears]—alas, it will have to keep looking for
a long time yet!—One must be worthy of hearing him” (EH
“Books” 4).16 He continues, “the art of the great rhythm, the
great style of long periods to express a tremendous up and down
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of sublime, of superhuman passion, was discovered only by
me” in the dithyramb of the third book of Z. We suggest this is
what Nietzsche endeavors to prepare his reader for with his
Zwischenspiele. He is training the ear, cultivating and educating
his listener of the future.
Wagner, who is immensely important in the upcoming part
VIII, was adamant that during his own Zwischenspiele the
theatre should be dark, no image should be visible, not even that
of the orchestra. This furthered the aim of allowing music itself
to play a dramatic role. Wagner saw his own role as educating the
audience, teaching them how to experience not only his own
work but also music as such. He regarded the Zwischenspiele as
teaching his audience how to listen, how to pay attention only to
the music so that they could and would experience it differently
during the main acts. The similarity between Wagner’s interest
and innovation in the Zwischenspiele and Nietzsche’s is more
than mere coincidence or even an obscure and passing personal
reference. It is an expression of how Nietzsche viewed himself
connected with Wagner and aspects of the project Nietzsche
ultimately thought Wagner betrayed.
To see this, we can look “cautiously before and aft” (and
“with reservations, with doors left open”), as Nietzsche writes
about the art of reading well in D P:5. Looking ahead, we see
Nietzsche identify the “fundamental conception” of Z and his
major intellectual and personal achievement in the thought of
eternal recurrence. At a minimum, this idea represents for him
the overcoming of pessimism and the ultimate affirmation—love
rather than hatred of life, life affirmation as opposed to the pessimism and anti-naturalism he finds in the ascetic priestly ideal
analyzed in GM. As previously discussed, Nietzsche describes
his thought of eternal recurrence in section 56 as, “the ideal of
the most high-spirited, alive, and world-affirming human being.”17
In the book that immediately precedes Z, Nietzsche describes
such affirmation in terms of love, amor fati (GS 276), which at the
same time is “the greatest weight” (GS 341). Eternal recurrence
is the ultimate expression of the love of life insofar as one “wants
to have what was and is repeated into all eternity” (§56).
Nietzsche reports that what predates his insight of eternal
recurrence in August 1881,18 and serves as an “omen” is “a
sudden and profoundly decisive change in [his] taste, especially
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PART IV: “EPIGRAMS AND INTERLUDES”
in music.”19 He links this moment of rebirth with the “sudden
birth that occurred in February 1883,” which is the culmination
of his Z. And this, he claims was completed “exactly in that
sacred hour in which Richard Wagner died in Venice” (EH Z: 1).
Noticing that his period between conception and birth has a duration of eighteen months, Nietzsche remarks that this “might
suggest, at least to Buddhists, that [he is] really a female elephant.” These associations of eternal recurrence, Wagner,
rebirth, and Buddhism, recall Wagner’s own account20 of a major
turning point in his life when he received news of the death of
Beethoven. Klaus Kropfinger gathers evidence for the view that
Wagner’s depiction of his experience of Beethoven’s death draws
on his views of metempsychosis (transmigration of the souls,
Seelenwanderung), which he adopted from Schopenhauer.21 On
this basis, Wagner at least partially stakes his claim as heir to
Beethoven’s artistic genius insofar as he literally embodies it.
The same appears true for Nietzsche’s experience of Wagner’s
death (and perhaps is related to what appears to be Nietzsche’s
suggestion that insofar as he also seeks to be a ZwischenBegebnis like Beethoven, he—Nietzsche—is the inheritor of
Beethoven’s spiritual resources, as discussed in the chapter on part
VIII). Nietzsche’s book Zarathustra is finally born in the moment
of Wagner’s death; the Buddhist allusion suggests Nietzsche
intended the implication that Wagner, too, was reborn at this
time and in Nietzsche’s creative act.
The key idea of eternal recurrence is found not only in the
explicit restatement in section 56 but also in the original materials for BGE, which predate Z and were written shortly after
Nietzsche’s alleged fateful insight “6000 feet beyond man and
time” at Surlei (EH Z: 1). Among the 445 aphorisms Nietzsche
wrote as part of his plan for the Sentenzen-Buch “Beyond Good
and Evil” is one that draws a connection between love and eternity: “The love of life is nearly the opposite of the love of long
living. All love thinks of the moment and eternity—but never of
‘the length.’ ”22 When Nietzsche writes that BGE says the
same thing as his Z only differently, we should see it not simply
as a subsequent restatement of those same ideas but also their
anticipation in which at least portions of BGE capture ideas that
shared the gestation process of Z but were not directly expressed
in that work. This set of relationships, then, might provoke us
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to think further about the subtitle of BGE: “Vorspiel einer
Zukunftsphilosophie.” It plays out the aspirations of Wagner’s
artwork of the future, embodied in a work of art that chronologically predates this expression, but which also challenges our
conception of the future itself insofar as eternal recurrence
unites the moment and eternity and thus stands outside of time
conceived as duration.23 In this book Nietzsche anticipates what
it would mean for the love of life (taken to the greatest extreme
in the thought of eternal recurrence) to rule as supreme and give
shape to a new sense of nobility.
We previously mentioned the connection between taste and
orders of rank of souls. It is not simply that a “more noble” type
(whatever that may be) has more refined taste by virtue of some
sense of entitlement, or that because he is so rare, he loves only
whatever else is also rare. Tastes can distinguish orders of soul
because they are indicative of what rules and what commands
in an individual, what such a person wants, his or her “heart’s
desire” (BGE 5). And we have seen in the context of our discussions of the Republic, how tastes are associated with loves
insofar as they are evidence of what is actually wanted, desired,
and sought. Moreover, the tastes we acquire pull the various
desires that make up our constitutions in different relations,
thereby creating different orders. In addition to continuing to
watch for how taste is explored as relevant to doing philosophy,
engaging in creativity, or being constitutionally strong or weak,
we can observe that Nietzsche is also (for the same reasons)
interested in love: both its objects and the forms it can take.
Some of the aphorisms collected here appear to have a performative character in terms of shifting from one set of tastes
(which he considers base) to another (which has prospects for
nobility). If we read the entire book as preparatory for asking
the title question of the final part—What is noble?—then this
feature of part IV is highly significant and not simply a diversion
from the main purpose of the text, as might be suggested by
Nietzsche’s playful title of “Zwischenspiele.” Rather than seeing
Nietzsche’s fourth part as a mere a play between acts of the more
weighty parts before and after, we regard these “interludes”
as preparatory for appreciating Nietzsche’s later discussions of
passages between tastes—the tastes of and for Wagner being
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most illustrative—and part IX, which anticipates a rank ordering of taste, and the cultivation of new tastes, on account of the
multiplicity of latent desires bundled up in the “semi-barbarous”
and “hybrid” creatures modern human beings, and particularly
Europeans, are (e.g., §§153, 159, 168, 180, and 184). Standing
“between,” having an intermediary role in a transition from one
taste and constitution that has such needs and preferences to
another, is part of how Nietzsche ultimately regards his own
position—Zwischen—in later parts. The Zwischenspiele are an
important part of his ultimate task.
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CHAPTER 7
PART V: “NATURAL HISTORY OF MORALITY”
To see and to show the problem of morality—that seems to me
the new principal task. I deny that it has been done in previous
moral philosophy. (Nietzsche, May–July 1885, KSA 11:35[30];
WP 263)
The title of this chapter, Naturgeschichte der Moral, announces
the way Nietzsche wants to approach the topic of “morality.” It
has been recognized for some time now that Nietzsche “revolutionized” ethics and this chapter gives a good indication of the
kinds of questions and concerns with which he is occupied.1
Nietzsche examines the problem of morality the way the natural
historian studies the development of living forms, focusing on
conditions of emergence, growth, and evolution (see also §23 on
“morphological” development, that is, the study of forms of
growth; cf., GM P:3). His approach stands in marked contrast
to his predecessors in German philosophy who either insisted
upon a strict separation of theoretical reason and practical
reason (the domain of ethics), as in Kant, or sought to define
ethics in an essentialist manner, as in Schopenhauer.2 The title
may have been inspired in part by W. H. Lecky’s History of
European Morals, which opens with a chapter on “The Natural
History of Morals.”3 This work was first published in 1869, and
we know that Nietzsche read and studied Lecky (1838–1903) in
1881 and 1883.4 In a note from May–July of 1885, Nietzsche
flags what he regards as the deplorable condition of literature
on morality in today’s Europe and then reviews contributions
in the area from England, France, and Germany. He singles out
for special praise Jean-Marie Guyau’s Sketch of Morality without Obligation or Sanction (1885) along with Paul Rée’s The
Origin of Moral Sensations (1877) and W. H. Rolph’s Biological
Problems (1881). He regards these three texts as the strongest in
contemporary ethics (KSA 11:35[34]).5
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To illuminate just what the “problem of morality” means for
Nietzsche, we focus on sections 186–8 and 197–203. It should
be noted that although Nietzsche focuses on “morality” in this
chapter he already offered one definition of it in the opening
chapter—“as the doctrine of the relations of supremacy under
which the phenomenon of ‘life’ comes to be” (§19)—and treated
aspects of it in several sections, such as sections 32 and 33. The
object of his critique of morality is stated succinctly in section
33: “There is no other way: the feelings of devotion, self-sacrifice
for one’s neighbor, the whole morality of self-denial must be
questioned mercilessly and taken to court.” He will continue
to address morality and its topics in later parts of the book,
notably parts VII and IX.
MORALITY ON A RATIONAL FOUNDATION
The opening section of the chapter is noteworthy for at least
two reasons:
(a) Nietzsche claims there is now coming into being a “science
of morality” (Wissenschaft der Moral), which he regards as
being at a crude level of development; he himself, he reveals,
prefers “more modest terms.”6 This appeal to “modesty” is,
in fact, a notable feature of the main task Nietzsche proposes with respect to “morality,” namely its “self-overcoming”
(see especially D Preface: 4).
(b) Nietzsche regards the effort on the part of philosophers
to supply “a rational foundation for morality” (Begründung
der Moral) as misguided. He provides the example of
Schopenhauer’s view that the real or genuine foundation, for
which people have been looking for thousands of years like
the philosopher’s stone, is to be located in the proposition,
“Harm no one, on the contrary, help everyone as much as
you can.”7 Nietzsche regards this principle of ethics as “false
and sentimental,” especially in a world characterized by the
will to power. It is clear he is opposed to any and all attempts
to provide ethics or morality with a “rational foundation.”
We need to inquire why he holds to this view.
The “modest” approach to the phenomenon of morality
Nietzsche proposes stands in marked contrast to what he thinks
philosophers have accustomed themselves to doing in the study
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NIETZSCHE’S BEYOND GOOD AND EVIL
of it, namely, demanding from themselves something “exalted,
presumptuous, and solemn.” In wanting to supply morality with
a “rational foundation” they have taken morality as “given.”
Nietzsche holds philosophers have been speaking about morality from a very limited realm of experience and knowledge;
they have not been conscientious enough in their understanding
of it. He mentions this regarding philosophers espousing certain
“facts” of morality on the basis of their environment, their class
and their church, and their climate and particular part of the
world. This results in a largely uncritical perspective on morality.
Indeed, Nietzsche goes so far as to claim that what has hitherto
been lacking in the science of morality is the problem of morality
itself and the suspicion that there might be something problematic at stake here. He then expresses his main worry about the
attempt to supply morality with a so-called “rational foundation,” namely, that it might be little more than a “scholarly
variation of the common faith in the prevalent morality” and
a new means of expressing this faith. If it is this, then it has to
be seen as little more than another fact within one particular
morality.
Nietzsche proposes an alternative approach which centers
on what he calls preparing a “typology of morality” (Typenlehre
der Moral). This consists in collecting material, conceptualizing
and arranging “a vast realm of subtle feelings of value and differences of value,” as well as possibly attempting to present in
vivid terms, “some of the more frequent and recurring forms of
such a living crystallizations.”8 In short, the approach Nietzsche
proposes is historical and sensitive to particularity but also open
to the view that certain forms of morality, such as master and
slave types perhaps, “recur” and “crystallize” within history and
thus enable us to speak of “types” of morality.
What reasons does Nietzsche have for opposing this effort
on the part of philosophers to supply morality with a “rational
foundation?” The answer is that such an approach is far too
simple-minded and results in a reification of the phenomenon
of morality, in the sense that it is being abstracted from its
conditions of existence, which are on the one hand conditions
of natural human life and on the other hand conditions relative
to specific historical contexts. Once morality is abstracted in this
way, it acquires a monstrous-like autonomous existence and
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PART V: “NATURAL HISTORY OF MORALITY”
seduces us into thinking that there is something essential we can
call “morality.” But this overlooks the fact that there are numerous moralities and that morality encompasses an enormous
array of things. Additionally, privileging some principle of
morality, as that which enables us to give it an essence, runs the
risk of turning morality into something fanatical and into something that cannot do justice to the rich diversity of human action
and the complexity of our ethical life. In this respect Nietzsche’s
approach to morality is reminiscent of Wittgenstein’s approach
to language in his Philosophical Investigations.9
Nietzsche is worried that to locate the criterion of moral
action in, say, its disinterestedness and its universal validity, as
we find in Kant, is to engage in “armchair philosophizing” (KSA
12:7[4]; WP 261). In place of this the moral philosopher should
study different peoples to see what the criterion is in every case
and what is expressed by it, including conditions of existence.
He then discovers that forms of ethical life have their basis in
specific conditions of a people’s existence. In part, this explains
why Nietzsche expresses dissatisfaction with Socrates and what
he sees as his denaturalization of moral values. When moral
judgments are severed from their conditionality—a form of life
that would give them a meaning—they are denaturalized under
the pretense of sublimation. Notions of the “good” and the
“just” become liberated as “ideas” and become objects of dialectic in which we look for truth in them by taking them for entities
or signs of entities. This procedure gives us only a set of abstractions such as “the good man,” “the wise man,” or “the happy
man” (KSA 13:14[111]; WP 430; see also §§190–1 on Plato and
Socrates).
In section 187, Nietzsche takes as an example Kant’s positing
of a categorical imperative, which states that one should posit a
maxim of action in such a fashion that it can be made the basis
for a universal law.10 Nietzsche immediately asks what a claim
of this kind tells us about the human being, in this case a philosopher, who makes it: “There are moralities which are meant to
justify their creator before others. Other moralities are meant to
calm him and lead him to be satisfied with himself.” Nietzsche
gives further examples, and his main point is that, at least on
one level, moralities can be considered to be “a sign language of
the affects.” In making this claim he undercuts the abstract,
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NIETZSCHE’S BEYOND GOOD AND EVIL
rationalist pretensions of morality as defined by various moral
philosophers, notably Kant. For Kant, to be a moral agent is to
be an agent subject to the moral law that one freely imposes
upon oneself. While the aspiration toward a form of autonomy
is one that Nietzsche shares,11 in Kant it can only be achieved by
the subject severing all its attachments to natural life or what
he calls the domain of heteronomy, including the desires, the
inclinations, and the affects, and which are to be regarded as
having a “pathological” interest (for Kant our performance of
duty should be “pure”). In this section Nietzsche suggests the
affects might be local and relative to a person’s class, gender,
culture, and so on, and he is inviting us to be suspicious of a
morality’s claims to universality. The next section is crucially
important for understanding and evaluating Nietzsche’s relation
to Kant and his overall position on morality.
He begins section 188 by noting that because it is a form
or system of discipline—whether this discipline is imposed
on oneself voluntarily or through the internalization of social
norms—every morality can be viewed as a piece of tyranny
against “nature” and also “reason.” For Nietzsche, this would
be no objection to morality because many fruitful and creative
modes of expression, such as language with its metrical compulsion of rhyme and rhythm, are made possible by subjection
to a long compulsion. Here Nietzsche is taking to task what he
calls the attitude of “laisser aller” (letting it go) one might find
adhered to by libertarian-minded people such as anarchists,
namely, the view that creative freedom can only be enjoyed where
there is the absence of constraint and discipline. Nietzsche maintains the opposite view, noting that what has been attained
in freedom—he mentions, “subtlety,” “boldness,” “dance,” and
“masterly sureness”—whether in thought itself, in rhetoric, or
in government, in the arts and in ethics is the result of the
“tyranny” of “capricious laws.” In other words, there is a need
of discipline and constraint and, moreover, history shows that
such laws have not developed simply in accordance with rational
standards but often arbitrarily and unconsciously. This suggests
“nature” contains its own complex intelligence and “intelligent”
behavior, such as we find in artistic creation or ethical selfdiscipline, consists in subjecting oneself to nature’s laws. The
artist allows himself to obey “thousandfold laws” so complex in
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PART V: “NATURAL HISTORY OF MORALITY”
terms of their determination that they defy formulation through
concepts. Indeed, he notes this is the problem with the concept:
it has great difficulty in recognizing fluctuation, variability,
multiplicity, and ambiguity. Nietzsche writes in praise of “obedience” and, from our misguided perspective as so-called super
rational agents, its “irrational” character. His point returns us
to the opening sentence of this part, where he notes that we
moderns have grown refined and subtle in nature and yet our
“science” of morality is crude and raw. It is as if he is “reversing”
perspectives and in so doing challenging our most dearly held
assumptions about ourselves as cultivated rational agents. If we
look into the past of mankind in the way he is suggesting, we
will discover that what is to be valued in this history is “the long
unfreedom of the spirit” (our emphasis). What has “educated the
spirit” is a “rigorous and grandiose stupidity,” that is, the tyranny and caprice of laws which by our modern rational standards
seem lacking in refinement, civilization, and rationality. We have
become disciplined, and hence free and creative, through various
means and forms of enslavement.
The view Nietzsche is espousing concerning self-discipline
could not be more different from Kant’s conception of ethics in
accordance with the rational moral law. The lesson Nietzsche
wants his readers to derive from the kind of exploration he is
undertaking in this section is that nature is “intelligent” in its
“stupidity” since it implants in us, “the need for limited horizons
and the nearest tasks—teaching the narrowing of our perspective,
and thus in a certain sense stupidity, as a condition of life and
growth.” He concludes the section by engaging in an explicit
dialogue with Kant on this very point. In contrast to Kant’s
rational categorical imperative, he posits a hypothetical imperative of nature itself, “ ‘You shall obey—someone and for a long
time: else you will perish and lose the last respect for yourself.’ ”
Nietzsche regards this imperative of nature as applying not
simply to the individual but to “the whole human animal, to
man.” The imperative is “hypothetical” because it has conditions,
namely, the quite natural and empirical value of self-respect.
HERD MORALITY
In section 197 Nietzsche opens up a number of questions about
morality that he says he will treat in a chapter entitled “Morality
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NIETZSCHE’S BEYOND GOOD AND EVIL
as Timidity” (Furchtsamkeit, literally “fearfulness”) within a future
work. He returns to this theme in sections 198 and 201. In section
197 he questions why it is that moral philosophers seem to only
know the “temperate zones” of moral action and valuation and
are either unfamiliar with the “tropics” or can see in it only
something to be despised and hated. Once again he is revealing
his “taste,” which is a taste for the exceptions over the norm (in
this case Cesare Borgia), and which his opponents approach as
something pathological. In section 198 he notes what is crude
and coarse about civilized forms of morality. Each one will
address itself to the individual and have its alleged happiness
in view. In effect, these moralities are “counsels of behavior”
concerned to guide and regulate how the individual lives with
itself (Nietzsche notes the dangerous nature of the maturation
process by which the individual develops), and also “recipes”
directed at the passions, the good and bad inclinations, “insofar
as they have the will to power and want to play the master” and
so on. Nietzsche notes that these systems of ethical training
and discipline are “baroque and unreasonable in form” because
they address themselves to all and generalize where it is a fateful
mistake to do so. Moralities, then, which bring with them the
authority of the “unconditional,” are insensitive to individual
differences and variation. Nietzsche challenges the idea that such
moralities represent “science,” much less “wisdom”; in point of
fact, he argues, they operate on the level of prudence. He then
takes to task how various intellectual systems have sought to
administer the care of the affects, including Stoicism, Spinoza’s
ethics, and the “Aristotelianism of morals.” In all of these
systems of ethical training the idea is that they are something
dangerous and in need of taming or even extirpation and destruction, so they too will form part of the chapter on “Morality as
Timidity.”
In sections 199 and 201–3 Nietzsche focuses his attention on
a topic he knows his readers will certainly be provoked by and
more than likely be offended by, namely, the existence of the
“herd” and the phenomenon of “herd animal morality.”12 In
section 199 he notes a prevailing fact of human existence: that
for almost all human history there have been “herds” of human
beings—he mentions clans, communities, tribes, peoples, states,
and churches—and thus for the most part people who have felt
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the need to obey. By contrast those who command others are
much rarer and are fewer in number. Obedience, we might
say, has become a dominant instinct in human beings and Nietzsche even wonders whether it has not now become an innate
need in the average human being where it can be conceived as a
kind of “formal conscience,” that is, a conscience without any
specific content and having only the form of a command to obey,
as in, “ ‘thou shalt unconditionally do something, unconditionally not do something else.’ ” This formal conscience is what
Nietzsche will analyze in much greater detail and depth in the
second essay of his next major text, GM. The need for this conscience is one that seeks to satisfy itself and to fill its form with
some content, “it seizes upon things as a rude appetite, rather
indiscriminately, and accepts whatever is shouted into its ears by
someone who issues commands,” be it parents, teachers, laws,
class prejudices, or public opinions. In effect, what Nietzsche is
unpacking here is something very strange and should disturb us:
a need within the human being to be commanded and which
suggests most human beings are so docile and lacking in genuine
autonomy that they will respond to any issuing of a command
so as to fill up this formal conscience. In section 188 Nietzsche
draws the reader’s attention to the secret wisdom contained
within constraint and discipline, no matter how arbitrarily it was
produced. Here he is alerting us to the dangerous side of such
discipline in obedience. Such an insight is picked up on by Henri
Bergson (1859–1941), who in his Two Sources of Morality and
Religion argues, perhaps shockingly, that an absolutely categorical imperative—a purely formal command in need of content—“is
instinctive or somnambulistic, enacted as such in a normal
state.”13 Nietzsche’s key point is that this “appetite” to be commanded is “rude” and “indiscriminate,” in short, it is lacking in
taste or discernment. It is a profoundly unsettling feature of
human behavior that Nietzsche and Bergson are drawing our
attention to.
Nietzsche then goes on in section 199 to address what he
calls “the strange limits of human development,” noting that its
curious rhythm (it moves in circles, he says), is owing to the fact
that the human inherits this herd instinct of obedience best, but
does so at the expense of “the art of commanding.” Nietzsche
may think he is approaching this “development” in the manner
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NIETZSCHE’S BEYOND GOOD AND EVIL
of a natural historian but it is clear it contains a value judgment
on history and supposes an interpretation, even a selection, of
“facts.” It enables him to appraise something like the herd
instinct, to esteem the exceptional cases, and to assume that
there are tendencies of, and possibilities of, human development,
including the production of “higher” and “nobler” modes of
human existence. Nietzsche is worried by the “herd” development because he thinks it can reach an excessive point where
even those who hold positions of authority and leadership
can be corrupted by it. He notes that this is the situation in
Europe today where leaders protect themselves against their
bad conscience by posing as executors of ancient or higher commands such as ancestors, the constitution, or even God; even
worse, they borrow “herd maxims” such as “servants of the
people” or “instruments of the common weal.” Nietzsche objects
to the “herd” existence in Europe because he think it takes
itself to be “the only permissible kind of man” and praises those
attributes conducive to the flourishing of the herd such as public
spirit, benevolence, consideration, compassion, and so on. He
concludes the section by appealing to Napoleon, who for him is
another instance of the exceptional human being and one of his
heroes (see also GS 362).14
After a consideration of “late cultures” in section 200 Nietzsche
returns to the topic of the herd in sections 201 and 202. Section
201 is striking insofar as Nietzsche contests what can form the
basis of a morality of neighborly love. He argues that there can
be no such love so long as the utility that reigns in moral value
judgments is allowed to be only the utility of the herd. This
is because what is primary in the relation between different
communities and societies is fear of one’s neighbor. Once the
structure of society as a whole has become fixed and made secure
against external dangers then it is the fear of the neighbor that
will now be the focus of moral valuations. The process involves
the sacrifice of some drives, including those that previously
served to consolidate society, in favor of others. Strong and dangerous drives such as foolhardiness, vengefulness, and craftiness,
which had to be cultivated to become great, are now experienced
as doubly dangerous since the channels by which they could be
diverted are lacking and they are branded as “immoral.” What
now receives moral honor are the opposite drives: it is now a
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question of what will harm and endanger the community and
existence of the herd, so once again, Nietzsche says, “fear is
the mother of morals.” What he calls a “high and independent
spirituality” and “the will to stand alone” are now viewed as evils
and dangers (see also GS 143).15 As society develops in this
fashion the mores and manners of the herd become hardened,
giving rise to a submissive and conforming mentality and a
mediocrity of desires: “the ‘lamb,’ even more the ‘sheep,’ gains in
respect.” The tendency of the “herd” kind of society is toward
ever greater softness and tenderness and for Nietzsche this is
developing in European societies to the point of pathology. He
gives the example of our dislike of punishing criminals.16 Europe
considers itself to be on the path of moral progress in which one
day, it hopes, there will no longer be anything to be afraid of.
The tone of Nietzsche’s distress over this development becomes
more strident and his argument more polemical in the closing
two sections of this chapter. In section 202 he flatly declares that
“Morality in Europe today is herd animal morality.” He goes on
to explain that by this he means it is just one type of morality,
not the whole of morality, even if this is how it wishes to understand itself; and many other types, especially “higher moralities”
ought to be possible even if herd morality resists such a possibility and such an “ought.” Herd morality thinks it is morality in
and for itself, and that nothing else, or no other way of looking
at life and its flourishing, represents morality. With the assistance of a religion that flatters “the most sublime (sublimsten)
herd animal desires” we have reached in Europe today, he contends,
a situation where our social and political institutions are completely ruled by this attitude, so that: “the democratic movement
is the heir of the Christian movement.” Here Nietzsche is clearly
hinting at our modern obsession with the equal rank of all
human beings as a formal morality. He goes on in the rest of the
section to draw attention to what he sees as the ludicrous positions upheld by “anarchist dogs” and by socialists who dream of
a “free society.” Nietzsche ironically and bitingly calls this the
society of the “autonomous herd,” and his view is that genuine
autonomy can only be attained by breaking with the values of
the herd. He scoffs at the idea of “equal rights”—“for once all
are equal nobody needs ‘rights’ anymore.” Perhaps worst of all
for him, among these developments, is the cultivation within
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social existence of a “religion of compassion” (Mitleid).17 He
worries that Europe is developing its own Buddhism in which
suffering is seen as an objection to existence and human beings
can no longer tolerate, so “feminine” are they becoming, the
spectacle of seeing someone suffer (Nietzsche develops these
insights at greater length in GM, especially the second essay).
The supposition of we moderns is that shared compassion is
“morality in itself ” and the actual “attained height of man, the
sole hope of the future” as well as “the great absolution from all
former guilt.” Nietzsche makes it clear in GM that he considers
this development to amount to nihilism: “the sight of man now
makes us tired—what is nihilism today if it is not that? . . . We
are tired of man” (GM I:12).
TOWARD NEW PHILOSOPHERS
In section 203 Nietzsche turns his attention, and as way of
drawing this chapter to a dramatic conclusion, to an alternative
conception of the future of the human that rests on a different
“faith.” Nietzsche stresses “faith” and not “knowledge” is at
work here simply because it concerns the future, which, by
definition, is unknown, so one can only have belief in it and
based on insights gained from one’s knowledge of history,
which discloses that the human is an animal of possibilities,
including possibilities that have been aborted or ruined and ones
also not yet actualized. Man is the “unfixed” animal despite the
fact that modern morality seeks to “fix” him once and for all
(§62). Nietzsche thus now looks toward “new philosophers” who
will provide the “stimuli” for different, even opposing, valuations and so “revalue and invert ‘eternal values’ ” and constrain
the forces of human life and “the will of millennia upon new
tracks.” These philosophers teach the human that its future
rests on its will, that is, on a conscious and deliberate decision
concerning what it wants to become and willing the means to
it—once, that is, such consideration has liberated itself from the
totalizing perspective of the present (e.g., the idea that there is a
single morality valid for “all”). Furthermore, these philosophers
will prepare experiments and modes of discipline (Zucht) and
breeding or cultivation (Züchtung) as a way of “putting an end
to that gruesome dominion of nonsense and accident that has
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so far been called ‘history’ ” (Geschichte). Breeding for Nietzsche
is a means of storing up the tremendous forces of mankind so
that the generations can build upon the work of their forefathers
and provide, he thinks, some guarantee of perfection (KSA
13:15[65]; WP 398).18 Of course, the rule of chance will not
come to an end, since total control of the forces of life is an
impossible goal to achieve and even undesirable. Rather, it is the
“nonsense” of history to date Nietzsche wishes to see overturned:
the future is too important to be left to accident. His main contention is that modern morality does not, in fact, allow for the
future, it wants history to end in a universal reign of comfortableness and green pastures of happiness with no more longing,
desiring, and suffering. As already stated, for Nietzsche this is
nihilism. It also rests on a delusion: how can life not continue to
grow? Would not the realization of a perfect “free society” have
to cut off its own roots and thus become anti-life?19 This final
section of the book appears to be addressed to fellow free spirits
and Nietzsche wonders whether, even to these kindred spirits, he
has to speak out loud and make it clear that what is needed to
bring about this different future, one in which there is a future
for further enhancement of the human and not merely a wish for
its terminal point, is the necessity of new leaders. It is no small
task, he stresses in the rest of the section, to prepare for such
leaders and yet there is perhaps no greater and sublime task facing the free spirits. Nietzsche concludes by making clear his
opposition to modern ideas about the human and the human
future. Modern ideas suffer from an “absurd guilelessness and
blind confidence.”
Nietzsche makes it explicit at the start of section 202 that he
is now speaking of “our truths,” that is, the truths of the new
kind of free spirits he is appealing to throughout the book and
who have a “taste” that is different to the “democratic taste” that
prevails in the modern age (see especially §44). Immediately after
speaking of these “truths” he acknowledges that it will be considered an affront to speak of the human being in the terms
he has been using in this chapter, namely, counting man among
the animals and using expressions such as the “herd” and “herd
instincts,” and using them “unadorned and without metaphor.”
Nietzsche is well versed in the art and knowledge of metaphor,
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so the fact that he now speaks like this suggests that he wishes to
make his criticism of modernity an emphatic one and to be heard
loud and clear. We moderns, he thinks, assume we know what
Socrates confessed he did not know, that is, we think we know
what morality is and that it is one thing and its history has one
true destination, to end up being the morality of the herd and
the unegoistic. This may be a good place to pause and reflect
a little more widely on Nietzsche’s insights into, and concerns
about, “morality.”
NIETZSCHE AND THE PROBLEM OF MORALITY
In the preface to GM Nietzsche says that his “will to knowledge”
has led him to a focus and concentration on “morality” as a
fundamental problem (preface 2). It is important that we try to
be clear on what this problem is for him. In large part this
involves understanding what he means by “morality” and the
various labels he gives to his interrogation of it, such as the “selfovercoming” of morality and the “critique” of morality. Failure
to appreciate what “morality” is for Nietzsche leads to all the
misconceptions of his philosophy that circulate in the popular
domain.
In a note for the preface to D, Nietzsche writes of the need
to think about morality without falling under its spell; there
is a need to resist the seductive character of its beautiful gestures
and glances (KSA 12:2[165]; WP 253). He distinguishes himself
from modern German philosophy, notably Kant and Hegel,
and what he regards as half-hearted attempts at “critique.”
In these two cases criticism, he contends, is directed only at
the problem (how morality is to be demonstrated, whether as
noumenon or as self-revealing spirit) but never at the “ideal.” In
the actual preface to D Nietzsche claims that morality is the
greatest of all mistresses of seduction and that all philosophers
from Plato to Kant have been building “majestic moral structures” under its seduction (D P:3). Kant, he says, was really
a pessimist who believed in morality despite the fact that
neither nature nor history testify to it and in fact continually
contradict it.
“Critique” is conceived as a preparatory task of revaluation
and has several aspects (KSA 12:1[53]): (a) grasping and ascertaining the manner in which moral appraisal of human types
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and actions predominates at the present time; (b) showing that the
moral code of an era is a symptom, a means of self-admiration
or dissatisfaction or hypocrisy, in which the character of a
morality is to be not only ascertained but also interpreted
(otherwise it’s ambiguous); (c) providing a critique of the method
of judging at present: how strong is it? What does it aim
at? What will become of the human being under its spell?
Which forces does it nurture, which does it suppress? Does it
make human beings more healthy or more sick, more courageous and more subtle, or more compliant and docile? In the
preface to GM Nietzsche says there is a need for a “critique
of moral values,” which will examine the “value of these values”;
it is necessary to develop a knowledge of the conditions and
circumstances under which values grew up, developed, and
changed (GM P:6).
Curiously perhaps, the insistence on a critique of morality is
now to be regarded as our present form of morality and as an
outgrowth of the sense of “honesty” (Redlichkeit) cultivated
by Christianity and morality.20 It now needs to be inspired by a
sublime probity:
These are the demands I make of you . . . that you subject the
moral valuations themselves to a critique. That you curb the
impulse of moral feeling, which here insists on submission
and not criticism, with the question: “Why submission?”
That you view this insistence on a “Why?”, on a critique
of morality, as being your present form of morality itself,
as the most sublime kind of probity (die sublimste Art von
Rechtschaffenheit), which does honor to you and your age
(KSA 12:2[191]; see also GS 345).
Nietzsche, then, is drawing upon the virtues cultivated by
“morality” as a way of conquering and overcoming its stranglehold on questions of life. He does this because he fully appreciates
the fact that they have yielded a profit in our appreciation and
judgment of things, such as “finesse (das Raffinement) of interpretation, of moral vivisection, the pangs of conscience
(Gewissensbiss) . . .” (KSA 12:2[197]). Our spiritual subtlety,
which we are now deploying in the emergent field of a “science
of morality,” was achieved essentially through vivisection of the
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conscience (KSA 12:2[207]). We have been educated and trained
by morality; this training now leads us to say “no” to morality
(to blind compulsion, dogma, the heart’s desire, God).
Morality, Nietzsche contends, is frequently made the subject
of outlandish claims, for example:
(a) It is supposed that morality must have a universally binding
character in which there is a single morality valid for all in
all circumstances and for all occasions. Morality expects a
person to be dutiful, obedient, self-sacrificing in their core
and at all times: this demands ascetic self-denial and is a
form of refined cruelty.
(b) Ethicists such as Kant and Schopenhauer suppose it provides us with insight into the true, metaphysical character
of the world and existence. For example, in Schopenhauer
virtue is “practical mysticism,” which is said to spring from
the same knowledge that constitutes the essence of all mysticism. For Schopenhauer, therefore, “metaphysics is virtue
translated into action” and proceeds from the immediate
and intuitive knowledge of the identity of all beings. Compassion is “the great mystery of ethics.”21
(c) It is supposed we have an adequate understanding of moral
agency, for example, that we have properly identified moral
motives and located the sources of moral agency. The
opposite for Nietzsche is, in fact, the case: we almost entirely
lack knowledge in moral matters.
(d) It is supposed we can make a clear separation between
good virtues and evil vices but for Nietzsche the two are
reciprocally conditioning: all good things have arisen out
of dark roots through sublimation and spiritualization and
they continue to feed off such roots (see §23).
(e) Moral values claim independence for themselves from nature
and history and in order to win dominion they must be
assisted by “immoral” forces and affects. It is in this sense
that morality is the “work of error” and self-contradictory
(KSA 12:7[6], p. 276; WP 266).
(f) Finally, once morality has attained dominion “all biological
phenomena” are then measured and judged by moral values
and an opposition between life and morality is established.
Morality seeks to set the highest phenomena of life, as
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expressed in certain human modes of being, such as greatness, at variance with itself (ibid.).
Nietzsche calls for a “moral naturalism” in which we translate
moral values that have acquired the appearance of being emancipated and without nature back into their “natural immorality,”
that is, the conditions of life conceived in terms of its full economy of affects (KSA 12:9[86];WP 299). This is essentially what
he means by translating the human back into nature (§230):
“Homo natura: The will to power” (KSA 12:2[131], p. 132; WP
391; see also BGE 230). Nietzsche wishes to demonstrate that in
the history of morality a will to power finds expression and that
mankind’s supreme values to date are in fact a special case of
the will to power.
Nietzsche continues to affirm the need for morality when it
is conceived as the practice of “continual self-command and
self-overcoming . . . in great things and in the smallest” (WS 45;
212). Morality survives and has a future for Nietzsche, then, in
at least two main senses: (a) as techniques of physical-spiritual
discipline (KSA 12:10[68]; WP 981); and (b) as an instinct
for education and breeding (KSA 12:1[33]; WP 720). Regarding
(b), his attention is focused on the new form this might take in
the future. He wants this “unconscious instinct” to be placed
in the service of autonomous or sovereign individuals and not,
as we have he thinks now, that of “the power-instinct of the
herd.” “My idea,” he says, in a note from 1886/7, is that “goals
are lacking and these must be individuals! We observe how
things are everywhere: every individual is sacrificed and serves
as a tool. Go into the street and you encounter lots of ‘slaves.’
Whither? For what?” (KSA 12:7[6]; WP 269).22 In a note from
1887, Nietzsche once again speaks of the need for “strong
individuals” and names them “les souverains” (KSA 12:9[85];
WP 284). He also states in a note of 1886/7 that his philosophy
does not aim at an “individualistic morality” but wants an
ordering of rank in which the ideas of the herd should rule in
herd and not reach out beyond it (KSA 12:7[6], p. 280; WP
287).23 There is no incompatibility here between Nietzsche positing “strong individuals” as the end of physical-spiritual discipline
and his rejection of an “individualistic morality.” For Nietzsche
the latter is fully compatible with egalitarianism, which he
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opposes; an “individual” gains its value for him depending on
whether it is part of an ascending or a descending mode of life
(see also §262).
In the preface to GM Nietzsche makes it clear that it is the
value of the unegoistic instincts that he wants to place at the
center of his critique and of the revaluation project. He thinks
we need to become suspicious over the unegoistic for a number
of reasons. One main concern he has is that we become so caught
in our fictions and projections of ourselves as good and pure
that we become blind to the dangerously simple-minded view
of ourselves we have created. We need to be suspicious of the
“moral miracle” the unegoistic allegedly performs, transforming
us from amoral animals into saintly humans. Nietzsche takes
this self-image to task in section 47: “What? The ‘miracle’ merely
a mistake of interpretation? A lack of philology?”
Morality makes a claim to knowledge it is not entitled to,
since it is based on a failure to rigorously and soberly examine
moral actions and feelings. The study of morality is thus lacking
in genuine psychological insight and intellectual probity: “What
is the counterfeiting aspect of morality?—It pretends to know
something, namely what ‘good and evil’ is” (KSA 13:12[1]; WP
337). Morality’s pretension to knowledge encourages fanaticism.
The danger here is twofold: (a) first, supposing the good can
grow only out of the good and upon the basis of the good;
(b) second, holding there is a pure realm of morality where we
disentangle the nonegoistic and egoistic drives and affects. The
esteem we moderns accord to “the good man and the “will to
good” rests on a dangerously naïve understanding of life and of
the needs of the human animal. On the basis of an erroneous
and inadequate analysis of morality a false ethics gets erected,
buttressed by religion and metaphysical monsters, and “the
shadow of these dismal spirits in the end falls across even physics and the entire perception of the world” (HH 37). If we
examine what is often taken to be the summit of the moral
in philosophy—the mastery of the affects—we find there is
pleasure to be taken in this mastery. We can impress ourselves by
what we can deny, defer, resist, and so on. Through this mastery
we grow and develop. And yet morality, as we moderns have come
to understand it, would have to give this ethical self-mastery a
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bad conscience. If we take as our criterion of the moral to be
self-sacrificing resolution and self-denial, we would have to say,
if being honest, that such acts are not performed strictly for the
sake of others, since our own fulfillment and pride are at work.
There are no moral actions if we assume two things: (a) only
those actions performed for the sake of another can be called
moral; and (b) only those actions performed out of free will can
be called moral (D 148; here Nietzsche is supposing free will in the
sense of some miraculous act of self-causation; see also BGE
21). If we liberate ourselves from these errors a revaluation can
take place in which we discover that we have overestimated the
value and importance of free and non-egoistic actions at the
expense of unfree and egoistic ones (see also D 164).
When employed as a term of scientific knowledge “morality”
denotes for Nietzsche the doctrine of the order of rank and of
human valuations in respect of everything human. Most moral
philosophers, he contends, only deal with the present order of
rank that rules now. On the one hand, they display a lack of
historical sense, and, on the other hand, show that they are
ruled by the morality which says that what rules now is eternally
valid. There is no comparison and no criticism, only unconditional belief (KSA 11:35[5]). In this respect moral philosophy is
anti-scientific. The present age has one single conception and
definition of morality (“the unegoistic”) which it takes to be of
suprahistorical validity. This morality is what Nietzsche also
calls “herd-animal morality,” “which strives with all its force for
a universal green-pasture happiness of earth, namely, security,
harmlessness, comfort, easy living . . .” (KSA 11:37[8]; cf. §44).24
If we suppose that belief in God has now disappeared from the
human horizon, Nietzsche asks, then “who” is it that now speaks
in us? Nietzsche provides an answer not from “metaphysics,” he
says, but from “animal physiology”: “the herd instinct speaks”
and wants to be master. It allows value to be given to the individual only from the perspective of the whole and hates those
who detach themselves (KSA 12:7[6], p. 279; WP 275). This
“herd instinct” considers the middle and the mean as the most
valuable and the place where the “majority” finds itself. It is
thus “an opponent of all orders of rank, it sees an ascent from
beneath to above as a descent from the majority to the minority”
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(KSA 12:10[39]; WP 280). Nietzsche objects to this “herd tendency” because it “is directed toward standstill and preservation,
there is nothing creative in it” (KSA 11:27[17]; WP 285).
The kind of morality that Nietzsche is keen to promote is
what he calls the “legislative” type, which contains the means
for fashioning out of human beings the desires of a creative will
or a will to the future. We see legislative moralities in operation,
he claims, wherever an artistic will of the highest rank holds
power and can assert itself over long periods of time, in the
shape of laws, religions, and customs. Today, however, he holds
that creative human beings are largely absent. The present
morality needs attacking and criticizing precisely because it is
a hostile force and obstacle to any hope that they might come
into existence. “Morality,” to repeat, wants to fix the human
animal, which up to now has been the “unfixed animal” (§62).
The philosopher of the future, by contrast, does not want the
human animal to be something comfortable and mediocre but
to breed “future masters of the earth” (KSA 11:37[8]; WP 957),
conceived as human beings of the highest spirituality and
strength of will. For Nietzsche it is the free spirit, not the free
thinker, who thinks about this problem. He detects in the present
a conspiracy against everything that is shepherd, beast of prey,
hermit, and Caesar. The task will be to make use of the democratic movement as a way of cultivating a new spiritual tyranny:
“the time is coming when we will learn to think differently
about politics” (BGE 208). The aim is to allow individuals to
be free to work on themselves as artist-tyrants (KSA 12:2[57]).
He adds an important qualification: “Not merely a master-race,
whose task would be limited to governing, but a race or people
with its own sphere of life [ . . . ] a hothouse for strange and exquisite plants”(KSA 12:9[153]). The concept for this non-average
type of human being is “the superhuman” (KSA 12:10[17]; WP
866). If morality for the greater part of human history has served
the need of preservation, the morality of the future will be an
“experimental” one in which the chief task is, “to give oneself a
goal” (KSA 10:24[15], p. 653; WP 260; see also BGE 210, 262).
This part of BGE offers an important resource for gaining
an understanding of Nietzsche on morality as a problem. By
dissecting this problem in the manner he does, Nietzsche thought
he distinguished himself as a philosopher, providing new and
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far-reaching suspicions about it. No doubt, he exaggerated his
contribution—one thinks of the important contributions to
naturalizing ethics we find in Hume, Spinoza, and Jean-Marie
Guyau, for example. Much of Nietzsche’s analysis remains at
an impressionistic level and detailed historical insights are
lacking (though he attempts to provide more detail in his next
book, GM, intended as a supplement and clarification of BGE).
In truth, what he is doing in this part of BGE is outlining a
research program more than actually carrying out the necessary
research. His approach to ethics is notable for its attempt to
uncover a multiplicity of moralities and its concern with the
“plant” and “animal,” “man” and its cultivation and enhancement. Although he is critical of the “science of morality” and
regards it as being at a crude level of development, it is clear
that his sympathies lie with the approach of science. However,
whether a science of morality could ever lay claim to being in
possession of the kind of knowledge he wants and seeks with
respect to human enhancement, and which would then sanction
or permit the future legislation (rank ordering) of values, is a
moot point—though much of Nietzsche’s pretension as the kind
of philosopher he wishes to be rests on securing this knowledge
and being entitled to it.
Of the remaining sections of this part of the book they cover
the following topics: 189: how a drive purifies and sharpens
itself, including the sublimation of the sex drive into love; 190:
how Plato is really too noble for Socratism and employed
Socrates for his own “masks and multiplicities”; 191: on what is
false about Socrates as the “great ironist”; 192: an important set
of reflections on “lying” and “falsification” in which Nietzsche
wants to show that we are much more of an artist than we
commonly suppose; 193: on dreams; 194: on “possession”; 195:
on the Jews as “a people born for slavery” according to Tacitus
and who carry out the “miraculous feat of an inversion of
values”; 196: a parable on reading “signs” and “inference”; 200:
on “late cultures.”
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CHAPTER 8
PART VI: “WE SCHOLARS”
I have set up the most difficult ideal of the philosopher. Learning
is not enough! The scholar is the herd animal in the realm of
knowledge. (Nietzsche 1884, KSA 11:26[13]; WP 421)
The new philosopher can only arise in conjunction with a ruling
caste, as its highest spiritualization. Great politics, rule over the
earth, are at hand; complete lack of the principles that are
needed. (Nietzsche 1885, KSA 11:35[47]; WP 978)
The core concerns Nietzsche expresses in this part of the book—
the nature and fate of philosophy, the problem of the scholar,
the possibility of greatness—are longstanding ones in his work.
In his early writings Nietzsche conceives philosophy as “namegiving” that elevates (erhebt) the human being with origins in the
legislation of morality (Gesetzgebung der Moral) (KSA 7:19[83]).
Nietzsche returns to this lofty conception of philosophy in his
late writings after having demoted philosophy in significance,
relative to science, in the first book of his free spirit trilogy, HH.
In BGE, for example, philosophy is defined as “spiritual perception” (or vision) (§252), which in TI is clarified as, “the power
[Macht] of philosophical vision [Blick]” that is able to judge in
all the most important matters and does not hide under the
mask of objectivity (TI “Skirmishes of an Untimely Man”: 3).
The young Nietzsche notes that while philosophical thinking is
of the same kind as scientific thinking, it differs from it in that
it directs itself “toward great things and possibilities.” He duly
notes that the concept of greatness is amorphous, partly aesthetic and partly moral. For Nietzsche “greatness” departs from
the normal and the familiar: “We venerate what is great. To be
sure, that is also the abnormal” (KSA 7:19[80]). We can add to
this several other things of value to Nietzsche, including: liberation of human beings from inferior modes of existence based on
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neediness, mere self-preservation, the lust for the moment, senseless animal striving, the creation of a greater human freedom
through broadening parochial perspectives, the education of the
individual human being so that it becomes its own lawgiver, and
amor fati. In this part, “greatness” emerges as a key theme and it
seems appropriate that Nietzsche simultaneously presents his
conception of “great politics.”
SCHOLARS AND THE FATE OF PHILOSOPHY
Part VI is the most essay-like of the nine parts of BGE1 and in
this chapter we shall treat its ten sections together.
In his early writings Nietzsche is heavily preoccupied with the
problem of the scholar. The problem for our age is the esteem
accorded to the scholar since the scholar shows no awareness of
the goals of genuine culture (the production of genius or esteeming what is rare, unique, and singular). In relation to science,
philosophy draws attention to its barbarizing effects, that is, the
fact that it so easily loses itself in the service of practical interests. The “laisser aller” (let it go) attitude of the science of his
day resembles, as he sees it, the dogmas of laissez-faire political
economy: it has a naïve faith in an absolutely beneficial result
(SE 2). In addition, philosophy employs artistic powers in an
effort to break the unlimited knowledge-drive and in order to
produce a unity of knowledge. The primary concern of philosophy, however, is with the question of the value of existence,
with what is to be revered and esteemed. “For science there
is nothing great and nothing small—but for philosophy! The
value of science is measured in terms of this statement” (KSA
7:19[33]).
In the opening section, that is, section 204, Nietzsche speaks
out, “at the risk of moralizing,” against a shift he sees taking
place in his time in the respective ranks of science and philosophy, one which is in the process of becoming established with
a good conscience. As Kaufmann notes, Wissenschaft could just
as well be rendered as “scholarship,” and the German word does
not have the primary or sole reference to the natural sciences
that it does in English. What we are witnessing in the present
age, according to Nietzsche, is the growing independence of the
scholar and his emancipation from philosophy. He regards this
as “one of the more refined effects of the democratic order,” in
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which freedom from all masters is sought and which, he says,
is the “rabble instinct” par excellence. Once science liberates
itself from theology, whose handmaiden it once was, it seeks to
play master over philosophy and lay down laws for it. However,
the title of this part of the book is intriguing and can be read as
a sign that Nietzsche wishes to enlist scholarship in the service
of the noble ends of genuine philosophy as he sees it while at
the same time acknowledging, of course, his own training as a
scholar: he is speaking from experience. Moreover, we should
not overlook the challenge Nietzsche presented to philosophy in
the opening chapter of the book and his portrayal of psychology
as the queen of the sciences that opens the path to the truly fundamental problems (§23). Traditionally, and typically, philosophy
valorizes the mind or soul over the body, the intellect over the
drives, and consciousness over the unconscious. For Nietzsche
all of this is to be overturned and philosophy needs to incorporate psychology in its practice as a way of effecting this
change. At the same time, philosophy is to be valued as a mode
of “spiritual perception” (§252) and as a practice that has legislative tasks (§211); in addition, its peculiar and specific concern is
with the “over-all development” of the human (§61).
Along with this declaration of independence with respect to
philosophy, Nietzsche thinks he observes a disdain toward it
on the part of scholars and scientists. A utility principle on the
part of modern scholarship may make it blind to the value of
philosophy, with the result that philosophy is seen as little more
than a series of “refuted systems” and a “prodigal effort” that
benefits nobody. Or, Nietzsche speculates, the lack of respect
shown to philosophy today might be the result of the bad
after-effect of some philosophers, and he gives the example of
Schopenhauer. In his early writings Nietzsche had heaped praise
on Schopenhauer as his special educator and as a genuinely
untimely philosopher. Schopenhauer provides the lesson needed
of achieving independence in relation to the present age (SE 3).
Schopenhauer purified himself of the opinions and valuations
of his age and made himself unfashionable. Schopenhauer’s
greatness consists in the fact that he deals with “the picture of
life as a whole in order to interpret it as a whole,” and he does
so without letting himself become entangled in a web of conceptual scholasticisms (ibid.). He can serve as a model in spite of his
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scars and flaws. Nietzsche freely acknowledged the dangers of
Schopenhauer’s philosophizing, which consist in his pessimism
and his disgust with becoming. In BGE, however, Schopenhauer
is criticized for his “unintelligent wrath” against Hegel, which only
succeeded in removing Germans out of the context of German
culture and its employment of the subtle historical sense.
Nietzsche goes on in section 204 to note a deeper reason for
philosophy’s woeful state in the present age, and this is to do
with its own self-image and practice where it has become timid,
reduced to the “theory of knowledge.”2 When it has allowed
itself to become little more than a timid enterprise through the
dominance of epistemology this may be taken as a signal that
philosophy is in its last throes. Nietzsche thinks it has today
certainly lost the will to be master, that is, the will to direct other
inquiries and surmounting them by determining the “whither”
or “where to?” of humanity. In this section he reminds readers
of philosophy’s past glories; he mentions three figures in particular, each one a “royal hermit of the spirit”: Heraclitus, Plato,
and Empedocles. He contrasts these hermits with today’s
“hodgepodge philosophers” who call themselves positivists and
philosophers of reality and who embody today’s “unbelief in
the masterly task and masterfulness of philosophy.” In the
mid-nineteenth-century context, positivism was a progressive
force, which held out the promise of a radical secularization of
knowledge, countering the fog of metaphysical dogmatism on
the one hand and religion on the other.3 The term “positivism”
was first used by Auguste Comte (1798–1857) to denote a philosophy based on the positive facts of experience and avoiding
metaphysical hypotheses (on Comte see §48). As one commentator notes, it was applied to any view that privileged the empirical
sciences over metaphysical thought.4 In its classical expression
in the work of Comte, positivism also offered a grand narrative
of human development from a theological phase (the age of
gods or of God) through a metaphysical phase (the age of metaphysical abstractions) to that of positive scientific knowledge
in which human maturity is reached with the abandonment of
ultimate explanatory causes. With the arrival of positivism the
human mind contents itself with focusing on observed facts, which
it subsumes under general descriptive laws such as the law of
gravitation. Knowledge is relative, not absolute, in the sense that
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we do not know the whole universe but only as it appears to us,
and we relinquish concern with absolutes and ultimate causes.5
Nietzsche fails to mention the memory of his own positivist
phase in which he had championed the rights of science over
art, metaphysics, religion, and even philosophy itself, which is
especially evident in the texts of his middle period, notably HH,
where Nietzsche announces his farewell to “metaphysical philosophy” and embraces what he calls “historical philosophizing”
that shows the extent to which everything in the world, including
the faculty of cognition, has become (HH 1–2).
In this opening section Nietzsche makes it clear he is speaking
from his own memory as someone who was trained as a scholar.
An old philologist, he has the experience of the scholar’s training, and philologists are said to be the most learned and most
conceited of all scholars. The scholar is trained to be a specialist
and “nook dweller,” an educated person who must resist “any
kind of synthetic enterprise and talent” (§204). Two critical questions are significant for our engagement with the rest of this
chapter: (a) What would a synthetic enterprise of knowledge
amount to and especially for a new project of philosophy today?
(b) How is philosophy to be restored to its former glorious role
as master and how can Nietzsche avoid the charge of atavism
in advocating that philosophy return to its ancient roots, if this
is indeed what he is doing?6
In section 205 Nietzsche focuses his attention on the current
dangers facing the development and maturation of the philosopher. He notes they are so manifold that it is far from clear
such a fruit can ripen. For example, there is the fact that the
construction of the various sciences has grown to an enormous
size, and this may make the philosopher weary during his apprenticeship and he may choose to become a specialist. When this
happens the philosopher does not attain what Nietzsche calls
his “proper level,” which he construes as, “the height for a comprehensive look” or vision. Or, if he does attain it he attains it
too late when his most favorable time and strength are spent; or
he could be delayed on account of the severity of his intellectual
conscience and such is his fear of becoming a dilettante, “an
insect with a thousand antennae.” If the philosopher loses his
former self-respect (the importance of this respect in general
has been touched on in §188), he knows it is impossible for him
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to lead and to command in the realm of knowledge—unless,
Nietzsche notes, he is willing “to become a great actor, a philosophical Cagliostro and pied piper, in short, a seducer.” Nietzsche
notes here that ultimately it is a question of taste even if it is not
solely a question of conscience, that is, much depends on what
one wants and desires, what one prefers and esteems.
For Nietzsche one of the problems that afflict modern human
beings in general is their need to become actors. In GS 361 he
notes that the problem of the actor is one that has bothered
him the longest. For him Wagner embodies this problem as a
musician and artist. When addressing the problem of the actor
Nietzsche often has the case of Wagner in mind. Wagner is
“theatrical” to his core who wants his audience to delight in the
“gesture hocus-pocus of the actor . . .” (GS 368). As one commentator notes, how to honor taste and yet be a pied piper of
minds is part of the problem addressed in the final chapter
of the book, “What is Noble?” and which culminates, as does
the book itself as a whole, in a divinization of the tempter
Dionysus.7 It is the second reference to Cagliostro Nietzsche
makes in the book—see also section 194—who stands for the
archetype of a human being whose power and influence is
founded on deception. Count Alessandro di Cagliostro was the
alias for Giuseppe Balsamo (1743–1795), an Italian adventurer,
occultist, and forger.
The focus in this part is on the philosopher and in this section
at least Nietzsche has a sober appraisal of the chances of the
fruit of the philosopher ripening. A further problem he notes is
that the philosopher demands from himself a judgment, a Yes
or a No, not about the sciences but about the value of life, and
yet he is reluctant to believe that has such a right, or even a duty,
to such a lofty judgment, if not the loftiest of judgments it is
possible to conceive. The path to such a judgment, based on
experiences, is perilous and the philosopher frequently hesitates
and doubts, and may even lapse into silence. It is perhaps not
surprising, Nietzsche notes, that the crowd misjudges and mistakes the philosopher, taking him for an ideal scholar or
religiously elevated and enthusiast of God or the divine. Is
not “wisdom” a detachment from life and a form of escape?
Nietzsche responds by declaring the “genuine philosopher” to be
a person who lives unwisely and imprudently, since he constantly
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puts himself at risk by playing “the wicked game” (das schlimme
Spiel). This is very similar to how Nietzsche construes “the
great health,” which is constantly put to the test by being lost
and won again (GS 382).8 In the note for this, Nietzsche states
that the philosopher, being an experimenter, cannot live a life
of “timid virtuousness” (KSA 11:35[24]). The “wicked game”
refers to this experimental life and experiencing its necessary
disturbances and hazards: the word “schlimm” can mean bad
or ugly, and there is a similar point being made here to what
Nietzsche has said about the “necessary dirt” of politics in
section 61.9
In sections 206 and 207 Nietzsche takes a closer look at the
scholar and the “objective spirit” (what he says here can be
instructively compared with the long list of attributes he credits
the scholar with in SE 6, commencing with the scholar’s “integrity” [Biederkeit]; see also BGE 244).10 Nietzsche wants to know
what type of human being the scientific human is. He claims the
scholar is not a “noble” type but rather implicated in a “Jesuitism of mediocrity, which instinctively works at the annihilation
of the uncommon man and tries to break every bent bow or,
preferably, to unbend it,” and which is done, he further contends,
with “familiar compassion” (§206). We should note here the
reference to the “bent bow,” which connects with something
vitally important Nietzsche has prefigured in his preface to the
book. In section 207 Nietzsche notes that there are good reasons
to welcome up to a point a spirit that weds itself to objectivity.
The danger comes when we exaggerate the importance of the
depersonalization of the spirit as if this was the goal of existence
or what is most real and most important. The objective spirit
sees itself as a mirror of reality, simply submitting before
whatever it is that is to be known and providing a mirror to it.
The scholar allows himself to be used as an “instrument” and
seeks to do everything possible to remove what is accidental
and arbitrary from its perception of the world. Nietzsche notes
there is a high price to be paid for this depersonalization of the
human being for the sake of attaining the ideal scholar: one loses
seriousness for oneself. The scholar may be cheerful but this
is not owing to a lack of distress but rather a lack of fingers for
his own needs. The scholar has a “dangerous unconcern about
Yes and No.” The irony of the scholar’s taste is that it results
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in lack of concern with the need for (discriminating) taste and
judgment (the need for the Yes and No). The scholar thinks he
can only attain authenticity by being strictly objective, and if
love and hate are wanted from him he will do what he can and
give what he can—but it won’t be much, but rather, “inauthentic,
fragile, questionable, and worm-eaten.” Nietzsche contrasts the
scholar with the philosopher whom he describes in this section
as “the Caesarian cultivator [or breeder] and cultural dynamo.”
The objective man is a pure instrument and, as such, “the most
sublime (sublimste) type of slave” who weds himself to a cause
(objectivity) that has no aim or goal other than detachment
from life. Such a human being is a formal man, “without substance and content,” a “ ‘selfless’ man” (compare what Nietzsche
says about the “formal conscience” in the previous part of the
book and his earlier discussions of “independence” in part II).
Nietzsche argues that this curious type of human is neither a
begetter nor a conclusion and sunrise, “no complementary
man in whom the rest of existence is justified.” This question of
existence standing in need of “justification” (Rechtfertigung) is
something that occupies Nietzsche’s mind from the beginning of
his intellectual career, for example, in his first published book,
BT, where he spoke of existence being justified “to eternity”
only as “an aesthetic phenomenon” (BT 5). Justification in this
sense constitutes a reckoning before what we valued most of all.
It is indicative of what we ultimately value and represents the
true test of our beliefs.
We can also note his deep preoccupation, evident in several of
his notes from the middle to the late 1880s, with the problem of
training and education of different types of minds. His intention
is not simply to devalue the scholar. In a note from 1887–1888,
for example, he states that one of the tasks of a higher schooling
is to show that one’s duty can be found in “objective” activity.
This task of learning that pleasure and duty are altogether different things is, he argues, one of the main reasons why the
philologist is an educator: “his activity provides the model of
sublime monotony in action” (KSA 12:10[11]; WP 888). The
task of this kind of education is to make a human being useful
and approximate him “to an infallible machine” (ibid.). For some
types, then, the “mechanical form of existence” will be the “most
venerable form of existence” (ibid.).
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Nietzsche’s psychological analysis of the scholar is extraordinarily perceptive and, like most of his psychological analyses, it has disturbing aspects. The scholar’s life is afflicted but the
affliction—which is “our” affliction since “we” are scholars—
may not be recognized. The scholar ensures, for all his admirable
virtues, that as a result of his attachment to objectivity, life suffers for life demands the Yes and the No and yet it is precisely
this that the scholar cannot give. The scholar is important; the
philosopher has a greater importance and assumes the risk of
judgment, of the Yes and the No.11
Sections 208 and 209 consider the philosopher’s relation to
skepticism and kinds of skepticism. Section 208 also outlines an
important conception of “great politics” in Nietzsche’s work.
We might begin by asking: is Nietzsche not a great skeptic?
Does he not teach, as something decisive, skepticism about
“morality?”12 The analysis of skepticism in section 208 follows
on from what Nietzsche has said about the objective spirit in
section 207. The skeptic is said to be a “delicate creature”
whose conscience “is trained to quiver at every No; indeed even
at a Yes that is decisive and hard.” The skeptic has an army of
excuses to marshal against anyone who would demand a judgment (a Yes and No) from it, ranging from noble abstinence
to Socratic wisdom and the wisdom of time itself. In truth,
however, such a skeptic, Nietzsche avers, suffers from a paralysis
of the will that has physiological conditions, including “nervous
exhaustion and sickliness.” Nietzsche refers to the “radical
mixture of classes and races” as a feature of modern Europe
to account for widespread skepticism, claiming that what
becomes sick with the emergence of such hybrids is the will to
make independent decisions. Where races have been crossed
we find that many inherited valuations struggle with each other
and hinder each other’s growth. Later in the book he will attempt
to imagine how it might be possible to make a virtue of this
fact of modern existence (see our discussion of parts VIII and
IX). He admits to making a diagnosis of what he takes to be
a peculiarly modern situation in which objectivity, being scientific, art for art’s sake, and pure knowledge liberated from the
will, are taken as signs of progress but which, in truth, amount
to “merely dressed up skepticism and paralysis of the will.”13
Such disease of the will, he further notes, is distributed unevenly
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over Europe: France is the most skeptical nation, while the
strength of will is greater in Germany and even stronger in
England, Spain, and Corsica (the birthplace of Napoleon, of
course), while Italy is said to be too young to know what it
wants. It is strongest, he then contends, in Russia, and it is in
the context of reflecting upon the fate of Russia and Europe
as a whole that Nietzsche evinces his notion of “great politics.”
The Russian “will” is “waiting menacingly to be discharged,”
and for this to be confronted may require Europe to become
equally menacing, “to acquire one will by means of a new caste
that would rule over Europe.” Here Nietzsche is envisaging
a united will of Europe that could set itself long-term aims
and goals and for which its division into “splinter states” and
“democratic splinter wills” would prove insufficient and so in
need of overcoming. Nietzsche ends section 208 by declaring
that the “time for petty politics” is over and that the next century
will bring with it “the fight for the dominion of the earth” and
so “the compulsion to great politics.” Exactly what Nietzsche
envisages and commits himself to will be examined at the end of
the chapter.
One thing he has in mind is a “new warlike age,” which he
mentions at the start of section 209 where he also notes this may
bring with it a different and stronger type of skepticism, what he
also calls a “virile scepticism.”14 He says he will comment on it in
the form of a parable and which is said especially for German
ears since it concerns German history and especially the phenomenon of “Frederickianism.” What interests Nietzsche most
about this “German” form of skepticism is not so much its
imperial qualities but rather the fact that it has sublimated itself
spiritually into a warlike distrust of soft and beautiful feelings,
for example, in the “strong and tough virility of the great
German philologists and critical historians” who present “a
new concept of the German spirit” and do so “in spite of all
romanticism in music and philosophy.”15 This gives such a spirit
the courage of analysis and readiness to undertake “dangerous
journeys of exploration.” Perhaps he is speaking of himself and
his own generation here. Nietzsche ends this section by referencing Napoleon’s reaction to Goethe: he expected a German and
found a man. Goethe, of course, is one of Nietzsche’s greatest
intellectual heroes (see TI Skirmishes:49).
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Sections 210–12 present some of Nietzsche’s most important
insights into the philosophers of the future. Section 210 notes
that these philosophers might have to be skeptics in the sense
covered in the previous section but also “critics” and “men of
experiments.” They have a “passion for knowledge” that compels them to go further with experiments than the “effeminate
taste of a democratic century” approves of.16 These coming
philosophers have a number of traits, including genuine independence in relation to prevailing valuations and opinions—
they are untimely and unfashionable. Throughout his writings
Nietzsche stresses the need for the thinker to gain distance from
his time in order to truly address it, to be out of sync with his
time to the point where his birth will be posthumous (EH “Why
I Write Such Good Books”:1). Nietzsche’s untimeliness consists
in not paying obeisance to the sovereignty of popular opinion as
an arbiter of taste, valuation, and truth. He who follows public
opinion is always timely. In some key respects the later writings
such as BGE represent a return to the style of the early Nietzsche,
being polemical and unmodern. He conceives BGE precisely in
these terms in the entry on it in EH: as a book that is in search
of a noble, yes-saying type of being it seeks to be as unmodern
as possible. In section 212 Nietzsche stresses that for him the
philosopher is “of necessity a man of tomorrow and the day
after tomorrow” and is compelled to find himself in contradiction to his today: his voice is not the voice of “today.” Indeed,
the “greatness” of the philosopher’s task requires he assume the
guise of the bad conscience of his age. Nietzsche is keen to specify the sense in which he conceives philosophy: not as the theory
of knowledge but rather as that knowing and creative activity
that directs the future development of humanity. Perhaps necessarily, then, the philosopher is at odds with his own time and
appears foolish, dangerous, incomprehensible, and disagreeable.
In section 210 Nietzsche focuses on the critical and negating
qualities of future philosophers who have “a pleasure in saying
No and in taking things apart.” By the standards of humaneness
they necessarily will be judged to be hard, and this is especially
the case in their conception of the practice of truth: for them
“truth” is not something that will please, elevate (erhebe), or
inspire. In short, dedication to “truth” is so severe that it will
have little truck with our feelings, enthusiasms, and idealism since
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the chief task is to aim for “cleanliness and severity in matters of
the spirit” (Nietzsche will return to this “hardness” in later
sections of the book such as section 227—on “we last Stoics”—
and section 230—on the need to translate man back into
nature).17 Feelings, including and especially feelings of elevation
and delight, are not to serve as measures of whether or not
something is part of “truth”: we are, then, to think against ourselves and our inherited humanity. Despite this cultivation of
“critical discipline” Nietzsche does not wish philosophers of
the future to be labeled mere critics who draw boundaries and
establish the limits of knowledge. Critics, including great ones
such as Kant, are important but serve primarily as instruments
of the philosopher. Nietzsche once again takes issue with positivist-minded philosophers for whom the label “critic” would
be perhaps the highest sign of the philosopher’s strength and
nobility.
Section 211 builds on this treatment of the philosopher as
critic. Taking further issue with positivists Nietzsche regards it
as fatal if philosophical laborers and scientific men are confused
with philosophers. The task of the true philosopher is to “create
values,” and although to attain this he may have to pass through
the entire range of human values and value feelings, being at
different turns in time critic, skeptic, dogmatist, historian,
poet, and solver of riddles so as to attain the requisite level
of comprehensiveness, all these identities are for him merely
“preconditions of his task.” On the one hand, we have the philosophical laborers—Nietzsche speaks of Kant and Hegel as noble
models of this type—who “press into formulas . . . some great
data of valuations” or “former positings of values.” This task is
an important one since it enables us to conquer the past: everything long, including time itself, is abbreviated and rendered
serviceable for life, including our digestion and comprehension.
On the other hand, however, there are the true philosophers who
are “commanders and legislators” since they declare of things
and existence, “thus it shall be!” With the preliminary labor of
the philosophical workers at their disposal the true philosophers
are able to determine “The Whither and For What of man.”
Famously, Nietzsche writes, the “knowing” of such philosophers
is a “creating, their creating is a legislation, their will to truth
is—will to power” ’ (recall the end of §9, where philosophy is
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said to be a “tyrannical drive” and “the most spiritual will to
power”).18
Section 212 focuses on the concept of “greatness.” Although
Kaufmann notes that Aristotle’s treatment of “greatness of
soul” exerted an influence on Nietzsche’s thinking on this topic,
Schopenhauer and Burckhardt are its main sources. Nietzsche
follows Schopenhauer in construing the “great” or “greatness”
as “that sublime predicate” and which for Schopenhauer is
reserved for genius.19 Nietzsche is also inspired by Burckhardt’s
lengthy consideration of greatness in his Reflections on World
History, lectures Nietzsche attended at Basel, which left their
mark on him.20 Nietzsche’s view in section 212 that the philosophers apply the knife vivisectionally to the chest of the virtues
of their time—and note the signal to the next part of the book
on “Our Virtues”—so as to learn of “a new greatness of man”
and a “new untrodden way to his enhancement,” is a clear echo
of Burckhardt’s judgment that our starting-point might be
modern selves, taken as “jejune, perfunctory, many-minded,”
in which we discover that “Greatness is all that we are not.”21 In
contrast to “a world of ‘modern ideas,’ ” which seeks to ensure
that every person is a “specialty” and a little corner, Nietzsche
holds that the philosopher, supposing the concept of him can
exist today, wishes to find greatness in man’s “range and multiplicity,” that is, the fact that he is whole only to the extent that
he is multiple: “He would even determine value and rank in
accordance with how much and how many things one could bear
and take upon himself, how far one could extend his responsibility.” The “taste of the time” today, however, is in favor of
weakness of the will. This means that for the ideal of the philosopher what belongs to the concept of greatness can only be
a “capacity for long-range decisions.” Moreover, in the face of
the war that modern ideology is waging on behalf of “equality
of rights” and hence against everything “that is rare, strange,
privileged,” including the “higher” duties and responsibilities
held by higher types of man, the concept of greatness needs to
entail, “being noble, wanting to be different, wanting to be by
oneself . . . standing alone,” and so on. Nietzsche closes the
section by offering a definition of greatness—it consists in being
“beyond good and evil,” master of one’s virtues, and overrich
in will—and then posing the question whether this greatness is
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possible today. Aspects of Nietzsche’s conception of “greatness”
seem to echo his definition of “life” in section 9: not “indifferent
nature” but rather “estimating, preferring, being unjust, being
limited, wanting to be different.”
Section 213 is important because in it Nietzsche expresses
his unfashionable view that to have “a right to philosophy” it
is necessary to be “cultivated” or bred for it. As a critical genealogist he refers to the importance of origins, ancestors, and
blood—all these taken in their metaphorical sense because the
breeding Nietzsche has in mind is as much cultural as it is biological or genetic. Nietzsche places stress on the rarity of the
genuine philosopher and the need for it to be cultivated because
he wants to uphold the (again) unfashionable view that there
is an order of rank among states of the soul and of problems
that accords with this. Not everyone is predestined to deal with
truly great problems and tremendous tasks. Nietzsche is in favor
of a plurality of philosophical types. The available resources
for this enterprise, our inheritance, are explored in parts VIII
and IX and draw heavily on the analyses of human development
Nietzsche offers in the chapters on religion, morality, scholarship, and virtue. What he doesn’t want us to lose sight of is the
need of genuine philosophers and yet because the modern taste
and ambition is in danger of becoming purely “plebeian” this
is indeed what we are losing sight of.
PHILOSOPHICAL CREATORS
As Kaufmann notes, Nietzsche’s distinction between philosophical laborers and creators is questionable. He gives examples
of thinkers in the history of philosophy who carry out both
analyses and make normative suggestions, such as Plato and
Aristotle, Spinoza, and Kant. However, Nietzsche distinguishes
himself from Kant owing to what he sees as Kant’s attachment
to the “heart’s desire” and lack of intellectual integrity. Nietzsche
has no truck with Kant’s attempt to deny knowledge in order to
make room for faith, seeing in this only a half-hearted attempt
at a true “critique.” Kant is simply not “hard” enough for what
Nietzsche sees as the philosopher’s taste: Kant invents “a special
type of reason [practical reason] so that people would not have
to worry about it when morality, when the sublime (erhabne)
command ‘thou shalt,’ is heard” (A 12). Spinoza is a good
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example to focus on, not simply because Nietzsche thought he
had found a precursor in him,22 but also because he is a thinker,
one might argue, who disconnected truth from pleasant feelings
and elevation in the way Nietzsche stipulates as being necessary
for the dedicated work of philosophy. One might also venture
the suggestion that Spinoza is a creator of concepts, which for
Nietzsche is one of the hallmarks of the true philosopher.23
And yet Nietzsche makes critical observations in his late
writings, including BGE (5, 25, and 198) and book five of GS
added in 1887 (GS 372). We think something else is at work for
Nietzsche, which Kaufmann does not address: the difference
between Nietzsche and his precursors and forerunners is that
he is profoundly anti-modern; he does not write for the benefit
of humaneness or humanity, at least not how these are conceived
in the democratic language and values of the modern period.
This comes out strongly in the drafts he prepared for many
of the sections of BGE, including sections of this part. For
example, in a note from 1885 on the search for new philosophers
Nietzsche says he is looking in the direction “where a noble
mode of thought is dominant” and he adds, “such as believes
in slavery and in many degrees of bondage as the precondition
of every higher culture” (see also on slavery §§242, 257–8).
Where a “creative mode of thought dominates,” he goes on, it
will not posit “the happiness of repose” as a goal for the world
and honors in peace only “the means to new wars.” A mode
of thinking seeking to prescribe “laws for the future” will be
“harsh and tyrannical toward itself ” and “all things of the
present.” This will be a “reckless, ‘immoral’ of thought” that
recognizes the need “to develop both the good and the bad
qualities in man to their fullest extent” and because “it feels it
has the strength to put both in their right place” (KSA 11:37[14];
WP 464). Once again the distinction between the “free thinker,”
with his democratic taste, and the free spirit is crucial for
understanding how Nietzsche conceives the philosophers of
the future. The present age, he notes, possesses the “reverse
instincts” since it wants above all “comfort . . . publicity and that
great actors’ hubbub, that great drum banging that appeals to
its funfair tastes,” and it wants “that everyone should fall on
his face in the profoundest subjection before the greatest of
all lies—it is called ‘equality of human beings’—and honor
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exclusively those virtues that level and equalize” (ibid.; see also
from 1885 KSA 11:37[8]; WP 957).
Two critical points are worth making on the issue of the new
philosophers. First, it cannot be a question of Nietzsche making
a straightforward and naïve appeal to “nature” to justify his
vision of the future. In his reading of this part of the book
Lampert argues that for Nietzsche the ultimate ground for
philosophy’s right to be master “is given in nature and human
nature.”24 This is difficult to square with Nietzsche’s emphasis
on “life” as the domain par excellence of “wanting to be different” and on the philosopher as one who seeks difference and
independence. Moreover, even if we suppose Nietzsche seeks to
ground his conception of the future, including the sovereignty
of philosopher-legislators, in a conception of nature it is difficult to know what could sanction this: why should human beings
obey or conform to what nature dictates? Indeed, there have
been philosophers of the twentieth century from Bergson to
Gianni Vattimo who place value on democracy and democratic
virtues precisely because they are anti-natural.25 It is by no means
clear that Nietzsche thinks his “radical aristocratism” can find
its basis and sanction in nature. For Nietzsche the realization of
genuine personality and individuality is something extremely
rare and difficult to attain. He says that it is almost something
“anti-natural” (KSA 12:10[59]; WP 886); this is why he favors
protecting the strong from the weak (GM III:14). The solitary
type of species has against it the instincts of the herd and the
tradition of values and they themselves may be lacking in strong
protective instincts and dependent on chance for so many things.
In a note from 1887 he expresses the worry that the class struggle
that aims at equality of rights will wage a war against the solitary
personality. On the other hand, though, he wonders whether the
solitary species can best maintain and develop himself most easily in democratic society simply because of the habits of order,
honesty, justice, and trust it is based on (KSA 12:10[61]; WP
887). Despite the impression sometimes given by Nietzsche, his
thinking on the future is more speculative and open-ended than
it might appear.
Second, for all his talk of creating new values it is abundantly
clear that the ethico-political values Nietzsche prizes are ones
taken from the past, namely, Greek and Roman antiquity and
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the Renaissance. The reader of BGE needs to look hard to find
evidence of what precisely is “new” about the new values that
Nietzsche thinks the coming philosophers will create and forge.
Although it is clear that Nietzsche holds a return to past aristocracies is impossible and even undesirable, and he speaks
explicitly of the need for a “new aristocracy,” his principal
attachment is to the aristocratic “enhancement” of the human
(§257) and many passages, published and unpublished, indicate
he thinks some form of “slavery,” albeit of a “sublime” kind, is
necessary to achieve this end.26 This is an issue we shall return
to in our discussion of part IX of the book.
GREAT POLITICS
The German term “great politics” was a term in vogue in the
1870s and 1880s and referred to the then fashionable conviction
of the primacy of foreign policy conceived as a higher form
of politics that addressed European world power conflicts in
contradistinction to lesser forms of politics dealing with internal
affairs.27 Nietzsche first employs the term in HH 481 entitled
“Great Politics and Its Drawbacks.” Here he notes the political
growth of a nation entails an intellectual impoverishment and
lassitude, resulting in diminished capacities for the execution
of works requiring great concentration and specialization.28
As Bergmann notes, and as something typical of Nietzsche’s
many reformulations of the term over course of the next
decade, Nietzsche “interjects a seesaw theory, an either-or choice,
between politicization and cultural flowering” that challenges
the widely held conviction that cultural flourishing necessarily
and eagerly follows on from military conquests and success.29
It is this kind of “great politics” that Nietzsche puts to work in
TI (1888) where he uses it more in the sense of macro-politics or
Realpolitik: “. . . the whole of Europe already has a notion of
it—great politics deceives no one . . . Germany is being seen
more and more as Europe’s flatland”30 (TI “What the Germans
Lack”:3; see also TI “Morality as Anti-Nature”:3). In his final
text, EH, the notion acquires a more apocalyptic meaning: “. . .
I am necessarily a man of impending disaster . . . when truth
squares up to the lie of millennia, we shall have upheavals . . .
such as have never been dreamed of. The notion of politics will
then completely dissolve into a spiritual war (Geisterkrieg), and
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all configurations of power from the old society will be exploded
. . . there will be wars such as there have never yet been on earth.
Only since I arrived on the scene has there been great politics on
earth—” (EH “Why I am a Destiny”:1). From initially mocking
the notion—the politics of the new Reich amount in fact to a
“petty politics,” Nietzsche jabbed ironically—he ends up appropriating it for the ends of his own prophetic mission. We should
also bear in mind that the years 1884–1885, that is, the same
time as the drafting of material for BGE, witness Bismarck’s
acquisition of colonies such as the Cameroons, German East
Africa, and New Guinea. It is not too far-fetched to suggest this
is on Nietzsche’s mind when he conceives “great politics” in the
mid-1880s in terms of the coming “mastery of the earth.” The
concept was one he was keen to appropriate and make use of.
His very final notebook, in fact, begins with a section entitled
“Die Grosse Politik” (KSA 13:25[1]).
The precise meaning of Nietzsche’s positive deployment of
“great politics” has exercised many of his commentators: just
what kind of wars does he have in mind? And what exactly
would be a “spiritual war?”31 Is Nietzsche thinking “war” independently of violence and slaughter, or is he tying these to
higher and nobler ends? What would these ends be? In section
208 the focus is on “the dominion of the earth” and the need for
Europe to forge “one will” in response to the alleged menace
of Russia. Nietzsche certainly envisaged a “tragic age” for the
future of Europe but whether this entails violent conflict as
something unavoidable is difficult to say with certainty. Evidence
suggests Nietzsche favored the end of bloody, nationalist wars
and was an advocate of peace.32 He conceives his idea of “great
politics” in opposition to the power politics of his time and
dynastic, democratic and nationalist fragmentation. He did not
envisage a central power such as Germany dominating rest of
Europe; rather, the good European (§§254 and 256) is contra the
“nationalist nonsense.” Nietzsche thought the economic unity
of Europe must come (KSA 13:11[235]) and this would lead to a
united Europe.33 His “party of Life” (EH BT:4) would operate
outside the terms of power politics and would not be a political
party based on class, race, or nationalism, but would be international in scope seeking the guardianship of the entire culture
of the earth and, ultimately, universal peace.
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CHAPTER 9
PART VII: “OUR VIRTUES”
In this chapter Nietzsche continues his dissection of morality
and focuses on the question of virtues. He also deals importantly
with the “order of rank.” There are interesting links between
many of the sections that compose it, and the chapter reaches a
climax with section 230 on the “fundamental will of the spirit.”
Section 231 provides a pause for the reader and then sections
232–9 present Nietzsche’s notorious “truths” about woman. One
task is to work out why this treatment of woman appears, in this
concentrated form, at this particular point in the book.
Aristotle is perhaps the most influential classical source for a
moral philosophy of virtues in which a fulfilled life is one lived
in accordance with virtue, that is, one in which specifically
human capacities are put to their best use. Aristotle groups virtues into two main classes: virtues of character (moral virtues)
and virtues of the mind (intellectual virtues). At the start of the
second book of his Ethics Aristotle makes it clear that moral
goodness is the result of habit (it is connected to the word ethos)
and that none of the moral virtues are engendered in us by
nature. We cannot train a stone to rise or fire to burn downwards.
Although we are constituted to receive moral virtues by nature,
their full and actual development is due to habit. With the title
of his chapter Nietzsche is making it clear he wishes to address
what, if any, are the specific virtues of modern Europeans. Do
we have virtues? If we do, what are they? And if the question
is a complex one for us to address as moderns why is this?
In fact, it becomes clear as the chapter unfolds that the “our”
in Nietzsche’s title refers to two groups: the free spirits and
modern Europeans.
OUR LABYRINTH
Section 214 begins by immediately signaling the difficulty
we face in considering the question of our virtues. Nietzsche
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concedes “it is probable” we still have our virtues but they don’t
have the character of our forebears, specifically they are not
“simpleminded and four-square.” We hold our forebears in
honor for their simpleminded virtues but also at arm’s length.
We cannot be like them. This is because of what modern
Europeans are: dangerously curious, multiple with an “art of
disguises,” and with a mellow and sweetened cruelty in spirit
and senses. So, if it turns out that we have virtues they will be
those qualities or attributes—dispositions and habits—which
are congruent with our “most secret and cordial inclinations”
and our “most ardent needs.” We will find them in our labyrinth.
For Nietzsche, then, we moderns live a labyrinthine existence,
an image conjured at the beginning of part III and with which
the book ends. Already in D Nietzsche had noted that in comparison with earlier cultures and ages, such as the Greeks, our
souls are labyrinthine: “If we desired and dared an architecture
corresponding to the nature of our soul . . . our model would
have to be the labyrinth!” (D 169). Section 215 uses the example
of the astronomical discovery of a planet’s orbit being under the
guidance of two suns, in which it enjoys suns of different colors
shining on it, to indicate that modern human beings are complex
creatures: we do not think, feel, and act under the influence
of “one” morality but rather of different moralities. Nietzsche
makes a witty reference to Kant’s moral law when he refers to
the “complicated mechanics of our ‘starry sky’ ” (Kant held that
two things fill the human mind with awe and wonder, the starry
heavens above and the moral law within). For moderns, he is
suggesting, the moral law cannot be univocal or simpleminded;
for a start, Nietzsche will argue in part IX, each modern human
being is a synthesis of master and slave moralities (§260). We
become comprehensible to ourselves only when we admit this
complexity.1
Several of the sections that now follow are designed to invert
our typical understanding of the exercise of moral judgment.
In section 216 Nietzsche suggests that we have learned how to
love our enemies and, in fact, have done something higher and
more sublime (Sublimere): we learn to despise when we love and
even and especially when we love best. We now do this without
noise and pomp and with a modesty and concealed goodness
that does not allow itself “virtue formulas.” This is because
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today “morality as a pose—offends our taste.” In section 217
Nietzsche advises us to beware of a person we would expect him
to admire and esteem, namely, the person who displays moral
tact and subtlety in making moral distinctions. The suggestion
seems to be that we can never be subtle enough in our exercise of
moral judgment and, moreover, that such a person hides the
fanaticism of a moral being, which comes to the surface once
they make a mistake either in front of us or against us—“they
become instinctive slanderers and detractors.” In short, the fact
that we become offended by our errors of judgment shows we
can be too enamored of our own our virtuousness. This is why
Nietzsche ends this section with a paean to the forgetful since
they are at least able to get over their stupidities. In section 218
Nietzsche suggests as a new task for psychologists the observation of the norm in its battle against the exception, and this
question of the norm and what is outside or beyond it becomes
a theme of the part with its overriding concern with morality
and the order of rank.
THE ORDER OF RANK
Section 219 argues for an order of rank where the merely moral
human being wants there to be none but only equal agreement
and the acceptance of one set of standards, namely, the standard
of equality. Here Nietzsche argues that judgments and condemnations are: a form of revenge of the spiritually limited against
the less limited, a compensation for having been ill-favored by
nature, and an opportunity for acquiring spirit and becoming
refined, that is, being able to practice judgment and discernment
(he calls this spiritualized malice). Some of these will strike the
reader as more speculative than others, for example, the argument on compensation. Such types gain the pleasure of feeling
that there are standards before which those other types that
overflow with the privileges of spirit become their equals (such
types fight for the doctrine of the equality of all souls before
God and need such a faith). Nietzsche then turns his focus to
the notion of “high spirituality” and contends that such spirituality, which entails highly developed capacities of judgment and
discernment, for example, the judgment of ages and epochs as
eras of decline or ascent, of the value of different human types,
cannot be compared with the solidity and respectability of the
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“merely moral human being.” Such a proposition, Nietzsche
imagines, enrages the merely moral person and he wishes to
avoid doing this since they have enough of the spirit of revenge
and resentment in them as it is. Instead he chooses to flatter
them by arguing that high spirituality is in fact a product and
synthesis of moral qualities and owes its existence to a long
discipline and exercise, for example, as in the case of the spiritualization of justice. Ultimately, this process leads to a justice that
recognizes the chief task of the spiritual philosopher: “to maintain the order of rank in the world, among things themselves—
and not only among men.” The order of rank concerns making
distinctions of value as they concern different human types in
different ages and epochs, and so on. But why does Nietzsche
also refer to “things themselves”? Do justice and the order of
rank also concern themselves with non-human things and the
“world”? It is not clear just what Nietzsche has in mind (some
commentators have read him as referring to some natural order
of rank in the world).2 Although Nietzsche chooses to flatter the
moral person, what he says about the order of rank is deeply
revealing since it indicates that for him its expression is not
without conditions of existence and emergence.
For Nietzsche we moderns are almost naturally antipathetic
to the idea of an order of rank because “it undermines the
modern sense of individuality in which every person is a unique,
completely independent source of value.”3 As he puts it at an
earlier point in his writings: “One no longer has class-rank!
One is an ‘individual’!” (D 203). Nietzsche’s great worry, in BGE
and other texts, is that this means we no longer know how to
properly value anything, be it ourselves as creatures who fashion
ends for ourselves, or things in the world itself—and this is
largely because we forbid ourselves the right to make value
distinctions and shape the value of things in terms of some rank
ordering. For Nietzsche the “order of rank” is not primarily a
substantive notion; it is rather that he “is interested in the
availability of normative authority rather than prescribing any
specific hierarchy,”4 such as some fixed aristocratic kind (he
favors “aristocracy” as an ideal because it allows for distinctions
of rank—between types of people and things in the world—
to be made possible). As Robert Guay has correctly noted,
Nietzsche’s normative attention is never focused on a natural
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hierarchy, but rather on “life” as a transcendental condition of
normative claims and moves. As Nietzsche puts it, “order of
rank merely formulates the highest law of Life itself ” (A 57).
And, as Guay nicely glosses this: “order of rank makes possible
the evaluative, self-relating activity distinctive of Life as such,
not as a causal condition, but by contributing to the content by
which persons distinguish themselves from the rest of nature.”5
This means that rank ordering in Nietzsche does not reflect
some pre-given evaluative order—this is to commit the error of a
naturalistic fallacy (deriving what ought to be the case from what
is), which is so frequently but wrongly attributed to Nietzsche by
both defenders and detractors of his philosophy alike. As Guay
correctly stresses the point, Nietzsche presents the notion of an
order of rank “not as reflecting a natural or mythic order, but
as a condition for the availability of normative authority.”6 For
Nietzsche, then, the rank ordering of values is fundamental to
“Life,” that is, to what lives and grows; it is this concern with
value distinctions that makes “Life” for Nietzsche the primary
category in his “bio-ethics” and “bio-politics,” as opposed to
“nature.” Where life is guided by the priority of ends and goals,
non-living nature is simply moved by external causes alone. This
distinction between “life” and “nature” is crucial to Nietzsche’s
thinking and should not be lost sight of. He has emphatically
stated, in BGE 9, for example, that life involves wanting to be
different from nature and what is merely “natural” and that central to this difference is evaluation (having preferences, being
unjust, being limited, etc).
Section 220 continues the theme of rank ordering by addressing the question of what interests and concerns different human
beings. It begins with Nietzsche referring to the praise accorded
in modern times to the notion of “disinterestedness,” as found,
for example, in the Kantian view of aesthetic appreciation as
being a form of disinterested contemplation, and that was also
taken up by Schopenhauer. Kant holds that when we experience
something aesthetically we are in a unique relation to that thing:
we do not, for example, make a logical judgment of it by asking
after the class of objects to which it belongs, so we contemplate
it without interest in this specific sense.7 In the aesthetic mode
of experience we are governed neither by the demands of theoretical cognition (I am not cognizing an object in the sense of
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needing to know what it is, be it a dog, a ball, or a chair)
nor those of practical reason (the demands of moral action).
Nietzsche overlooks these specifics in Kant’s account and he
perhaps does so in order to make the point he wants to (he seems
to think that disinterestedness involves being dispassionate and
impersonal but this is contestable).8 Nietzsche notes that the
things that will interest and attract “choosier and more refined
tastes and every higher nature” will appear to the average or
common human being as totally uninteresting: the tastes are
different. The average human being may even consider the interests of the higher nature so beyond the norm that they appear to
him as being of a “disinterested” character. Nietzsche contends
this is an error of judgment since the “naked truth” of the matter
is that what appeals to the higher nature in so-called “disinterested” actions is, for him, something exceedingly interesting.
Nietzsche concludes the section by contesting a widespread
assumption that love and the making of sacrifices don’t involve
the interested ego. In making a sacrifice one always expects
something in return, some profitable experience, for example,
and which often enables one to grow. The denouement to this
section refers the reader back to the book’s preface and its
provocative claim that “supposing truth is a woman.” Nietzsche
wants us to infer that the pursuit of the “naked truth” about
truth is neither boring nor disinterested either to truth (woman)
itself or to truth’s pursuer: truth cannot be bored by such
questioning, only “violated.”
THE UNEGOISTIC
The topic of the unegoistic occupies Nietzsche’s attention in
the next two sections. In the preface to GM he makes clear the
“morality” he wishes to subject to critique is the morality of
the unegoistic, that is, self-sacrifice, self-denial, and compassion.
He does not explicitly address the question of whether unegoism
is genuine or only a disguise, though there is much here and in
his previous writings such as D to suggest that unegoism is
neither what it appears to be not what it takes itself to be (e.g.,
“the mask of philanthropy” as he puts it here in §221). What
remains the case is that it exists as something real in the form of
an ideology actively promoted in society and social relations.
In section 221 Nietzsche takes the unegoistic morality to task for
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presenting itself unconditionally. When it does so it violates
taste—a superior taste would recognize and value difference—
and, perhaps even more seriously, it injures the higher and rarer
type by seducing them to neglect their own tasks, which are
different from the norm. This is why Nietzsche insists that
moralities must be forced “to bow . . . before the order of rank”
and learn that it is “immoral,” in the moralist’s own language, to
suppose that what is right for one (the dutiful herd type) is
fair for the other (the higher and rarer type). We can note
here Nietzsche’s use of irony with reference to the “moralistic
pedant” that is speaking in the section. Why does the pedant
want to be so right in every instance? Should he not be laughed
at and as part of a “good taste”?
In section 222 Nietzsche notes that compassion is becoming
our “religion” today, not literally but in the form of society’s
self-image and raison dêtre. The German Mitleid is translated
by Kaufmann as “pity” though “compassion” better reflects the
German, which has the meaning of “suffering with.” What the
modern human being takes to be its core virtue, compassion,
shows itself to be in fact a disguised form of self-contempt and
may even be a vice: “He suffers and his vanity wants him to
suffer only with others, to feel compassion.” Nietzsche is keen
to undermine the pretensions of this cult of compassion: it is
fully interested, fully egoistic, and fully human, all too human
(vain). For Schopenhauer the basis of morality resides in compassion (Mitleid), which he conceives as the “absence of all
egoistic motivation” and “the criterion of an action of moral
worth.”9 In acting in accord with compassion it is not, for
Schopenhauer, only a case of my elevating myself above my
natural egoism and so becoming a moral agent; it is rather,
that I am now acting in accord with the metaphysical truth of
existence: namely, I have pierced the veil of Maya (illusion) and
reached the real truth of being, namely, that individuation (plurality) is not real, all is One, and “this art thou.” For Nietzsche,
Schopenhauer’s valuation is lacking in real psychological insight
and intellectual integrity.10 Nietzsche holds that in any given
action multiple motives are in play, so the attempt to posit purely
other-regarding affections as the basis of human morality does
not withstand psychological scrutiny. For Nietzsche it is simply
not the case that we ever act from single motive. If we wish to
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free ourselves from our suffering in acts of Mitleid, which is what
he thinks is taking place, it is also the case, Nietzsche surmises,
that with the same act we surrender to an impulse for pleasure,
for example, in the thought of praise and gratitude which will
come our way if we were to come to someone’s aid. The performer of the act can thus take a delight in himself, for example,
in the sensation that the action has put an end to an injustice
that arouses one’s indignation—the release of this indignation
can have an invigorating effect. Nietzsche has several objections
to compassion when it is esteemed as a virtue. For example, he
thinks it can display a superficial understanding of another’s
suffering (see D 133), that it is often a question of the mental
state of the agent and not the actual sufferer, and it fails to
appreciate that in an individual’s formation happiness and
unhappiness grow up together as sisters, even twins (see GS 338).
Moreover, he holds that the cult of the sympathetic affections,
such as Mitleid, within modernity represents a tyrannical encroachment on the requirements of self-cultivation (see D 174).
THE HISTORICAL SENSE
The next two sections consider the modern historical sense
and spirit. In the opening sections of HH Nietzsche called for
“historical philosophizing” and with it the virtue of modesty:
everything, including the faculty of cognition, has become and
this insight can teach us modesty about things since we recognize they do not enjoy an eternal existence or truth. In GM II,
Nietzsche deploys the will to power as a principle of “historical
method” as a way of showing that only that which has no history
can be semiotically defined: there is always everywhere an entanglement of “meanings.” In these sections of BGE he is giving
specific critical coloring to our appreciation of the historical
sense. Section 223 notes that the modern European is hybrid
in nature—“a tolerably ugly plebeian” for reasons soon to be
disclosed—and finds itself in need of a costume simply because
it has to cultivate a self-image in some way, an identity for itself
even if, and perhaps especially if, it lacks a real or authentic
identity. For such a spirit, history provides the storage room for
costumes, although none fit him especially well and he keeps
trying on new ones. What is peculiar to the modern age is the
way in which it studies the costumes of the past and here the
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modern spirit finds its advantage, able to study new pieces of
history (including prehistory) and foreign cultures, including
their moralities, modes of belief, their taste in the arts, and so
on. At the end of the section Nietzsche suggests, perhaps with
a heavy dose of irony, that we moderns will find here our realm
of “invention,” where we can be “original,” “as parodists of
world history and God’s buffoons,” so that at least our laughter
has a future if nothing else does.11 Nietzsche’s concern with
history, and with the dangers its study presents to our being
our own authors and original sources, goes back to his second
untimely meditation of the uses and disadvantages of history
(1874). In BGE, as evident in this section, Nietzsche’s worry is
whether the extent of our study of history signals, in fact, the
end of history and the fact that we are no longer active agents
in the world but merely passive consumers. Nietzsche’s playfulness may conceal a very serious concern he has and is subtly
alerting us to.
In section 224 Nietzsche defines the “historical sense” as the
capacity for quickly guessing the order of rank evident in the
valuations according to which a people, a society, or even a
human being has lived, and he claims that modern Europeans
lay claim to it as a special sense, a kind of sixth sense, which has
emerged from the “semi-barbarism” into which Europe has
plunged as a result of the “democratic mingling of classes and
races.”12 For the modern spirit the forms and ways of life of past
ages and cultures lay next to and on top of each other and “our
instincts now run back everywhere” to the point where we are
in fact a kind of chaos.13 Again, there is a great deal of irony in
Nietzsche’s analysis: how can one have instincts that run back?
Although Nietzsche once again notes that the spirit can find
advantage in this chaos that it is, the reader should not overlook
his worry: modern human beings are living in the past, the future
is perhaps no more for us (it appears not to be our concern, we
are not “interested” in it). One advantage of our semi-barbarism
is that it affords us access to things no noble age and spirit has
had access to, including the labyrinths of unfinished cultures.
The historical sense is fundamentally ignoble since it is willing to
taste everything. It is thus devoid of a superior taste, which
calls for discrimination and judgment. We who are ruled by
a plebeian curiosity differ from a noble culture, which has a
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definite Yes and No and even a reserve toward everything
foreign. By contrast we feel we can assimilate everything. An
example of the modern “spirit” Nietzsche gives is Shakespeare,
“that amazing Spanish-Moorish-Saxon synthesis of tastes”
which is a complexity, he thinks, that would have all but killed
with laughter or irritation an Athenian of the circle of Aeschylus.
But it is among “our virtues” that we moderns accept such a
wild abundance of colors and medley of attributes “with a secret
familiarity and cordiality.” Note here the connection to the
opening sections of the chapter: if we can be this magnanimous
in our appreciation of a dramatist such as Shakespeare may we
not also have the wisdom to appreciate many different moralities
and the need for an order of rank? If a rich and mature taste,
including a taste for complexity, is one of our virtues then why
can we not cultivate the taste for difference and the order of rank
with respect to morality?
These questions concern Nietzsche in the second part of this
long section. He notes that as human beings of the historical
sense we do have our virtues, such as being modest, courageous,
and full of self-overcoming and devotion, we are selfless, patient,
and accommodating, and so on. But, he goes on to suggest, what
may be our virtues are also our vices since what we lack with
these virtues is the “good taste,” even the “best” taste, that would
allow us to grasp (and actually taste) the “perfection and ultimate maturity of every culture and art.” In short, our virtues
may be misplaced simply because while of value—for example,
the tremendous value of self-overcoming—their attachment to
the historical sense as our distinctive sense means that we find it
virtually impossible to become “noble,” that is, finding “halcyon
self-sufficiency” and self-consummation. What is alien to us
moderns who have such an extensive taste for the foreign is
measure. We feel at home in the “thrill of the infinite, the unmeasured,” for example, in our modern attraction to the sublime.14
This may strike us as an odd insight: how can the modern
historical spirit with its virtues of modesty and selflessness, so
patient and accommodating, have a bent for the unmeasured
and for placing itself now and again in peril? It may be that
Nietzsche wants his readers to infer there is a link here: it is precisely because of our modest selflessness that we also have a need
for the unmeasured and for danger.15
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NIETZSCHE’S COMPASSION
In section 225 Nietzsche reveals, cautiously, what his compassion
centers on. It is not compassion for social distress and society
but something higher and more farsighted: it is compassion for
the ways in which the human is made small. Social compassion
seeks a state of affairs in which suffering has been abolished
and this for Nietzsche amounts to nihilism (in GM I:12 he asks
if this is what nihilism means for us today, namely, that we are
tired of the human). Nietzsche needs to be read carefully on
this question of suffering since he is not advocating a “cult of
suffering.” On the contrary, it is this cult that seeks suffering’s
removal from human existence since we cannot tolerate the
sight of it (see §293). His key point is that it is the “discipline of
great suffering” that has so far led to all enhancements of the
human. He is slim in providing details of what exactly he has in
mind here and the reader will find extensive relevant analyses
in previous texts such as D and GS. Here he mentions how the
tension of the soul in unhappiness cultivates strength such as
an inventiveness and courage in enduring, interpreting, and
exploiting suffering (see also GS 338). It is under these seemingly
adverse and negative conditions that the human animal has
acquired spirit, cunning, and greatness, in short, “virtues” that
have enabled it to come to know life and affirm it. Nietzsche
posits a distinction between creature and creator in the human,
which are in fact united in it: on the one hand there is the human
being as material, fragment, clay, dirt, nonsense, and chaos
and on the other hand we also find the creator, form-giver, and
hammer hardness. While we can well understand our compassion for the creature in the human, for what has to be formed,
broken, and purified, can we also understand and have compassion for the need of creation and what this requires? We can
have compassion for this other task because it does not always
result in success or triumph. Nietzsche addresses the question
of the identity of the “immoralists” in section 226 in the way
he does because they concern themselves with the “creator” in
the human, that is, they are concerned with and interested in
the world (which they fear and love) of “invisible and inaudible
. . . subtle commanding and obeying,” that is, the world of will
to power as it centers on the cultivation of the human animal.
In this respect the so-called “immoralists”—since their concern
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is not with the world of mere morality—are humans of duty;
they feel duty-bound to the tasks of the “secret hardness” of
their destiny (Geschick) and on this front they have appearances
against them—how on the understanding of the merely moral
human being can “immoralists” experience duty? Nietzsche is
inviting us to ask.
HONESTY
In section 227 Nietzsche addresses what is the specific virtue
appropriate to the free spirits, which he names “honesty”
(Redlichkeit). In D 456 Nietzsche already described this as our
“youngest virtue,” something immature and not yet aware of
itself. He thinks both the antique conception of the unity of
virtue and happiness and the Christian appeal to the kingdom
of God have not been made with total honesty; rather, the supposition has held sway that where we are selfless we are somehow
permitted to trouble ourselves less about truth and truthfulness.
Redlichkeit may well be, he suggests in section 227, the only
virtue left to such spirits, which they need to work on (with
both love and malice) and not get tired of perfecting. Love
and malice because of the complex psychology informing the
drives and emotions (there is no such thing as a pure emotion
for Nietzsche); and it may be the only virtue left to them because
of its special character: it is the “virtue,” which, if properly
exercised, enables free spirits to enjoy their freedom, finding
perfection in their imperfection and need to constantly perfect
themselves (“perfecting” is in scare quotes signaling an ongoing
task). One commentator astutely notes we cannot translate
Redlichkeit as honesty (or probity or integrity) without rethinking the content of the word.16 In being honest or “redlich” we are
made aware there are different ways of seeing (a multiplicity of
perspectives on a thing) and we can name differently (things
have becoming, not “being”). Nietzsche goes on to argue that if
our honesty should grow weary and we would like to have things
easier and more tender, “like an agreeable vice,” then we have to
remain hard like “the last Stoics” we are. We are to cultivate
a certain relation to this virtue of honesty as a way of keeping
it something vital: Nietzsche refers to our “devilry,” such as
our courage and curiosity, and our most subtle and disguised
spiritual will to power, including our overcoming of the world
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and that concerns the realms of the future. Part of our honesty
as free spirits is that we speak of and to ourselves in such terms
(acknowledging that we have our desires and our “devils”);
as Nietzsche says in this section, “it is a matter of names” and of
knowing one harbors a multiplicity of spirits. Free spirits, however, have to guard against this virtue becoming their vanity,
limit, and stupidity. There is a real danger that through being
so wedded to this virtue of honesty free spirits allow themselves
to become saints and bores. Surely, Nietzsche suggests, life is
too short for boredom! Honesty, then, is a “virtue” but one that
is peculiar to and fitting for free spirits.
Some discussion of Nietzsche’s reference to “we last Stoics”
is merited since it is obvious from his writings that he is not a
Stoic, at least not in any straightforward sense. The Stoic, for
Nietzsche, is a type that prepares itself for the worst, training
itself, for example, to swallow stones and worms, slivers of glass,
and scorpions without nausea (GS 306). Nietzsche’s conception
of fate does not entail Stoic preparation for “petrifaction”: “We
are not so badly off that we have to be as badly off as Stoics”
(GS 326). Stoicism enables one to conceal well what one lacks,
donning a cloak of prudent silence, affability, and mildness, and
this is the cloak of the idealist who, in reality, is an incurable
self-despiser and deeply vain (GS 359). Might the philosopher’s
wisdom, including the Stoic’s, be a screen behind which he hides
from “spirit” (ibid.)? Given these stinging criticisms, why does
Nietzsche refer to “we last Stoics” in section 227? He appeals
to Stoicism in his late writings as a morality or ethical practice
in which the instinct of health defends itself against incipient
decadence. It is what he calls a “brake-shoe morality” that is
“stoical, hard, tyrannical” (KSA 13:15[29]; WP 268). It denotes
a union of will and knowledge that entails “respect for oneself ”
(KSA 13:11[297]; WP 342; see also 11[375]; WP 427). In short,
self-control is required so as to prevent clumsiness and sloppiness with regards to the tasks that face the free spirit: “let us see
to it that it [honesty] does not become our vanity, our finery and
pomp, our limit, our stupidity” (§227). We must guard against
falling in love with our Stoicism as it is a means in life and not
an end in itself.
Section 228 continues the theme of boredom with Nietzsche
declaring all moral philosophy to date to have been boring and a
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sedative. He thinks this because it has addressed the topics of
moral philosophy in such a naïve and simple-minded manner.
In modern Europe nobody dares to entertain the idea that thinking about morality could be dangerous and that a calamitous
fate (Verhängniss) could be involved—simply because how we
think about morality will be decisive for the future and our moral
thinking may even sacrifice the future for the sake of some
eternal present (see GM P). To illustrate his point Nietzsche gives
the example of British utilitarianism, which regards general utility or the happiness of the greatest number as the correct way
to virtue and that this is all that striving can consist in when
reduced to its essence. Nietzsche contests the wisdom of this
ethical system by addressing those who espouse it as “ponderous
herd animals” who have “unquiet consciences.” In short, he
thinks it represents a lazy way of thinking about the ends to
which morality can be put, such as the enhancement of the
human. The “general welfare” is not, he contends, an ideal or a
goal but only an “emetic.” For Nietzsche utilitarianism represents a very good example of morality assuming univocal status,
so again he states the need for an order of rank between human
and human and between one morality and another.
TRANSLATING THE HUMAN BACK INTO NATURE
Sections 229 and 230 are closely knitted together. In section 229
Nietzsche begins by noting that late ages may be so proud of
their humanity that they live in superstitious fear of the so-called
savage, cruel beast that lies dormant within the human. He
suggests to think this through we need to reconsider cruelty, and
he invites us to reflect on the fact that nearly everything we
hold in esteem as higher culture supposes a spiritualization—
refinement, sublimation—of it. When we appreciate this insight
we come to realize that the so-called “savage beast” indeed lives
and flourishes in our midst and has simply become “divine.”
Even when we think we are completely removed from it or
elevated above it, as in the examples Nietzsche gives of tragic
pity and the sublime (Erhabene), as well as the most delicate
heights of metaphysical thinking, cruelty is at work. A clumsy
psychology of old times would have us believe that cruelty
only comes into being at the sight of the suffering of others.
Nietzsche suggests, however, there is an abundance of enjoyment
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to be had in one’s own suffering and making oneself suffer (he
mentions religious self-denial, voluntary subjection to certain
ascetic practices, and vivisections of the conscience). The same
is also true of the seeker after knowledge who forces himself to
recognize things that go against the inclination of his spirit and
the wishes of his heart, for example, saying No where he would
like to say Yes. The human being of knowledge has to be considered, therefore, one of the artists and transfigurers of cruelty.
Why does Nietzsche want us to know this? What are we to learn
from it? The next section provides some answers.
At the end of section 229 Nietzsche refers to the “basic will
of the spirit” as one that dwells naturally within the apparent
and the superficial. This will of the spirit (or mind) forms the
basis of the analysis of the first part of the long and intriguing
section 230. Nietzsche argues that spirit (or mind) is: (a) led by
a need for “mastery” (a will to synthesize and bind together, to
simplification); and (b) can be compared to a stomach on account
of the insight that its basic needs and capacities are the same
as anything that lives, grows, and reproduces. Its “energy” in
appropriating what is foreign to it expresses itself in simplification and reduction: it needs the familiar, it does not want the
contradictory or too much ambiguity; anything new must be
made to fit into old schemas or established ways of thinking and
feeling. This is how spirit incorporates new experiences and
undergoes growth or the feeling of increased power. This will is
also served by an instinct that appears to be something opposite
such as a decision in favor of ignorance, for arbitrary conclusions, a defensive posture against much potential knowledge,
being content with un-enlightenment (a certain darkness), a limited horizon, and so on. When it is in this mode the mind allows
itself to be deceived with a good or clear conscience, it is even
capable of experiencing joy in uncertainty and ambiguity, even
if it has the mischievous intuition that things are actually not
this way or that but rather this is how the mind works and needs
to work (it is limited in both time and space). The “spirit” (mind),
then, has at its disposal many Protean arts that enable it to
don multiple masks and which enable it to experience a selfsatisfaction in the caprice or arbitrariness of all these expressions
of power. The section is, in effect, a demonstration of the “will
to power” of the human animal and what characterizes it: the
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need for mastery even in its craftiest and loftiest operations.
When Nietzsche declares spirit to be a stomach this is a metaphor he is giving us, one designed to alter how we typically
conceive the mind, for example, as enjoying a free-floating existence and that supposedly engages in pure, lifeless and automatic
cognition.
In exposing the character of the “fundamental will” of the
spirit or mind in this way Nietzsche is not simply arguing against
it. In section 188 he argued in favor of the “limited horizon”:
“stupidity” is a precondition of life and its growth. In his preface
to GS he speaks of what we can learn from the Greeks conceived
as philosopher-artists: “They knew how to live. What is required
for that is to stop courageously at the surface, the fold, the skin,
to adore appearance, to believe in forms, tones, words, in the
whole Olympus of appearance (Schein)” (GS P:4).
In the second part of the section Nietzsche moves on to
discuss the nature of a counter tendency to this basic will of the
spirit, which he calls “sublime” (sublim), and which is the will
to knowledge and involves “a kind of cruelty of intellectual conscience” and of taste.17 It seeks a different kind of mastery from
the other will of the spirit discussed in the first part of the
section. Its cruelty expresses itself in “severe discipline” and
“severe words”; it is no longer attracted by the surface and skin
of things but compelled toward the depths. Those who have this
will to knowledge, the free spirits, would prefer not to speak of
the “cruelty” of their conscience but rather of their attachment
to “excessive honesty.” But a free spirit must reject this ostentation of being honored with the title of a “hero of truthfulness”
and a devotee of honesty, and so on. Instead, such a spirit
practices a “hermit’s conscience.” This is perhaps the most
extreme and severe form of the intellectual conscience we can
imagine, one that perhaps comes into operation where the free
spirit removes itself from all social bonds and superficial humanity.
Intellectual conscience does not allow itself the “heart’s desire”
and indeed positively works against the heart. The praise of the
free spirit must be rejected—by the conscience—simply because
in it we can still detect the “pomp” and “junk” of unconscious
human vanity (see also §289 on the hermit; and §295 on “venerable junk and pomp”). There then comes the crucial denouement
to the section with Nietzsche calling for the human to be “translated
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back into nature” so that we may become master over the
numerous vain and overly enthusiastic interpretations that have
to date been “scrawled and painted over the eternal basic text
of homo natura.” In this way the human stands before itself
“hardened in the discipline of science” and “before the rest of
nature.” Science shows us that we are not something higher
than the rest of nature or have a different origin or descent
(Herkunft). What is under attack in section 230 in part is the
desire of metaphysicians who want to teach the human animal
that it is somehow different from the rest of nature and not
subject to the same conditions and processes of life. We need
to beware of human vanity and resist the temptation to overidealize the human. When we do this we fail to develop knowledge
of its nature or character, for example, that it is engaged in
processes of selection, incorporation, and interpretation.
In this section Nietzsche speaks of “translating” man back
into nature; he encourages us to recognize the “basic text” of
“homo natura,” and he writes twice of this basic text, once stating it to be “eternal.” What is the character of these references
to nature and to the natural? We would go wrong here if we
supposed that Nietzsche was inviting us to find a “text” that was
cut off from all interpretation, such as a “being in itself ” or an
ontological truth. A metaphysical reading of the world conceals
the text as interpretation, so unmasking this metaphysical illusion cannot simply amount to “removing from the text a cloak
veiling the truth.” Rather, “it means showing the clothing which
an apparent ‘nakedness’ conceals, it means doing away with the
rags and replacing them with clothes of flesh and blood.”18 In
short, it means reading the “basic text” as will to power (a mode
of interpretation as we have seen). Our being in the world
involves at its most basic or fundamental level processes that
characterize organic life as such, and this is why Nietzsche likens
spirit to a “stomach.” In this section, then, Nietzsche is not
positing an original text of being or truth that is independent
of interpretations: interpretation, we might say, goes all the
way down and is what “life” is. Thus, instead of thinking that
Nietzsche is asking us to discover some original text of natural
human life—a set of brute facts about it and that would serve to
limit its nature—we would do better to read him as calling for
psychological and philological probity when it comes to dealing
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with the many “vain” and “fanciful” interpretations that have
been scrawled over the eternal basic text and which conceal their
nature as such by masking the fact that the text, any text, is only
what it is through interpretation. The “eternal” basic text is
one of constituted meanings, not meanings that are simply ever
“given.”
“WOMAN AS SUCH”
On one level the sections on man and woman (§§232–8) can be
read as continuing the basic theme of section 230 on the two
opposing wills of the mind or spirit. As Lampert notes, the final
theme of the chapter is the warfare between the sexes, and
“expresses in the natural divisions of gender the two inclinations
of the mind, the basic will of the mind to create and sustain
artful surfaces and the renegade will to penetrate to true
depths.”19 On another level the sections continue Nietzsche’s
attack on the basic assumptions of “the democratic Enlightenment,” principally the modern presumption in favor of equality,
including equality between the sexes. Against this modern movement Nietzsche seems to take pleasure in being decidedly “antimodern” in his thinking on gender and the relation between the
sexes. For example, he regards the attempt on the part of women
to enlighten men about “woman as such” as “one of the worst
developments of the general uglification of Europe” (§232).
Woman is said to have a great deal of reason for shame—she
conceals much pedantry, superficiality, schoolmarmishness,
and so on—and until recent times this has been repressed and
kept under wraps by her “fear of man,” which she is now unlearning (ibid.). Woman’s art is said to reside in grace and taking
things lightly, and she becomes boring when she unlearns her
true role in life (ibid.). It is thus of the worst kind of taste “when
woman sets about becoming scientific,” imitating man and his
search for knowledge (ibid.). Perhaps through enlightenment
woman is seeking a new adornment for herself and seeking
mastery, but Nietzsche also thinks that woman does not want
truth since her great art is the lie and her highest concern is
with appearance and beauty (ibid.). Nietzsche regards it as a
sign of real shallowness on our part that we have gone so badly
wrong on the “fundamental problem of ‘man and woman,’ ”
in which we deny “the most abysmal antagonism” between the
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sexes, “the necessity of an eternally hostile tension,” and dream
of equal rights, equal education, and equal entitlements and
obligations (§238). A man that has depth in his spirit and desires
needs to think of woman as the Orientals are said to do, namely,
conceiving woman as a possession, “as property that can be
locked, as something predestined for service and achieving perfection in that” (ibid.). Through “the democratic inclination
and basic taste” the so-called “weaker sex,” although now in our
modern era being treated with more respect than ever before,
is in danger of losing her own special taste, as well as her fear
of man: “the woman who ‘unlearns fear’ surrenders her most
womanly instincts” (§239). In defiance of modern assumptions
Nietzsche claims that with the rise of “the industrial spirit,”
which has triumphed over the military and aristocratic spirit,
woman is in fact “retrogressing.” He contends that since the
French Revolution the influence of woman in Europe has fallen
in proportion to the rise of her rights and entitlements. In the
cause of the “emancipation of woman” he detects “an almost
masculine stupidity” (ibid.). In these sections, then, Nietzsche
continues his unfashionable criticism of modern “free thinkers”
and free thought in general. He attacks the “scholarly asses of
the male sex” who are advising woman to defeminize herself
and imitate the stupidities of modern European manliness
and which characterize its sickness: “they would like to reduce
woman to the level of ‘general education,’ probably even of reading the newspapers and talking about politics. Here and there
they even want to turn women into freethinkers and scribblers
. . .” (ibid.). In contrast to this “freethinking” appreciation of
woman Nietzsche celebrates what it is in her that, so he claims,
inspires respect: her uneducability, the cunning suppleness of
a beast of prey, the tiger’s claw under the glove, the inner wildness, and “the incomprehensibility, scope, and movement of her
desires and virtues” (ibid.).
On the face of it, it would seem that Nietzsche’s views on
women underwent a transformation in the course of his intellectual development. As a recent biographer notes, Nietzsche
fought hard to have women admitted to Basel University, and
many of his closest associates and admirers throughout his life
were women, several of whom were highly independent-minded
and inclined to supporting and promoting the feminist cause.20
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In the texts of his middle period, such as WS, for example,
Nietzsche is sympathetic to the burgeoning woman’s movement
with a sound grasp of how women suffer at the hands of a paternalist society: a male culture is one which forces women into
devalued social and familial roles and women are just as intelligent as men, so their debarment from having opportunities
to exercise this intelligence amounts to a tragic waste. For the
Nietzsche of this so-called “positivist” period, the future society
is one that can only be built on the basis of the admittance of
female intelligence.21
Nietzsche’s position in BGE appears to be different and he
now seems keen to attack the movement for female emancipation. However, as Maudemarie Clark has sought to show, his
misogyny is not the simple or straightforward matter it appears
to be. Her argument is that Nietzsche exhibits his misogyny on
the level not of belief but sentiment and that it is deployed by
him to illuminate the points he is making about philosophy in
general and the will to truth in particular. For her the comments
on feminism do not, in fact, amount to a rejection of it but
rather are designed to challenge feminists: “to exhibit virtues
comparable to what Nietzsche exhibits in dealing with his
misogyny.”22 His “truths” about women form a labyrinth in
which, Clark holds, we are meant to locate the threads of his
own virtue. This provides us with a valuable insight into why
Nietzsche’s “truths” about woman and her virtues appear at this
point in the chapter and the text: through his examination of the
woman question, as we might call it, Nietzsche is exposing
his own stupidity and as part of his quest for self-knowledge.
For example, the seven women’s proverbs (§237) clearly require
interpretation and, as Clark suggests, might be expressions of
resentment disguised as beliefs: “Nietzsche’s ‘truths’ about woman
might serve to exhibit for us (and to express) his misogynistic
feelings, even though he is honest enough to admit that the assertions these feelings inspire are not really true.”23 As she acknowledges, there is a danger here, namely, denying that Nietzsche
means and believes what he says about woman and intends the
challenge they are designed to present. What is required is that
we read Nietzsche carefully or astutely, and distinguish between
what he does assert and what the reader is inclined to conclude
from these assertions. In particular we need to recognize that
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throughout these sections Nietzsche writes of “woman as
such” and “the eternal feminine,” and thus his truths about
“woman” are about a construction and not individual women. As
Clark notes, Nietzsche is writing about a social construction—
some imputed female essence—and individual women may not
exemplify this.
We must, then, not lose sight of the convoluted character of
BGE and that it presents challenges to the reader seeking to
know how to read it. Nothing could be more misguided than
to read sections 232–8 at face value. In section 231 Nietzsche
signals to the reader that his approach to the question of
“woman” is to be a complicated affair. For a start there is the
fact that he is going to speak about, as he tells us, “woman as
such” (Weib an sich) and this is clearly a construction: he is
enough of a non-essentialist to appreciate that no “essence”
independent of culture and history can be attributed to anything, including “woman.” Nietzsche writes of the “Eternal
Feminine” (§239) but he surely knows this to be a mystification.24
Secondly, Nietzsche will offer “truths” that are his, that is, that
reflect something of his nature and exposure to life, they are not
intended to be truths set in stone, a set of definitive or ultimate
truths. Rather, they are intended to reveal something about what
lies concealed beneath the process of learning, “some granite
of spiritual fatum, of predetermined decision and answer to predetermined selected questions” (§231). Thus, whenever some truly
important problem is being addressed we need to appreciate the
extent to which prejudices abound in which we often only finish
learning rather than relearn (we discover how something is
“settled in us”). Note that Nietzsche then goes on to talk about
finding certain solutions to problems that then inspire strong faith
in us, which we then call our “convictions,” and that this is part
of the process of self-knowledge and taking initial steps on it.
Such steps are in fact “signposts to the problem we are,” moreover, “to the great stupidity we are” (e.g., our unteachable and
hidden spiritual fatum). Nietzsche is thus exposing himself in
this part of the book and as a necessary aspect of the philosopher’s commitment to honesty and seeing things for what they
nakedly are: assumptions, presuppositions, prejudices—often
dressed up as eternal verities and pearls of wisdom. We can also
note that the most explicitly misogynistic remarks in this part of
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the book belong to the self-contained “Seven Women’s Proverbs”
(Kaufmann has “Seven Epigrams on Women”) are not necessarily attributable to Nietzsche as their author. Of course, this does
not mean that what Nietzsche says in this part of the book is not
meant to offer instruction to women and the women’s movement. Sections 232 and 239 in particular seem designed to alert
women—including his female feminist friends—of the dangers
of seeking emancipation as a straightforward desire to be “equal”
to, or the same as, men. Nietzsche’s “truths” on woman are a
complicated tangle of prejudices, limitations, warnings, and
attempts at genuine unfashionable insight. There is a mixture of
devilry and concealment informing the presentation of his
“truths” about woman as such, and this is in accord with how
Nietzsche thinks free spirits practice their honesty. It is the
workings of this key virtue that he is trying to illustrate in the
denouement to part VII of Nietzsche’s book.
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CHAPTER 10
PART VIII: “ON PEOPLES AND
FATHERLANDS”
In part II on “The Free Spirit,” Nietzsche associates himself
with one who both tempts (lures) and seeks, playing on the senses
of Versucher (§42). He often has recourse to the language of
enchantment (Bezauberung). And we have already noted that
part of Nietzsche’s project seems to be to create a community of
fellow travelers (not followers) who are “free spirits” with whom
he contrasts the Freidenker. He attempts to enact this with intensity and focus in the final two parts of the book. In part VIII
Nietzsche surveys the current conditions of modern Europeans,
his target audience, to assess their constitutions and identify
resources they might potentially tap. He considers conditions
and examples of cultural passage in the form of potentially
fruitful interludes (Zwischenbegebnis) from one taste to another.
And he performs his analysis by challenging and engaging
the dominant currencies of identification and change in his
contemporary times, especially the vocabularies of nationalism
and evolution.
TASTE, NATIONALISM, AND FUTURE HUMANITY
Nietzsche focuses on taste insofar as it is directly related to the
problem of values at the core of his thought. How does what we
want shape our values? How do our values indicate what we really
truly want? Recall Nietzsche thinks philosophy amounts to a
“desire of the heart that has been filtered and made abstract”
(§5), and this is indicative of what masters the other drives that
comprise him and “who he is—that is, in what order of rank the
innermost drives of his nature stand in relation to each other”
(§6). Also recall section 2 in which Nietzsche anticipates that
“one really has to wait for the advent of a new species of philosophers, such as have somehow another and converse taste and
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propensity [umgekehrten Geschmack und Hang] from those we
have known so far—.” Nietzsche explores how wants expressed
as values are shaped. And he considers whether the process
of formation admits of evaluation, and whether it affects the
quality of the resulting valuations. Finally, he asks whether and
how such desires might be reformed and transformed.
Tastes are indicative of more general terms of evaluation
brought to bear in judgments and estimations. Nietzsche thinks
these provide the terms on which whole ways of life are organized. Nietzsche’s chapter “On Peoples and Fatherlands” brings
the concern of taste to the fore as prelude to his final interrogation of the question what is noble? with which the book ends. It
is an analysis of current conditions and possibilities for forming
new terms of identification, new preferences and priorities, new
tastes and desires that might very well make new ways of life
possible. In a nutshell, the riddle Nietzsche both seeks to draw
out and then suggests ways to resolve turns on negotiating the
great variety of tastes that characterize modern human beings,
who are tremendous mixtures as the result of mass transportation of goods, people, currencies, and ideas, which they need
to synthesize without necessarily extinguishing or subsuming
differences. In short, modern human beings share a much greater
variety of tastes than has ever been possible before because they
encounter so many more ways of life and forms of organization.
This makes modern human existence at once incredibly fertile
and vulnerable, since the various ways in which they have attempted
to distinguish themselves have had rather deleterious effects and
resulted in a motley assortment of tastes.
One dimension of the problematic nature of hybrid modern
human beings is that they are incapable of loving or desiring
anything in particular. Thus, they are in some respects less free
than if they were subject to a tyrannical desire. Nietzsche thinks
this because he associates what today we might describe as
“capabilities” with having a set of life goals and orientations.
This does not have to be any particular set of goals, of course,
although Nietzsche does in fact investigate various forms and
objects of desire of this sort (various tastes) to see whether or
not they are enabling or incapacitating. Freedom for Nietzsche,
in some respects, seems to be being capable, enabled, and potent
in this sense.
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We have been primed for discussion of Nietzsche’s anticipated
rehabilitation of modern humanity in the preceding sections.
The new taste Nietzsche anticipates is related to the kind of
“independence” identified in BGE II, where he considers it in
terms of not remaining stuck to people, fatherlands, pity, science,
virtues, or even our own “detachment” [Unabhängigkeit] (§41).
The “free spirits” he heralds exhibit Unabhängigkeit, nonattachment in any permanent sense, and they overcome the
temptations of hospitality mentioned in BGE 41 (cf. §44).1 This
means that they do not readily or strictly adopt the perspectives
and values of the various cultures they encounter and they resist
nationalistic chauvinism. The point, as already discussed in our
Chapter 4, is not that we should never form attachments. Independence is not being free of attachments: contrary to popular
understanding of Nietzsche’s individualism, his “free spirits” are
not free of meaningful and important connections with others.
Rather, independence in the sense Nietzsche associates with the
free spirits entails not remaining stuck in those associations. Thus,
one of the dangers of the free spirit is Gastfreundschaft (§41),
hospitality—too readily feeling at home in a foreign place and
thus tempted to not leave, too welcoming of others to linger
when they should move on. The free spirit will have to cultivate
a knack for traveling freely among the various places (including
people and ideas) he might roam without being isolated and
alone (§44; contrast §207), adopting such places as his own,
and yet free to continue his travels and form new and further
associations. This challenge of identification and distinction is
similar to the constitutional challenges Nietzsche thinks characterize the modern condition.
Parts VI and VII explore how moderns are “sick and
exhausted” owing to the fact that they are such an extreme
“mixture of types” (§208), and thus they lack the ability and fail
to experience the pleasure of willing anything in particular. If
what characterizes a type is what one ultimately wants—the
desire or set of desires that rule within—then a mixture of types
could lack an organizational structure sufficient to focus with
any intensity on a single goal or set of goals that could effectively direct individual pursuits and activities. Such beings could
find themselves unable to express any particular distinguishing
will, and would lack style that constitutes character in this special
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sense. Nietzsche thinks this is particularly true of modern human
beings gripped by what he calls the democratic taste, which is
not only a preference for the lack of rule (anarchism) but also
hatred of any rule (misarchism) (GM II:12). Types mixed in this
way are unable to say, “Yes” or “No,” much like the “last men”
of Z, who like the ass can merely say, “Yea-Ah” to everything.
Modern human beings, in sum, are lacking in their ability to
exercise judgment, a theme discussed at length in Chapter 3
of this book. In section 210 Nietzsche implies that future philosophers, rather than being a new “type” like the others he has
analyzed in the chapter (and which he scrutinizes elsewhere),
will be multi-faceted and multi-capacitated. They will somehow
overcome the problem of hybridity that characterizes their fellows
(§§212 and 223), which is a form of barbarism masquerading as
refinement (§224). And it is this accomplishment that characterizes what Nietzsche identifies as a kind of “higher spirituality”
(§219). How such hybridity is connected with a problem of taste
(and tastes as reflective of our powers of judgment that inform
our values and capacity to create values) is elaborated in section
224, and this point is further emphasized and illustrated here
in part VIII.
Processes of social and cultural organization are fraught with
tension as there are great mixtures of peoples and ideas, and
yet each expresses a desire to cling to something distinctive and
self-preserving. Nietzsche seriously struggles with the notion of
the potential fecundity of multiplicity, which is rare and fragile
on account of the devastating incapacitation and leveling that
can come with hybridity, which often results from attempts to
organize such different parts. The challenge is to harness all of
that difference for a productive purpose, to utilize it catalytically
like a bow that makes use of tension to shoot at the most distant
goals, as Nietzsche describes the potentially productive struggle
against Platonism and Christianity in the preface. A possible
purpose is a new nobility, but this is still undefined, and remains
undefined, merely scouted by Nietzsche. But Nietzsche’s ideas
about the process, or the harnessing, are clearer by the end of
this part: it requires utilizing the abundance of cultural resources
by means of a new taste, a new set of wants and desires. Part
VIII surveys these resources and their connections with various
desires.
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NIETZSCHE’S BEYOND GOOD AND EVIL
Nietzsche is also clear that what is needed (elsewhere: “ ‘das
Eine, was noth thut’ ”2) is not something that can be taught;
rather, it must be acquired, learned through a different means.3
A dominant concern in his works is exploring whether and how
one can acquire a taste (a love, a dominating and domineering
desire) for life itself:4 “The question is to what extent it is
life-promoting [lebenfördernd ], life-preserving [lebenerhaltend ],
species-preserving [Art-erhaltend ], perhaps even species-cultivating
[Art-züchtend ]. [. . .] To recognize untruth as a condition of life—
that certainly means resisting accustomed value feelings in a
dangerous way; and a philosophy that risks this would by that
token alone place itself beyond good and evil” (§4). Nietzsche
prepares to ask the question “what is Art-züchtend?” in tempting his readers to think beyond good and evil. This is merely a
preparatory transition rather than the accomplishment of transformation, which for a time Nietzsche thought Wagner might
realize.
WAGNER’S PROBLEM AND PROMISE
Nietzsche mentions many people by name in this part, but three
loom especially large: Wagner, discussion of whom provides the
bookends for part VIII; Beethoven, a significant transitional
figure; and Nietzsche himself, who announces in his title and
examines in this part the possibility of providing a Vorspiel einer
Philosophie der Zukunft. The latter takes form here in part
VIII as a project whose task is to mark a Zwischenakt (§245).5
Nietzsche surveys possibilities for achieving philosophically
what he claims Beethoven accomplished musically, to become a
Zwischen-Begebnis. This transitional quality and status is directly
linked with the problem of modern taste and the need and
challenge of synthesizing without destroying the many that
“want to become one.” The feat requires harnessing productive
cultural resources from the rich diversity of European cultures
to create a stronger, more resourceful, more resilient new form of
human organization, which is more specifically anticipated in
the next and final part of the book.
Nietzsche sees Wagner drawing on an immense wealth of
resources, a great variety of possible tastes and expressive capabilities. Moreover, in Wagner’s efforts to create the artwork of
the future, he engaged (though ultimately failed to resolve) the
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very problem Nietzsche thinks moderns, particularly, face: he
attempted to draw on the collecting forces of the arts and organize them into a significant whole.6 Appreciating the nature of
this challenge and its possibilities requires us to draw on several
other important discussions of Wagner in Nietzsche’s works,
not the least of which is BT, of course. In fact, we might regard
BGE VIII as recasting in more elaborate terms just what it was
that he thought was Wagner’s promise in the second half of BT.
That he is not finished with understanding that problem, why
and how Wagner failed to deliver, and why it matters that he
failed, is evident in Nietzsche’s relentless efforts to articulate
and reframe the problem in his later writings, each of which has
significant sections devoted to Wagner and his type.
In BT, Nietzsche extends the hope that Wagner’s operas might
achieve for modern Europeans what tragedy did for the ancient
Greeks, which Nietzsche regarded not merely as a product of a
culture already vibrant but rather as a vehicle for producing culture. Put another way, Nietzsche considered the ancient Greeks
as becoming Greeks—as becoming what they are—in and through
their creation of and participation in the tragedies. The tragedies
were not simply representations of views about the significance
of human beings and their relation to the gods; rather, participation in the tragic festivals forged those relations. And ultimately,
Nietzsche thought these were maximally affirmative in terms of
their judgments of the value of human existence despite all of
the pain and suffering it entails. The evidence of this affirmation
is a particular taste he thought the tragedies evinced—in short,
they expressed a taste for life in rendering beautiful (through the
tragedy as a whole) what was otherwise unbearable: the senseless
sufferings of human beings. Nietzsche conceived this as redemptive—human existence was positively revalued—and in sharp
contrast to the moral, particularly Christian, model of redemption that locates meaning and significance of human existence
in relation to a supreme otherworldly giver of meaning. The terms
of the latter are familiar: human life and worldly existence
is fundamentally and irremediably base. Human significance is
measured in relation to the amount of suffering and sacrifice
offered for it by an external source (e.g., an almighty god, who
is conveniently off the hook for creating the mess in the first
place). The enormity of the sacrifice (permitting the murder of
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his own son, trading his “life” for that of all humankind),
supremely enhances the value of human existence at the same
time it generates an irreconcilable debt. Nietzsche’s BT sought
to comprehend the different logic of redemption that gave tragedies their culturally formative powers and the relation between
those effects and individuals who experienced them.
Nietzsche’s story about the dynamic relation between the
artistic (world-creative) forces of the Apollinian and Dionysian
is familiar, but a quick recap is in order to understand how this
relates to the problem of Europe and its future, which is the main
and overarching concern of Nietzsche’s BGE. What Nietzsche
calls the Apollinian and Dionysian, and particularly how he
characterizes their relation in BT, can be regarded as mapping
to (not strictly the same as) the relation between the dual tendencies of “the basic will of the spirit” as Nietzsche describes
it in section 230. Recall that the names Apollo and Dionysus
are used by the early Nietzsche to distinguish tendencies of
giving form, creating images, making distinctions, and individualizing (Apollinian) from those that seek to dissolve distinctions,
obliterate boundaries, and celebrate formlessness (Dionysian).
Ordinarily directly opposed, these tendencies are engaged in a
dynamic (which in BT is dialectical) struggle evident in the development of the arts and various other life processes of creation
and destruction.
In BGE, a similar, though non-dialectical, dynamic is located
in the “basic will of the spirit” in terms of a tendency to dominate, appropriate, and assimilate—to achieve a certain definite
unity from out of the multiplicity of experience, which we might
also associate with efforts to master nature through systematic
projects to characterize and control it—and an opposing tendency, which Nietzsche loosely associates with willful ignorance
in which one “merely accepts such and such a delight in all
uncertainty and ambiguity, a jubilant self-enjoying in the arbitrary narrowness and secrecy of some nook [. . .] a self-enjoyment
in the caprice of all these expressions of power.” At first glance,
it might appear that the first tendency identified is the same as
the Apollinian, and that which takes delight in uncertainty and
ambiguity the Dionysian, but strict identification is problematic.
We note a resemblance to rather than strict correlation between
these two dynamics, since they do not seem to be identical and
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might well reflect a revision of Nietzsche’s earlier account of
these two basic tendencies. The will to ignorance is not the same
as the Dionysian, for Nietzsche in section 230 also associates
it with intentional deception and form-giving rather than dissolving. In BT, the Dionysian is explicitly what dissolves form.
In BGE, what he calls a “will to appearance” (Willen zum Schein)
includes a lack of regard, suspension of craving for plumbing
the depths of existence, seeing existence as appearance rather
than behind or beneath appearance; whereas in BT, the Apollinian is chiefly linked with the will to appearance, the “veil of
Maya,” which provides the illusion of individuation, and the
Dionysian is linked with the perspective that sees behind appearance to recognize the basic character of existence in which the
individual is mere illusion, a momentary and fleeting appearance from out of the churning chaos of the world. Beneath the
veil, there is ceaseless striving, much like, though significantly
different in its import, Schopenhauer’s view of the world as
will.7 So, in BGE, that which seeks to appropriate and assimilate
strives to forge or create a kind of unity out of multiplicity;
in BT a primal unity is disclosed, discovered, glimpsed in the
Dionysian perspective beyond the illusory images of the Apollinian. But in BGE, the opposing tendency, the will to appearance
is not really Apollinian, for it denies there is anything beyond
appearance, that there is appearance and nothing else, and it
regards the real as merely apparent but suffers no loss or grief on
this account.
Yet, the relation between the opposing tendencies—Apollinian
and Dionysian, will to knowledge and will to ignorance—is quite
similar: Nietzsche conceives both in agonistic terms in which
opposing tendencies potentially further each other’s ends rather
than cancel or overcome them. For example, in section 230,
Nietzsche couches this productive tension in terms analogous
to digestion. Were it not for the fact that the will to ignorance
“shuts its doors” and “says no,” it would not be possible for the
will to knowledge to have anything in particular to cling to, to
distinguish from out of the flow of what is perceived; there could
be no proper experience as distinct from this flow. Thus, the will
to ignorance (in a dynamic reminiscent of the current view of
neurological development) has a “pruning” effect on the reaches
of the will to knowledge, and makes it possible for what is known,
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appropriated, and synthesized to stand out as something
specific—this allows for a genuine unity distinguished from the
chaotic multiplicity of which its components were once a part.
We see a similar dynamic at work in the cultural projects of
BT and BGE: how is it that a multiplicity (of cultural characteristics: French, German, English; or creative possibilities) becomes
united, becomes potent rather than dysfunctional? Nietzsche,
of course, is not the first to ask this question, and arguably it
is the question that is top of mind among his contemporary
Europeans, though they grapple with it from somewhat different
perspectives, such as what is German? How do we unite the many
fiefdoms and principalities that have characterized Germany and
unite them in a nation state? What distinguishes the Germans from
French, and how are they to be united? Put another way, Nietzsche
sees his fellow Germans (and English, and French, but particularly his German compatriots) asking the question, How do we
become what we are? Nietzsche thinks there are better and worse
ways to set about answering this ultimate question, and for the
most part his contemporaries have failed, quite miserably.
Right from the start, the Germans have failed to understand
that this question is fundamentally oriented toward the future.
The answer does not lie in past origins; there is no specific and
necessary historical destiny: it requires a measure of invention,
and is not simply a matter of discovery. As a product of invention (recall the relation between finding, inventing, and
discovering in §12; cf. §223), this will be a creative product that
requires artistic resources (which might include making a claim
to a particular destiny as a way of setting a goal), and just as
significantly, a particular sense of taste. In fact, insofar as the
question What is German? is about ways of living that follow
from shared ideals and goals, conceptions of distinctive and
definitive characteristics or types, it is fundamentally a matter
of taste; thus, becoming German will turn on questions of style.
But there is more, for one does not create ex nihilo, and projects
of becoming and establishing those distinguishing qualities occur
in a variety of ways. From early on, particularly in BT, where
Nietzsche is specifically concerned with the fate of Germany
rather than all of Europe as he is in BGE, he is critical of the
project of establishing excellence simply on the basis of the
achievement of military superiority (e.g., UM I). Successful
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demonstration of force alone does not establish nobility, and
we clearly see Nietzsche circle back on this concern again in
BGE where he considers the cultural resources and creative (as
well as decadent) inheritances of European peoples. This concern is evident in his reflection on the significance and value
of the achievements of Bismarck in passages discussed below;
and in BT, it was the status of the German victory in the
Franco-Prussian war that spurred Nietzsche’s rumination of the
questions of what makes a people (how is a social and cultural
entity formed, on what basis does it become one) and how does
it possibly become great—or, more precisely, how, in its formation, does it take on the goal of pursuing greatness? What does
this entail? In BGE, Nietzsche considers this on a grander scale
than he did in his first book. Wagner plays an important but
different role in each of these accounts.
Wagner represents for Nietzsche great potential as a transitional
figure, though Nietzsche expresses rather different impressions
of this prospect from the perspectives of his early and later
works; yet it is important to notice that the core challenge
remains. In short, Nietzsche thinks Wagner nearly but ultimately
failed to achieve a dynamic and productive synthesis harnessing
and preserving the variety of human cultural and physiological
inheritance. Nietzsche’s own quasi-biographical EH illuminates
this problem and his anticipated solution. In the chapter “Why
I am so Wise,” he focuses on the resources and liabilities he
inherited from his parents. At the same time, he diminishes their
role in determining him when he writes: “to be related to one’s
parents is the most typical sign of commonality. Higher types
have their origins infinitely further back, on which at long
last, an atavism must be unified, retained. Great individuals
are the most ancient individuals.”8 This suggests the higher type
Nietzsche conceives is someone who somehow accesses and taps
other, ancient characteristics, and is perhaps distinguished by
virtue of the depth and reach of ancestral resources. Indeed, this
is how Nietzsche describes himself earlier in the same section
when he writes, “But as a Pole I am also an uncanny atavism.
One must go back centuries to discover in this noblest race of
men pure instincts to the degree that I represent them.”9 There
is a wealth of human resources, a trove belonging to humanity
as such, to the “household of the soul” (§20), to recall the
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metaphorical social structure discussed earlier. Nietzsche explores
whether and, if so, how one may tap, educe, activate, and bring
them to life in the order one is.10 Nietzsche’s Wagner exemplifies
a mixture characteristic of modern humanity that nearly became
synthetic and consummatory: “What flavors and forces, what
seasons and climes are not mixed here! It strikes us now as
archaic, now as strange, tart, and too young, it is just as capricious as it is pompous-traditional, it is not infrequently saucy,
still more often coarse and rude” (§240). It “has the pride of
presupposing two centuries of music as still living, if it is to be
understood.” And yet, Wagner fails to achieve this synthesis or
produce an artwork that would embody such unity. Instead,
Wagner remains in Nietzsche’s eyes primarily an actor rather
than a musician insofar as his artistic effects are largely dramatic
and the kind of unity his works exhibit is achieved artificially
through the technical use of the leitmotiv, leaving his works with
a superficial organization that resolves in a decadent, ultimately
pessimistic form of redemption. The latter is particularly problematic because of the deformed conception of love it advances.
It is here we clearly see the relation of Nietzsche’s ideas about
taste and loving life, the estimation of life as a basis for creative
valuation and human productivity. What it would take and
what is at stake in shaping such orientations—taste on a
cultural rather than merely personal scale—occupies much of
book VIII.
ORIENTING THE FUTURE: NATIONALISM AND TASTE
In section 241, an imagined dialogue between two old patriots
conjures a specter of a statesman (Bismarck), who effectively
shapes the will of the masses through a process that includes
“making their spirit narrow [eng], their taste ‘national.’ ” The
two disagree over what constitutes greatness in a statesman—
whether sheer might and force constitute greatness or whether
something more is required. While it seems clear Nietzsche has
sympathies with the patriot who challenges the conception of
greatness defined in terms of raw power to shape in this way, the
narrating voice of the observer of the dispute (Nietzsche?) rests
assured that the strong (however defined) will soon be mastered
by ones even stronger, and the spiritual “flattening” of a people
will be recompensed by the deepening of another.
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The next section makes it clear these are not necessarily separate peoples (i.e., nations); rather, the spiritual flattening (in §242
“leveling and mediocritization of man”) is somehow preparatory for deepening the spirit more generally. In this part of the
book, Nietzsche is more confident than he is earlier where the
outcome of this process is less certain. These sections should
be compared with the rather terrifying images in sections 61 and
62, where Nietzsche anticipates the “philosopher who will make
use of religions for his cultivation and education just as he will
make use of whatever political and economic states are at hand”
(§61). Section 241 is particularly illuminating of Nietzsche’s
conception of strength as something other than raw power
(political or spiritual), which simply seeks overcoming and is
neither good nor evil (cf. §230). Furthermore, as discussed in
the next chapter, Nietzsche’s concern is with “nobility” (Was
ist Vornehm?) rather than “greatness” (Grösse), reinforcing the
distinctions suggested here.
Despite efforts to define and draw distinctions among the
emergent modern European nations, Nietzsche thinks Europeans
are physiologically becoming increasingly similar and “detached
from the conditions under which races originate that are tied to
some climate or class” (§242); thus they are more “independent
[Unabhängigkeit] of any determinate milieu that would like to
inscribe itself for centuries in body and soul with the same
demands” (ibid.).11 The result is an emerging new type of human
being whose fate is not yet determined: it is at once free of
national demands (übernationalen) and specific conditions of
place12—it is nomadic—and has “a maximum of the art and
power of its typical distinction” (§242).
Thus, the very same conditions that “level” potentially make
possible the “birth” of “exceptional human beings of the most
dangerous and attractive quality” (§242). Nietzsche’s explanation for this is that the exercise of the adaptive power rendering
people more pliable and subservient unintentionally provides
conditions for the emergence of an opposite type: “stronger and
richer than perhaps ever before” on account of their freedom
from the prejudices of other forms of thought and social and
political organization. When one is taught to obey only one
master, there is only one object of resistance to be overcome (in
contrast with the many influences of culture, place, and ancestry
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that might otherwise prejudice one’s views). Moreover, such
conditions provide the greatest resistance (produce a “so tense
a bow” to “shoot for distant goals” BGE P). Potentially this
results in a situation with significant possibilities for freedom.
Nietzsche names this phenomenon tyranny,13 which refers to a
certain form of ruling, both politically, and spiritually (cf. §9 on
philosophy as “this tyrannical impulse itself the most spiritual
will to power, to the ‘creation of the world,’ to the causa prima”).
Also notice how Nietzsche’s characterization of the relation
between democracy and tyranny nearly perfectly mirrors that of
the Platonic Socrates in Plato’s Republic book VIII, except that
Nietzsche seems to think tyranny is conducive to the production
of those who turn out well while Socrates thinks it is the worst
form of rule of all, furthest from the best.
Section 244 provides a brief “vivisection” of the German soul,
beginning with its construction or composition. It is essentially
“manifold,” Nietzsche claims, “of diverse origins, more put
together and superimposed than actually built.” Nietzsche’s
earlier suggestions for replacement conceptions of the atomistic
model of the soul, including “soul as subjective multiplicity”
(§12), are particularly apt in this case, for he thinks the Germans
have “many souls,” are multi-souled (§244) and are “the most
monstrous mixture and medley of races.” They thus potentially
crystallize a problem of the future of Europe, which as Nietzsche
sees it is to find a way to put together a soul (the likes of which
has never been known) from the most productive and creative
resources of the various European constituents. The language
Nietzsche uses to describe this mixture is reminiscent of his
account of Wagner at the opening of the part—“How disorderly
and rich this whole psychic household is!”—and it becomes
increasingly clearer throughout this chapter that Nietzsche is
tracing the ancestral inheritances (Herkunft), including potencies
and liabilities, of the “good Europeans” he anticipates. Nietzsche’s
goal is to locate the spiritual resources of the Europe that “wants
to become one” (§256).14
The Germans allegedly love what is “unclear . . . unformed
. . . blurred”; they thus embody one aspect of the creative
dynamic Nietzsche identifies in the struggle between the will
to knowledge and the will to ignorance in section 230 and the
creative tension of the Apollinian and Dionysian discussed above.
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As a multi-souled lover of what is unclear and unformed, the
German is a model of becoming: “The German himself is not,
he becomes, he ‘develops’[;] ‘Development’ [Entwicklung] is
therefore the truly German find and hit in the great realm of
philosophical formulas.” However, Nietzsche thinks this is currently poorly executed: Europe does not need to become German,
but by tapping German resources, future Europeans could be
produced on account of this native capacity to develop. Another
significant feature of the Germans Nietzsche highlights is their
“Widerspruchs-Natur”: their contradictory nature, which is
systematized by Hegel and “set to music by Richard Wagner.”
This will be an important resource and capacity that Nietzsche
will want to exploit in the formation of future humanity, but he
finds its current execution deficient, as discussed above.15
Nietzsche’s discussion of the differences of taste in the period
of the history of music between Mozart and Beethoven (§245) is
key, since it provides important clues to how Nietzsche regards
his own position and project as between states, propelled by
conditioning a new taste. While Mozart consummates the end
of a significant period of “European taste,” Beethoven is “an
interlude,” intermediate and transitional, evincing conflicting
and contradictory tendencies, “a style break”: at once a “mellow
old soul that constantly breaks and an over-young future soul
that constantly comes.” Beethoven is a Zwischenakt of European
rather than merely German taste. Recall that part IV is titled
Sprüche und Zwischenspiele. We shall see in the following
chapter that Nietzsche’s description of his own thoughts and
ideas, his own contributions (as Vorspiel) to the Philosophie der
Zukunft, bears resemblance to this portrait of Beethoven. Yet
Nietzsche hopes for a better fate than what he sees in the
example of Beethoven who musically expressed and captured
the spirit of Europe at a time when it “dreamed with Rousseau,
danced around the freedom tree of the Revolution, and finally
almost worshipped before Napoleon.” But that feeling—and
the degree to which it engendered a sense of shared future,
sameness, oneness, or unity, but in a different sense from the
egalitarianism of democracy—is nearly gone. We have knowledge of this feeling but are no longer able to actually experience
it, to truly feel in that way.16 What follows Beethoven is romanticism and its attendant ideals of democracy, “second rate” and
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evident of “small taste” as indicated in the decline toward
fatherlandishness.
This section not only provides some insight into Nietzsche’s
possible self-conception as a break in taste and style and one
who prepares the way for a legislator of a kind of taste that
would give Europe a future, it also suggests what is problematic
about fatherlandishness: it fails to articulate lofty and worthwhile
goals, fails to claim a sense of nobility, and instead claims to find
(rather than invent or project) already existing distinguishing
characteristics of a group of people. At this point in the text
it becomes clearer that Nietzsche is interested in the formation
of a public rather than politics. In fact, it is politics, and the misdirection and perversions of passion that can go along with it,
that Nietzsche thinks prevents the formation of the greater union
he envisions. This makes Nietzsche’s work similar to that of the
Platonic Socrates, whose concern in the Republic is to ascertain
how it is possible for a people to “all sing the same song together”
(Rep. 432a,b). Nietzsche is interested in the mechanisms, procedures, and practices that make “mine-saying” possible, and
the content of such values. Thus a “tyranny of the spirit” that
shapes a people is quite different from a political boundary
achieved militarily.
We see this notion recur throughout the chapter, as for
example, in section 251, where Nietzsche is brutally dismissive
of German nationalism and anti-Semitism and emphasizes cultural vitality as indicated by its ability to digest and incorporate
difference in a process engaging the “great play and fight of
forces” (§251). Such activity involves more than simply subduing
or excluding opposition and difference (cf. the “hereditary art
of commanding and obeying” with §19), insofar as it sees
its opposition (and the activity of opposing) as a resource
rather than something to be avoided or overcome. In this
section, Nietzsche designates “the ‘European problem’ ” as one
of “cultivation of a new caste that will rule Europe.” It becomes
increasingly clear this is a cultural and historical problem rather
than a political one, and that it requires organization and
cultivation of cultural resources. In sum, it is a creative project.
Thus Nietzsche’s interests in style and taste stem directly from
their relation to value and cultural productivity.
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Following the section about the expression, creation, and
invention of European taste, cultural identity and ideals in
section 245, Nietzsche shifts in section 246 to discussion of the
reception, appreciation, comprehension, and incorporation of
style, as for example, in his reminder about the musicality of
language, the extent to which the tempo of thought is related to
what one can think, and the activities of reading and writing.
Nietzsche discusses these matters earlier in the book (e.g.,
§28) and acts upon them throughout. For example, part IV’s
Sentenzen must be read in light of what Nietzsche writes here:
“There is art in every good sentence (Satze)—art that must be
figured out if the sentence is to be understood! A misunderstanding about its tempo, for example, and the sentence itself
is misunderstood.” Nietzsche endeavors to create a style that
can be read and heard in the way he imagines as most likely to
facilitate or realize the grand style he heralds in section 245.
Section 247 makes observations about the incorporation of
style and the musicality of language, and the acts of reading,
writing, and listening.17 He discusses specific elements of style
that make a difference, particularly the aural dimensions of
literature, ideas he employs and practices in the Sprüche and
Sentenzen of part IV: to create a style that can be heard and
read in a new way.18 He emphasizes the public expectations,
anticipations, and comprehension of style. Drawing on his earlier
work on ancient rhetoric and extending the emergent research
in the physiology of sensation, Nietzsche notices that a period
is not merely a convention for punctuation but also a “physiological unit [. . .] held together by a single breath.” Nietzsche
contrasts the public of the Roman forum with that of the pulpit
in terms of what commands and what comprehends within
those spheres. This sheds light on the particular way Nietzsche’s
discussion has political relevance, because it is not especially
concerned with the micro-politics of the modern nation-states
of Europe or the theoretical development and practical application of liberal democratic political theory. It is more consonant
with the Platonic sense of concern for the conditions for the
possibility of a republic, what allows a “ ‘people” to “say ‘mine’
and ‘not mine’ ” about the same things (Rep. 432b). Nietzsche’s
concern is not merely with the form of this relation but with
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the content of what is affirmed, its character. Thus we find a
contrast between unity achieved through military exploits, as in
the case of Bismarck, and with the tyranny of the spirit, which
Nietzsche finds in Napoleon, and the content of the values thus
affirmed. So, style and how it leads to or produces a taste that
is shared plays a significant role in Nietzsche’s ruminations on
future philosophy and the production of over-humanity (cf. §250
below). Of particular interest is the physicality of the style he
anticipates: syllables and words weigh, sentences “strike, leap,
plunge, run, run out.”
CREATING THE FUTURE
Throughout his writings, Nietzsche characterizes cultural productivity in terms of tensions of opposed elements. He frequently
cites sexual reproduction as exemplary and paradigmatic of
broader creative cultural and historical forces. This is evident as
early as BT, where the forces of the Apollinian and Dionysian
“give birth” to tragic culture and all of the philosophical, artistic,
and political achievements associated with it, and his further
association of the characteristics of tendencies or forces as
evident in various different cultures and as mapped to sexual
characteristics. Thus, in BT, Nietzsche comments on the sexual
agonistics at the roots of what he calls the “Aryan” myth of
Prometheus and “Semitic” myth of the fall (BT 9). In both
cases he finds a dynamic of opposition expressed in gendered
relations. The Prometheus story of sacrilege is associated with a
form of masculine activity whereas the myth of the fall revolves
around succumbing to (ultimately subjected to, passively) feminine seduction or lust. We find throughout Nietzsche’s writings
that he takes sexual reproduction as a paradigm of creativity.
This is a variation within a tradition that stretches back to the
pre-Socratics and is clearly evident in Platonic philosophy, as
for example, in the Symposium, and the Romantic tradition, for
example, Goethe’s projection of the Eternal Feminine.19 Elsewhere, Nietzsche emphasizes the extent to which these tendencies
are in opposition and contest, conflict. These ideas are clearly
related to Nietzsche’s controversial ideas about women and his
concern that women not become just like men, that men and
women potentially embody this dynamic, literally, both physically and culturally. Just as he does not want Europe to become
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one in the sense of unified on the basis of identity, he does not
want humanity to become one sexually. For this reason, he is
motivated to preserve, perhaps even heighten, the differences
between men and women.
In section 248, sexual tension is generally cast in erotic terms
involving love and lust, but Nietzsche also notes this same tendency is expressed in domineering situations, and he considers
this tension as the root cause of misunderstanding (cf. §§85 and
238). This section reiterates the dynamic of power explored in
section 230, discussed above, where Nietzsche characterizes a
“ ‘basic will of the spirit’ ” as a dynamic opposition of powers of
appropriation and exclusion. This duality is a simplification and
general characterization of the great play of forces Nietzsche
regards as constitutive of “life,” and the basis of the “social
structure” of commanding and obeying forces contributing to
the “synthetic concept ‘I’ ” (§19). This further reinforces the
idea of drawing on all of the capacities of Europe for creative
productivity rather than simply pursuing unity as in the sense
that “Europe wants to become one.” Different conceptions of
women and love (as they relate to the prospects of fecundity and
the kind of creative tension and opposition necessary for productive fertilization) are found throughout Nietzsche’s writings. This
is crucial to Nietzsche’s ultimate preference for Bizet’s Carmen
over Wagner’s Kundry, as discussed below.
Section 249 underscores the difficulty of the task of becoming,
both in terms of what it would take to become something greater
and what it takes to engage in such a process of organization at
all. It is not as simple as identifying some new worthwhile goal
and then setting about pursuing it. In the context of producing
future Europe, Nietzsche writes, our situation is such that “what
is best in us we do not know—we cannot know.” The point here
is that our current virtues are not necessarily indicative of our
greatest capacities. Nietzsche calls them “tartuffery,” extravagant
expressions of what we currently value, of our present tasks and
preferences. Such stylings stand in contrast with the “grand
style” in morality discussed in the next section. We might see the
problem of European identity and its future becoming as similar
to that of individual becoming; and both seem to be related
to what Nietzsche calls spiritual fatum in section 231. In EH,
Nietzsche describes the difficulty of “becoming what one is”
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when he writes, “to become what one is” requires “one must
not have the faintest notion what one is” (EH “Clever” 9). This
idea is a bit puzzling, particularly in light of the previously
mentioned context of “giving style to one’s character” (GS 290),
which suggests something of a project that one aims to implement, some activity one deliberately pursues. But, considered
in light of the relation between taste and forms of life, we can
see that what Nietzsche has in mind is the realization of some
sort of necessity, a way of life rather than a particular project
one plans and executes. In other words, becoming what one is
might be properly thought as an expressive activity rather than
a projection that implies some gap between what one is and
what one does or aims to be.
Nietzsche briefly treats what he calls “the grand style” in
morality in section 250, and this provides an important indication of how he thinks problems of morality and valuation
revolve around questions taste. The “grand style” engages a
struggle with the infinite and sublime thereby bringing about
a spiritual stretching and transformation much like the slave
revolt in morality he identifies in GM I:6, where he claims that
the “essentially dangerous form of human existence” that the
priests realize provides the condition for the soul “in a higher
sense” to “acquire depth.” We can think of “the grand style” as
a higher order value in the sense that it pertains to wholesale
judgments of the estimation of life, and thereby influences the
whole scope and orientation of values rather than just a particular value or set of values. And Nietzsche envisions the creation
of a future community that draws together European resources
and utilizes what he calls “spiritual perception” (§252), which
selects and coordinates the various capacities to be tapped.20
These capacities are further surveyed in sections 252–4, where
Nietzsche claims that the English are more pious than the
Germans insofar as they are “gloomier, more sensual, stronger
in will, and more brutal” and “music-less.”
The relation between Nietzsche’s conception of the music
of the future and the philosophy of the future becomes clearer
when we recognize the relation between problems of taste and
value as they relate to the value of truth (recall the opening
of BGE), and the difference it potentially makes when this is
scrutinized (arguably, the subject of at least BGE I–III). If we
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came to have different tastes, we might not only love (and value)
different things but also engage in valuation differently. In such
a case, “revaluation” would refer to the form of the activity of
valuing, rather than replacement or reordering of values.21 This
seems to be Nietzsche’s interest in the relation between health
and music and his anticipation of a supra-European music,
a synthesis of cultural and historical resources that might produce a “European of the future.” Wagner can be regarded as a
contemporary example of one who came closest (yet ultimately
failed) to realizing a supranational community; he realized
“supra-German sources and impulses,” a combination Germanic
and French sentiments and tastes, which nevertheless superseded
and surpassed both. Siegfried is offered as an exemplar of “that
very free man who may indeed be much too free, too hard, too
cheerful, too healthy, too anti-Catholic for the taste of ancient
and mellow cultured peoples” (§256).22 Future philosophers,
free-spirited “higher types” Nietzsche anticipates, will have to
be more than knowers—they will have to be something new,
signify (zu bedeuten) something new, represent (darzustellen) new
values.23 Nietzsche considers this creative project potentially
to begin through the creation of “a new beauty and seduction”
of the sort he finds in Bizet, whom he calls the musician of the
“good European” (§254).
Nietzsche’s preference for Bizet over Wagner is curious and
turns on at least two points. First, Bizet is musically superior to
Wagner in Nietzsche’s later estimation just because by that time,
Nietzsche considers Bizet a musician whereas he thinks Wagner
is really an actor (see especially CW). The second major point of
comparison can be made in juxtaposing Kundry and Carmen.
In this respect, Nietzsche once more draws on his ideas about
sexual agonistics and sexual reproduction as paradigmatic of
creative fecundity. Carmen’s consuming love of life exudes what
Nietzsche later calls a “burnt sensibility” in language that recalls
the end of his BGE, to be treated in the next chapter. Bizet’s
Carmen expresses “love translated back into nature”: “love as
fatum, as fatality, cynical, innocent, cruel—and precisely in this
a piece of nature. That love which is war in its means, and at
the bottom deadly hatred of the sexes!” (CW 2). Nietzsche
associates this form of passion with “the south” and the “Mediterraneanization” of music he anticipates in section 255 and
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elaborates in CW 3.24 Nietzsche goes on to contrast this form
of passion, which he also associates with a form of elevating
pathos needed for philosophy (CW 2), with the notion of love as
selfless. While love as fatality is fecund, love as selfless is sterile,
“chaste.” Wagner’s Kundry, we are told in section 47, is a flesh
and blood personification of the type “das religiöse Wesen,” who
dies in her moment of redemption, which was accomplished by
Parsifal whose powers stem from his chastity, which is achieved
through renunciation, and compassion. What Nietzsche writes
of Wagner’s heroines generally is doubly true of her: “[. . .]
Wagner’s heroines never have children? They can’t.—” (CW 9).
Kundry fails to tempt Parsifal even when she lures him with
mother’s love—she neither gives birth nor succeeds in becoming
a surrogate. She becomes free, free as a bird, in fact, only through
the redemptive act of Parsifal’s compassion, and only in release
from human life.25
So, Nietzsche’s task looking ahead will be to inquire about
a possible sense of nobility that might be ignited and pursued
by the alternative conceptions of love and redemption that
he finds in Bizet rather than Wagner. Nevertheless, he finds
Wagner’s case—at once most promising and disastrous—to be
quite instructive concerning the promises and pitfalls of this
prospect and process.
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PART IX: “WHAT IS NOBLE?”
QUESTIONING
The concluding part of BGE has the curious distinction of having
a question as its title, although this is not reflected in every
English translation of the work. Was ist Vornehm? Nietzsche
asks. It could well be that Nietzsche’s question here is rhetorical
so that little of great consequence is lost by omission of the
punctuation—“What is noble, you ask? I, Nietzsche, will set you
straight here at the end of the book.” But if there is a real question in Nietzsche’s mind about the nature, status, and possibilities
of nobility, then there is quite a problem if this is literally lost in
the translation of the title to the concluding part. One might
miss the fact that there is a real inquiry here, that perhaps
something is not yet known, still to be determined. Or, if it is
Nietzsche’s goal to open up questioning, to start rather than
complete an inquiry, this would surely be jeopardized in omission
of the question mark.
Readers of BGE often approach the book at least vaguely
familiar with Nietzsche’s apparent preference for noble values
and forms of valuation over those slavish as outlined in GM,
which was written after BGE. Conceptually, then, many read
BGE looking backwards from what they regard as the main
ideas of that text, but this is also problematic. It is easy to assume
that the discussion of nobility in GM is immediately relevant if
not identical to the question of nobility in BGE, but this is not
at all clear. Moreover, the relation between Nietzsche’s discussion of the prehistoric roots and invention of morality and his
anticipation of the self-overcoming of Christianity—how it is
necessary, what it entails, and what follows from it—is not at all
clear and requires considered analysis. The expectation that the
discussion of prehistoric nobility in GM reflects Nietzsche’s
ideas about future nobility might also predispose the reader to
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think that where Nietzsche raises the question of nobility in
BGE he will provide an answer.
Expectations are heightened by Nietzsche’s own expressions
of anticipation for great things to come throughout BGE. Nearly
all of the preceding parts conclude with Nietzsche’s shrill and
sometimes histrionic expectations that another world is possible,
one in which there is a reconsideration and reevaluation of what
we currently extol as “good,” that the axis of good and evil might
be replaced or somehow superceded. So, we might arrive at
Nietzsche’s concluding question Was ist Vornehm? rightfully
expecting to encounter some outline of a new nobility. Instead
of looking forward to Nietzsche’s next text (GM) for clues about
the significance of his title question, one might look backward
to Z and its peculiar focus on development, particularly in
its account of self-overcoming and the perpetual process of
zugrunde gehen, of going to ruin that characterizes a crucial part
of the dynamic development of under-going and overcoming.
Rather than solely giving us a new table of values at the end of
BGE, Nietzsche unravels his own project and admires its demise.
Where we might expect to find Nietzsche planting his flag
jenseits—beyond—we instead find things falling apart. What
follows from this largely anti-climactic conclusion is unclear, but
we conclude our own text by exploring a few possibilities.
NIETZSCHE’S ANTICIPATIONS
Throughout BGE, Nietzsche builds expectations for what might
be glimpsed on the horizon he sketches in the book—that beyond,
that future indicated in the title and subtitle of the work. Nietzsche
dramatically builds and heightens his readers’ anticipations such
that when they arrive at his concluding part, they might readily
expect the completion of a sketch he has been drawing throughout. Examining the organizing structure of the book as a whole,
we notice that nearly each part concludes with Nietzsche’s vision
of some possibility he imagines for the future and/or which
he intends to realize in the course of the book. One of these is
surely the perspective he anticipates near the end of part I “On
the Prejudices of the Philosophers.” In the penultimate section
(§22), Nietzsche wonders whether it might be possible to reach
similar conclusions about the world based on very different
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perspectives and modes of interpretation. He speculates this is
indeed possible: a perspective that “picture[s] the unexceptional
and unconditional aspects of all ‘will to power’ so vividly that
almost every word, even the word ‘tyranny’ itself, would eventually seem unsuitable, or a weakening and attenuating metaphor”
could still lead to a conclusion that the world is “necessary” and
“calculable,” not because nature is lawful but rather “because
[laws] are absolutely lacking, and every power draws its ultimate
consequences at every moment.”
Further, from this new perspective, Nietzsche anticipates and
describes in the final section of part I (§23) what he calls his
“physio-psychology.” Someone who achieves the perspective
he scouts in earlier sections would “regard even the affects of
hatred, envy, covetousness, and the lust to rule as conditions
of life, as factors which, fundamentally and essentially, must be
present in the general economy of life (and must, therefore, be
further enhanced if life is to be further enhanced).”1 This idea
certainly can be nauseating, dangerous, and even painful, which
is why he thinks his project is not advisable for many, if any,
others to follow, so we might rightly expect there is a rather
exclusive group anticipated and summoned here. Those admitted, those with the stomach for it, are invited to come aboard
and “sail right over morality, [as] we crush, we destroy perhaps
the remains of our own morality.” We might be justified in
expecting that at the end of the voyage a certain form of nobility
would replace the battered morality Nietzsche envisions leaving
behind.
By the end of part II “The Free Spirit,” Nietzsche provides
some further indication of the sort of people one might expect
to encounter beyond good and evil: “a new species of philosophers” (§42). But we do not get much information about this
type, only that they are expected to bear some resemblance to
the “free spirited” community for which the author of BGE takes
himself to be the spokesman; they will have a love of truth but
will guard it jealously as theirs. And what we learn of the free
spirits is rather frightening: this band considers the growth and
development of humanity as relative to “the dangerousness of
[its] situation,” which “must first grow to the point of enormity,
[its] power of invention and simulation ([its] ‘spirit’) had to
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NIETZSCHE’S BEYOND GOOD AND EVIL
develop under prolonged pressure and constraint into refinement and audacity, [its] life-will had to be enhanced into an
unconditional power-will.” As to how such enhancement might
occur, Nietzsche writes, “hardness, forcefulness, slavery, danger
in the alley and the heart, life in hiding, stoicism, the art of
experiment and devilry of every kind, everything evil, terrible,
tyrannical in man, everything in him that is kin to beasts of prey
and serpents serves the enhancement of the species ‘man’ as
much as its opposite does” (§44). We might rightly wonder what
of this sort—“hardness, forcefulness, slavery, danger in the
alley and the heart”—must occur in order to produce the new
philosopher, and how he will stand in relation to others with
whom he associates, particularly those who might suffer the ills
of tyranny.
The picture becomes even more terrifying, and the tenor
of Nietzsche’s anticipation ever more shrill, at the end of part
III, titled “What is religious” (which is not a question). There,
Nietzsche returns to his vision of the future philosophers,
described as having “the most comprehensive responsibility”
because the development of humanity lies on their shoulders.
And the process of development described at the end of part
II is reiterated and amplified when Nietzsche continues: “this
philosopher will make use of religions for his project of cultivation and education, just as he will make use of whatever political
and economic states are at hand. The selective and cultivating
influence, always destructive as well as creative and form-giving,
which can be exerted with the help of religions, is always multiple
and different according to the sort of human beings who are
placed under its spell and protection” (§61). While religion might
be useful for manipulating circumstances that would free one
from public life, as the Brahmins did, Nietzsche also imagines
that religion could “give[s] some of the ruled the instruction
and opportunity to prepare themselves for future ruling and
obeying” (§61). But, while it is clear that some form of ruling
is central to Nietzsche’s conception of this future type that
bears a certain form of nobility, it is unclear whether Nietzsche
envisions them as ruling states, groups of individuals, or primarily and exclusively, themselves. He continues, “those slowly
ascending classes—in which, thanks to fortunate marital customs, the strength and joy of the will, the will to self-control
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[Selbstbeherrschung] is ever growing—receive enough nudges and
temptations from religion to walk the paths to higher spirituality,
to test the feelings of great self-overcoming [Selbstüberwindung],
of silence and solitude. Asceticism and Puritanism are almost
indispensable means for educating and ennobling a race that
wishes to become master over its origins among the rabble
and that works its way up toward future rule” (§61). We shall
certainly return to what might be entailed in this idea of
Selbstbeherrschung, translated as “will to self-control” and
Selbstüberwindung, translated as self-overcoming.
At least one of the goals is clear: what such ennobling process will entail is breaking the grip of the current vision of
humanity—of all things human and earthly, which “inverts all
love of the earthly and of dominion over the earth into hatred
of the earth and the earthly—that is the task the church posed
for itself and had to pose, until in its estimation ‘becoming
unworldly,’ ‘unsensual,’ and ‘higher men’ were fused into a single
feeling” (§62). We noted previously that Nietzsche thinks future
philosophers might either take on the perspective of “an Epicurean god” and meet this scene with divine laughter, or be enraged
and horrified, approaching “the work” (the form of humanity)
wrought by Christianity with a “divine hammer,” presumably to
destroy or at the very least rework it. Part of what makes the
creators of current humanity so inept, as Nietzsche assesses
them, is that they are “not noble enough to see the abysmally
different order of rank, chasm of rank, between man and man”
(§62) they lack the ability to value and evaluate. Many of the
epigrams we find in part IV emphasize precisely this lack of
awareness, lack of sensibility for distance, ranking, and difference, and link them with the desire to make equal, make same.
And this is at the root of what Nietzsche repeatedly calls
“herd morality,” which although it is “sovereign” (§62) and presents itself as exclusive, is but one type among many possible,
including “higher,” “moralities” (§202). The process that led to
the development of the human herd, Nietzsche tells us at the
end of part V “Natural History of Morals,” also yielded democracy. The kind of rule emphasized in part III that the future
philosophers will be noble enough to acquire and execute
masterfully is decidedly not democratic. And Nietzsche makes
it clear that he opposes not only actual or possible instantiations
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of democratic political orders but also democratic thinking more
generally, democratic values, which he thinks have actually physiologically weakened and sickened human beings, heightening
what is ignoble in humanity. It would appear that future philosophers have as their task the cultivation of humanity (and not
only themselves or even specific individuals) such that nobility
is once again possible. Further detail about the route to this
is sketched in part VI “We Scholars,” where Nietzsche claims
toward the end of the part that the task of philosophers is to be
“the bad conscience of their time” (§212). They do this violently,
brutally “by applying the knife vivisectionally to the chest of the
very virtues of their time” (§212). And part VII, “Our Virtues,”
both assesses current virtues and charts those of the free spirits.
One of the virtues of the free spirits is honesty, and Nietzsche
provides testimony to what “is ‘settled in him’ ” (§231), which
includes ideas about an inherent tension in physiological as
well as cultural reproduction.
An assessment of our inheritance as it relates to our vulnerabilities and frailties as well as our potencies and possibilities
is advanced in the part VIII “On Peoples and Fatherlands.’ ” It is
here that the urgency of the question of nobility, of what is now
noble and what might be one day, gathers intensity and becomes
clearer. In the preceding parts, what we have learned about how
Nietzsche thinks about nobility can be summed up crudely as
follows: What is definitive of nobility is not simply station in life
but a way of valuing and feeling. Noble evaluative schemes make
use of rank ordering on a scale of higher and lower, and they
are accompanied by feelings of distance and difference that
allow such distinctions to be recognized and meaningful. The
feeling or pathos of distance indicated here draws on aesthetic
sensibilities rather than more strictly emotive qualities in the
production of this feeling. But, there is also an emotive charge
relevant here. Despite Nietzsche’s bombastic aggression and his
disdain for the current condition of humanity, love plays an
important role, as suggested at the end of the previous chapter.
What we love, what we value and honor, matter very much to
the kinds of lives we live. Crucial to Nietzsche’s diagnosis of the
condition of modern humanity is concern about our capacity
to love, to truly prefer something, anything in particular. This
can be summed up as a problem of taste. “Of Peoples and
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Fatherlands” explores the variety of tastes that are part of
European inheritance and are indicative of its capacities for
revering and esteeming, the essential ingredients of a morality,
of all moralities, which are means to what Nietzsche refers to in
section 219 as “that high spirituality.” How these capacities
might become synthesized, coordinated, and fully utilized is a
question Nietzsche does not answer and does not presume to be
able to do so. It is perhaps the work of the future philosophers
whose path is possibly prepared by the scouts that are the free
spirits.
WHAT IS NOBLE?
We thus arrive at part IX Was it vornehm? and immediately,
Nietzsche reiterates an idea we have encountered repeatedly in
our review of the concluding sections of the preceding parts:
“every enhancement of the type ‘man’ has so far been the work
of an aristocratic society [. . .] a society that believes in the long
ladder of an order of rank and differences in value between man
and man, and that needs slavery in some sense or other” (§257).
Nietzsche goes on to provide a micro version of a story we
encounter in GM in which society’s origin is located in an event
during which a pack of “men of prey” seize the “weaker” and
make them their subjects (§257). He sketches the basic difference
between “master morality” and “slavish morality” (§260) and
how these not simply characterize individuals or groups of
individuals but can also be tendencies that inhabit the same
“soul.” He talks about the significance of “exploitation” and
criticizes prohibitions against violence and revulsion to suffering
as hostile to life. He repeatedly emphasizes the importance of an
“instinct for rank” (§263), for the feeling of height (§265), and
the significance of our heredity, which includes, perhaps most
importantly, our ancestors’ tastes as reflected in their life-ways
(§264). Each of these ideas merits further investigation.
The first section emphasizing the role of aristocratic values
and perspectives in achieving “enhancement of the type ‘man’ ”
explains this not in terms of physical superiority or the ability
to enslave and brutalize. Instead, what Nietzsche draws to his
readers’ attention is how the aristocratic perspective achieves
some distance, pathos. The significance of this was mentioned
in the preceding chapter in light of Bizet’s music, which had a
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similar effect for Nietzsche. He makes it clear in section 257,
although it seems to be frequently overlooked, that he is not
seeking to reinstate an aristocracy that would striate society,
and he is not even claiming that it is absolutely necessary,
although he thinks history shows that it has been “until now”
(our emphasis) an effective means of producing a kind of pathos
of distance. Although he does not explore it in great detail in
this book (as he will in GM), Nietzsche thinks this social pathos
is related to what he calls “that other, more mysterious pathos,”
which ignites a “craving for an ever new widening of distances
within the soul itself, the development of ever higher, rarer, more
remote, further-stretching, more comprehensive states” (§257). It
is this, specifically, that propels the dynamic of self-overcoming,
which takes on increasing significance in this chapter and is a
crucial theme in Nietzsche’s Z.
As Nietzsche relates an abbreviated version of the story of the
origin of society in the enslavement of the weak by a stronger
“barbarian caste,” he qualifies the nature of their power in terms
that are somewhat different from his later discussion in GM.
Here, barbarian “predominance did not lie mainly in physical
strength but in strength of the soul.” And it is on account of
such strength, Nietzsche claims, that “they were more whole
human beings (which also means, at every level, ‘more whole
beasts’)” (§257).2 In the context of BGE, it is clear Nietzsche’s
reason for seeing these human beings as more bestial is that
they are not motivated by certain anti-natural values that deform
human beings (think of the human beings who are simply
exaggerated individual body parts in Z). It is important to note
here the difference between “anti-natural” and “unnatural.”
Nietzsche does not simply give a positive value to everything
supposedly natural and denigrate the artificial. He also regards
human culture-making (including practices of producing artifice)
as part of nature. The kind of devaluation of human existence
that morality, in particular Christian morality, advances, however,
is hostile to nature as such and is therefore anti-natural. As long
as nature is devalued, life itself, and particularly human life,
needs otherworldly redemption or else one may conclude life is
worthless. Thus, as we saw previously in BGE (§230), Nietzsche
seeks to take a moral-free perspective on existence in order
to disclose possibilities that are obscured by moral prejudices,
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which affect not only how things are seen but also what can be
seen. And what Nietzsche sees, reflected in his “proposition”
(§36), is that “life is essentially appropriation, injury, overpowering
of what is alien and weaker; suppression, hardness, imposition
of one’s own forms, incorporation and at least, at its mildest,
exploitation”; in short, “life simply is will to power,” bearing
that same basic spirit of the will, previously discussed in section
230. To categorically oppose this—to devalue, denigrate, and
suppress it—is to deny life. This does not mean we must celebrate
or even ignore violence. However, if we refrain from it and avoid
it, we would do so on different grounds and under different
conditions, as for example, in the expression of different constitutions as described in section 260.3
The anti-naturalism Nietzsche finds in moralities persists
and takes its toll over time to the point that it begins to corrupt
the instincts. That is the subject of section 258, where Nietzsche
uses the English word “corruption” (see §233 for a specifically
modern example pertaining to women).4 In this section, Nietzsche
emphasizes the connection between corruption and disorder,
what he elsewhere calls “disgregation,” which is related to the
political imagery of the soul and Nietzsche’s reflections on
forms of political association and their attendant and underlying values: “Corruption as the expression of a threatening
anarchy.”5 Two features of this discussion are particularly relevant: Nietzsche’s reference to different kinds of organisms, which
include individuals as well as political and cultural groups; and
his observation that “a good and healthy aristocracy” does
not regard itself merely as having a regulative function but
as expressive of the “meaning and highest justification” for the
organism in which they rule.
In section 260, we learn more about the meaning of the
organism in relation to what takes itself as noble and other
means of organization. Nietzsche sums up some of his conclusions on the basis of his initial work in creating and analyzing
a “typology of morals” (§186). He sketches two basic types of
moralities, emphasizing they are better thought of as moralizing
tendencies (just as the Apollinian and Dionysian are artistic
tendencies). These characterize not only individuals and groups,
but can also be found within individuals, who can and often
do bear these tendencies simultaneously. Masterly moralizing
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occurs when we find “exalted proud states conferring distinction
and determining order of rank,” and this way of according
honor is “value-creating” in which “morality is self-glorification
[Selbstverherrlichung].” The chief differences among these tendencies are what is valued and how, the condition and form
of expression evident in each. Masterly moralizing expresses a
“feeling of fullness” and “overflowing power,” characterized by
“happiness of high tension.” It issues from a conscious desire to
share and bestow wealth. It is not primarily motivated by pity,
fear, or selflessness, as Nietzsche thinks Christian morality is.
Masterly moralizing holds compassion in suspicion and it is
entirely compatible with the notion of love as the basis for a
healthy society, as suggested at the end of the last chapter and
expanded below in this chapter.
It seems clear from this section that Nietzsche admires this
masterful type, particularly its creative capacities expressed in
bestowing honor, which Nietzsche describes as their “art” and
“realm of invention” [Erfinden; cf. §12]. But, we are alerted to
a significant difference between the type “masterly morality”
and Nietzsche’s anticipation of the prospects beyond good and
evil, the supra-moral or extra-moral (“aussermoralische”: §32).
A rather different concern with the future is evident. The
masterly type greatly esteems its ancestors: in honoring itself,
it honors its origins and conditions for being. This sharply
contrasts with Nietzsche’s contemporaries who he finds increasingly have less respect for elders and the past and place greater
hopes for and higher esteem of the future and the “progress” it
promises. Clearly, Nietzsche does not embrace either of these
views. As noted throughout the book and in the review at the
beginning of this chapter, Nietzsche has a decidedly future
orientation in his project. He aims to contribute positively to
the creation of future possibilities, in part by naming some such
possibilities and thereby creating or opening a course. But such
a future might not be regarded as “progress,” at least in moral
terms (indeed, from the current moral perspective, it could seem
rather decadent, “wicked” [§296]), and its progressus is tentative
and tenuous at best, and certainly not necessary or inevitable
as modern adherents to the faith in progress hold. So, what we
find in Nietzsche is a different notion of the future, how it is
produced, and what is entailed in its production. The latter, we
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have already seen, includes a particular relation to and appropriation of the past and the resources acquired therein. One of
its past inheritances Nietzsche thinks it is vital to recapture and
cultivate is love as passion, which he heralds as a “European
specialty,” and “of noble origin” (§260). This love as passion,
discussed in the previous chapter, is one of humanity’s atavistic
resources that might be tapped in the production of the future
beyond good and evil Nietzsche anticipates.
The next few sections of this part utilize the language of evolutionary biology and embryology in the context of discussing
the history of the development of human culture, particularly
the development of moralities. So, for example, Nietzsche thinks
there are no pure types on account of “the intermarriage of
masters and slaves,” which resulted in an ambiguous mixture of
masterly and slavish propensities. As to how one morality might
master, in the sense of overpowering and dominating, the other,
he goes on to describe the emergence of species and types
(§262) as the products of struggles [Kämpfe] with “unfavorable
conditions” and their relation to “breeding” or cultivation
[Züchtung]. Species or types form and become durable through
endurance, not protection and “superabundant nourishment”:
“the continual fight against ever constant unfavorable conditions
is [. . .] the cause that fixes and hardens a type.” Two things are
particularly notable about this phenomenon. The first is that
endurance conditions are necessary for the existence of any particular type. Type features are relative to endurance conditions
that force the development of particular qualities and capacities.
A second thing follows from this, namely that if all types are
dependent upon endurance conditions for their perpetuation,
and yet all types eventually seek to minimize or reduce risk (i.e.,
to actively diminish or ameliorate endurance conditions), then
all types eventually undermine themselves. Nietzsche describes
this phenomenon as self-overcoming, and he thinks morality
itself has reached such a point. Nietzsche claims, now “the
‘individual’ [Individuum] appears, obliged to give himself laws
and to develop his own arts and wiles for self-preservation,
self-enhancement, self-redemption.” But Nietzsche is not simply
praising and admiring this development (as those who laud the
appearance of the “sovereign individual” in GM II:2 are wont
to do). The result of this precarious situation is that there are
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“all sorts of new what-fors and wherewithals; no shared formulas
any longer; misunderstanding allied with disrespect; decay, corruption, and the highest desires gruesomely entangled” (§262).
Nobility of taste (Vornehmheit des Geschmacks) includes
reverence and an instinct for rank (§263); it is related to egoism
(§265), which includes “refinement and self-limitation in its
relations with its equals.” Nietzsche writes, “the noble soul gives
as it takes” and has “an instinct of repayment”; “it knows itself
to be at a height” and thus does not “look ‘up.’ ” This recalls
the pathos or feeling of distance identified previously as edifying, providing a perspective that allows one to see beyond what
is more common (an idea that is not particularly new), and gives
one a sense of ordering in relation to what is higher. In this
respect, we might return to the curious idea expressed in the
preceding chapter about becoming what one is and Nietzsche’s
claim in EH that in order to do this one should “not have the
faintest idea what one is.” We might see this in light of section
266, where Nietzsche cites Goethe to Rat Scholosser: “ ‘Truly
high respect one can have only for those who do not seek themselves.’ ” This means not looking up and above, to have an instinct
of reverence but to know oneself to be at a height.6
Nietzsche emphasizes the point he made in elaborate detail
in part VIII: Heredity, or “Herkunft,” matters. In section 264,
Nietzsche discusses this in the contexts of preferences of parents
and ancestors, and the extent to which we bear their preferences
and tastes. Although this has a ring of Lamarckism to it in
speculating about the heritability of acquired characteristics,
it seems Nietzsche at this point has something in mind that is
more like the atavism he repeatedly advances, and which was
discussed in the previous chapter. In this section, he links the
idea of inheritance with eternal recurrence (see Chapter 5 on
part III). Citing Horace,7 he provides us with a further glimpse
of how he thinks about eternal recurrence when he claims that
“plebs” eternally returns; it resists education, even acculturation.
Once again, we can make sense of this when we appreciate the
strong connection Nietzsche thinks exists between tastes and
ways of life, and how the values that organize our life activities
also create an order of rank of the competing drives that constitute us. These are fully physiological and not merely psychological or specific to “states of soul.” In part VIII Nietzsche has
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expressed the hope that it is not just the “plebs” that eternally
returns, which is part of our fatality, but also our more noble
and ennobling inheritance.
The question of “What is noble?” is explored negatively in the
context of asking the question “What is common?” in section
268. We can take the term “common” in at least two senses: what
is base [“Die Gemeinheit”] and in opposition to the noble, and
what is shared (as in the sense of “gemeinsam”).8 We have seen
Nietzsche wrestle with this problem specifically in the context
of reflecting on the problems and possibilities of a European
future in the preceding chapter. How does one create a community that preserves and even heightens its great resources rather
than simply reducing it to the greatest degree of commonality?
In this section, Nietzsche explores this question from the standpoint of language and inheritance, claiming that “Words are
acoustical signs for concepts,” which themselves have a basis
in “recurring and associated sensations” (§268). The primary
condition for becoming a people is having “long lived together
under similar conditions (of climate, soil, danger, needs, and
work),” which makes it possible for people to understand one
another. On the basis of their commonalities, people are able
to achieve further understanding even more rapidly through processes of association and abbreviation. Avoiding danger places
increased demands on communication and reliability of a common sense in order to avoid fatal errors of miscommunication.
Orders of rank within the soul are established on the basis of
“which group of sensations is aroused, expresses itself, and issues
commands in a soul most quickly,” and these “ultimately
determine[s] its table of goods.” Moreover, “The values of a human
being betray something of the structure of his soul and where it
finds its conditions of life, its true need.” So, in this section, we
have some very interesting suggestions for effecting future development. If Europe “wants to become one” it will need to focus
on shared experiences rather than military dominance, political
unification, a lingua franca, currency, or mythical past—or, we
might add, simply a constitutional process. Moreover, it matters
what kinds of experiences we seek, since the sensations aroused
therein effect the ordering of souls and the creation of values.
But this will be exceptionally difficult to accomplish, “the
most powerful of all powers at whose disposal man has been so
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far” is “easy communicability of need.” The similar and common have the greatest advantage and “propagate.” The force
needed to change this course is immense, and nearly unnatural
(but certainly not anti-natural), since there is an “all too natural
progressus in simile” in the development of humankind. And
thus we see in section 269 that it also matters very much what
we love, since that directs what we seek and pursue as well as
forego. Here again, Nietzsche returns to his concern about pity
on the basis of a love of man, wanting to preserve and help
even what ought to perish, and he sees this as one of the greatest
temptations and frailties to which humankind is vulnerable while
recognizing that it is at the same time quite potent. The incomparable suffering that can be produced on account of the love
of man can also be ennobling insofar as it can separate (§270),
create the distance of pathos that Nietzsche thinks facilitates
philosophy and stimulates spiritual heightening. In this context,
Nietzsche refers back to the idea of having “once been ‘at home’
in many distant, terrifying worlds” (§270; cf. §§41 and 44),
and the extent of and desire for responsibility (§272; cf. §61)
as indicative of nobility.
NIETZSCHE’S ZWISCHENSPIELE
Kaufmann is right to notice that there is a curious break in the
narrative of Nietzsche’s text at sections 274 and 275 (one might
place it even earlier, thematically if not stylistically, perhaps at
§§269 or 270). Kaufmann notices the especially personal tone
of the more epigraphic sections, suggesting the shift is perhaps
related to Nietzsche’s anxiety about completing his task, as
expressed in section 277. The sections are similar to those that
comprise part IV, and like those and others we have noted
throughout this book, they similarly function as Nietzsche’s
vehicle in his role as Zwischenbegebnis, a transitional moment,
an occurrence between. Some are snippets of conversations with
unidentified interlocutors, imagined dialogues that are incomplete. The more frequent use of the first person singular “I”
suggests Nietzsche is ruminating on his possibilities and fate
in the process of development he anticipates. These sections
follow his consideration of how difficult the task is to accomplish (§268), the emotional toil it takes on the sensitive types
involved (§269), the temptations that exist to avoid it (§270), the
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PART IX: “WHAT IS NOBLE?”
isolation and loneliness one can experience (§§271 and 2), and
the precarious nature of the position insofar as it entails a great
deal of waiting for the moment to arrive as it is not simply some
project one can seize (§274). And he explores the difficulties
of everyday life—relations, diets, daily practices—that occur
once one begins to develop different tastes (e.g., §§282–4).
While these aphorisms recall some of the themes we have
come to associate with the nobility of some possible future
humanity, we no longer find the continuous and coherent
narrative that has characterized the preceding parts and the first
half of the concluding part. More familiar threads and manner
of address reappear in the remaining dozen or so sections, though
these are also punctuated with tempo and stylistic changes,
which are again reminiscent of other epigrams we have seen in
the book (e.g., parts IV and VII). The themes shift as well. No
longer does Nietzsche talk about the imposition of order and
rank or the necessity and significance of exploitation and suffering. Instead, we learn that nobility is self-reverence (§287), that
philosophy seeks masks and itself masks other philosophies
(§289), that philosophers are reluctant to share their insights not
only out of jealousy but also in the interest of protecting others
from the difficulties their views often bring (§290). Nietzsche
strikes out against pity, the “cult of suffering,” as the “newest
kind of bad taste” (§293),9 which as we learned from part III,
leads us to want to preserve what ought to die.
And he heralds again gay science as the motivational force
and ultimate goal of members of the community he anticipates
(§293). Such gaiety involves both love of life previously discussed
(§260) and an attendant and abiding ability to laugh. This is a
theme that recurs in Z,10 and recalls an important passage from
part III of BGE. Nietzsche suggests an order of rank of philosophers according to their capacity to laugh, the highest of which
would be “golden laughter.” Compare this with the kind of
laughter mentioned in section 62 in which we are presented with
the dilemma of possible responses and reactions to the hideous
image of what we have become: “Suppose we could contemplate the oddly painful and equally crude and subtle comedy of
European Christianity with the mocking and aloof eyes of an
Epicurean god, I think our amazement and laughter would
never end.” Alternatively, and perhaps more likely given our sorry
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NIETZSCHE’S BEYOND GOOD AND EVIL
condition, “Anyone, however, who approached this almost deliberate degeneration and atrophy of man represented by the Christian
European (Pascal, for example), feeling the opposite kind of
desire, not in an Epicurean spirit but rather with some divine
hammer in his hand, would surely have to cry out in wrath, in
pity, in horror [. . .].” The connection between laughter and
love becomes clearer insofar as the section introducing the
“genius of the heart” (§295) follows this one on laughter (§294),
where instead of visions of exploitation and the imposition of
form on a whole populace, we find Nietzsche writing about a
lover who is also a tempter and pied-piper.
By way of conclusion to this book and our discussion of
Nietzsche’s work, we wish to focus on two features of the final
part of the main text: the introduction of the curious figure
of the “genius of the heart” and what precedes and follows it,
insofar as the book appears to unravel toward the end. The
genius of the heart is a figure not frequently explored in the
scholarly literature and is one we strongly advise readers to
explore in greater depth,11 since we think it provides a deeper
appreciation for Nietzsche’s understanding of the relation between
value-creation and love, a theme we have observed recurring
throughout the text. And finally, we note that it might be somewhat appropriate that, in the end, Nietzsche’s book comes
undone, or “falls apart,” as we think that it does. This serves two
purposes. The first is to prevent us from becoming Nietzsche’s
followers, which he has clearly indicated would be a bad thing
even though he tempts and lures many a reader throughout the
text. In the end, Nietzsche decisively reclaims his truths as his.
And secondly, Nietzsche has identified, as discussed above, a
dynamic of self-overcoming that is characteristic of all development, and he proceeds ever-mindful of his own position within
a larger course of social and historical development. He regards
himself as transitional, as argued in the chapters on parts IV
and VIII, and therefore as occupying a place between one form
of life and another he anticipates as possible. He contributes
what he can to bringing out the features of the current form
of life that will eventually result in its demise, its features of
self-overcoming, which include its commitment to truth and,
for Nietzsche, the truth about the lack of necessity of the normativity of truth, about the mechanics of normativity as such
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PART IX: “WHAT IS NOBLE?”
and the relations between values and forms of life. Thus he
finishes this part of his work no longer anticipating a form of
future humanity, no longer offering physiological, cosmological,
or philosophical propositions, as he has in previous chapters;
he is not even engaging in the biting critical analysis of our
current state of health and convictions. Instead, he portrays his
own Zugründegehen, his fading, his passage beyond the point
of ripeness, which, as we have already discussed, is crucial to
self-overcoming. We offer some suggestions for what this portends in the final section of this book, but first we should meet
the curious new character that Nietzsche introduces just prior
to his “going under.”
THE “GENIUS OF THE HEART”
The “genius of the heart” might remind us of how Nietzsche has
described the future philosophers in section 42, near the end of
part II where he writes about the Versucher, who both seeks and
tempts. What does this figure do? He is a master of semblance,
“silences all that is loud and self-satisfied, teaching it to listen,”
“smoothes rough souls and lets them taste a new desire” (§295).
He teaches delicacy, gracefulness, and hope. Nietzsche claims,
midsection, that he is talking about Dionysus and he takes on
the mantle of his disciple, but the nature of this might be called
into question. Rather than preaching teachings of what we might
expect him to have learned from Dionysus, Nietzsche seems
to be channeling and at times imitating his god. The goals he
attributes to Dionysus might very well be ones we could regard
as Nietzsche’s in relation to his readers in BGE: “silencing all
that is loud and self-satisfied,” teaching them to listen to new
voices that speak about different goals, giving them a taste of
a new desire, offering a kind of self-reverence that is perhaps
contrary to democratic tastes.
The appearance of Dionysus near the end of this book brings
us back to the theme with which we began in section 1—namely,
the value of truth, and the notion that our very commitment
to truth, once it becomes genuine, leads us to question its value
as intrinsically good. When associated with the real, the existent,
and the empirically knowable, truth has a challenger in Dionysus,
whose creative power lies in disintegrating the appearances
associated with truth; recall that behind every mask on the Greek
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NIETZSCHE’S BEYOND GOOD AND EVIL
tragic stage is Dionysus. While he is the opposite of an actor
who gives shape or form to a character, Dionysus nevertheless
provides the life force, the animating power, of all action.12
The ultimate point of summoning Dionysus at the end of the
book, a book that anticipates the self-overcoming of morality,
is to bring forward the conclusion that morality itself is an artifice, a product of human invention and creativity, one perhaps
spurred by a need that is symptomatic of a form of decadence
or decline.13 In his 1886 preface to a new edition of his first
book, Nietzsche writes,
Here, perhaps for the first time, a pessimism “beyond good
and evil” is suggested. Here that “perversity of mind” gains
speech and formulation against which Schopenhauer never
wearied of hurling in advance his most irate curses and
thunderbolts: a philosophy that dares to move, to demote,
morality into the realm of appearance—and not merely among
“appearances” or phenomena (in the sense assigned to these
words by Idealistic philosophers), but among “deceptions,”
as semblance, delusion, error, interpretation, contrivance, art.
(BT “Attempt at a Self-Criticism” 5)
Since “Christian teaching [. . .] relegates art, every art, to the
realm of lies,” it ultimately undermines itself, as Nietzsche
aims to show in GM, which he writes after he revisits his earlier
works.
For the artful nature of the task, consider the perspective
drawn in section 291, which endeavors to glimpse the development of human morality, to see morality as an artistic product
(forgery: Fälschung). It aims to catch sight of the soul (vermöge
deren überhaupt ein Genuss im Anblick der Seele möglich wird),
and it affords a view of the human as “a manifold, mendacious,
artificial, and opaque animal.”14 This recalls the passage about
the masterly as “more whole beasts” near the beginning of the
part, section 257.15 The later section continues, “from this point
of view much more may belong in the concept of ‘art’ than is
generally believed.”16 This is what Nietzsche has been trying to
tap in his efforts at erfinden—invention—previously described
as what might be utilized in the production of a new nobility
(both type of persons and sense or value).
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PART IX: “WHAT IS NOBLE?”
Summoning Dionysus near the book’s conclusion also reinforces Nietzsche’s interest in love insofar as Dionysus is neither
alone nor with Euripides’ mad women but rather with Ariadne,
who was immortally transfigured in her love of Dionysus.17 And
Dionysus professes his love of humankind much as Nietzsche’s
Zarathustra does in the opening narrative scene in which
Zarathustra descends from his mountain cave because he “loves
man.”18 It is also in Z that Nietzsche presents a dynamic in which
“things fall apart,” go to ruin of necessity. The seeds of their
destruction are somehow inherent in their very conditions of
existence. After conjuring up an image that signals the selfovercoming of morality (i.e., that the truth about morality
is that it is an artifice, which means that on its own terms it
is a lie), Nietzsche acknowledges the same fate for his own
thoughts.19
THINGS FALL APART
Things fall apart at the end of BGE for a variety of reasons.
In the end, it is not the readers who are addressed but rather
Nietzsche’s own thoughts, his “wicked thoughts” (§296), which
are described as already “on the verge of withering and losing
[their] fragrance,” birds who are so weary they can be caught by
hand, who “cannot live and fly much longer” (§296). They are
no fresh creations ready to take flight in the hearts and minds
of Nietzsche’s reader. This finale is surely not the one for which
we’ve been prepared.
Taking on the mantle of Dionysus, it seems as though Nietzsche
intentionally disrupts and disappoints our expectations for a
new program for nobility. He lures and tempts (at least some,
he hopes) into wanting as much, but he is not prepared to be
its source, perhaps not even its inspiration. Along the way, he
repeatedly undermines his capacity and authority to engage in
the grander project. He repeatedly indicates that he discusses his
propositions, his truths, and his prejudices. And he notes that
what is noble is protective of its truths, thinks they are matters
of personal entitlement on the basis of being earned at high
costs, and that they are devalued and debased by being shared
(§43). This does not follow from the idea that all truth is relative and individually subjective, rather Nietzsche thinks truth is
something owned and felt rather than strictly known.
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NIETZSCHE’S BEYOND GOOD AND EVIL
At the beginning of part V, “The natural history of morals,”
Nietzsche describes his task (the only activity he thinks is legitimate at the time) in terms of preparing “a typology of morals.”
Emphasis can be placed on the provisional and preparatory
nature of this activity, which involves “collect[ing] material [. . .],
conceptualiz[ing] and arrang[ing] a vast realm of subtle feelings
of value and differences of value which are alive, grow, beget,
and perish.” Nietzsche’s immediate goal is “perhaps [. . .] to
present vividly some of the more frequent and recurring forms
of such living crystallizations” (§186). He does this in a variety
of ways, through collecting historical examples, providing
illuminating citations, and even attempting to capture such crystallizations in epigraphic form on multiple occasions. He tries
to reveal a progression and process of development from
Platonism to Christianity to the modern ideals of democracy.
He pinpoints a variety of cultural resources and tastes that
are indicative of our current constitution and suggestive of
future possibilities. To join Nietzsche might not take the form
of seizing his conception of nobility or following a new program
but rather practicing his form of inquiry, to join him in interrogating rather than propagating an answer to the question What
is noble?
This ending is perhaps his way of creating that order of rank
between spirit and star that he mentions in section 285, where
he writes:
The greatest events and thoughts—but the greatest thoughts
are the greatest events—are comprehended last: the generations that are contemporaneous with them do not experience
such events—they live right past them. What happens is
a little like what happens in the realm of stars. The light of the
remotest stars comes last to men; and until it has arrived man
denies that there are—stars there. ‘How many centuries does
a spirit require to be comprehended?’—that is a standard,
too; with that, too, one creates order of rank and etiquette that
is still needed—for spirit and star.
With this conclusion, Nietzsche advances his own fading,
hastens his own remoteness. It also affords Nietzsche some
shelter, allows him to slip into obscurity and perhaps take some
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PART IX: “WHAT IS NOBLE?”
satisfaction in his incomprehensibility, as when he writes in
section 289: “Every philosophy also conceals a philosophy; every
opinion is also a hideout, every word also a mask.” As Nietzsche
has already noted, some deliberately seek masks (§§278, 270;
recall also the language of the stage, actor, and mask in §§7, 25)
and want to be misunderstood, perhaps to protect from what
they see (e.g., §290: “Every profound thinker is more afraid of
being understood than of being misunderstood”).20
The final section of the book has none of the bombast of
the concluding sections of previous books. It does not herald
great and gruesome things to come, or anticipate the end of days.
It is not addressed to the free spirits or even those who might
aspire to be among them. Its audience is not those he derides
or ridicules or even those he mocks or laughs away. Instead, it is
addressed to his own thoughts, those who were the inspiration
for the book and who, perhaps, have been betrayed by it, or at
the very least have been let down by it. Nietzsche expresses
concern that the vitality of his thoughts has been lost in translation to written word, that perhaps the very act of capturing and
writing down his thoughts does them a disservice, makes them
more likely to be taken as truths. What is “caught” or captured
in this form is only what is already on its way toward passing
away, what is “autumnal and yellow” (§296). The range of his
palette of colors, his ability to create gradations and shades, is
limited; he must work only with the hues of autumn and late
day. We see only their fading and passing, and thus they cannot
be alive for us. We can only scarcely guess, if at all, “how [they]
looked in [their] morning, [those] sudden sparks and wonders of
[Nietzsche’s] solitude” (§296). All that is left to do then is—sing.
211
CHAPTER 12
“FROM HIGH MOUNTAINS”:
NIETZSCHE’S AFTERSONG
Nietzsche ends the book with a poem entitled “From High
Mountains,” and this was to become a feature of several of his
late writings: for example, the second edition of GS, with its
added fifth part, also ends with an appendix of songs, the songs
of Prince Vogelfrei.1 In the concluding aphorisms to each text,
he questions the very value of words, of their ability to communicate his thoughts, and he seems to be speaking specifically of
prose. Before translating his thoughts into words, he notes that
they were once “so colorful” and “full of thorns and secret
spices,” which caused him to sneeze and laugh. But when he
transforms such thoughts into words, they lose their fragrance
or sensorial as well as musical dimension. In section 296
Nietzsche laments the fact that through prose his thoughts are
destined to lose their novelty and he fears them becoming
“truths”: “they already look so immortal, so pathetically decent,
so dull!” With the turn to poetry, then, Nietzsche might be
attempting to overcome what he sees as the limits of prose
which, as he proclaims, steal the color, prickliness, and fragrance
of his thoughts.
Nietzsche has offered some important insights into the power
of poetry in his earlier writings and they help to clarify his turn
to it at the end of BGE. In AOM 135 he says that when a poet
is not in love with reality then his music will also not be reality,
and she will bear him only “hollow-eyed and fragile-limbed
children.” In AOM 114 he writes, however, that the poet does
not deal with every reality but only a select one. The reality they
concern themselves with is that of the dawning future and in
which they are to ignore all the fantastic, superstitious, and
faded subjects upon which the earlier poets had sought to prove
their powers. More strongly, and highly resonant with the ambit
of BGE, in AOM 99 he envisages the poet as a signpost to the
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“FROM HIGH MOUNTAINS”: NIETZSCHE’S AFTERSONG
future: “That poetic power available to men of today which is
not used up in the depiction of life ought to be dedicated, not so
much to the representation of the contemporary world or the
to the reanimation and imaginative reconstruction of the past,
but to signposting the future.” Here he even speaks of poetry
prefiguring the “ever increasing elevation of man.” In D 551,
entitled “Of future virtues,” Nietzsche appeals to poets to realize
their authentic or true vocation, which is to be, “seers who tells
us something of the possible! . . . If only they would let us feel
in advance something of the virtues of the future!”2 It is this
vocation of the poet that seems to inform the poem that ends
BGE for it too heralds the future and future virtues.
The “Aftersong” that concludes BGE is a revised and expanded
version of a poem Nietzsche had sent to Baron Heinrich von
Stein in November 1884 imploring him to make the visit to the
high mountains of Sils-Maria: “This is for you, my dear friend,
to remember Sils Maria and in gratitude for your letter, such
a letter” (cited in Kaufmann, p. 239). Nietzsche regarded von
Stein as a possible acolyte whom he could recruit in his planned
fraternity of free spirits or brotherhood of the gay science.3
“Aftersong” translates literally the German “Nach-gesang,”
which is a literal translation of the Greek epode. An epode is a
short lyric poem forming the final section of a three-part ode.
The core theme of the poem is friendship and the search for
the creation of new friends who can incarnate and fulfill the
philosophy of the future. Nietzsche has a specific appreciation
of the friend as someone who shares the struggle, the selfovercoming, of life but who is also someone we can honor as
our enemy. As he puts it in Z: “In one’s friend one should have
one’s best enemy. You should be closest to him in your heart
when you strive against him . . . you shall be to him an arrow
and a yearning for the Overhuman” (Z I: “On the Friend”).
Nietzsche holds to this view because he thinks true friendship
requires mutual sportive seduction into life’s self-overcoming
and not a relation of complacency.
The poem begins with the poet praising the noon of life as a
time of celebration and summer festivity. The narrator of the
poem is waiting for friends and inviting them to come as, “It is
time. It’s late!” All seems to be designed and ready for the friends
to make their appearance and join the poet. However, when the
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NIETZSCHE’S BEYOND GOOD AND EVIL
friends do appear they do not find the man they have been seeking and they hesitate, amazed. The narrator’s ancient friends
show the “shock of love and fear” in the face of what they
encounter: a hermit who has learned to dwell “where no one
lives, in bleakest polar hell,” and who has “unlearned mankind
and god, prayer and curse,” existing as if a ghost “that wanders
over glaciers.” He advises his old friends that they cannot live
in the places where he resides and he advises them to depart for
their own good and their own safety for among “distant fields
of ice and rock” one must live as a “hunter” and only a few select
kind will have the inclination for the hunt (as Nietzsche notes in
§45, where the “great hunt” is to be found is where also the great
danger begins). He has become a “wicked archer” and the ends
of his bow kiss. Moreover, it is only the strongest in spirit that
can bend the bow in the way he does: “No arrow strikes like that
which my bow sends.” But he also asks the friends to leave the
gates of his residence open since “new friends may come along.”
We should let old friends go and not be memory-mongers. If we
were once young, we are now becoming even younger (such is
our appetite or desire for new life).
The author is forced to acknowledge that what was once hope
and promise between him and his old friends has come to pass;
the friends and of whom he once dreamed have aged and the old
affinity has become lost: “One has to change to stay akin to me.”
Once again, in a repetition, the poet invokes the noon of life and
waits for new friends, proclaiming once again that it is time and
the time is late. Nietzsche’s final stanza concludes that his song
is now over and appeals to the “friend of noon”—we are invited
not to ask after the identity of this particular friend4—for it is at
noon “that one turned into two.” With the coming of his friend
Zarathustra the two celebrate a “feast of feasts,” and the world
now laughs, “rent are the drapes of fright,” and the wedding of
opposites, of light and darkness, is about to take place.
Here, at the very end of the poem, Nietzsche mimics the
crucifixion of Christ: in both Matthew and Mark it is said that
at noon on the day of Christ’s death the sky grew dark like a
coming together of light and darkness, and a few hours later
Jesus cries out and dies; at this moment the curtain of the
Temple is torn in half (Matthew 27.51; Mark 15.38). There could
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“FROM HIGH MOUNTAINS”: NIETZSCHE’S AFTERSONG
be a number of reasons why Nietzsche has chosen to reference
Christ’s crucifixion in the denouement to the poem.5 Perhaps
the most salient one is that the poem depicts a kind of death and
resurrection and this captures the metamorphoses that characterize the book as a whole, including the free spirit’s progress.
As Burnham notes, there is depicted in the book a movement of
change and self-overcoming that leads from new experiences,
through synthesis and advancement, to new forms of life. There
is also the case of the philosopher who, and as part and parcel
of the enrichment of his mode of life, seeks to move away from
himself only to return to himself; and, finally, there is the hope of
a rebirth of nobility after the long wintry reign of Christianity.6
In Nietzsche’s poem it is not death that announces the tearing
of the ancient curtain or veil but laughter.7 The world now
celebrates its liberation from the curse of Christendom and a
new age and a new cheerfulness dawns.
There is without doubt an autobiographical aspect to the
poem. By the middle of the 1880s Nietzsche’s existence was
becoming an increasingly solitary one with the friends from his
youth and student days, including Paul Deussen, Franz Overbeck, and Erwin Rohde, feeling ever more estranged from him.
We have mentioned the theme of friendship as being at the
heart of the poem and of Nietzsche’s concerns.8 However, the
poem connects with the rest of the book in several other ways.
First, there are the references to noon or midday (Mittag), which
foreground the problem of timeliness that is treated in the book:
events can come too soon or too late. As Burnham notes, midday
is an important image in Nietzsche, not so much a place in time
but rather a join or “instantaneous transition” between the
morning and the afternoon when shadows are shortest.9 This
imagery of the shortest shadow Nietzsche connects in TI with
the “appearance” of Zarathustra and the meaning of his “event”
in history.10 The suggestion is that noon is a moment of opportunity when the chance of a fundamental change or transformation has to be taken or is lost. The shortest shadows of noon
also signify what Nietzsche calls “the spirit of gravity,” or one’s
inherited self-doubt, and noon is the time when one can jump
over one’s shadow.11 There is also the imagery of the arrow and
the tensed bow which echoes the book’s preface. The basic idea
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NIETZSCHE’S BEYOND GOOD AND EVIL
is one of self-transformation in which one has gained in strength,
including the strength “to hunt at a different level of philosophical
prey,” and this in turn encompasses hunting oneself in the form
of a continual self-mastery and self-overcoming.12
The ultimate theme of the poem, then, is the need for perpetual change since growth is constancy: “nur wer sich wandelt,
bleibt mit mir verwandt,” that is, “Only those who change themselves remain akin to me.”
216
STUDY QUESTIONS
These questions are approximately in the order of presentation
of Nietzsche’s text, and can be used to aid your understanding
of and engagement with the book.
1. What does Nietzsche set out to question in the preface to
the book and why?
2. Why is Nietzsche so concerned with raising the question
of the value of truth?
3. How and for what ends does Nietzsche criticize the notion
of the “will” and of “willing”?
4. Why is the concept of “will to power” not Nietzsche’s substitute for Kant’s “in-itself ” or noumenon? How does it give
us a new way of looking at the world?
5. Is Nietzsche a pessimistic thinker?
6. Can philosophy think without “prejudices”?
7. What is the “atomistic need” and why does Nietzsche
criticize it so much?
8. What is the nature of Nietzsche’s concern with “taste” in
the book?
9. What is “perspectivism”?
10. Why is a will to unknowing not simply the opposite of a
will to knowledge?
11. Why does Nietzsche oppose the idea of being a martyr for
truth?
12. Why does Nietzsche take to task the Stoics in the way he
does?
13. Examine the distinction Nietzsche forges between “free
thinkers” and genuine “free spirits” or “free minds.”
14. What alternative notion of the “soul” is Nietzsche putting
forward in the book?
15. What does it mean to be an “attempter” or “experimenter”?
16. Why is the “intellectual conscience” so important for
Nietzsche?
17. Examine Nietzsche’s account of the saint and a saintly
existence.
217
STUDY QUESTIONS
18. How does the eternal recurrence work as an ideal of superhuman well-being?
19. Critically examine how Nietzsche construes the relation
between philosophy and religion.
20. Do you agree with Nietzsche that Christianity is the most
presumptuous and calamitous religion to date?
21. What is Nietzsche up to in part IV of the book on
“epigraphs and interludes”?
22. Why does Nietzsche propose that we carry out a “natural
history” of morality?
23. Why does Nietzsche think we should approach questions
of morality in a spirit of modesty?
24. Critically examine Nietzsche’s claim that European morality
today is “herd-animal” morality.
25. Do we need philosophers to be legislators?
26. What is the nature of Nietzsche’s concern with the scholar?
27. Why does the genuine philosopher live, according to Nietzsche,
unwisely and impudently?
28. What is “great politics”?
29. Why does Nietzsche think that the question of what “our
virtues” are is such a difficult one for us moderns to pose
and answer?
30. Why must there be an “order of rank” among our values?
31. How do free spirits cultivate the virtue of “honesty”
(Redlichkeit)?
32. What does it mean to translate the human being back into
nature? What is the “eternal basic text” of “homo natura”?
33. Is Nietzsche a misogynist?
34. Why is Nietzsche concerned with “peoples” and “fatherlands”? Why does he think that “becoming German” is a
question of style?
35. Why is Wagner an important figure for Nietzsche to analyze
in part VIII of the book?
36. Why does Nietzsche posit the need for a new nobility, and
what would be “new” about it?
37. How does part IX of the text shed light on Nietzsche’s
“aristocratic radicalism”?
38. Examine the pertinence of Nietzsche’s distinction between
noble and slave moralities.
218
STUDY QUESTIONS
39. Why is Nietzsche so keen to stress that the “truths” of the
book are primarily “his” truths?
40. What does it mean to philosophize “beyond good and
evil”?
219
GUIDE TO FURTHER READING
INTRODUCTIONS
A large number of introductions to Nietzsche are now available.
Of the established ones, the following can be recommended:
Karl Jaspers, Nietzsche: An Introduction to the Understanding
of his Philosophical Activity, trans. Charles F. Wallraff and
Frederick J. Schmitz (Chicago: Regnery; Tucson, AZ: University
of Arizona Press, 1965; repr. Baltimore, MD and London: Johns
Hopkins University Press, 1997); and Walter Kaufmann, Nietzsche:
Philosopher, Psychologist, Anti-Christ, 4th edn (Princeton,
NJ and London: Princeton University Press, 1974). Two short
introductions are J. P. Stern, A Study of Nietzsche (Cambridge
and New York: Cambridge University Press, 1979), and Michael
Tanner, Nietzsche (Oxford and New York: Oxford University
Press, 1994). Of more recent works the following can be recommended: R. Kevin Hill, Nietzsche: A Guide for the Perplexed
(London and New York: Continuum, 2007); Paul J. M. van
Tongeren, Reinterpreting Modern Culture: An Introduction to
Friedrich Nietzsche’s Philosophy (West Lafayette, IN: Purdue
University Press, 2000); and Rex Welshon, The Philosophy of
Nietzsche (Durham, UK: Acumen, 2004). There are many
important and helpful works on Nietzsche written in languages
other than English. Serious students are strongly encouraged
to explore this vast literature.
BIOGRAPHIES
Peter Bergmann’s Nietzsche: “The Last Antipolitical German”
(Bloomington, IN: Indiana University Press, 1987) offers an
excellent biography focused on the “political” dimensions of
Nietzsche’s intellectual development. Other contributions include
Lesley Chamberlain, Nietzsche in Turin: An Intimate Biography
(New York: Picador, 1998); Ronald Hayman, Nietzsche: A Critical
Life (London: Weidenfeld & Nicolson; New York: Oxford
University Press, 1980); R. J. Hollingdale, Nietzsche: The Man and
his Philosophy, 2nd edn (Cambridge and New York: Cambridge
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GUIDE TO FURTHER READING
University Press, 1999); Rüdiger Safranski, Nietzsche: A Philosophical Biography, trans. Shelley Frisch (New York: Norton;
London: Granta, 2002); Robin Small Nietzsche and Rée: A Star
Friendship (Oxford: Clarendon Press; New York: Oxford University Press, 2005). The most recent biography is Julian Young,
Friedrich Nietzsche. A Philosophical Biography (Cambridge:
Cambridge University Press, 2010).
EDITED COLLECTIONS
The following are recommended as helpful and important
collections: Christa Davis Acampora and Ralph R. Acampora
(eds), A Nietzschean Bestiary: Becoming Animal Beyond Docile
and Brutal (Lanham, MD and Oxford: Rowman and Littlefield,
2004); Keith Ansell Pearson (ed.), A Companion to Nietzsche
(Oxford and Malden, MA: Basil Blackwell, 2006); Daniel W.
Conway with Peter S. Groff (eds), Nietzsche: Critical Assessments, 4 vols (London and New York: Routledge, 1998); Michael
Allen Gillespie and Tracy B. Strong (eds), Nietzsche’s New Seas:
Explorations in Philosophy, Aesthetics, and Politics (Chicago and
London: University of Chicago Press, 1988); Bernd Magnus
and Kathleen M. Higgins (eds), The Cambridge Companion to
Nietzsche (Cambridge and New York: Cambridge University
Press, 1996); Jeffrey Metzger, (ed.), Nietzsche, Nihilism, and the
Philosophy of the Future (London & New York, Continuum:
2009); John Richardson and Brian Leiter (eds), Nietzsche
(Oxford and New York: Oxford University Press, 2001); Peter
R. Sedgwick (ed.), Nietzsche: A Critical Reader (Oxford and
Malden, MA: Basil Blackwell, 1995); Herman Siemens and Vasti
Roodt, (eds), Nietzsche, Power, and Politics (Berlin and New
York: Walter de Gruyter, 2008).
IMPORTANT MONOGRAPHS AND CRITICAL STUDIES
Of seminal monographs in the field of Nietzsche studies the
following works in English merit attention: Gilles Deleuze,
Nietzsche and Philosophy, trans. Hugh Tomlinson (London:
Athlone Press; New York: Columbia University Press, 1983);
Martin Heidegger, Nietzsche (San Francisco and London: Harper
& Row, 1979–1987); Mazzino Montinari, Reading Nietzsche,
trans. Greg Whitlock (Urbana-Champaign and Chicago: University
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GUIDE TO FURTHER READING
of Illinois Press, 2003); Wolfgang Müller-Lauter, Nietzsche: The
Philosophy of Contradictions and the Contradictions of his Philosophy, trans. David J. Parent (Urbana-Champaign and Chicago:
University of Illinois Press, 1999); Alexander Nehamas, Nietzsche:
Life as Literature (Cambridge, MA: Harvard University Press,
1985); Richard Schacht, Nietzsche (London and Boston:
Routledge & Kegan Paul, 1983); Georg Simmel, Schopenhauer
and Nietzsche, trans. Helmut Loiskandl, Deena Weinstein, and
Michael Weinstein (Urbana-Champaign and Chicago: University
of Illinois Press, 1991); Henry Staten, Nietzsche’s Voice (Ithaca,
NY and London: Cornell University Press, 1990).
TRUTH AND EPISTEMOLOGY
On this topic a seminal text is Maudemarie Clark, Nietzsche
on Truth and Philosophy (Cambridge and New York: Cambridge
University Press, 1990). Other important contributions include:
Randall Havas, Nietzsche’s Genealogy: Nihilism and the Will to
Knowledge (Ithaca, NY and London: Cornell University Press,
1995); Peter Poellner, Nietzsche and Metaphysics (Oxford:
Clarendon Press; New York: Oxford University Press, 1995);
John Richardson, Nietzsche’s System (New York and Oxford:
Oxford University Press, 1996); Alan D. Schrift, Nietzsche and
the Question of Interpretation: Between Hermeneutics and Deconstruction (London and New York: Routledge, 1990); and John T.
Wilcox, Truth and Value in Nietzsche: A Study of his Metaethics
and Epistemology (Ann Arbor, MI: University of Michigan
Press, 1974).
NATURALISM
Two studies in particular merit the reader’s attention on this
topic: Christoph Cox, Nietzsche, Naturalism, and Interpretation
(Berkeley, LA and London: University of California Press,
1999); and John Richardson, Nietzsche’s New Darwinism (Oxford
and New York: Oxford University Press, 2005).
ETHICS
On this topic some of the most important studies include: Peter
Berkowitz, Nietzsche: The Ethics of an Immoralist (Cambridge,
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GUIDE TO FURTHER READING
MA, and London: Harvard University Press, 1995); Thomas H.
Brobjer, Nietzsche’s Ethics of Character: A Study of Nietzsche’s
Ethics and its Place in the History of Moral Thinking (Uppsala,
Sweden: Uppsala University Department of History of Science
and Ideas, 1995); Lester H. Hunt, Nietzsche and the Origin of
Virtue (London and New York: Routledge, 1991); Brian Leiter,
Nietzsche on Morality (London and New York: Routledge,
2002); Simon May, Nietzsche’s Ethics and his War on “Morality”
(Oxford: Clarendon Press; New York: Oxford University Press,
1999). See also the collection of essay edited by Richard Schacht,
Nietzsche’s Postmoralism: Essays on Nietzsche’s Prelude to
Philosophy’s Future (Cambridge and New York: Cambridge
University Press, 2001).
POLITICS
The most important and seminal studies on this topic are:
Daniel W. Conway, Nietzsche and the Political (London and New
York: Routledge, 1997); Bruce Detwiler, Nietzsche and the Politics of Aristocratic Radicalism (Chicago and London: University
of Chicago Press, 1990); Don Dombowsky, Nietzsche’s Machiavellian Politics: The Outlaw Prince (Basingstoke: Palgrave
Macmillan, 2004); Lawrence J. Hatab, A Nietzschean Defense
of Democracy: An Experiment in Postmodern Politics (Chicago
and La Salle, IL: Open Court, 1995); David Owen, Nietzsche,
Politics and Modernity: A Critique of Liberal Reason (London,
Thousand Oaks, CA, and New Delhi: Sage, 1995); Tracy B.
Strong, Friedrich Nietzsche and the Politics of Transfiguration,
3rd edn (Urbana-Champaign and Chicago: University of Illinois
Press, 2000); Leslie Paul Thiele, Friedrich Nietzsche and the
Politics of the Soul: A Study of Heroic Individualism (Princeton,
NJ, and London: Princeton University Press, 1990); Mark
Warren, Nietzsche and Political Thought (Cambridge, MA, and
London: MIT Press, 1988). See also the edited collection of Paul
Patton, Nietzsche, Feminism and Political Theory (London and
New York: Routledge, 1993).
RELIGION
The following books and edited volumes on aspects of
Nietzsche and religion are recommended: Giles Fraser, Redeeming
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GUIDE TO FURTHER READING
Nietzsche: On the Piety of Unbelief (London and New York:
Routledge, 2002); Jacob Golomb (ed.), Nietzsche and Jewish
Culture (London and New York: Routledge, 1997); John Lippitt
and Jim Urpeth (eds), Nietzsche and the Divine (Manchester:
Clinamen, 2000); Robert G. Morrison, Nietzsche and Buddhism:
A Study in Nihilism and Ironic Affinities (Oxford and New York:
Oxford University Press, 1997); James C. O’Flaherty, Timothy F.
Sellner, and Robert M. Helm (eds), Studies in Nietzsche and the
Judaeo-Christian Tradition (Chapel Hill, NC: University of North
Carolina Press, 1985); Tyler T. Roberts, Contesting Spirit: Nietzsche,
Affirmation, Religion (Princeton, NJ: Princeton University Press,
1998): Weaver Santaniello, Nietzsche, God, and the Jews: His Critique of Judeo-Christianity in Relation to the Nazi Myth (Albany,
NY: State University of New York Press, 1994); Yirmiyahu Yovel,
Dark Riddle: Hegel, Nietzsche, and the Jews (Oxford: Polity;
University Park, PA: Pennsylvania State University Press, 1998).
ETERNAL RECURRENCE
On this complex and difficult thought in Nietzsche readers
will profit from consulting the following texts: Lawrence J.
Hatab, Nietzsche’s Life Sentence: Coming to Terms with Eternal
Recurrence (New York and London: Routledge, 2005); Martin
Heidegger, Nietzsche, Volume Two: The Eternal Recurrence of
the Same; Paul S. Loeb, The Death of Nietzsche’s Zarathustra
(Cambridge and New York: Cambridge University Press); Karl
Löwith, Nietzsche’s Philosophy of the Eternal Recurrence of the
Same, trans. J. Harvey Lomax (Berkeley, LA and London:
University of California Press, 1997); Joan Stambaugh, Nietzsche’s
Thought of Eternal Return (Baltimore, MD and London: Johns
Hopkins University Press, 1972).
THE WILL TO POWER
Three important studies on the will to power in English are
Jacob Golomb, Nietzsche’s Enticing Psychology of Power (Ames,
IA: Iowa State University Press; Jerusalem: Magnes Press, 1989);
John Richardson’s Nietzsche’s System and the important essay
by Wolfgang Müller Lauter, “Nietzsche’s ‘Doctrine’ of the Will
to Power,’ ” in Müller-Lauter, Nietzsche: His Philosophy of Contradictions and the Contradictions of his Philosophy, trans. David
224
GUIDE TO FURTHER READING
J. Parent (Urbana-Champaign and Chicago: University of
Illinois Press, 1999); and Linda L. Williams, Nietzsche’s Mirror:
The World as Will to Power (Lanham, MD, and Oxford: Rowman
& Littlefield, 2000), pp. 122–61.
WOMEN
On this topic the most important and helpful books and edited
volumes include: Peter J. Burgard (ed.), Nietzsche and the Feminine
(Charlottesville, VA and London: University Press of Virginia,
1994); Carol Diethe, Nietzsche’s Women: Beyond the Whip (Berlin
and New York: Walter de Gruyter, 1996); Luce Irigaray, Marine
Lover of Friedrich Nietzsche, trans. Gillian C. Gill (New York:
Columbia University Press, 1991); Kelly Oliver, Womanizing Nietzsche: Philosophy’s Relation to the “Feminine” (New York and
London: Routledge, 1995), and with Marilyn Pearsall (eds), Feminist Interpretations of Friedrich Nietzsche (University Park, PA:
Pennsylvania State University Press, 1998); and Caroline Picart,
Resentment and the “Feminine” in Nietzsche’s Politico-Aesthetics
(University Park, PA: Pennsylvania State University Press, 1999).
PERSPECTIVISM
For a detailed examination of this topic in Nietzsche see
Steven D. Hales and Rex Welshon, Nietzsche’s Perspectivism
(Urbana-Champaign and Chicago: University of Illinois Press,
2000); see also the relevant chapters in Nehamas, Nietzsche: Life
as Literature (chapter 3) and Cox, Nietzsche, Naturalism, and
Interpretation (chapter 3). Finally, for some novel insights see the
recent essay by Ken Gemes, “Life’s Perspectives,” in Gemes and
Richardson (eds), The Oxford Handbook to Nietzsche (Oxford:
Oxford University Press, forthcoming).
PESSIMISM
There is a helpful chapter on Nietzsche’s “Dionysian pessimism”
in Joshua Dienstag’s study, Pessimism: Philosophy, Ethic, Spirit
(Princeton, NJ: Princeton University Press, 2006), pp. 161–201.
Much helpful information, including context and background,
can be found in Tobias Dahlkvist, Nietzsche and the Philosophy
of Pessimism (Uppsala, Sweden: Universitet, 2007).
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ON THE GENEALOGY OF MORALITY
There are now a significant number of books and edited
volumes on this classic text by Nietzsche, which comes after
BGE and was intended by Nietzsche to be a supplement and
clarification of it. The following are recommended: Christa
Davis Acampora (ed.), Critical Essays on the Classics: Nietzsche’s On the Genealogy of Morals (Lanham, MD, and Oxford:
Rowman and Littlefield, 2006); Daniel W. Conway, Nietzsche’s
On the Genealogy of Morals (London and New York: Continuum, 2008); Lawrence J. Hatab, Nietzsche’s On the Genealogy
of Morality: An Introduction (Cambridge and New York:
Cambridge University Press, 2008); Christopher Janaway,
Beyond Selflessness: Reading Nietzsche’s Genealogy (Oxford:
Oxford University Press, 2007); Dirk S. Johnson, Nietzsche’s
New Darwinism (Cambridge: Cambridge University Press, 2010);
David Owen, Nietzsche’s Genealogy of Morality (Stocksfield:
Acumen, 2007); Aaron Ridley, Nietzsche’s Conscience: Six Character Studies from the “Genealogy” (Ithaca, NY and London:
Cornell University Press, 1998); Richard Schacht (ed.), Nietzsche,
Genealogy, Morality: Essays on Nietzsche’s “Genealogy of Morals”
(Berkeley, LA and London: University of California Press,
1994).
THUS SPOKE ZARATHUSTRA
The following studies of Zarathustra, which has a complex
relation to BGE, can be recommended: Robert GoodingWilliams, Zarathustra’s Dionysian Modernism (Stanford, CA:
Stanford University Press, 2001); Kathleen Marie Higgins,
Nietzsche’s “Zarathustra” (Philadelphia, PA: Temple University
Press, 1987); Laurence Lampert, Nietzsche’s Teaching: An Interpretation of “Thus Spoke Zarathustra” (New Haven, CT, and
London: Yale University Press, 1986); Paul S. Loeb, The Death
of Nietzsche’s Zarathustra; Stanley Rosen, The Mask of
Enlightenment: Nietzsche’s “Zarathustra” (Cambridge and New
York: Cambridge University Press, 1995).
BEYOND GOOD AND EVIL
To date there have been two major and helpful studies of BGE:
Douglas Burnham, Reading Nietzsche: An Analysis of “Beyond
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Good and Evil” (Stocksfield: Acumen, 2007); and Laurence
Lampert, Nietzsche’s Task: An Interpretation of “Beyond Good
and Evil” (New Haven, CT, and London: Yale University Press,
2001). See also Laurence D. Cooper, Eros in Plato, Rousseau,
and Nietzsche (University Park, PA: Penn State University Press,
2008). Paul van Tongeren’s Reinterpreting Modern Culture: An
Introduction to Friedrich Nietzsche’s Philosophy (above) also
focuses on BGE.
ESSAYS RELATING TO BGE
Despite the dearth of critical studies on BGE in English there
are a number of important and helpful articles that can be
recommended, including: Peter Berkowitz, “The Ethics of
Knowing: Beyond Good and Evil,” in Berkowitz, Nietzsche: The
Ethics of an Immoralist (Cambridge, MA: Harvard University
Press, 1995), pp. 228–61; Maudemarie Clark, “Nietzsche’s
Misogyny,” in Kelly Oliver and Marilyn Pearsall (eds), Feminist
Interpretations of Friedrich Nietzsche (University Park, PA: Pennsylvania State University Press, 1998), pp. 187–98; Robert Guay,
“Our Virtues,” Philosophical Topics, 34:1, pp. 71–87; Alexander
Nehamas, “Who Are ‘The Philosophers of the Future?’: A
Reading of Beyond Good and Evil,” in Robert C. Solomon and
Kathleen M. Higgins (eds), Reading Nietzsche (New York
and Oxford: Oxford University Press, 1988), pp. 46–67; Gary
Shapiro, “Peoples and Fatherlands: Nietzsche’s Geophilosophy
and the Direction of the Earth,” Journal of Nietzsche Studies 2008,
35–6, pp. 9–28; Leo Strauss, “Note on the Plan of Nietzsche’s
Beyond Good and Evil,” in Studies in Platonic Political Philosophy
(Chicago: University of Chicago Press, 1983); Michael Tanner,
“Friedrich Nietzsche, Beyond Good and Evil,” in Godfrey Vesey
(ed.), Philosophers Ancient and Modern (Cambridge and New
York: Cambridge University Press, 1986), pp. 197–217; Gianni
Vattimo, “Philosophy as Ontological Activity,” in Dialogue
with Nietzsche, trans. William McCuaig (New York: Columbia
University Press, 2006), pp. 60–73.
227
NOTES
CHAPTER 1: NIETZSCHE’S LIFE AND WORKS IN CONTEXT
1 See Duncan Large, “Nietzsche’s Use of Biblical Language,” Journal
of Nietzsche Studies, 22 (2001): pp. 88–115.
2 W. Wundt, “Philosophy in Germany,” Mind, 2:8 (1877): pp. 493–518.
3 Nietzsche reports the meeting in a letter to his mother, emphasizing
how greatly the journal is esteemed. Presumably, Robertson did not
tell Nietzsche that the reference was not particularly positive! See
pp. 509–10 of the 1877 issue cited above.
4 The following contributions are especially interesting: “Forgetfulness,” “Pessimism: A History and A Criticism,” “Study of Types
of Character,” “Mr. Sully on ‘Physiological Aesthetics.’ ” The sections
on “News” and “New Books” make references to many of the people
Nietzsche offers as examples of various positions, especially in his
later writings, and the “Books” section includes a summary and
positive assessment of a book by Nietzsche’s friend Paul Reé, whose
work significantly influenced his HH and later GM.
5 Nietzsche rigorously pursued his science interests in 1873, when he
read numerous works in astronomy, chemistry, physics, and physiology.
See Thomas Brobjer, Nietzsche’s Philosophical Context (UrbanaChampaign, IL: University of Illinois Press, 2008), and Gregory
Moore, Nietzsche, Biology, Metaphor (Cambridge, MA: Cambridge
University Press, 2002).
6 September 22, 1886, letter to Jacob Burckhardt, cited in Kaufmann’s,
“Translator’s Introduction,” to his translation of BGE, p. x.
CHAPTER 2: OVERVIEW OF THEMES
1 For further insight into this puzzle see Karsten Harries, “The Philosopher at Sea,” in Michael Allen Gillespie and Tracy B. Strong (eds),
Nietzsche’s New Seas: Explorations in Philosophy, Aesthetics, and
Politics (Chicago and London: University of Chicago Press, 1988),
pp. 21–45.
CHAPTER 3: PART I: “ON THE PREJUDICES OF
THE PHILOSOPHERS”
1 Helpful discussion of Nietzsche’s views in the context of the history
of aesthetics is found in Nicholas Martin, Nietzsche and Schiller:
Untimely Aesthetics (Oxford: Oxford University Press, 1996). While
Nietzsche is very interested in culture and how the arts are related to
228
NOTES
forms of life, it is not clear whether he has much interest in theories
of art and aesthetics per se. Nietzsche’s BT briefly engages the aesthetic views of Aristotle and Schiller, but in his later writings, it is
increasingly clear that he does not think aesthetic values and judgments are separate and distinct from rational and practical ones. In
this respect, Nietzsche anticipates aspects of Dewey’s thought, which
includes the idea that there are aesthetic qualities in all experience
and which form experiences as experience.
2 This theme is explored throughout the book, particularly in the context of what Nietzsche anticipates as the revaluation of appearances
and the “will to appearance” in part VII.
3 Think of Aristotle’s claim that poetry can be truer than history in
its ability to capture what is true about human beings (even, precisely,
in works that are not about actual living or past human beings). See
Aristotle, Poetics IX.
4 Kant, of course, believed we could have other knowledge that was
not dependent on experience, such as what might be called analytic
truths, as for example, with the claim that all bachelors are unmarried
men. All one needs to know are the meanings of the terms “bachelor”
and “unmarried” to analytically conclude the truth of the claim, no
further experience with any actual bachelors or men is necessary.
Kant’s Critique of Pure Reason aimed to show that what he called
synthetic a priori judgments were also possible.
5 Nietzsche’s relation to Schopenhauer is helpfully discussed in
Christopher Janaway, Beyond Selflessness: Reading Nietzsche’s
Genealogy (Oxford: Oxford University Press, 2007).
6 In the subsequent work of part V of The Gay Science (added after
publication of BGE), Nietzsche distinguishes kinds of pessimism,
their origins and motivations, to show the differences between what
he calls romantic pessimism (which he associates with Schopenhauer)
and a pessimism of strength (which he associates with the ancient
Greeks and his own retrieval of some of those ideas, including what
he calls the “Dionysian”). Further discussion of Dionysus appears
below and in Chapters 4 and 11.
7 There has been an explosion of interest in Nietzsche’s knowledge of
and engagement with science in recent years, much of which is not
informed by early interpretations of Nietzsche’s biologism and Heidegger’s caution against it. See Martin Heidegger, Nietzsche: Volume
III: The Will to Power As Knowledge and As Metaphysics: Volume IV:
Nihilism, 2 Volumes in 1, translated and edited by David Farrell Krell
(New York: Harper Collins, 1991), pp. 39–47. See also Gregory Moore,
Nietzsche, Biology, Metaphor (Cambridge, MA: Cambridge University
Press, 2002); John Richardson Nietzsche’s New Darwinism (Oxford:
Oxford University Press, 2004); and Dirk Johnson, Nietzsche’s AntiDarwinism (Cambridge: Cambridge University Press, 2010).
8 See elaboration of Nietzsche’s views about drives in Richardson,
Nietzsche’s New Darwinism and John Richardson, Nietzsche’s
System (Oxford: Oxford University Press, 1996).
229
NOTES
9 Useful discussion of Nietzsche’s views of “soul,” including comparison with Plato, can be found in Graham Parkes, Composing the
Soul: Reaches of Nietzsche’s Psychology (Chicago: University of
Chicago Press, 1994).
10 Nietzsche’s engagement with the ideas of Boscovich is explored in
depth in Greg Whitlock, “Investigations in Time Atomism and
Eternal Recurrence,” Journal of Nietzsche Studies, 20 (2000):
pp. 34–57. See also discussion of Nietzsche’s interest in and critiques
of materialism, particularly the views summarized and advanced by
F. A. Lange, Geschichte des Materialismus [History of Materialism]
1866; Thomas Brobjer, Nietzsche’s Philosophical Context (UrbanaChampaign: University of Illinois Press, 2008); George Stack,
Lange and Nietzsche (New York and Berlin: Walter de Gruyter,
1983).
11 Cf. TI, “How the ‘Real World’ Became a Fiction”; on the influence
of Spir, Teichmüller, and Lange on the ideas discussed in BGE I, see
Nadeem Hussain, “Nietzsche’s Positivism,” European Journal of
Philosophy, 12:3 (2004): pp. 326–68; and Maudemarie Clark and
David Dudrick, “Nietzsche’s Post-Positivism,” European Journal
of Philosophy, 12:3 (2004): pp. 369–85.
12 Cf. GS 374, and discussion by Werner Stegmaier, “ ‘Philosophischer
Idealismus’ und die ‘Musik des Lebens.’ Zu Nietzsches Umgang
mit Paradoxien. Eine kontextuelle Interpretation des Aphorismus
Nr. 372 der Fröhlichen Wissenschaft,” Nietzsche-Studien, 33 (2004):
pp. 90–129.
13 On the extent of Nietzsche’s naturalism in BGE, see Maudemarie
Clark and David Dudrick, “The Naturalisms of Beyond Good
and Evil,” in Keith Ansell Pearson (ed.), A Companion to Nietzsche
(Oxford and Malden, MA: Blackwell Publishers, 2006), pp. 148–68.
14 Debate about whether Nietzsche is making assertions about freedom of the will or the phenomenology of willing in BGE I can be
found in Clark and Dudrick, “Nietzsche on the Will: An Analysis
of BGE 19” and Brian Leiter, “Nietzsche’s Theory of the Will,”
both in Ken Gemes and Simon May (eds), Nietzsche on Freedom
and Autonomy (Oxford: Oxford University Press, 2009).
15 Earlier, the Hellenistic philosophers and, later, Michel Foucault. See
Foucault, The History of Sexuality, Vol. 3: The Care of the Self,
translated by Robert Hurley (New York: Vintage Books, 1986).
16 See Kant’s The Critique of Judgment. The centrality of taste for
Nietzsche is still not well appreciated in English-language scholarship. This occurs both in his early conception of philosophy itself
and the later preoccupation with its purification. An exception is
Richardson, who devotes extensive discussion of the importance
of the aesthetic in his Nietzsche’s New Darwinism (see especially,
pp. 257–8). As we shall see, Nietzsche also develops a very specific
conception of the relation between the aesthetic and the sublime
as a kind of taste for subtle knowledge, which is further related
to the kind of intellectual conscience he anticipates for future
230
NOTES
philosophers. One difference between the early and later Nietzsche
on this point is that in Nietzsche’s later writings the philosopher’s
taste has become, and needed to become in terms of his own project, more comprehensive and extensive (this informs how he
understands “greatness”): the philosopher must have antennae for
many types and forms of life and be able to see “value” in them;
there is much on this in later parts of BGE, as we shall see, particularly in “Our Virtues,” “On Peoples and Fatherlands,” and “What
is noble?”.
17 See Nietzsche’s early work, where he draws out the relation between
sophos and sapio (“to taste”) in his lectures on the Pre-Platonics
(KGW II.4, pp. 217–18, in The Pre-Platonic Philosophers, translated
by Greg Whitlock [Urbana-Champaign and Chicago: University of
Illinois Press, 2001], p. 8).
18 Yet we can see similarities between Nietzsche’s conception of the
“soul” in terms of orders of rank and that of the Platonic Socrates
in book VIII of Republic where the character Socrates describes
constitutions of both cities and individual souls in terms of ruling
parts weakening and giving way to lesser parts. The various constitutions (Aristocratic, Timocratic, Oligarchic, Democratic, and
Tyrannical) are distinguished according to which drive rules. How
drives rule is determined by the sort of drive it is and its capacity
to know the good.
19 In this respect, Nietzsche’s aesthetic views are more similar to
those of Hume than those of Kant. See Hume’s essay on “Of the
Standard of Taste” (David Hume, Selected Essays [Oxford: Oxford
University Press, 1998], pp. 133–54).
20 In this context, consider Nietzsche’s views on the importance of
the erotic as discussed by Robert Pippin, “Morality as Psychology;
Psychology as Morality: Nietzsche, Eros, and Clumsy Lovers”
in his Idealism as Modernism: Hegelian Variations (Cambridge:
Cambridge University Press, 1997), and in the context of amor fati
(loving fate) and eternal recurrence (discussed in later chapters) by
Béatrice Han-Pile “Nietzsche and Amor Fati,” European Journal
of Philosophy, forthcoming, 2011.
21 See Gregory Moore’s work tracing the variety of evolutionary
theories emerging in Nietzsche’s day and his knowledge of or access
to such writings (Nietzsche, Biology, Metaphor, pp. 46–55), particularly on the work of Rolph (1884). Further helpful elaboration of
the relation between the development and evolution of evolutionary
theory itself, and thus the significance of Rolph’s insights and, by
extension, Nietzsche’s use of them, see Stephen J. Gould, The Structure of Evolutionary Theory (Cambridge, MA: Harvard University
Press, 2002). Gould does not notice these connections, although
he does mention Nietzsche’s anticipation of Gould’s own concept
of exaptation. See further discussion in Daniel Dennett, Darwin’s
Dangerous Idea: Evolution and the Meanings of Life (New York:
Simon and Shuster, 1995). Interested readers might follow Gould’s
231
NOTES
suggestion (2002) that the future development of evolutionary
theory also involves appreciation of its own development and historical roots to find further contributions or at least resonances
to be found in Nietzsche’s work for contemporary theorists of
evolution, including evolutionary psychology, which was one of
Nietzsche’s primary interests.
22 Nietzsche’s notebooks are fascinating to read and there are various
collections available in English translation. Students should be
cautious about conclusions based on this material as well as sources
used to obtain it. There is considerable scholarly debate about using
Nietzsche’s notebooks as evidence of specific views he held that
might not appear in his published writings. In general, Nietzsche
scholars agree that published works have priority over unpublished
notes. Furthermore, there is absolute agreement that a frequently
cited source in English literature (including in this book), The Will
to Power, translated by Walter Kaufmann and R. J. Hollingdale, is a
compilation prepared by Nietzsche’s sister and other editors, and it
is not a book that Nietzsche drafted or even a reliable gathering of
material from his notebooks. See further, p. viii.
23 See also KSA 11:36[22]: “Life should be defined as an enduring
form of the process of testing force, where the different combatants
grow unequally . . . Obeying and commanding are forms of
martial art.”
24 Nietzsche already seems to have this in mind in GS 109, where
he describes his project as “de-deifying nature.”
25 These ideas might be read as anticipating Heidegger’s treatment of
temporality and historicity in his Being and Time and relevant to his
reading of the time of eternal recurrence in his Nietzsche, Vol. 2.
CHAPTER 4: PART II: “THE FREE SPIRIT”
1 These include: Human-All-too-Human (published in three parts),
Daybreak or Dawn, and The Gay Science. See the back cover of
the first edition of GS, which included only GS I–IV. For more
discussion of the free spirit, see Amy Mullin, “Nietzsche’s Free
Spirit,” Journal of the History of Philosophy, 38:3 (July 2000):
pp. 383–405; Ruth Abbey, Nietzsche’s Middle Period (Oxford:
Oxford University Press, 2000); and Bernard Reginster, “What Is
a Free Spirit? Nietzsche on Fanaticism,” Archiv für Geschichte der
Philosophie, 85:1 (2003): pp. 51–85.
2 See D 20 for Nietzsche’s earlier, positive, discussion of “Freithäter
und Freidenker.”
3 Kathleen Marie Higgins discusses the history of the ass festivals
and their relation to satyr plays in the context of the appearance
of the ass in Z (“Nietzsche and the Mystery of the Ass” in
A Nietzschean Bestiary: Animality Beyond Docile and Brutal (New
York and Lanham, MD: Rowman & Littlefield Publishers, Inc.,
2004), pp. 100–18). See also further discussion below.
232
NOTES
4 Both philosophy and art are depicted as having “tragic” deaths
(but also possible rebirths) in Nietzsche’s very first book The Birth
of Tragedy. Nietzsche also made extensive notes for, but never
published, a work to be titled Philosophy in the Tragic Age of the
Greeks, which considered the development of philosophy in tandem
with the birth of tragedy.
5 For argument that part III of Z depicts the death of Zarathustra,
a somewhat controversial claim given the character’s appearance
in part IV, see Paul S. Loeb, The Death of Nietzsche’s Zarathustra
(Cambridge: Cambridge University Press, 2010).
6 Cited in Jennifer Michael Hecht, Doubt: A History (New York:
Harper Collins, 2003), p. 294.
7 Nietzsche finished BGE in early summer 1885. During the period
when he was writing the text he spent time in Venice, a home
of Bruno, and during 1885, a group of notable figures formed an
international committee to erect a monument to Bruno on the site
of his execution in Rome. (The committee included Victor Hugo
[cf. TI “Skirmishes”: 1], Herbert Spencer, Ernest Renan [cf. TI
“Skirmishes”: 2], Ernst Haeckel, Henrik Ibsen, and Ferdinand
Gregorovius.) The statue was eventually erected in 1889.
8 For helpful discussion of some relevant parts of BT see Douglas
Burnham and Martin Jesinghausen, Nietzsche’s The Birth of
Tragedy: A Reader’s Guide (London: Continuum, 2010), pp. 97–102.
9 KSA 1, p. 789; translation is ours. Compare this with HH 158: “The
most fortunate thing that can happen in the evolution of an art
is that several geniuses appear together and keep one another in
bounds; in the course of this struggle the weaker and tenderer
natures too will usually be granted light and air.” Cf. KSA 8:5[146]
in a section titled “Critique of Development”: “Der glücklichste
Fall in der Entwicklung, wenn sich mehrere Genie’s gegenseitig in
Schranken halten.”
10 These ideas are also reflected in Nietzsche’s views about complementary characters or spirits (§28), as for example, that between
Plato and Aristophanes in which the former allegedly sought relief
through the latter by sleeping with a copy of Aristophanes’ works
under his pillow: “How could even Plato have endured life—
a Greek life he repudiated—without an Aristophanes?”
11 Epicurus is discussed by Diogenes Laertius (third century AD), a
likely source for Nietzsche, and his views are propounded and
expanded by the later philosopher Lucretius (94–49 BCE).
12 The Stoics also denounced pity, and Martha Nussbaum has used
that particular point as an entrée to considering the intersection
between Nietzsche’s views and those of the Stoics: “Pity and Mercy:
Nietzsche’s Stoicism,” in Richard Schacht (ed.), Nietzsche, Genealogy,
Morality (Berkeley, CA: University of California Press, 1994),
pp. 139–67, p. 146. On this view, external goods are in the control
of fortune, only intrinsic goods are within one’s control and reach.
Major emotions are supposed to be tied to the former. Nussbaum
233
NOTES
considers six arguments Nietzsche advances against pity, comparing
them with Stoic views, and then uses this as a basis for a more
elaborate discussion of Nietzsche’s account of punishment and
mercy in GM. This is supposed to show that Nietzsche sides clearly
with Senecca against Aristotle in “his stand against cruelty and in
favor of self-command” (149). Nietzsche is famously critical of
pitying; see, for example, the discussion “On the Pitying” in Z and
note that Zarathustra’s “last temptation” was pity for the last man.
Nussbaum directs her readers to Nietzsche’s earlier D 251, where
Nietzsche ties pity, especially in the Stoic tradition, to a desire to
dominate (Nussbaum, p. 151). According to Nussbaum, Zarathustra’s
emphasis on self-directed activity makes him resemble the Stoic.
Whether or not one is convinced by Nussbaum that Nietzsche’s
arguments against pity are ultimately tied to a positive reception of
Stoicism, one can appreciate her subtle discussion of Nietzsche’s
repudiation of cruelty.
13 On Nietzsche’s repeated use of the figure of the satyr (including
and beyond its association with Dionysus), see Lawrence J. Hatab,
“Satyr: Human-Animality in Nietzsche,” in Christa Davis Acampora
and Ralph R. Acampora (eds), A Nietzschean Bestiary: Animality
Beyond Docile and Brutal, pp. 211–19. Also see discussion of
hybrids in the chapter on BGE VIII.
14 It is notable that Nietzsche uses the term “der Liebhaber der Erkenntniss” (translated here “lover of knowledge”) rather than “lover
of wisdom.” This could be to distinguish his new philosopher, distinctive because of his seeking (as Versucher), from the traditional
view of the philosopher as in pursuit of something that is somehow
distinct from other kinds of knowledge-seeking (and perhaps
regarded as exempt from certain standards of evidence and argument). In the preceding section 25, which discusses philosophers
in the context of tragedy and farce, Nietzsche uses the German
term Philosophen.
15 See also Graham Parkes, Composing the Soul: Reaches of Nietzsche’s
Psychology (Chicago: University of Chicago Press, 1994).
16 For example, HH 39, GS 117, and TI “Four Great Errors” 3.
17 Well known, critical discussions of these types can be found in
Bernard Williams, Shame and Necessity (Berkeley, CA: University
of California Press, 1993) and Alasdair MacIntyre, After Virtue
(Notre Dame: University of Notre Dame Press, 1981).
18 A double negative; Nietzsche uses versions of Abhängigkeit in
GM III:7, GM III:8, and GM III:27. Cf. BGE 6, 20, 29, 39, 41, 44,
61, 199, 201, 203, 204, 206, 208, 242, 260, and 261.
19 Selbständigkeit is used in BGE 239, and derivatives in sections 62
and 232. Nietzsche does not use the term at all in GM.
20 For an interesting contemporary take on this idea, see Wendy
Brown’s chapter on “Wounded Attachments” in her States of Injury:
Power and Freedom in Late Modernity (Princeton, NJ: Princeton
234
NOTES
University Press, 1995), which explores ressentiment as a particularly destructive form of not “letting go.”
21 Nietzsche identifies another instance of “pushing” his ideas “to
the limits” in section 56, in which he describes thinking through
pessimism to its end and liberating it from its “half Christian” evaluative limitations. Nietzsche imagines such thought might lead to
an ultimate affirmation: “the most high-spirited, most alive, and
most world-affirming human being” ever [Kaufmann’s translation
modified]. This kind of affirmation is anticipated as something
Nietzsche longs to achieve at the beginning of book IV of GS (§§276
and 267) in which he famously makes reference to amor fati and
anticipates his negations as taking the form of “looking away,” a
notion reinforced in his metaphor of “sailing right over morality”
(BGE 23). Section 56 is discussed at greater length in the next
chapter.
22 One might still wish for even greater elaboration of these ideas given
their scope and consequence. Nietzsche tells us in section 28 that
free-spirited thought is “presto,” and this arguably takes that to an
extreme. There’s no doubt that Nietzsche has not given us a conclusive proof of his “proposition,” but it is not clear he has offered it to
convince his reader—philosophers of the future are rather guarded
about and protective of their “truths,” reserving them for themselves.
The important thing to note here, again, is that Nietzsche is scoping
out a new vista, a new perspective, and reporting out from it.
23 “Die Welt von innen gesehen, die Welt auf ihren ‘intelligiblen
Charakter’ hin bestimmt und bezeichnet—sie wäre eben ‘Wille zur
Macht’ und nichts ausserdem.”
24 For an elaborate account of how Nietzsche’s free spirit is neither
simply animated by a spirit of truthfulness (and thus free insofar
as he is liberated from prejudices) nor the model of autonomy
(because such “good government” cannot be specified in advance),
see Reginster, “What Is a Free Spirit? Nietzsche on Fanaticism,”
2003. Reginster’s discussion of the differences between Nietzsche’s
and Kant’s conception of autonomy is particularly useful. See also
in Nietzsche, D 339, GS 335, A 11.
CHAPTER 5: PART III: “WHAT IS RELIGIOUS”
1 See, for example, HH chapter 3, “The Religious Life” and D book I,
especially sections 57–96. It is in GS 125 that Nietzsche has a madman famously declare “God is dead and we have killed him.”
2 See Laurence Lampert, Nietzsche’s Task: An Interpretation of
“Beyond Good and Evil” (New Haven, CT: Yale University Press,
2001), p. 102.
3 Nietzsche mentions eight figures in all, divided into four pairs:
Epicurus and Montaigne, Goethe and Spinoza, Plato and Rousseau,
Pascal and Schopenhauer.
235
NOTES
4 In D 64 Nietzsche had noted that Christianity “possesses the
hunter’s instinct for all those who can by one means or another
be brought to despair” and that Pascal “attempted the experiment
of seeing whether, with the aid of the most incisive knowledge,
everyone could not be brought to despair.” And he concludes
wittily: “the experiment miscarried, to his twofold despair.” In D 86
Nietzsche further notes how Pascal sought to interpret physiological phenomena, such as the stomach, the beating of the heart, the
nerves, the bile, and the semen, as moral and religious phenomenon,
asking whether salvation or damnation was to be discovered in
them, and how this led him to twist and torment his system of
thought and himself so as to be in the right. See also D 91.
5 Lampert, Nietzsche’s Task, p. 103.
6 Walter Kaufmann, Nietzsche. Philosopher, Psychologist, and Antichrist,
4th edn (Princeton, NJ: Princeton University Press, 1974), p. 111.
7 See Lampert, Nietzsche’s Task, p. 112.
8 The concern with secularization can be traced back to Nietzsche’s
early writings, such as The Birth of Tragedy (1872) and the untimely
meditations, notably Schopenhauer as Educator (1874). See also
KSA 7:19[7]; 7:19[29].
9 Douglas Burnham, Reading Nietzsche: An Analysis of “Beyond
Good and Evil” (Stocksfield: Acumen Press, 2007), p. 81.
10 One of Nietzsche’s earliest sketches of the thought of eternal
recurrence provides an “ethics” along these lines. Nietzsche asks, “if
everything is necessary or preordained how can I exert an influence
on my actions? For example, do not food, location, air, and company condition and transform me?” Nietzsche then points out that
our opinions do so even more since they determine our choice
of these things. He then concludes the sketch: “If you incorporate
the thought of thoughts within yourself, it will transform you.
The question in everything that you want to do: ‘is it the case that
I want to do it countless times?’ is the greatest weight,” KSA 9:
11[143]; translation available in Keith Ansell Pearson and Duncan
Large (eds), The Nietzsche Reader (Malden, MA: Blackwell, 2006),
p. 239.
11 In EH (BT 3), Nietzsche says that the doctrine of eternal recurrence—
“of the unconditional and infinitely repeated circulation of all
things”—could have already been taught by Heraclitus and that the
Stoics shows traces of it. In fact there are a number of modern
sources for the thought and Nietzsche had encountered most of
them in his reading, including Hume, Giacomo Leopardi, and Schopenhauer. Perhaps the most intriguing modern source is August
Blanqui’s text of 1872 (written while he was in prison), L’Éternité
par les Astres (“Eternity by the Stars”), which anticipates Nietzsche’s
articulation of the doctrine to an uncanny degree, even containing
the image of the “hourglass” of existence: “What I am writing at
this moment, in a dungeon of the Fort du Taureau, I have written it
and I shall write it again forever, on a table, with a feather, under
236
NOTES
clothes and in entirely similar circumstances. And so it is for every
one of us. All of these earths stumble, one after the other, into the
rejuvenating flames, so as to be born again and to stumble again,
in the monotonous flow of an hourglass eternally turning itself over
and emptying itself ” (Paris: Les Impressions Nouvelles, 2002),
p. 107. Nietzsche mentions Blanqui’s text in a note of 1883 but it
is not known for sure that he read it (KSA 10:[73]).
12 Schopenhauer famously writes that at the end of his life no sincere
human being in sound possession of his faculties, “will ever wish
to go through it again. Rather than this, he will much prefer to
choose complete non-existence.” See The World as Will and Representation, Volume 1, translated by E. F. J. Payne (New York: Dover,
1966), p. 324.
13 See EH “Why I am a Destiny” 3, “Zarathustra was the first to see
in the struggle of good and evil the true driving-wheel in the
machinery of things—the translation of morality into the metaphysical . . . is his doing . . . Zarathustra created the disastrous error
that is morality: thus he must also be the first to acknowledge the
mistake . . . The self-overcoming of morality out of truthfulness,
the self-overcoming of the moralist into his opposite—me—this is
what the name of Zarathustra means in my mouth.”
14 Here we follow the argument of Loeb, The Death of Nietzsche’s
Zarathustra (Cambridge: Cambridge University Press, 2010),
p. 190, rather than Lampert, Nietzsche’s Task, pp. 120–1, or
Burnham, Reading Nietzsche, pp. 87–9.
15 Again, we are more impressed by Loeb on this point, The Death of
Nietzsche’s Zarathustra, pp. 190–1, than either Lampert, Nietzsche’s
Task, pp. 119–20 or Burnham, Reading Nietzsche, pp. 84–6.
16 Lampert answers in the affirmative to this question in his exegesis
of BGE 56.
17 The word religion has a twofold root: relegere, meaning to take
into account or to pick up, and religare, meaning to connect or
to fasten. See Ulrich Haase, Starting with Nietzsche (London:
Continuum, 2008), p. 160.
18 Thanks to Paul S. Loeb for drawing our attention to this discourse
in Z.
19 See H. W. Siemens, “Nietzsche’s Critique of Democracy,” Journal
of Nietzsche Studies, 38 (2009): pp. 20–38, pp. 30–2.
CHAPTER 6: PART IV: “EPIGRAMS AND INTERLUDES”
1 In part IX, Nietzsche ambivalently embraces (or anticipates
a time when it will be possible to embrace) divine laughter. See
section 294.
2 Part I of Thus Spoke Zarathustra was completed in February 1883,
but the fourth and final part was not completed until 1885. The four
parts of the book were originally published separately.
3 See KSA 10:3[1].1–445.
237
NOTES
4 These ideas recall the discussion of independence (Unabhängenkeit)
in sections 29 and 41, and in section 260 in the context of considering humanity’s “noble” and “slavish” inheritance, discussed in
Chapter 11 of this book.
5 In his retrospective preface of 1886, Nietzsche describes what
motivates his writing The Gay Science in terms of overflowing with
gratitude (GS P2:1), and he goes on to identify a concern of the
psychologist as “the relation of health and philosophy,” which is
capable of distinguishing whether “deprivations” are doing the
philosophizing or whether “riches and strengths” are at work. (See
also GS 76, 100, 107, 171, 295, 338, 343, 351, 363, 366, and 370.)
Compare this with the contrast Nietzsche appears to be drawing
between an evolutionary theory of conservation and one of discharging strength (BGE 13), and the danger of the free spirit in
terms of its “hospitality” (BGE 41).
6 And these can be compared with claims about love elsewhere.
Consider how unconditionally loving or hating are indicative of
immaturity (§31; cf. §46), how the “love [of] man for God’s sake”(§60)
is described as both noble but going “astray” (§60), how the “love of
one is a barbarism for it is exercised at the expense of all others”
(§67); the connection between love, gratitude, and overflowing (§79);
how “tethering the heart” is connected with being a “free spirit”
(§87); how love and hatred distinguish the heavy spirited from
the light (§90); the “impotence of the love of men” in Christianity
(§104); the connection between sexual love and shame (§114);
the importance of “woman’s love in sexual relations and women’s
existence”(?!) (§§115, 139); the bodily character of “true” love
(§142); how “love” is “beyond good and evil” (§153); the connection
between love and jealousy (§160); the transfiguring perspective
of love (§§163, 102).
7 What distinguishes something as an aphorism from other sections
that have more narrative or discursive formats (or those that are
poems, songs, or dithyrambs) is difficult to discern with precision.
Jill Marsden describes them as “modular assertions which function
independently in the work [. . .] The context of the aphorism is no
broader than its terms,” “Nietzsche and the Art of the Aphorisms,”
in Keith Ansell Pearson (ed.), A Companion to Nietzsche (Oxford
and Malden, MA: Blackwell, 2006), p. 27.
8 One matter has now largely been resolved, namely which epigraph
he is referring to. Previously, scholars engaged in a good deal of
interpretative contortionism to explain how the epigraph from
Zarathustra could be the object of the exegetical work in GM III,
and this had puzzling suggestions for what it might mean to read
and interpret Nietzsche. However, there is now general agreement
that what appears as the first numbered section of that essay is
the object of the exegesis, and several solid accounts show how
Nietzsche sets about his task and how we might make use of that
example. Agreement was reached more or less simultaneously using
238
NOTES
two different methods. Clark’s and Wilcox’s empirical analysis of
the archive materials showed the Zarathustra epigraph was added
after the essay was written and thus could not be the primary subject of the exegesis therein. On hermeneutical grounds, Janaway
shows how the essay comments on section 1 specifically, and
Babich argues how the Zarathustra epigraph reflects this. Hatab
elaborates the significance of interpreting the text as a whole with
this understanding of the structure of the third essay. See Christopher Janaway, Beyond Selflessness: Reading Nietzsche’s Genealogy
(Oxford: Oxford University Press, 2007); Babette Babich, “The
Genealogy of Moral and Right Reading: On the Nietzschean
Aphorism and the Art of Polemic” in Christa Davis Acampora
(ed.), Critical Essays on Nietzsche’s On the Genealogy of Morals
(New York and Lanham, MD: Rowman & Littlefield Publishers,
Inc., 2006), pp. 177–90; and Lawrence J. Hatab, Nietzsche’s On the
Genealogy of Morality: An Introduction (Cambridge: Cambridge
University Press, 2008).
9 Consider that the aphoristic style and Nietzsche’s own ways of using
it disrupt certain narrative and grammatical structures that presuppose certain metaphysical ideas about subjectivity (as for
example, subjective unity and authority, agency, etc.; see GS 249
(polyphony), GS 256; cf. Marsden, “Nietzsche and the Art of the
Aphorisms,” p. 28).
10 Marsden, “Nietzsche and the Art of the Aphorisms,” p. 27.
11 On the ontological significance of music (and how it allows the
disclosure of being that cannot be simply expressed in language),
see Christoph Cox, “Nietzsche, Dionysus, and the Ontology of
Music,” in Keith Ansell Pearson (ed.), A Companion to Nietzsche
(Oxford and Malden, MA: Blackwell, 2006), pp. 495–513.
12 On Nietzsche’s views about decadence as they reflect his interest
in music (and de-cadence) see Bruce Ellis Benson, Pious Nietzsche:
Decadence and Dionysian Faith (Bloomington, IN: Indiana University Press, 2008).
13 Wagner’s letter to Mathilde Wesendonck, October 29, 1859, cited in
Christopher Morris, Reading Opera between the Lines: Orchestral
Interludes and Cultural Meaning from Wagner to Berg (Cambridge:
Cambridge University Press, 2002), p. 9, n. 15.
14 Wagner’s letter to Ferdinand Heine, August 1843, cited in Morris,
p. 7, n. 14.
15 See Graham Parkes, “Introduction,” Thus Spoke Zarathustra,
translated by Graham Parkes (Oxford: Oxford University Press,
2005). Parkes aims to explicitly bring out the musicality of
Nietzsche’s book in his translation.
16 In the preface to EH Nietzsche writes, “Nobody is free to have
ears for Zarathustra.”
17 In EH, Nietzsche claims eternal recurrence is the “highest formula
of affirmation that is at all attainable.” But recall, this is not a blind
cheerfulness or simple celebration of life; rather, Nietzsche regards
239
NOTES
it as the outcome of pessimism taken to its limits “beyond good
and evil,” which means liberated from the “spell and delusion of
morality” (BGE 56).
18 Himself “looking back,” Nietzsche links his insight with a specific
time and place, he locates it in a specific moment that seems to
change his life forever. More on this appears below.
19 The change is presumably from Wagner’s conception to something
“lighter” and more vibrant, which he later associates with Bizet:
“the phoenix of music flew past us with lighter and more brilliant
features than it had ever displayed before” (EH Z: 1). On Bizet and
what is meant by “lighter” and the form of love it conveys, see
Chapter 10 in this book.
20 Likely similarly reconstructed or fabricated after the fact, much as
Nietzsche’s own recollection was.
21 Later mentioned in terms of palingenesis. Klaus Kropfinger,
Wagner and Beethoven: Richard Wagner’s Reception of Beethoven,
translated by Peter Palmer (New York and Cambridge: Cambridge
University Press, 1991), especially pp. 23–6.
22 KSA 10:3[1].293: “Die Liebe zum Leben ist beinahe der Gegensatz
der Liebe zum Lang-Leben. Alle Liebe denkt an den Augenblick
und die Ewigkeit—aber nie an ‘die Länge.’ ”
23 Tracing out these curious connections, and mindful of the necessarily
tentative and speculative nature of the suggestion, we might see
BGE as prelude to Z, or at least more like a “prequel” than a sequel
insofar as the philosophical views it anticipates are enacted by
Nietzsche in the book that precedes it. This claim, of course, requires
significantly more support and elaboration to sustain. For the idea
of “prequel” in relation to Nietzsche’s writing, see Paul S. Loeb’s
account of how book IV of Z is a like of “prequel” insofar as it
relates events that are “internally analeptic” in The Death of Nietzsche’s
Zarathustra (Cambridge: Cambridge University Press, 2010), pp. 90–4.
Loeb argues that part IV is like a prequel insofar as the events it
portrays are like extended “flashbacks” of portions contemporaneous with the preceding events related. For Loeb, Nietzsche utilizes
this narrative structure to illustrate his thought of eternal recurrence in which case Zarathustra’s life recurs eternally. (Thus, eternal
recurrence is not principally given as Zarathustra’s idea or one that
he especially effectively embraces.)
CHAPTER 7: PART V: “NATURAL HISTORY OF MORALITY”
1 See Walter Kaufmann, “How Nietzsche Revolutionized Ethics,”
in Kaufmann, From Shakespeare to Existentialism (Princeton, NJ:
Princeton University Press, 1959), pp. 207–19.
2 On the “dangerous” distinction between “theoretical” and “practical” see KSA 13:14 [107]; WP 458.
3 W. E. H. Lecky, History of European Morals in two volumes, volume
1 (London: Longmans, Green & Co., 1920). Lecky’s conception of
240
NOTES
“natural history” has a number of aspects: (a) it must inquire into
the sources of morals (e.g., not only explaining what constitutes a
duty but how we obtain the notion); (b) it seeks to trace the action
of external circumstances upon morals and ascertain what have
been the main moral types in different ages and “by what causes
they have been modified, impaired, or destroyed” (p. 160); (c) it
has a suspicion about positing immaterial substances, such as a
moral “faculty,” and recognizes that the term “faculty” is simply an
expression of classification.
4 For further insight see Thomas H. Brobjer, Nietzsche and the
“English” (New York: Humanity Books, 2008), pp. 40–1.
5 For insight into Guyau see K. Ansell Pearson, “Free Thinkers
and Free Spirits: Nietzsche and Guyau on the Future of Morality,”
in J. Metzger (ed.) Nietzsche, Nihilism and the Philosophy of the
Future (London: Continuum, 2009), pp. 102–24; for insight into Rée
see Janaway, Beyond Selflessness: Reading Nietzsche’s Genealogy
(Oxford: Oxford University Press, 2007); for insight into Rolph see
Moore, Nietzsche, Biology, Metaphor (Cambridge, MA: Cambridge
University Press, 2002).
6 For insight into how this “science” was envisaged in Nietzsche’s
time see Guyau’s A Sketch of Morality without Obligation or Sanction,
translated by Gertrude Kapteyn (London: Watts and Co., 1898).
Guyau’s text is one of the most sophisticated renditions of moral
naturalism of its time.
7 See Arthur Schopenhauer, On the Basis of Morality (Oxford and
Providence: Berghahn Books, 1995), p. 149. Schopenhauer speaks,
as Nietzsche quotes him in BGE 186, of “the real basis of ethics”
(das eigentliche Fundament der Ethik). For the most part Nietzsche
prefers the word “Moral,” though in many of his notes on “morality” from the period of BGE he too will employ the word “Ethik.”
8 The Swiss historian Jacob Burckhardt, whose lectures on world
history at Basel Nietzsche attended, may have exerted an influence
on Nietzsche’s conception of a “natural history of morality.” For
example, Burckhardt speaks of studying phenomena that are “recurrent, constant and typical” (p. 74). In addition, Burckhardt accords
importance to the actions of “exceptional individuals”—the great
individual for him is an “exception” and not an “example”—and
has a notion of the “herd.” See J. Burckhardt, Force and Freedom,
James Hastings Nichols (ed.) (New York: Meridian Books, 1955).
9 For Wittgenstein philosophical problems “arise when language goes
on holiday” and one of his main aims was to “bring words back
from their metaphysical to their everyday use,” Philosophical Investigations, translated by G. E. M. Anscombe (Oxford: Blackwell,
1967), sections 38 and 116. For insight into the intellectual affinities
between Nietzsche and Wittgenstein see Erich Heller, The Importance of Nietzsche: Ten Essays (Chicago: University of Chicago
Press, 1988), pp. 141–58. Nietzsche’s approach to “morality” has
been instructively compared to Wittgenstein by Raymond Geuss
241
NOTES
in his essay, “Nietzsche and Morality” in Geuss (ed.) Morality,
Culture, and History (Cambridge: Cambridge University Press,
1999), pp. 167–97.
10 See Immanuel Kant, Groundwork of the Metaphysics of Morals,
translated by H. J. Paton (New York: Harper & Row, 1956), pp. 69–71.
11 See D 187, GS 335, and A 12.
12 Nietzsche has been deploying the word “herd” since as early as
his untimely meditation on Schopenhauer. See SE 1.
13 Henri Bergson, The Two Sources of Morality and Religion,
translated by R. Ashley Audra and Cloudesley Brereton (Notre
Dame: University of Notre Dame Press, 1977), p. 26.
14 For further insight into Nietzsche’s estimation of Napoleon, see
Paul F. Glenn, “Nietzsche’s Napoleon: The Higher Man as Political
Actor,” Review of Politics, 63:1 (2001): pp. 129–58, and Don
Dombowsky, “Nietzsche as Bonapartist,” in Herman Siemens and
Vasti Roodt (eds), Nietzsche, Power, and Politics (Berlin and New
York: Walter de Gruyter, 2008), pp. 347–71.
15 This aphorism is the first in Nietzsche’s corpus to feature the
contrast between the “morality of custom” and the “sovereignty of
the individual” (Selbstherrlichkeit des Einzelnen). See also GM II:2.
16 Compare D 202, Z I “On the Pale Criminal,” and GM II:10 on
the “self-sublimation” of justice into mercy.
17 The nature of Mitleid, typically translated as “pity,” is subjected
to critical analysis by Nietzsche in several of his texts. See, for
example, D 132–8 and GM preface. For further insight see David E.
Cartwright, “Kant, Schopenhauer, and Nietzsche on the Morality
of Pity,” Journal of the History of Ideas, XLV: 1 (1984): pp. 83–98,
and by the same author, “Schopenhauer’s Compassion and Nietzsche’s
Pity,” Schopenhauer Jahrbuch, 69 (1988): pp. 557–65. See also Gudrun
von Tevenar, “Nietzsche’s Objections to Pity and Compassion,” in
von Tevenar (ed.), Nietzsche and Ethics (Bern: Peter Lang, 2007),
pp. 263–81.
18 For further insight see John Richardson, Nietzsche’s New Darwinism
(Oxford: Oxford University Press, 2004), pp. 190–200.
19 It is this kind of insight that informs Nietzsche’s concern about
socialism: “To have and to want to have more—growth, in one
word—that is life itself. In the doctrine of socialism there is hidden,
rather badly, a ‘will to negate life;’ the human beings or races
that think up such a doctrine must be bungled” (KSA 11:37[11];
WP 125). This does not prevent Nietzsche from appreciating the
possible therapeutic value of socialism: he holds that it delays
“peace on earth” and works against the “total mollification of the
democratic herd animal” (ibid.). See also Burckhardt, Force and
Freedom, pp. 318–19: “ . . . permanence means paralysis and death.
Only in movement, with all its pain, is life.”
20 This new virtue plays an important role in Nietzsche’s thinking
of the 1880s, including BGE, and will be examined in the chapter
on “Our Virtues.”
242
NOTES
21 Schopenhauer, On the Basis of Morality, p. 212.
22 WP 269 gives a severely truncated version of this note.
23 This note, given as a few lines in WP 287, runs to ten pages in
the KSA.
24 This negative valuation of happiness is something Nietzsche shares
with Burckhardt. See Force and Freedom, pp. 295–6, p. 318.
CHAPTER 8: PART VI: “WE SCHOLARS”
1 Lampert, Nietzsche’s Task: An Interpretation of “Beyond Good and
Evil” (New Haven, CT: Yale University Press, 2001), p. 180.
2 Nietzsche is writing his texts in Germany at a time when the “back
to Kant” movement is well underway and neo-Kantianism, often
associated with the reduction of philosophy to the theory of
knowledge, is a dominant force in German universities. However, as
one commentator has noted, the view that it had reduced philosophy to the theory of knowledge is unfair and was rejected by
a number of neo-Kantians themselves. Herbert Schnädelbach,
Philosophy in Germany 1831–1933, translated by Eric Matthews
(Cambridge: Cambridge University Press, 1984), p. 106. Their achievements included: developing philological research that helped establish
Kant’s monumental role in the history of modern European philosophy, establishing important trajectories in epistemology and the
philosophy of science, and developing Kantian thought in diverse
areas such as the theory of value, ethics, and social and political
philosophy.
3 Suzanne Guerlac, Thinking in Time: An Introduction to Henri Bergson
(Ithaca, NY and London: Cornell University Press, 2006), p. 21.
4 Gary Gutting, French Philosophy in the Twentieth Century
(Cambridge: Cambridge University Press, 2001), p. 8.
5 Recent studies have encouraged us to appreciate Comte as a much
more subtle and delicate thinker than is widely supposed. In his
Comte after Positivism (Cambridge: Cambridge University Press,
1995), for example, Robert Scharff seeks to show that Comte, while
holding scientific philosophy to be the final stage of intellectual
development, did not simply reject theology and metaphysics; rather,
he has a historic-critical appreciation of the situation in which
philosophy’s past is relevant to its future practice and this involves
a critical appropriation of the theologico-metaphysical legacy
(Scharff, p. 5). This is arguably the strategy Nietzsche adopts in
his free spirit trilogy.
6 This is a criticism Karl Jaspers levels at Nietzsche and argues that
to imitate pre-Socratic thinking today amounts to a ludicrous
and despicable exercise. See Jaspers, Anaximander, Heraclitus,
Parmenides, Plotinus, Lao-Tzu, Nagarjuna, translated by Ralph
Manheim (New York and London: Harcourt Brace Jovanovich,
1966), p. 31.
7 Lampert, Nietzsche’s Task, p. 184.
243
NOTES
8 See also HH P:4 on the relation between “great health” and living
experimentally: “the excess that gives to the free spirit the dangerous
privilege of living for experiments and of being allowed to offer
itself to adventure: the master privilege of the free spirit!”
9 As noted by Burnham, Reading Nietzsche: An Analysis of “Beyond
Good and Evil” (Stocksfield: Acumen Press, 2007), p. 139. See also
Lampert, Nietzsche’s Task, p. 185: “To play the wicked game is to
make oneself an actor in the highest of all games, a knowing actor
who has been forced to believe that he has a right to a judgment
about the worth of life.”
10 Biederkeit means integrity, honesty, sincerity, uprightness, so that a
Biedermann is a man of honor, a man of his word; less charitably
the word also denotes middle-class respectability. When Nietzsche
puts probity or honesty to work in his later work, from Daybreak
onward, the word he invariably uses is Redlichkeit, which has the
same set of meanings, and he also makes use of Rechtschaffenheit
(e.g., A 12). In D 465 this is said to be “our youngest virtue;” it is
examined in the next chapter. In the early writings probity or integrity
is seen by Nietzsche to be almost wholly tied to convention in which one
typically tells the truth only in simple things, and where probity is
distrustful of the innovator, the desire is to employ probity in order
to conserve the old wisdom and established truths. See also GS 366.
11 On the need to regulate one’s pro and con, the necessary injustice
in life’s perspectivism and need for a comprehensive point of view,
see HH P:6: “You must learn to grasp the necessary injustice in
every For and Against, injustice as inseparable from life, life itself
as conditioned by perspective and its injustice. Above all, you must
see with your own eyes where injustice is always the greatest: namely,
where life has developed in the smallest, narrowest, and neediest,
most preliminary ways and yet still cannot avoid taking itself as
the purpose and measure of things . . . you must see with your own
eyes the problem of establishing rank orderings and how power
and right and comprehensiveness of perspective grow up into the
heights together.”
12 See KSA 12:2[127]: “Skepsis an der Moral ist das Entscheidende.” A
note from 1885 also speaks of the need to cultivate an “absolute
skepticism toward all inherited concepts” (KSA 11:34[195]; WP 409).
13 On art for art’s sake see also BGE 254 and TI “Skirmishes of an
Untimely Man” 24.
14 See also GS 283: “I welcome all signs that a more virile, warlike age
is about to begin, which will restore honor and courage above all.
For this age shall prepare the way for one yet higher, and it shall
gather the strength that this higher age will require some day—
the age that will carry heroism into the search for knowledge
and that will wage wars for the sake of ideas (Gedanken) and their
consequences.” See also, from the 1887 edition, GS 362.
15 For insight into the role played by classical philology in the German
university system in the eighteenth and nineteenth centuries see,
244
NOTES
Nicholas Boyle, German Literature. A Very Short Introduction
(Oxford: Oxford University Press, 2008), pp. 8–11.
16 Nietzsche employs this notion of “the passion of knowledge” to
significant effect in book V of D. See especially D 429 entitled “The
new passion.”
17 The need for cleanliness runs like a refrain throughout Nietzsche’s
writings, starting with the unfashionable observations. Nietzsche
argues that the sense for ‘ “cleanliness” (Reinlichkeit) should be
kindled in a child to the point of passion, attending all its talents
“like an aureole of purity” that bears happiness within it and
spreading happiness around it (AOM 288). In GS 335 Nietzsche
advises us as follows: “Let us therefore limit ourselves to the
purification of our opinions and valuations and to the creation
our own new tables of what is good . . . ” See also EH P:3, “Every
achievement, every step forward in knowledge is the consequence of
courage, of toughness toward oneself, of cleanliness (Sauberkeit)
towards oneself,” and EH “Why I am so Wise” 8: “I have an instinct
for cleanliness that is utterly uncanny in its sensitivity . . .”
18 The note for this section of BGE can also be profitably read.
See KSA 11:38[13]; WP 972.
19 See A. Schopenhauer, The World as Will and Representation,
translated by E. F. J. Payne (New York: Dover, 1966), chapter
XXXI.
20 Translated into English as Force and Freedom.
21 J. Burckhardt, Force and Freedom, James Hastings Nichols (ed.)
(New York: Meridian Books, 1955), p. 269. Burckhardt maintains
that it is with the “great philosophers” that we enter the domain
of greatness properly speaking, a domain of uniqueness and
irreplaceability, where more than ordinary powers are at work and
the world as a whole is addressed (p. 276).
22 See Nietzsche’s letter to Franz Overbeck, July 30, 1881.
23 With regards to philosophers Nietzsche says, “they must no longer
merely let themselves be given concepts, no longer just purify and
clarify them, but first of all must make them, create them, present
them and persuade in their favor. Up to now, one on the whole
trusted in one’s concepts as a miraculous dowry (Mitgift) from
some miracle world: but in the end they were the legacies left us
by our most distant, stupidest and yet cleverest forebears” (KSA
11:34[195]).
24 Lampert, Nietzsche’s Task, p. 206.
25 Bergson, The Two Sources of Morality and Religion, translated by
R. Ashley Audra and Cloudesley Brereton (Notre Dame: University
of Notre Dame Press, 1977), pp. 281–3; G. Vattimo, Nihilism and
Emancipation: Ethics, Politics, and Law, translated by William
McCuaig (New York: Columbia University Press, 2004), pp. 116–17.
26 In a note from 1885–1886 Nietzsche writes of the use of the
modern democratic movement by a superior force that will “perfect” it through a “sublime (sublimen) elaboration of slavery;” the
245
NOTES
“higher species of masterful and imperial spirits” need this
slavery “for new, previously impossible prospects, for its prospects
. . . For its tasks . . . ” (KSA 12:2[13]).
27 Peter Bergmann, Nietzsche, the “Last Anti-Political German”
(Bloomington, IN: Indiana University Press, 1987), p. 162.
28 This theme is continued in the next appearance of the term in
Nietzsche’s published writings, D 189.
29 Ibid.
30 That is, Germany is becoming “shallow.”
31 One commentator has even suggested that Geisterkrieg is a reference to what has come to an end, the old notion of politics and
which “has dissolved” (aufgegangen) into a war of specters or
ghosts, possibly lost causes. It might be relevant to note that in the
denouement to this passage Nietzsche writes: “there will now be
wars the like of which have never been seen before on earth” and,
“only since I came on the scene has there been great politics on
earth.” See Paul van Tongeren, “Nietzsche as Über-Politischer
Denker,” in Herman Siemens and Vasti Roodt (eds), Nietzsche,
Power, and Politics, pp. 69–85; Hugo Drochon has proposed “Mind
War” as the most accurate translation of Geisterkrieg and which
is best construed not in terms of a war between peoples or
classes but between “ascending” and “descending” forms of life.
See Drochon, “The time is coming when we will relearn politics,”
Journal of Nietzsche Studies, 39 (Spring 2010): pp. 66–86, and
Nietzsche, KSA 13:25[1].
32 “If we could dispense with wars, so much the better. I can imagine
more profitable uses for the twelve billion now paid annually for the
armed peace we have in Europe; there are other means of winning
respect for physiology than field hospitals.” Cited in Walter Kaufmann (ed.), On the Genealogy of Morals and Ecce Homo (New York:
Random House, 1968), p. 344. In 1878 Nietzsche recognizes that
one problem facing modern Europe is that of war (HH 477). He
is not sure that culture can exist without passions, vices, and acts
of malice, so we need to recognize this and find new means of releasing such instincts and energies. If such instincts are not gratified
they will find release in new persecutions and relapses into barbarism. In WS 284 entitled “The means to real peace” Nietzsche
seems to appeal to something akin to a superhuman act or deed
that would bring about world peace: “The tree of the glory of war
can be destroyed only at a single stroke by a lightning-bolt: lightning, as we know well, comes out of a cloud and from on high.”
33 See Drochon, “The time is coming when we will relearn politics,”
2010; and Karl Jaspers, Nietzsche: An Introduction to his Philosophical
Activity, translated by Charles F. Wallraff and Frederick J. Schmitz
(Chicago: Regnery; Tucson, AZ: University of Arizona Press, 1965;
repr. Baltimore, MD and London: Johns Hopkins University Press,
1997), chapter 4.
246
NOTES
CHAPTER 9: PART VII: “OUR VIRTUES”
1 Kant places the stress on the incomprehensible nature of the
moral law for us, and this is something that irritates Nietzsche.
See, for example, D 142: “Let us ask ourselves whether anyone who
feels happy in believing in the incomprehensibility of moral things
can be sincerely interested in acquiring knowledge of them!”
2 See Lampert, Nietzsche’s Task: An Interpretation of “Beyond Good
and Evil” (New Haven, CT: Yale University Press, 2001), pp. 211–12;
Burnham, Reading Nietzsche: An Analysis of “Beyond Good and
Evil” (Stocksfield: Acumen Press, 2007), p. 157.
3 See Robert Guay, “Order of Rank,” in Ken Gemes and John
Richardson (eds), The Oxford Handbook to Nietzsche (Oxford:
Oxford University Press, 2011, forthcoming).
4 Ibid.
5 Ibid.
6 Ibid.
7 In the Critique of Judgment (1790), Kant says that in order to judge
in matters of taste we must not be in the least biased in favor of the
thing’s existence but must be wholly indifferent about it. This means
we need to distinguish between the merely “agreeable” in sensation
and the “beautiful,” which ultimately concerns not sensation but
reflection. Indeed, Kant says that the judgment of the beautiful
is, when properly understood, a judgment peculiar to the human
animal. All kinds of animals find objects agreeable, but only the
human being has the capacity for the judgment of the beautiful.
8 In his early writings Nietzsche sees the value and validity of Kant’s
account of aesthetic experience in terms of disinterested contemplation. See KSA 7:[17] and 29[20]. See also GM III:6 for another
take on the issue.
9 Schopenhauer, On the Basis of Morality (Oxford and Providence:
Berghahn Books, 1995), p. 140
10 Nietzsche subjects Mitleid to critical treatment in a series of aphorisms in D (132–42). On Schopenhauer and integrity consider this
note from 1880 in which Nietzsche writes: “I find Schopenhauer
somewhat superficial in psychological matters, he neither enjoyed
himself much nor suffered much; a thinker should beware of becoming harsh: where would he get his material from then. His passion
for knowledge was not great enough for him to suffer on its behalf:
he barricaded himself in. His pride, too, was greater than his thirst
for knowledge . . . ” (KSA 9:6[381]).
11 On the future of laughter compare GS 1.
12 See also GS 337: “When I contemplate the present age with the
eyes of some remote age, I can find nothing more remarkable in
present-day humanity than its distinctive virtue and disease which
goes by the name of ‘the historical sense.’ ” Nietzsche’s ambivalence
toward the historical sense is once again evident here (it is said to
be a virtue and a disease), but he also wonders whether in time it
247
NOTES
might become a marvelous growth with a marvelous scent that
might make the earth more agreeable to live on.
13 See HL 10 on the need to organize the chaos within us.
14 See also D 169.
15 Compare the analysis Nietzsche carries out in HH 221.
16 See Alan White, “The Youngest Virtue,” in Richard Schacht (ed.),
Nietzsche’s Postmoralism (Cambridge: Cambridge University Press,
2001), pp. 63–78. Nietzsche writes extensively on “integrity” in his
notebooks with several sketches for planned books bearing the title
“Die Leidenschaft der Redlichkeit” (see KSA 9, p. 316). In KSA 9:
6[130] he writes: “the will to power, to the infallibility of our person,
resides in our greatest justice and integrity: skepticism just applies
to all authority, we do not want to be duped, not even by our drives!”
And in KSA 9:7[53] he writes: “I am not in a position to acknowledge anything great which is not connected to integrity towards
oneself; playacting towards oneself fills me with horror . . . ” Finally,
in KSA 9:7[262] he notes a comparison with Pascal: “don’t we, like
him, have our strength in beating ourselves into submission? He
in aid of God, and we in aid of integrity?” These notes date from
1880. According to one commentator there is less emphasis on
intellectual honesty in Nietzsche’s later works, such as BGE, than
his middle period works. See Holger Zaborowski, “From Modesty
to Dynamite, from Socrates to Dionysus: Friedrich Nietzsche on
Intellectual Honesty,” American Catholic Philosophical Quarterly,
84:2 (2010): pp. 337–56. For important deployments of “intellectual
integrity” in the late Nietzsche see, for example, A 12 and A 50.
17 Later in this section Nietzsche speaks of becoming “hardened in the
discipline of science.” In GS 293 he also describes “science” as severe
and says that those who become accustomed to it dwell in a virile or
masculine air. It is perhaps interesting to reflect on the fact that
in BGE 230 Nietzsche refers to the counter-tendency of the will to
knowledge which seeks the depths as “sublime” (though he used
the word “sublime” here, not the typical word in German for the
sublime which is “Erhabene”). It is typical in the modern literature
on the sublime to associate it with the masculine and the cruel,
as we find, for example, in Kant’s pre-critical treatment of it in
Observations of the Feeling of the Beautiful and Sublime (1763):
“The fair sex has just as much understanding as the male, but it is
a beautiful understanding, whereas ours should be a deep understanding, an expression that signifies identity with the sublime”
(Kant 1960, p. 78).
18 Sarah Kofman, Nietzsche and Metaphor, translated by Duncan
Large (London: Athlone, 1993), p. 92. Our reading of BGE 230
has been greatly aided by Kofman’s insights.
19 Lampert, Nietzsche’s Task, p. 233.
20 See Julian Young, Nietzsche: A Philosophical Biography (Cambridge:
Cambridge University Press, 2010), p. 287 and chapter 20 on
“Nietzsche’s Circle of Women,” pp. 387–406. See also the study by
248
NOTES
Carol Diethe, Nietzsche’s Women: Beyond the Whip (Berlin and
New York: Walter de Gruyter, 1996).
21 Ibid., p. 287.
22 Maudemarie Clark, “Nietzsche’s Misogyny,” in Kelly Oliver and
Marilyn Pearsall (eds), Feminist Interpretations of Friedrich
Nietzsche (Pennsylvania, PA: The Pennsylvania State University
Press, 1998), pp. 187–98, p. 189.
23 Ibid., p. 192.
24 Nietzsche borrows the phrase “eternal feminine” from the words
of the “Chorus Mysticus” that appear in the conclusion of part
II of Goethe’s Faust: “The eternal feminine/Draws us on.” For
further insight into Nietzsche on the “eternal feminine” see Sarah
Kofman, “The Psychologist of the Eternal Feminine (Why I write
such good books, 5),” Yale French Studies, 87 (1995): pp. 173–89.
CHAPTER 10: PART VIII: “ON PEOPLES AND FATHERLANDS”
1 It should be remembered that Zarathustra struggles with a feeling
of homelessness and the temptations of hospitality.
2 CW 9; Nietzsche’s discussions of various types and exemplary figures (such as Plato, Paul, and Wagner) are often organized around
what appears to be most needed in their life’s work, what he calls
the “secret wishes of the heart” earlier in BGE 5. For example, this
is at the core of his problem with Wagner (see CW 9), and raised
elsewhere in his writings, for example, HH 486 and, famously, GS
290, where Nietzsche writes that “one thing is needful—to give
style to one’s character.” The phrase, “one thing is needful” is a
citation of Luke 10.42, and is a theme found in the popular Lutheran
hymn, Schröder’s “Eins ist noth, ach Herr dies eine.” Bach also
composed a work titled “Eins ist Noth! ach Herr, diess Eine.” Drafts
of the famous passage from GS are part of the “Tautenburger
Aufzeichnungen für Lou von Salomé,” during which time Nietzsche
sets to music Salomé’s “Prayer to Life” (“Gebet an das Leben”)
(see KSA 10:1[109].1, p. 38).
3 Some comparison with the tradition of aesthetics on the question
of whether taste can be taught, is native, or acquired through certain experiences might be illuminating. Yet, knowledge, perception,
and insight are important. See Keith Ansell Pearson on Nietzsche’s
conception of the sublime and the project of future humanity, where
he argues that Nietzsche applies the sublime to perception and
insight (cf. chapter 7 with “ ‘Holding on to the Sublime’: Nietzsche
on Philosophy’s Perception and the Search for Greatness,” Nietzsche,
Power and Politics: Rethinking Nietzsche’s Legacy for Political Thought
[Berlin: Walter de Gruyter, 2008], pp. 767–800).
4 Tracy Strong recently explored the relevance of the cultural project
of BT for the cultural-political one of BGE. Most central is the
transformative project that turns on the possibility of love, which
would include but not be limited to “taste” as we have indicated.
249
NOTES
Strong also discusses the relation between love and freedom insofar
as love pulls us out of ourselves: “ ‘What have you . . . truly loved?
What has pulled out your soul, mastered it, and at the same time
made it joyful?’ (SE 6?) Love pulls us away from ourselves and
dissolves the self into what Nietzsche here calls ‘freedom.’ Love and
freedom are linked.” (Tracy Strong, “Nietzsche and the Political:
Tyranny, Tragedy, Cultural Revolution, and Democracy,” Journal of
Nietzsche Studies 35/36 [2008]: p. 54.) See the discussion of love at
the end of this chapter.
5 Oddly Kaufmann translates this as “entr’acte” and without acknowledging a similar word is used in the title of part IV.
6 For discussions of Nietzsche’s first effort to pinpoint this as Wagner’s
problem see Julian Young’s “Richard Wagner and the Birth of The
Birth of Tragedy,” International Journal of Philosophical Studies,
16:2 (2008): pp. 217–45; and Gary Shapiro, “Nietzsche’s Unmodern
Thinking: Globalization, the End of History, and ‘Great Events,’ ”
American Catholic Philosophical Quarterly, 84:2 (2010): pp. 205–30.
Shapiro’s article focuses on Nietzsche’s UM, Z, and BGE (particularly part VIII), and how his conceptions of the “great
event” and the problem of the future develop, especially in light of
his concern to overcome Hegel’s conception of world historical
development.
7 On the will to appearance, see Robert Rethy, “Schein in Nietzsche’s
Philosophy” in Keith Ansell Pearson (ed.), Nietzsche and Modern
German Thought (London and New York: Routledge, 1991),
pp. 59–87. See also Acampora, “Naturalism and Nietzsche’s Moral
Psychology,” in Keith Ansell Pearson (ed.), A Companion to
Nietzsche (Oxford and Malden, MA: Blackwell, 2006), pp. 314–33.
8 Translated by Greg Whitlock in Mazzino Montinari, Reading
Nietzsche (Urbana-Champaign: University of Illinois Press, 2003).
The passage cited is part of a replacement text he submitted for
EH “Wise” 3, when he returned the first and second signatures
to the publisher on December 18, 1888. It does not appear in the
Kaufmann translation. This passage is somewhat at odds with BGE
264, which underscores that it is “absolutely impossible” not to
embody the “qualities and preferences” of one’s parents. These
passages can be reconciled if one grants that Nietzsche holds that
one is not merely what one inherits most immediately and that
in higher types the ancient inheritances are enhanced and more
pronounced.
9 Translated by Greg Whitlock. “Aber auch als Pole bin ich ein ungeheurer Atavismus. Man würde Jahrhunderte zurückzugehn haben,
um diese vornehmste Rasse, die es auf Erden gab, in dem Masse
instinktrein zu finden, wie ich sie darstelle” (KSA 6, p. 268). On
“atavism” in BGE, see also §§ 149, 241, and 261.
10 Cf. EH “Books” 4: “multiplicity of inward states is exceptionally
large in my case, I have many stylistic possibilities—the most multifarious art of style that has ever been at the disposal of one man.”
250
NOTES
11 Compare the Preface where Nietzsche writes, “It seems that all great
things first have to bestride the earth in monstrous and frightening
masks in order to inscribe themselves in the hearts of humanity
with eternal demands [. . .].”
12 Gary Shapiro argues that Nietzsche emphasizes rather than diminishes the significance of place and geography, and that he reorients
the dominant forms of determining significance temporally and
historically toward the geological and territorial. See his “Beyond
Peoples and Fatherlands: Nietzsche’s Geophilosophy and the
Direction of the Earth,” Journal of Nietzsche Studies, 35:36 (2008):
pp. 9–27.
13 See also Strong, “Nietzsche and the Political.”
14 Nietzsche’s next book, On the Genealogy of Morality, extensively
develops the theme of the significance and meanings as well as
methods of detection of origins, ancestry, and descent. Compare
discussion of “What is German” with BGE 208 and 209; also
compare with the theme in part III of differences between “northern” and “southern” capacities for religiosity.
15 See the example of Kotzebue (cf. AOM 170) and FEI 5, which
mentions his murder and has language reminiscent of this section
when Nietzsche claims, “all culture begins with obedience,” but it
sharply diverges from the ultimate message of part VIII of BGE,
when Nietzsche claims something much like the first “old patriot”
who thinks that “great leaders are necessary,” and, like the second
patriot when he claims that “in the midst of victory [‘on the field
of battle’] with his thought turned to his liberated fatherland,
he made the vow that he would remain German. German!” (KSA 1,
p. 749).
16 This is surely relevant to Nietzsche’s idea that moralities are “sign
languages” of the affects (BGE 187), discussed above.
17 Compare Z:I “On Reading and Writing” as well as GM P:7.
18 The direction of hearing and listening is an important theme that
recurs in Nietzsche’s works. Wagner’s essay on Beethoven, written in
1860, significantly influenced Nietzsche. Wagner detected a crucial
innovation in Beethoven’s use and development of melody as something sustained throughout the composition, and Wagner sought
to achieve this in the opera, including during times the audience
would be expecting a “break,” the Zwischenspiele and Zwischenakte.
(See Klaus Kropfinger, Wagner and Beethoven: Richard Wagner’s
Reception of Beethoven [New York and Cambridge: Cambridge
University Press, 1991].) In CW, however, Nietzsche comments that
Bizet made him a better listener (CW 1), and he criticizes Wagner’s
“unending melody” as inhibiting development in his work (CW 1).
See our discussion in Chapter 6.
19 See Janet Lungstrum’s “Nietzsche writing woman/woman writing
Nietzsche: The Sexual Dialectic of Palingenesis” in Peter J. Burgard,
Nietzsche and the Feminine. Charlottesville: University of Virginia
Press, 1994, and Caroline Joan Picart, Resentment and the “Feminine”
251
NOTES
in Nietzsche’s Politico-Aesthetics (State College: Penn State University Press, 1999).
20 On “spiritual perception” see Chapter 8 in this book, and Keith
Ansell Pearson, “ ‘Holding on to the Sublime,’ 2008, pp. 768–9: “For
Nietzsche, philosophy is ‘spiritual perception’ (or vision) (BGE 252)
[. . . which entails] a sublime exercise and operation in that it
entails elevating individuals to greatness and nobility and creating
a people, or a humanity, equal to this concept.”
21 On this sense of revaluation, see Aaron Ridley, “Nietzsche and the
Re-evaluation of Values,” in Christa Davis Acampora (ed.), Critical
Essays on Nietzsche’s On the Genealogy of Morals (Lanham,
MD and New York: Rowman & Littlefield Publishers, Inc., 2006),
pp. 77–92.
22 Further reading on the distinction between Menge and Masse
in Nietzsche, and as it is discussed in contemporary political
theory, can be found in Shapiro, “Beyond Peoples and Fatherlands:
Nietzsche’s Geophilosophy and the Direction of the Earth,” 2008.
23 Consider how this is related to rebaptizing and renaming in sections
42, 210, and 227.
24 Interestingly, Nietzsche is more specific in CW about what
he intends by the geographic locator of “south” in BGE 255: it is
“African”; thus, what Nietzsche anticipates in “the good European”
is “supra-European” insofar as it intensifies and maximizes diversity
and hybridity rather than simplifies and eradicates what would be
regarded as “foreign” by his contemporaries.
25 Readers might explore whether and how the rhymes exhibit the
qualities of language and tempo discussed earlier in the part, and
their relation to the rhymes in section 237 (on women).
CHAPTER 11: PART IX: “WHAT IS NOBLE?”
1 It is worth pursuing how this conclusion stands in relation to
Nietzsche’s prior discussion of what he here calls “the reciprocal
dependence of the ‘good’ and ‘wicked’ drives” (cf. §2), an idea that
meets with “unconscious resistance in the heart of the investigator”
(cf. §5).
2 But recall GM I:6, mentioned in the previous chapter, which
appears to valorize the depth of soul that the priestly revolt in
morality accomplishes.
3 Possibly also suggested in section 293.
4 This section should be read alongside “The little women’s sayings”
of section 261 and those that appear to denigrate women.
5 Cf. GS 23, 149, and 358. For a discussion of how Nietzsche regards
“corruption” as a potentially transitional state, see Renate Reschke,
“ ‘Korruption’: Ein kulturkritischer Begriff Friedrich Nietzsches
zwischen Geschichtsphilosophie und Ästethik,” Nietzsche-Studien
26 (1992), pp. 137–62.
252
NOTES
6 Compare also with section 287: “It is not the works, it is the faith
that is decisive here, that determines the order of rank—to take up
again an ancient religious formula in a new and more profound
sense: some fundamental certainty that a noble should have about
itself, something that cannot be sought, nor found, nor perhaps
lost. The noble soul has reverence for itself.”
7 Horace Epistles I:10, 24: “usque recurret”; cf. BGE 56.
8 Nietzsche draws attention to this dual sense in section 284, where
he writes, “All community makes men—somehow, somewhere,
sometime ‘common’.” (Jede Gemeinschaft macht, irgendwie,
irgendwo, irgendwann — “gemein”.)
9 The referent here for the new taste as a cult of suffering is presumably evident in Wagner’s celebration of compassion as Mitleid in
Parsifal, discussed in the preceding chapter, as well in various liberal
social projects and researches in which pity for the suffering of
humankind might be evident as motivating force. Nietzsche’s praise
of laughter must partially be an overcoming of Wagner’s Parsifal
in which Kundry is condemned to only laugh, and she sees this
as a curse.
10 The most extensive discussion of the theme of laughter and comedy
in Thus Spoke Zarathustra is Kathleen Marie Higgins’ Nietzsche’s
Zarathustra (Philadelphia, PA: Temple University Press, 1987). See
also her Comic Relief: Nietzsche’s “Gay Science” (Oxford: Oxford
University Press, 2000).
11 This “genius” is Dionysus, who of course has received extensive discussion in the scholarly literature, but rarely as “genius of the heart.”
As a notable exception, see Günter Figal, “Nietzsches Dionysos,”
Nietzsche-Studien, 37 (2008): pp. 51–61. Nietzsche cites this part of
his text at the end of his final general section under the heading
“Why I write such good books” in Ecce Homo (EH “Books” 6).
12 Space does not permit us to elaborate the development of Nietzsche’s
conception of what is Dionysian and its role in his philosophy.
We are inclined to think the difference between the earlier and later
versions is exaggerated, however, see Adrian Del Caro, “Nietzsche’s
Self-transformation and the Transformation of the Dionysian,” in
Salim Kemal (ed.), Nietzsche, Philosophy, and the Arts (Cambridge:
Cambridge University Press, 1998), pp. 70–91.
13 One should be specific about the target here. Morality as such is
regarded by Nietzsche as an invention because moral values are not
found in the world, “there are no moral facts.” Morality as such is
not necessarily anti-natural, as evident in Nietzsche’s comparison
of masterly and slavish moralities. So, within the genre of the artifice of morality, so to speak, there are various styles and forms
of expression, some of which are decadent, others of which evince
a form of growth and enhancement of the type human. It is clear
that Nietzsche thinks the anti-naturalism of Christian morality,
which Nietzsche thinks has its roots in Platonism, is decadent.
253
NOTES
14 “Der Mensch, ein vielfaches, verlogenes, künstliches und undurchsichtiges Thier [. . .]” (BGE 291). Dionysus also describes human
beings as animals and ascribes three characteristics to them: “ ‘man
is to my mind an agreeable, courageous, inventive animal that has
no equal on earth [. . .] I often reflect how I might yet advance him
and make him stronger, more evil, and more profound than he is.’ ”
[“ ‘der Mensch ist mir einangenehmes tapferes erfinderisches Thier,
das auf Erden nicht seines Gleichen hat, [. . .] ich denke oft darüber
nach, wie ich ihn noch vorwärts bringe und ihn stärker, böser und
tiefer mache, als er ist.’ ”] In section 284, Nietzsche suggests the
future noble might have four virtues: “courage, insight, sympathy,
and solitude” [des Muthes, der Einsicht, des Mitgefühls, der
Einsamkeit].
15 For extensive discussion of Nietzsche’s views of the human as
cultural animal, see Vanessa Lemm, Nietzsche’s Animal Philosophy:
Culture, Politics, and the Animality of the Human Being (New York:
Fordham University Press, 2009).
16 “Unter diesem Gesichtspunkte gehört vielleicht viel Mehr in den
Begriff ‘Kunst’ hinein, als man gemeinhin glaubt” (BGE 291).
17 This evokes the sexual agonistics discussed above at the same time
that it conjures images of creativity and fecundity. Note the contrast
between the conception of love as “merely a more refined form
of parasitism, a form of nestling down in another soul” (CW 3)
and Dionysus’ declaration to Ariadne that he is her “labyrinth” (See
also Nietzsche’s DD, “Klage der Ariadne”).
18 The return of Dionysus also recalls for the reader Nietzsche’s effort
to overcome the unchallenged valuation of truth as good. One of
the ways he seeks to do this is by producing the need for Dionysus
once more, a new taste to combat the cult of suffering and pity, by
overcoming Platonism and restringing the bow, as he suggests in
the preface to BGE.
19 See also section 292 in which the philosopher is described as “fatal
human being” [ein verhängnissvoller Mensch]. This might also
be investigated in light of atavism as discussed above and in
Chapter 10.
20 See also Gary Shapiro on masks in Nietzschean Narratives
(Bloomington, IN: Indiana University Press, 1989).
CHAPTER 12: “FROM HIGH MOUNTAINS”:
NIETZSCHE’S AFTERSONG
1 Our treatment of the poem that ends BGE has benefited from
conversations with Rainer Hanshe.
2 See also GS 84 for some valuable insights by Nietzsche into the
origin of poetry.
3 Von Stein was Nietzsche’s junior by 13 years, a member of Wagner’s
inner circle, an associate of Paul Rée and Lou Salomé, and something of a precocious talent in philosophy. He died at the age of 30
254
NOTES
from a heart attack and his early death greatly shocked Nietzsche.
For some details on his life and work see Young, Nietzsche: A Philosophical Biography (Cambridge: Cambridge University Press, 2010),
pp. 392–4.
4 According to Burnham this is because the actual name is inconsequential and what matters is the “function,” which here is to
help open up a new chapter in the history of noble human beings,
Reading Nietzsche: An Analysis of “Beyond Good and Evil”
(Stocksfield: Acumen Press, 2007), p. 232.
5 Nietzsche has already worked this motif in Z. For insight see Loeb,
The Death of Nietzsche’s Zarathustra (Cambridge: Cambridge
University Press, 2010), pp. 103–5. In addition, Loeb points out
that Nietzsche associates the great noon with the moment when all
gods are dead, when the shadows of God no longer darken the
human mind, and when the sun of human knowledge is at its peak
(p. 230).
6 Burnham, Reading Nietzsche, p. 233. Burnham considers seven
reasons why Nietzsche might have wished to imitate in his poem
the moment of Christ’s crucifixion.
7 Lampert, Nietzsche’s Task: An Interpretation of “Beyond Good and
Evil” (New Haven, CT: Yale University Press, 2001), p. 299.
8 Lampert suggests that the poem recapitulates in shorter compass
the main event of part IV of Z, namely, conquering the disappointment of the realization that the friends initially attracted to his
teaching are not the ones required by his task, and this overcoming
then gives way to his hope in new friends (2001, p. 298). He also sees
a parallel between the ending of the poem in BGE and the ending of
Z in part III under the original plan: both end by transforming
a cataclysmic image taken from the Bible. Z III culminates with
“The Seven Seals,” an apocalyptic image taken from the book of
Revelation (p. 299).
9 Burnham, Reading Nietzsche, p. 230.
10 “Zarathustra” symbolizes the self-overcoming of morality—the
metaphysics of morality that divides the world into positive (good)
and negative (evil)—and the victor of God and the will nothingness;
see also TI, “How the ‘Real World’ Finally Became a Fable”:
“(Noon; moment of the shortest shadow; end of the longest error;
pinnacle of humanity; INCIPIT ZARATHUSTRA).”
11 Burnham, Reading Nietzsche, p. 230.
12 Ibid.
255
INDEX
65–6, 125, 159, 163, 165,
177, 229n2, 250n7
Ariadne 66, 209, 254n17
aristocratism 25, 68, 145–6, 151,
166, 197, 218
Aristophanes 233n10
Aristotle 57–8, 59, 142, 143, 148,
229n1, 229n3, 234n12
art see also aesthetics, beauty,
sublime, taste 3, 23, 27, 36,
39, 59–60, 63, 89, 100, 105,
107, 108, 114, 117, 128, 131,
134, 138, 149, 156, 157, 162,
165, 174–5, 176, 178, 180,
184, 185, 186, 194, 200, 208,
228n1, 233n4, 233n9,
244n13, 250n10
artists 2, 4, 16, 17, 63, 103, 107,
108, 114, 128, 129, 135, 162,
163, 180
asceticism 3, 38, 82–3, 84, 87, 92,
95, 100, 106, 124, 162, 195
Asia 1, 89–90
ass (donkey) 23, 56, 58, 166, 173,
234n13
ass festival 57, 58, 61, 232n3,
234n13
ass of Cyllene 58
atavism 11, 134, 179, 201, 202,
250n9, 254n19
atheism 15, 77, 85–6, 92
Augustine 15
autonomy 73, 76, 114, 117, 119,
125, 230n14, 235n25
action, theory of 69
Aeschylus 157
aesthetics see also art, beauty,
sublime, taste 13, 44, 66,
130, 137, 196, 228n1, 249n3
disinterestedness 13, 30, 152–3
affect 11, 17, 27, 32, 39, 42, 47,
48, 73, 74–5, 90–1, 103,
113–14, 116, 124, 125–6,
154–5, 193, 251n16
Africa, African 1, 147, 252n24
agency 42, 51, 68, 124, 239n9
agon (contest) 63, 177, 186, 189,
254n17
altruism 70
amor fati 90, 106, 131, 231n20,
235n22
anarchy, anarchism 173, 199
ancestry see also descent 21, 24,
118, 143, 179, 181–2, 197,
200, 202, 251n14
animal 16, 17, 18, 62, 83, 95–7,
115–16, 119, 120, 121, 126,
127, 128–9, 131, 161, 208,
218, 242n19, 247n7, 254n14,
254n15
Ansell Pearson, Keith 230n13,
236n10, 238n7, 239n11,
241n5, 249n3, 250n7,
252n20, 252n23
anti-Semitism 2, 24, 184
aphorisms 8, 16–17, 99–103, 104,
107, 108, 205, 238n7, 239n9,
242n15
Apollo 59, 176
Appearances see also reality 13,
23, 31, 33, 43, 58, 59, 63,
Babich, Babette 239n8
Bach 2, 249n2
257
INDEX
barbarism 12, 22, 156, 173,
238n6, 246n32
Basel 1, 142, 166, 241n8
Bayreuth 4
beast of prey 18, 128, 166
beauty, the beautiful 44, 96, 165,
189, 247n7
becoming 17, 48, 133, 159, 175,
178, 183, 187–8, 202, 218
Beethoven 2, 107, 174, 183,
240n21, 251n18
Benson, Bruce Ellis 239n12
Bergmann, Peter 146, 246n27
Bergson, Henri 117, 145, 237n18,
242n13, 243n3, 245n25
Bible 1, 26, 85, 228n1, 255n8
biology see also evolution 4, 9,
37, 124, 143, 201, 228n5,
229n7, 231n21
Bismarck 1, 147, 179, 180, 186
Bizet 187, 189–90, 197, 240n19,
251n18
Blanqui, August 237n11
Borgia, Cesare 18, 116
Boscovich 4, 38, 41, 230n10
Boyle, Nicholas 245n15
Brahmins 95, 194
Breeding see also cultivation,
discipline 15, 21, 91, 93, 94,
120–1, 125, 143, 201
Brobjer, Thomas 228n5, 230n10,
241n4
Brown, Wendy 235n21
Bruno 56, 57–8, 233n7
Buddhism 82, 95, 107, 120, 224
Burckhardt, Jacob 5, 142, 228n6,
241n8, 242n19, 243n24,
245n21
Burnham, Douglas 100, 215,
233n8, 236n9, 237n14,
237n15, 244n9, 247n2,
255n4, 255n6, 255n9, 255n11
258
Cagliostro, Count
Alessandro 135
Carmen (character) 187, 189
Cartwright, David E. 242n17
categorical imperative see also
Kant 113, 115, 117
catharsis 59
causality 34, 69, 74
cheerfulness 26, 36, 79, 104, 189,
215, 240n17
child (figure of) 93–4
Chinese 26
Christ see also Jesus 214–15,
255n6
Christianity, Christians, Christian
morality 8, 15, 16, 21, 77–8,
80–2, 85, 86, 89, 90, 91, 95,
96, 98, 99–100, 119, 123,
159, 173, 175, 191, 195, 198,
200, 205–6, 208, 210, 215,
218, 236n4, 238n6, 254n13
Cicero 61
Clark, Maudemarie 167–8,
230n11, 230n13, 230n14,
249n22
Clausius 4
cleanliness see also purity 26,
141, 245n17
climate 112, 181, 203
community 71, 92, 119, 170,
188–9, 193, 203, 205, 253n8
compassion see also pity,
sympathy 17, 26, 82–3, 118,
120, 124, 136, 153–5, 158,
190, 200, 242n17, 253n9
Comte, Auguste 133, 243n5
conscience 14, 15, 21, 37, 46, 66,
69, 77–80, 81, 94, 96, 117,
123–4, 131, 135, 137, 138,
161, 162–3
the bad conscience 73, 118,
126, 140, 196
INDEX
desire 9, 17, 18, 22, 29, 33, 37,
46, 52, 61, 63, 70, 74, 79,
80, 83, 92, 108–9, 114, 119,
124, 128, 135, 143, 160,
166, 170–4, 195, 202, 206,
207, 214
destiny 159, 178
Deussen, Paul 215
Dewey, John 229n1
diet 205
Diethe, Carol 248n20
Dionysiokolakes 57
Dionysus 57, 59–60, 63, 66, 70,
103, 176, 207–9, 229n6,
234n14, 239n11, 248n16,
253n11, 254n14, 254n17,
254n18
discipline see also breeding,
cultivation 21, 22, 80, 83,
114–15, 116–17, 120, 135,
141, 151, 158, 163–4, 248n17
disinterestedness see aesthetics
dogmatism 8, 133
Dombowsky, Don 242n14
domination 19, 47, 59, 147, 174,
176, 201, 234n12
drives 9, 10, 35, 37–9, 44–5, 57,
60, 62, 64, 74, 118, 126, 132,
159, 170, 202, 229n8,
231n18, 248n16, 252n1
Drochon, Hugo 246n31, 246n33
Dudrick, David 230n11, 230n13,
230n14
duty 22, 79, 114, 135, 137, 159,
241n3
intellectual conscience 29, 34,
53, 54–5, 74, 77–80, 81, 134,
163, 217, 230n16
consciousness 10, 25, 37, 51,
90–1, 132
conservation 47, 238n5
Copernicus 41, 57
Cox, Christoph 239n11
creativity 54, 108, 186, 208,
254n17
Cromwell 80
crucifixion 214–15, 255n6
cruelty 15, 16, 23, 78, 81, 87, 91,
124, 149, 161–3, 234n12
cultivation see also breeding,
discipline 109, 119–20, 129,
155, 158, 181
culture 2, 5, 25, 59, 86, 91, 102,
114, 118, 129, 131, 133, 144,
147, 149, 156–7, 161, 167,
168, 172, 174–5, 186, 198,
201, 228n1, 246n32, 251n15
Cynicism 189
Cynics 64
Darwin, Charles 4
death 61, 107, 214–15, 233n4,
242n19
decadence 24, 160, 208, 239n12
Del Caro, Adrian 253n12
Delphic oracle 80
democracy 9, 15, 19, 20, 24, 52,
95, 119, 121, 128, 131, 139,
140, 144, 145, 147, 156,
165–6, 173, 182, 183, 185,
195–6, 207, 210, 223,
231n18, 237n19, 242n19,
245n26
Dennett, Daniel 231n21
Descartes 11, 16, 54, 86
descent see also ancestry 21, 25,
68, 164, 251n14
earth (figure of) 94, 147, 195
education 15, 16, 91, 94, 96, 98,
125, 131, 137, 166, 181, 194,
202
ego 8, 11, 26, 51, 86, 122, 126–7,
153–4, 202
259
INDEX
200, 201, 237n13, 238n6,
240n17
evolution see also biology 4, 9,
17, 18, 37, 44, 47, 48, 52,
110, 170, 201, 231n21,
238n5
experimentalism 20, 21, 49,
69, 74, 79, 90–1, 128, 136,
244n8
exploitation 25, 47, 158, 197,
199, 205, 206
Emerson 2
Empedocles 133
empiricism 39, 41
Engels 1
English 24, 178, 188, 241n4
Enlightenment 9, 81, 95, 162,
165
Epicurus 10, 37, 57, 60, 233n11,
236n3
Epicureanism 26, 39, 61, 92, 95,
195, 205–6
epistemology 91, 133, 222, 243n2
equality 16, 17, 142, 144, 145,
150, 165
eros 231n20
eternal recurrence 16, 36, 77,
87–93, 103, 106–8, 202,
218, 224, 231n20, 232n25,
236n10, 236n11, 239n17,
240n23
aeon 94
eternity 35, 91, 93, 106, 107–8,
137
ethics 17, 61, 87, 110–11, 113–16,
124, 126, 129, 152, 160–1,
222, 236n10, 241n7, 243n2
ethos 43, 45, 100, 148
Euripides 63, 209
Europe 1, 9, 15, 17, 18, 21, 22,
24, 25, 27, 79, 82, 85, 96,
100, 110, 118–20, 138–9,
146–7, 156, 161, 165–6, 176,
178, 182–5, 187–9, 197, 201,
203, 218, 246n32
Europeans 23, 24, 25, 51, 82, 96,
104, 109, 148, 149, 155–6,
170, 174–5, 178–9, 181,
205–6
“good Europeans” 2, 9, 24,
147, 182, 252n24
evil 28, 32, 53, 56, 64, 66, 67, 72,
81, 89, 92, 93, 119, 124, 126,
142, 174, 181, 192, 193, 194,
faculties 44, 86
faith 9, 15, 17, 18, 31, 41, 42, 51,
58, 67, 73, 75, 78, 80–1, 87,
91, 93, 112, 120, 143, 150,
168, 253n6
fanaticism 75, 81, 126, 150
fatalism 90
see also fate, destiny
fate 22, 87, 95, 96, 130, 131, 139,
160, 161, 178, 181
Figal, Günter 253n11
Foucault, Michel 230n15
Frederick the Great 20
free spirit 9, 12, 14, 15, 16, 21,
22, 23, 25, 46, 48, 52, 53–75,
77, 81, 94, 99, 103, 121, 128,
130, 144, 148, 159–60, 163,
169, 170, 172, 189, 193,
196–7, 211, 213, 215, 217,
218, 232n1, 235n23, 235n25,
238n5, 238n6, 241n5, 244n8
free thinkers 14, 55, 58, 66, 166,
217, 241n4
freedom 9, 11, 14, 15, 17, 29, 31,
52, 54, 55, 56, 73, 75, 78, 81,
90, 91, 114, 131, 132, 159,
171, 181–2, 230n14, 250n4
French 24, 104, 178, 189
French Revolution 14, 81, 166
Friedrich Wilhelm IV 2
friendship 92, 213, 215
260
INDEX
Gould, Stephen J. 231n21
grammar 8, 11, 51, 86
Greek(s) 15, 36, 39, 59, 61, 85,
145, 149, 163, 175, 207, 213,
229n6, 243n4, 243n10
Gregorovius, Ferdinand 233n7
Guay, Robert 151–2, 247n3
Guerlac, Suzanne 243n3
Gutting, Gary 243n4
Guyau, Jean-Marie 110, 129,
241n5, 241n6
future see also future
philosophers 8, 16, 18, 20,
22, 24, 25, 26, 30, 35, 39,
45–6, 48, 50, 53–5, 63–4, 66,
69–71, 80, 90, 92, 93, 94, 95,
101, 103, 104, 106, 108,
120–1, 125, 128, 129, 140–1,
144–5, 156, 160–1, 167, 173,
174, 176, 178, 182, 183, 186,
187, 188, 189, 191, 192,
194–7, 200–1, 203, 205, 207,
210, 212–13, 227, 230n16,
232n21, 235n23, 243n5,
247n11, 249n3, 254n14
Haase, Ulrich 237n17
Haeckel, Ernst 4, 233n7
Han-Pile, Béatrice 231n20
Hanshe, Rainer 254n1
Harries, Karsten 228n1
Hatab, Lawrence J. 234n14,
239n8
Haydn 2
health 18, 75, 86, 123, 136, 160,
189, 207, 238n5, 244n8
Hegel 2, 54, 122, 133, 141, 183,
250n6
Heidegger, Martin 229n7,
232n25
Heine, Ferdinand 239n14
Hellenistic philosophy 10, 60–1,
230n15
Heller, Erich 241n9
Helmholtz, Herman von 4
herd 18, 95, 116–19, 121–2, 125,
128, 145, 154, 195, 241n8,
242n12
Herd animal 16, 17, 18, 95, 97,
116, 127, 130, 161, 118,
242n19
Heraclitus 94, 133, 236n11
Hercules 24
heredity 26, 37, 197, 202
hierarchy see order of rank
Higgins, Kathleen Marie 232n3,
234n13, 253n10
Galinani 64
“Gay science” 25, 27, 92, 205,
213
genealogy 50, 68
genius 24, 107, 131, 233n9,
253n11
genius of the heart 27, 206,
207–9
geography 251n12
Germans, Germany 1, 105, 110,
133, 139, 146, 147, 178,
182–3, 188, 246n30
Geuss, Raymond 241n9
Glenn, Paul F. 242n14
Goethe 2, 24, 26, 27, 139, 186,
202, 236n3, 249n24
god 14, 15, 16, 26, 81, 82, 85, 86,
87, 90, 93, 95, 118, 124, 127,
133, 135, 150, 159, 175, 205,
207, 255n5
good 8, 12, 14, 18, 28, 32, 38, 47,
49, 53, 56, 64, 66, 67, 70, 71,
80, 81, 82, 84, 89, 91, 93, 94,
113, 124, 126, 142, 144, 148,
149, 162, 174, 181, 192, 193,
200, 201, 207, 208, 231n18,
234n12, 237n13, 238n6,
240n17, 252n1, 254n18
261
INDEX
96, 107–8, 121, 125–7, 132,
136, 144, 145, 156, 160, 162,
166, 179, 197, 199, 202,
246n32
integrity see also honesty 64, 136,
143, 154, 159, 244n10,
247n10, 248n16
intention 13, 53, 67–9
interpretation 11, 12, 13, 40–2,
46, 48, 53, 65, 68, 84, 101–2,
104, 118, 123, 164–5, 193,
208
invention 10, 31, 40–1, 50, 54,
72, 156, 178, 185, 194, 200,
208, 253n13
history 5, 9, 10, 13, 15, 17, 25,
29, 50, 54, 67, 68, 77, 78,
81, 112, 114, 115, 116, 118,
120–2, 124, 128, 139, 155–6,
198, 201, 229n3, 241n8,
255n4
Hitler 3
Hölderlin 2, 3
Homer 36
honesty 22, 23, 25, 34, 79, 80,
81, 123, 145, 159–61, 163,
168, 169, 196, 218, 244n10,
248n16
Horace 202
hospitality 19, 22, 71, 72, 172,
238n5, 249n1
Hugo, Victor 233n7
humanism 73
Hume, David 129, 231n19,
236n11
Hus, Jan 54, 55
Hussain, Nadeem 230n11
hybridity 12, 19, 20, 173, 252n24
Janaway, Christopher 229n5,
239n8, 241n5, 251n16
Jaspers, Karl 243n6
jealousy 205, 238n6
Jesinghausen, Martin 233n8
Jesus see also Christ 26, 214
Jews 18, 24, 129
Johnson, Dirk 229n7
justice 62, 79, 85, 87, 145, 151,
242n16
judgment 19, 20, 29–30, 32, 37,
44, 46, 66, 68, 80, 113, 118,
135, 137, 138, 149–50,
152–3, 171, 173, 188, 229n1,
244n9
Ibsen, Henrik 233n7
ignorance 12, 36, 54–5, 60, 162,
177, 182
immoralism, immoralists 22,
158–9
independence 13, 14, 54, 66,
70–1, 73, 124, 131–2, 137,
140, 145, 172, 238n4
individual 10, 11, 18, 24, 25, 48,
51, 72, 84, 92, 95, 102, 108,
115, 116, 127, 128, 145, 151,
155, 172, 177, 179, 194, 197,
199, 201, 241n8, 252n20
sovereign individual 25, 43,
125–6, 201, 242n15
injustice 79, 155, 244n11
innocence 94
instinct(s) 10, 14, 17, 18, 21, 26,
33–5, 37, 51, 74, 80, 84–7,
Kant see also categorical
imperative 2, 22, 30, 33,
34, 44, 54, 82, 86, 110,
113–15, 122, 124, 141,
143, 149, 152–3, 229n4,
230n16, 231n19, 235n25,
242n10, 243n2, 247n1,
247n7, 248n17
Kaufmann, Walter 57, 70, 131,
142, 143, 144, 154, 169, 204,
213
262
INDEX
Leopardi, Giacomo 236n11
life 8, 9, 10, 11, 16, 17, 19, 25, 29,
30, 32–9, 44, 45–6, 48, 49, 50,
54, 55, 56, 61, 62, 63, 66, 67,
69, 70, 72–4, 79, 80, 82, 83,
85, 88, 89–94, 95, 96, 98, 102,
104, 106, 107, 108, 111, 112,
113–15, 119, 120, 121, 123,
124–5, 126, 132, 135–8, 141,
143, 145, 147, 148, 152, 160,
163, 164, 171, 174–6, 180,
187, 188, 189, 190, 193, 194,
197, 198, 199, 202, 203, 205–7,
213–15, 229n1, 231n16,
232n23, 240n17, 242n19,
244n9, 244n11, 246n31
life-affirming 12, 34, 57, 83, 86,
88, 89, 93, 100, 106, 158
listening 79, 101, 103, 105, 185,
251n18
Loeb, Paul S. 237n14, 237n15,
240n23, 255n5
love see also amor fati 14, 16, 22,
26, 30, 34, 44, 46, 49, 55–6,
64, 72, 82, 90, 96, 98, 100,
106, 107, 108, 129, 137, 149,
153, 158–60, 174, 180, 182,
183, 187, 189–90, 193, 195,
200, 204–6, 209, 212, 214,
234n15, 238n6, 240n19,
249n4, 254n17
loving enemies 21, 149
neighborly 21, 118
passion 25, 74, 201
Lucretius 233n11
Lungstrum, Janet 251n19
Luther, Martin 1, 15, 55, 73, 80
Lutheranism 1, 249n2
knowledge see also
epistemology 8, 9, 11, 12, 15,
17, 23, 26, 30, 33, 40–1, 44,
53–5, 57, 64–5, 79–80, 83,
87, 92, 104, 120, 122, 124,
126, 127, 129, 131, 133–5,
138, 140–1, 160, 162, 163–5,
168, 177, 182, 217, 229n4,
230n16, 234n15, 243n2,
244n14, 245n16, 245n17,
248n17
Kofman, Sarah 248n18, 249n24
Kotzebue 251n15
Kropfinger, Klaus 107, 240n21,
251n18
Kundry (character) 187, 189,
190, 253n9
labyrinth 66, 149, 156, 167,
254n17
Laertius, Diogenes 233n11
Lamarckism 202
Lampert, Laurence 100, 145,
165, 236n2, 236n5, 236n7,
237n14, 237n15, 237n16,
243n1, 243n7, 244n9,
245n24, 247n2, 248n19,
255n7, 255n8
Lange, F.A. 3, 230n10, 230n11
language 12, 14, 17, 24, 26, 66,
72, 82, 103, 104–5, 113, 114,
144, 154, 170, 182, 185, 189,
203, 239n11, 241n9, 251n16,
252n25
Large, Duncan 228n1, 236n10,
248n18
laughter 22, 27, 56, 63, 99, 156,
157, 195, 205–6, 237n1,
247n11, 253n9, 253n10
Lecky, W. E. H. 110, 240n3
Leiter, Brian 230n14
Leitmotiv 180
Lemm, Vanessa 254n15
MacIntyre, Alasdair 234n18
Marsden, Jill 103, 238n7, 239n9,
239n10
Martin, Nicholas 228n1
263
INDEX
Napoleon 18, 24, 118, 139, 183,
186, 242n14
nationalism 2, 24, 147, 170, 184
naturalism 9, 39–40, 61, 106,
125, 199, 230n13, 241n6,
254n13
nature 23, 31, 51, 61–2, 77, 78,
81, 84, 114–15, 122, 124,
125, 141, 143, 145, 148,
150, 152, 164, 176, 189–90,
193, 198, 218, 232n24
necessity 21, 66, 90, 93, 188
Nietzsche (works)
“Homer’s Contest” 60
On the Genealogy of
Morality 2, 3, 6, 15, 18, 38,
43, 67, 81, 82, 84, 87, 91, 92,
99, 100, 101, 106, 110, 117,
120, 122–3, 126, 129, 145,
153, 155, 158, 161, 173, 188,
191–2, 197–8, 201, 208,
228n4, 234n12, 235n19,
235n20, 238n8, 242n15,
242n16, 242n17, 247n8,
251n17, 252n2
Thus Spoke Zarathustra 5, 6,
49, 54, 61, 63, 70, 77, 94, 99,
100, 103, 105–8, 173, 192,
198, 205, 209, 213, 232n3,
234n12, 240n23, 242n16,
250n6, 251n17, 255n5,
255n8
The Gay Science 6, 36, 37, 57,
61, 75, 79, 80, 88, 90, 92, 94,
103, 106, 118, 119, 123,
135–6, 144, 155, 158, 160,
163, 188, 212, 230n12,
232n24, 232n1, 234n17,
235n22, 235n25, 235n1,
238n5, 239n9, 242n11,
244n10, 244n14, 245n17,
247n11, 247n12, 248n17,
249n2, 252n5, 254n2
martyrdom 12, 26, 55, 56, 57,
217
Marx 1
masks 14, 26, 53, 58–9, 129, 162,
205, 211, 250n11, 254n20
materialism 3, 60, 230n10
metaphor 6, 38, 66, 72, 102,
121–2, 143, 163, 180, 193,
235n22
metaphysics 51, 86, 91, 124, 127,
134, 243n5
Mind (journal) 4
Minotaur 66
modernity, moderns 16, 19, 20,
21, 24, 25, 35, 39, 46, 52, 79,
82, 85, 91–2, 98–9, 109, 115,
120, 121–2, 126, 135, 138,
142, 144, 148–9, 151, 152,
154, 155–7, 166, 170–3, 175,
180, 196, 218
Montaigne 236n3
Montinari, Mazzino 250n8
Moore, Gregory 228n5, 229n7,
231n21, 241n5
morality 11, 12, 13, 14, 17, 18,
21, 24, 25, 27, 34, 37, 52, 53,
60, 62, 67–9, 73, 79, 81, 82,
84, 86, 89, 90, 91, 98, 100,
102, 110–30, 138, 143, 148,
149, 150, 153–4, 157, 159,
160, 161, 187, 188, 191, 193,
195, 197, 198, 200, 201, 208,
209, 218, 235n22, 237n13,
240n17, 241n7, 241n8,
241n9, 242n15, 252n23,
253n13
Mozart 2, 183
Mullin, Amy 232n1
music 3, 13, 24, 58, 59, 63, 65,
89, 100–1, 103, 104–7, 135,
139, 174, 180, 183, 185,
188–90, 197, 212, 239n11,
239n12, 240n19
264
INDEX
order of rank 10, 18, 21, 22,
23, 27, 37, 43–4, 57, 60,
98, 127, 143, 148, 150–2,
154, 156–7, 161, 170, 195,
197, 200, 202, 205, 210,
218, 253n6
Overbeck, Franz 215, 245n22
overman, overhuman 72, 91,
213
The Birth of Tragedy 1, 6, 36,
59, 60, 63, 137, 147, 175–9,
186, 208, 229n1, 233n8,
249n4
Ecce Homo 1, 5–6, 20, 78, 82,
87, 90, 93, 105, 107, 140,
146, 147, 179, 188, 202,
236n11, 237n13, 239n16,
239n17, 240n19, 245n17,
250n8, 250n10, 253n11
The Case of Wagner 189–90,
249n2, 251n18, 252n24,
254n17
Philosophy in the Tragic Age
of the Greeks 94, 233n4
The Pre-Platonic
Philosophers 231n17
Nietzsche, Carl Ludwig
(Nietzsche’s father) 2–3
Nietzsche, Elisabeth Förster
(Nietzsche’s sister) 2–3,
232n22
nihilism 35, 39, 120–1, 158
noble 11, 19, 25–7, 40, 45, 47, 64,
78, 81, 100–1, 108, 118, 129,
132, 135–6, 138, 140, 141,
156–7, 179, 191, 195,
197–204, 209, 210, 238n6,
253n6, 254n14, 255n4
nobility 14, 25, 26, 39, 49,
70, 108, 141, 173, 179, 181,
184, 190, 191–4, 196, 202,
204–5, 208–10, 215, 218,
252n20
nobles (vs. slaves) 81, 144, 218,
238n4
norms, normativity 9–10, 21, 29,
47, 52, 68, 114, 116, 150–4,
206
Nussbaum, Martha 233n12
palingenesis 240n21
Parkes, Graham 230n9, 234n16,
239n15
Parmenides 39
Parsifal 190, 253n9
Pascal 15, 77–8, 80–1, 206,
236n3, 236n4, 248n16
pathos 190, 196–8, 202, 204
patriotism 24, 25, 180, 251n15
Paul, Saint 249n2
peace 91, 95, 144, 147, 242n19,
246n32
perfection 33, 36, 89, 95, 104,
121, 159
perspectivism 12, 13, 45, 53,
244n11
pessimism 3, 16, 19, 20, 33–6,
88–9, 104, 106, 133, 208,
229n6, 235n22, 240n17
philology 3, 41, 84, 101, 126,
244n15
philosophers 2, 5, 8, 9, 10,
19, 27, 31, 32, 37, 43, 52,
58, 61, 62, 65, 82, 84, 98,
111–12, 116, 127, 133,
142–3, 205, 234n15, 245n21,
245n23
future philosophers 14, 18, 20,
39, 45–6, 48, 53, 54, 63–4,
66, 69–73, 102, 103, 120–2,
140–1, 144–6, 170, 173, 186,
189, 193–7, 207, 231n16,
235n23
Odysseus 23
opera 63, 105, 175, 251n18
265
INDEX
101, 103, 125, 128, 130, 135,
162, 173, 176, 180–1, 187,
190, 193–4, 198, 200, 203,
207–8, 212–13, 244n11,
245n21
Prince Vogelfrei 212
Prometheus 186
prose 103, 212
Protestantism 16
psychology 4, 9, 11–12, 23,
45, 47–52, 71, 77–8, 81,
84–5, 102, 132, 161, 193,
232n21
punishment 234n12
purification 54, 230n16,
245n17
Puritanism 95, 195
purity 24, 91, 95, 245n17
Pythagoreans 65
philosophy 8, 9, 10, 12, 19, 20,
22, 27, 29–30, 35, 38, 41, 44,
45–6, 52, 54, 55, 57, 59, 60,
62, 64, 76, 78, 86–7, 90,
94–7, 108, 125, 127, 130,
131–43, 144, 145, 160–1,
167, 170, 182, 190, 204–5,
208, 210, 217, 218, 230n16,
233n4, 252n20, 253n12
Picart, Caroline Joan 251n19
Pippin, Robert 231n20
pity 14, 19, 22, 27, 61, 63, 71,
100, 161, 172, 200, 204, 205,
206, 233n12, 242n17, 253n9,
254n18
compassion 17, 26, 82–3,
118, 120, 124, 136, 153–5,
158, 190, 200, 242n17,
253n9
sympathy 27, 254n14
Plato 8, 9, 17, 32, 38, 39, 40,
44–5, 47, 52, 57, 61, 65, 82,
113, 122, 129, 133, 143, 173,
182, 184, 185, 186, 210,
230n9, 233n10, 236n3,
249n2, 254n13, 254n18
Socrates 17, 38, 47, 63, 65, 79,
88, 113, 122, 129, 182, 184,
231n18, 248n16
play 16, 71, 94, 136, 156
poetry 212–16, 229n3
Politics 9
Frederickianism 139
Great politics 130, 131, 138–9,
146–7, 218, 246n31
Realpolitik 146
“party of Life” 147
see also democracy, nationalism
Positivism, positivists 19, 133–4,
141, 167
power 11, 23, 39, 41, 43, 47, 49,
50–1, 59–61, 62–3, 70, 72,
73, 75–6, 90, 93, 94, 98,
rabble 64, 95, 132, 195
rank see order of rank
rationality 63, 115
reading 84, 101–2, 103, 106, 129,
164, 166, 185
reality see also appearances 3, 19,
29, 33–4, 39, 48, 60, 65, 74,
82, 93, 133, 136, 212
reason 15, 17, 55, 58, 68, 71,
73–4, 79, 81, 86, 110, 114,
143, 153
rationality 63, 115
resurrection 215
redemption 36, 49, 175–6, 180,
190, 198, 201
Reé, Paul 110, 228n4, 255n3
Reginster, Bernard 232n1,
235n25
religion 15, 16, 19, 22, 77, 79,
85, 87, 90–2, 94–7, 98, 99,
119–20, 126, 128, 133–4,
143, 154, 181, 194–5, 218
Renaissance 146
266
INDEX
19, 29, 36, 40–1, 55, 71, 77,
79, 111–12, 115–16, 129–30,
131–5, 164, 172, 228n5,
229n7, 241n6, 243n2,
248n17
“scientific man” 19
self 8, 32–43, 47, 61–2, 64–5,
70–1, 74–6, 78, 80, 83–4,
95–6, 100, 113, 114–15,
122–6, 145, 153, 157, 160,
162, 167–8, 173, 176, 191–2,
195, 201–2, 206–9, 213,
215–16, 234n12, 237n13,
244n9, 245n17, 248n16,
250n4
self-preservation 33, 34, 44, 47,
130, 201
Senecca 234n12
sensations 11, 26, 42, 203
senses 10, 11, 30, 31, 40–1, 103,
149
sensualism 11, 40
sex 64, 83, 100, 129, 187, 189,
238n6
reproduction 186, 189
Shakespeare 22, 157
shame 72, 165, 238n6
Shapiro, Gary 250n6, 251n12,
252n22, 254n20
Siemens, H. W. 237n19, 242n14,
246n31
sin 93
Sils Maria 87, 213
skepticism 16, 20, 39, 55,
78, 86, 138–41, 244n12,
248n16
slave morality 25, 112, 137, 149,
201
slave revolt in morality 15, 18,
81, 188
slavery 72, 129, 144, 146, 194,
197, 245n26
socialism 1, 119, 242n19
Renan, Ernest 233n7
renunciation 83, 190
Reschke, Renate 252n5
responsibility 49, 67, 94, 98, 142,
194, 204
Rethy, Robert 250n7
revaluation see also values 9, 58,
80–4, 90, 122, 126–7, 189,
229n2, 252n21
revenge, spirit of 81, 150–1
Richardson, John 229n7, 229n8,
230n16, 242n18
Ridley, Aaron 252n21
Robertson, George Croom 4,
228n3
Rohde, Erwin 215
Rolph, W. H. 47
Roux, Wilhelm 47
Russia 139, 147
saint (figure of) 15, 82–5, 126,
160, 217
Salomé, Lou von 249n2, 255n3
salvation 91, 236n4
Satyr 12, 56–8, 61, 64, 232n3,
234n14
Schacht, Richard 233n12,
248n16
Scharff, Robert 243n5
Schiller 2, 229n1
Schnädelbach, Herbert 243n2
scholars 19, 77, 102, 131–4,
138, 196
Schopenhauer 3, 9, 15, 24, 33–4,
36, 47, 59, 78, 82–5, 88–9,
116, 110, 111, 124, 132–3,
142, 152, 154, 177, 208,
229n5, 229n6, 236n3,
236n11, 237n12, 241n7,
242n12, 247n10
Schubert 2
science see also Wissenschaft,
“gay science” 4, 5, 9, 14, 17,
267
INDEX
subject, the (‘I’) 11, 16, 45, 51,
86–7
sublimation 81, 113, 124, 129,
161, 242n16
sublime 22, 23, 44, 96, 106, 121,
137, 143, 146, 149, 157, 161,
163, 188, 230n16, 248n17,
249n3
suffering 22, 23, 26, 35–6, 81, 83,
91–2, 95, 120–1, 154–5, 158,
161–2, 175, 197, 204–5,
253n9, 254n18
sympathy 27, 254n14
compassion 17, 26, 82–3, 118,
120, 124, 136, 153–5, 158,
190, 200, 242n17, 253n9
pity 14, 19, 22, 27, 61, 63, 71,
100, 161, 172, 200, 204, 205,
206, 233n12, 242n17, 253n9,
254n18
Socrates 17, 38, 47, 63, 65, 79,
88, 113, 122, 129, 182, 184,
231n18, 248n16
Plato 8, 9, 17, 32, 38, 39, 40,
44–5, 47, 52, 57, 61, 65, 82,
113, 122, 129, 133, 143, 173,
182, 184, 185, 186, 210,
230n9, 233n10, 236n3,
249n2, 254n13, 254n18
solitude 12, 27, 56, 88, 95, 195,
211, 254n14
soul 8, 10, 11, 13, 15, 21, 26, 27,
33–4, 38–9, 41–3, 45, 52, 58,
64–5, 67, 68, 77–8, 84, 86–7,
99, 102, 107, 108, 132,
142–3, 149–50, 158, 179,
181–3, 188, 197–9, 202–3,
208, 217, 230n9, 231n18,
252n2, 253n6
metempsychosis
(transmigration of the
soul) 107
soul atomism 11, 38–9, 43,
45, 64
sovereign individual 25, 43,
125–6, 201, 242n15
Spencer, Herbert 4, 233n7
Spinoza 56, 116, 129, 143–4,
236n3
Spir, Afrikan 230n11
Stack, George 230n10
Stegmaier, Werner 230n12
Stein, Baron Heinrich von 213
Stendhal 14
Stoics 10, 22, 39, 61–2, 72, 116,
141, 159–60, 194, 217,
233n12, 236n11
Strong, Tracy 228n1, 249n4,
251n13
style 8, 24, 101, 104, 105, 172,
178, 183–6, 187–8, 218,
239n9, 249n2
taste see also aesthetics 13, 14,
19–22, 30, 44–7, 55, 64,
65, 67, 70–1, 76, 85, 92,
101, 106, 108–9, 116, 121,
135, 136, 140, 142, 143–4,
150, 153–4, 156–7, 163,
166, 170–8, 180, 183–6,
188–9, 196–7, 202, 205,
207, 210, 217, 230n16,
231n17, 247n7, 249n3,
249n4, 253n9, 254n18
Teichmüller 230n11
tempo 12, 65, 103, 104–5, 185,
205, 252n25
Tevenar, Gundrun von 242n17
Theogony 93
theology 3, 132, 243n5
Theseus 66
Tongeren, Paul van 246n31
tragedy 12, 22, 57–60, 88, 175,
233n4, 234n15
268
INDEX
138, 142–3, 145, 148–9,
154–5, 157–8, 159–61,
166–7, 172, 187, 196, 213,
218, 242n20, 247n12,
254n14
Voltaire 53, 73
transcendental unity of
apperception see also
Kant 86, 87
translation 13, 211, 237n13
truth see also will to truth 8–10,
12–14, 16, 19, 22, 27, 29–32,
37, 39, 41, 44–5, 49, 52,
54–6, 60, 66, 73, 74, 83, 92,
98, 113, 121, 140–1, 144,
153, 154, 155, 159, 164–5,
167–9, 189, 193, 206–7, 209,
211, 212, 217, 219, 235n23,
235n25, 244n10, 254n18
types 20, 21, 24, 25, 26, 64, 75,
95–6, 112, 142, 143, 150–1,
172–3, 178, 179, 189, 201,
231n16, 241n3, 249n2,
250n8
tyranny 114–15, 128, 182, 184,
186, 193, 194
Wagner, Richard 2, 4, 15, 24,
25, 63, 82, 105–9, 135,
174–5, 179–80, 182–3,
187, 189–90, 218, 239n13,
239n14, 240n19, 249n2,
250n6, 251n18, 253n9,
255n3
war 6, 18, 139, 142, 144, 145–7,
165, 179, 190, 244n14,
246n31, 246n32
Wesendonck, Mathilde 239n13
White, Alan 248n16
Whitlock, Greg 230n10, 231n17,
250n8, 250n9
will 3, 9, 11, 12, 14, 18, 19, 20,
23, 31, 32–7, 39, 42–3, 45–7,
49–51, 57, 59, 63, 69, 72,
74–5, 82–3, 86, 93, 96, 105,
119, 120, 127–8, 133, 138–9,
142, 147, 148, 160, 162–3,
165, 172, 176–7, 187, 194–5,
217, 230n14
will to knowledge 54–5, 122, 163,
177, 182, 217, 248n17
will to power (concept) 3, 9–12,
34–6, 42, 43, 47, 48–50, 53,
62, 69, 73–5, 80, 84–6, 104,
111, 116, 125, 141–2, 155,
158–9, 162, 164, 182, 193,
199, 217, 224, 248n16
will to truth see also truth 29, 31,
45, 52, 54, 60, 141, 167
Williams, Bernard 234n18
Wissenschaft see also science
and gay science 5, 77, 131
understanding 6, 46, 53, 55, 58,
68, 74, 103, 112, 124, 126,
203, 248n17
Utilitarianism 161
values 2, 9, 14, 17–20, 29–32,
35, 44–6, 49, 51, 54, 61–2,
64, 66–8, 80–4, 90–2, 102,
113, 119–20, 123–5, 129,
141, 144–6, 152, 170–3,
184, 186, 188–9, 191–2,
197–9, 202, 203, 207, 218,
253n13
revaluation of 9, 58, 80–4, 90,
122, 126–7, 189, 229n2,
252n21
Vattimo, Gianni 145, 245n25
Vedanta philosophy 87
Veil of Maya 154, 177
virtue 14, 19, 21, 22, 24, 27, 55,
61, 71, 83, 101, 123, 124,
269
INDEX
Zaborowski, Holger 248n16
Zarathustra 5, 13, 28, 48–9, 57,
69, 72, 87–8, 90, 105, 107,
209, 214–15, 233n5, 234n12,
237n13, 239n16, 240n23,
249n1, 255n10
Wittgenstein 113, 241n9
writing 24, 103, 185
Wundt, Wilhelm 4, 228n2
Young, Julian 248n20, 250n6,
255n3
270