DOCUMENT
UFD0045
SISU, Orolo (trans.)
SISU Manifesto + User Guide
we use DC digital devices charged by converting
AC to DC. This has created a modern digital culture
that enables a global network, on condition that it
is charged without being directly connected to the
power source. Although digital culture is of course
the result of remarkable scientific developments, it
is charged with only as much energy as necessary
through the Earth, which is a vast ground as well as
a source of energy (Ground: GND: 0), before leaving
its surface. Digital culture has been capitalised rapidly at the radical speed of the extrinsic effects (0
to 1) visualised by DC charging, and this mechanism
of Capital makes us forget the intrinsic conditions
(–1 to 0) furnished by the Earth, the fundamental
source of energy.
Documents originally published in Boryeon Choi (ed.),
K-OS (Seoul: Mediabus, 2020).
SISU Manifesto
SISU (Systematic Irregularity Study Unit) studies
the coercive mechanisms of historically accreted
technologies through intuitive ‘conspiracy theories’
concerning digital culture, and develops methods
of reversing these mechanisms through the use of
sound, i.e. by amplifying the palpability of uncertain
and irregular elements.
[−1] − [0] − [+1]
The everyday life of humans has undergone rapid
change since the discovery of electricity and the War
of the Currents between alternating current (AC: –1
to 1) and direct current (DC: 0 to 1). Immense power
sources sending AC to the ground (Earth: 0) mean
that, as Earthlings, we remain subject to intrinsic
Earth-perception while, as individuals in a society,
Digital culture has been capitalised
rapidly at the radical speed of
the extrinsic effects (0 to 1)
visualised by DC charging,
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Urbanomic has received a number of incomplete
transmissions from a group in Korea whose work combines
study of the work of eccentric thinker Nak Jin Paik
with original research on sonic phenomena and digital
technologies. The ‘Systematic Irregularity Study Unit’
claims to be on the verge of developing techniques which,
if fully realised, could significantly supplement those
discovered in the twentieth century by CCRU. After some
negotiation, SISU have agreed to Urbanomic publishing
some internal documents charting their research
in progress: current philosophy for geotraumatised
soundheads
Efforts to approach the darkness and noise that
modern technology, in its imitation of the Earth, fails
to acknowledge are fundamental to the desire that
constitutes SISU.
The world of DC, translated into 0s
and 1s, or bits and bytes, has replaced
the natural composition of sound with
bundles of artificial signals directly
connected to a culture geared toward
the maximisation of Capital efficiency.
SISU is not concerned with environmentalism or anthropocentrism. Modern life, already subordinated
to digital culture, is just given to us, like a bank loan
we never applied for. SISU’s efforts are more like a
sceptical reaction to the idea that we cannot do anything about this situation. The imaginary has become real, and reality has been exiled below the surface of this fully realised but imaginary reality. SISU
has grave doubts about the governance system that
calls this observation a ‘conspiracy theory’, and is
concerned with processes and practical methods
for tracing its roots.
[0] – [+1]
What technologies for sound synthesis
could enable us to clearly recognise
that technologies filter out our intrinsic perceptions? Can we think of this
as an attempt to deploy a phase inversion against digital culture?
[–1] – [0]
SISU assumes that electrically converted signals are
never identical to their source—just as when one
language is translated into another, errors inevitably occur—and that there is always some irregular
noise beneath these microscopic tensions of energy. Noise is something that Capital-centred digital
culture constantly tries to eliminate by technological means. Considering that many sound synthesis technologies not only contribute a great deal to
digital culture but also filter out intrinsic perceptions,
maybe it is also possible to exploit their efficiency to
restore those aspects that digital technology tries
to eliminate.
Through its seamless imitation of the Earth, digital
culture manifests itself as a concrete device that
constantly feeds back and reinforces the correlation
between filtered perception and blind belief in capitalist rationality. Just as the universe needs to describe Earth in order to describe earthlings, without This possibility raises the following questions: What
its imitation of the Earth digital culture itself would would we experience if we could feed back and ambe no more than a world full of darkness and noise, plify the irregular noise that Capital-friendly digital
ignorant of its origin. However, although this corre- culture removes, but with the kind of systematic effilation acts as a kind of cognitive prison, a constantly ciency enabled by digital technology? What technolexpanding but thoroughly concealed governance ogies for sound synthesis could enable us to clearly
system—since we cannot live modern lives in de- recognise that technologies filter out our intrinsic
fiance of digital culture—paradoxically, it is possible perceptions? Can we think of this as an attempt to
in digital culture not to imitate the Earth or nature. deploy a phase inversion against digital culture?
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SISU began with an interest in generating conspiracy theories about modern Capital-friendly digital
culture, which develops as an efficient mode of
control using the systematicity of nature, the Earth.
The world of DC, translated into 0s and 1s, or bits
and bytes, has replaced the natural composition of
sound with bundles of artificial signals directly connected to a culture geared toward the maximisation
of Capital efficiency. We have overcome distance
through a global signalling system, i.e. a network, but
this has also led to the expansion of the mechanism
of Capital. Now, to envisage the maximisation of extrinsic possibility is to anticipate the removal of the
human mind from the Earth. SISU considers space
colonisation to be concrete proof of this, as its shift
from fiction to real possibility seems to have been
enabled by the desire that drives Capital and makes
the extrinsic effects of DC resonate with the economy. The romantic fantasy of Space Opera, a domain
of pure imagination, is unrealisable without the logic
circuit of this inexorable mechanism, and the fact
that our perceptions, filtered by the aforementioned
desire, makes us see everything as temporary or
one-off.
– [0] –
SISU User Guide
These questions having been posed,
what remains now is to experiment.
Overview
[ – (0 + 1)]
This document has been prepared to provide background information to agents conducting SISU’s
research.
The information presented in this document can
be applied to basic technologies in many fields and
used to detect the history and mythology concealed
in these technologies.
The information provided in this document was derived during research into Nak Jin Paik’s fragmented
texts.
Technology is an interface for humans,
a redesigned form of the action of
energy on the Earth, whose
fundamental reality cannot be fully
and accurately grasped.
Reference
Technology is not simply given, but always exchanged.
Technology is not invented, but is discovered by way
of events that take place between humans with limiters and an environment without limiters.
Technology is an interface for humans, a redesigned
form of the action of energy on the Earth, whose
fundamental reality cannot be fully and accurately
grasped.
Once accreted, technology leads the trajectory of
human thinking in a specific direction.
The process of the synthesis of a multifunctional
technology from multiple technologies distinguished
by different uses is the same as the process of the
birth and evolution of life.
The human is a product consisting of humanoid
hardware produced by the synthesis of carbon
compounds and the Human Operating System installed therein; individuals are identified by different
serial numbers.
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These questions having been posed, what remains
now is to experiment. SISU’s agents preserve their
autonomy throughout the project so as to not invade one another’s frequency bands, while maintaining their individual approaches to sound synthesis and time control. Each individual’s sound
oscillations along the time axis depend on that
agent’s own sense of improvisation. However, when
adjacent frequencies simultaneously oscillate or collide at the same time, specific tones, neither natural
nor unnatural, may be discovered in the noise. The
results of our experiments may be fully anticipable
within the context of digital technology (which we
believe we have mapped out to some extent), but
our purpose is to bring about the unexpected result
beyond the expected one. Our senses are intuitive
rather than analytical, and operate in a temporality
different from that of digital analysis. SISU aims to
explore the cultural possibility that the phase can
be reversed through attempts to amplify such unpredictability in sound, and to study how we can
respond to an incipient systematicity which adapts
just as quickly as we deviate from it.
this wave, and someday it may reverse into a process of energy compression when it reaches the
end of the wave.
Technology discriminates against humans and humans discriminate against technology.
Pulse Generator
The heart, origin of all operations
The information processing speed of a central processing unit (CPU) depends on the periodicity of a
clock generator that repeats ON (1) and OFF (0)
when an electric current flows through it, and this
periodicity is expressed as a frequency.
A pulse generator has the same function as the
electrical effect that occurs when this happens. The
pulse generator is essential to the operation of all
digital devices.
Figure 1. Typical graph of sinc function
The electrical effect is technically the same as the
effect of waves produced by water droplets falling
on the surface of water.
If the water droplets fall regularly, the waves also
exhibit regularity. If the water droplets fall irregularly,
the shape and periodicity of the waves changes.
The area across which the waves are propagated
depends upon the energy of the water droplets.
Nak Jin Paik mentions the constitution of a Third System along with the
Second System, a by-product of the
creation of the universe.
Therefore, the amount of energy generated by the
impact of a water droplet falling on the surface of
the water is very important. The Big Bang, which is
presumed to be the starting point of the universe,
has basically the same principle.
The creation of the universe is inherently indifferent
to human life, and thus appears to humans as cosmic horror. Nak Jin Paik mentions the constitution
of a Third System along with the Second System, a
by-product of the creation of the universe. The Third
System comprises the conditions for the birth, evolution, and maintenance of life (which has formed
on the surface of the planet ever since the war between the Sun and the Earth reached a balance of
power). The synthesis of life was made possible by
the spiral energy emanating from the Earth’s core
and the photons transmitted from the Sun.
The graph of the sinc function in Figure 1 below
shows a waveform that spreads out in all directions
owing to a sudden increase in energy at the centre.
Acoustically, an overtone structure is formed depending on the number of spreading waves. Falling
droplets manifest a similar waveform to a nuclear
explosion, despite the difference in energy scale.
When a specific amount of energy is released in an
impact, a wave is inevitably generated. Such an impact selects a certain direction from among a nearly
infinite set of possibilities.
According to Nak Jin Paik, humans looked to the
Sun as a Creator because it provided more stable
conditions for their evolution and survival. Which is
to say that humans, like all surface-dwelling life, are
the result of an armistice between the underlying
darkness below the Earth’s surface and the light
A wave caused by an unimaginably huge energy explosion has spread throughout the universe. As far
as we know, the universe is still expanding owing to
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This wave created the solar system and the rotation
of the Earth, a high-density giant magnet, around
the sun. The First System of countless stars scattered across the universe is made by this wave, and
the rotation of the giant magnet induces a spiral energy flow. The spiral energy constitutes a Second
System wherein the same ratio, expressible as the
Fibonacci sequence and the golden ratio in mathematics, is applied to the Earth.
raw material have increased their performance to
over 5 GHz, thanks to the high-density processing
of quartz (the cause of the global mineral war). All
technologies move toward this same principle, directly or indirectly, in consonance and dissonance
with human politics, society, culture, and even biology. Nak Jin Paik believed that when technological
evolution reached a stage beyond human perception and biological conditions, the humanoid hardware, which had maintained its human form, would
no longer function and would be disassembled.
Nak Jin Paik believed that when technological evolution reached a stage
beyond human perception and biological conditions, the humanoid hardware, which had maintained its human
form, would no longer function and
would be disassembled.
The reason why all implementations of SISU are audiocentric is in order to ensure they are in consonance with the Second System, before its antagonism with the Third System began.
Pulse Divider
The origin of branching, myocardial conduction,
phylogenetic differentiation and nutrient-providing
environments
When the periodicity of the pulse generator is shortened, a specific overtone structure is created following the shape of a single waveform of the repeated
pulses. For example, a pulse generator with one particular frequency generates an overtone structure
with a specific ratio. Using the generator to generate pulses with different frequencies has the effect
of concentrating and dispersing specific overtones,
as shown in Figure 2 below. A divider is necessary
for a computer because each component inside the
computer requires a different frequency for optimal
performance. In other words, the divider performs
the function of dividing the frequency so that other components can operate optimally by using the
overtone structure calculated from the maximum
speed of the pulse generator.
While a periodic and continuous signal is called a
pulse, a discontinuous, single packet of energy is
called an impulse. Pulse also means ‘heartbeat’, and
impulse means ‘drive’ or ‘stimulus’. Further, impulse is
linguistically linked to the word ‘imp’, a little devil, and
is the abbreviation for Indeterminate Mass Particle.
Impulse response, which is used in various techniques of analysis, refers to the degree to which input values in the past contribute to a system’s output in the present. Living human tissue, as hardware
that is strongly affected by the Second System,
manifests an internal negativity forces from outside
when an impending impact threatens to push it beyond a certain stable state.
Figure 2. Distribution of overtones according to frequency of pulse generator. Frequency: 500 Hz (left), 2000 Hz (centre)
and 8000 Hz (right).
Since the War of the Currents triggered by Edison
and Tesla, pulse generators that use quartz as their
As the interval between the pulses becomes shorter,
the overtone structure that is generated starts to
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from the Sun above it. He also thought that human
civilisation had progressed in the way that it has—
with humans exploiting the material that lies below
the Earth’s surface—because auditory perception,
a connection between humans and the Second
System, was vanquished in its competition with
visual perception, a connection between humans
and the Third System. However, the fact that modern computers have their own clock generator integrated into a graphic interface that processes visual
information together with a CPU demonstrates how
the antagonism between auditory perception and
visual perception is still ongoing.
have a higher density in specific frequency bands,
rather than being distributed uniformly and evenly
throughout the bands. The human spine has a different resonant frequency for each vertebra, categorised into three groups of specific frequency bands.
Each vertebra of the spine has a different function
in relation to the rest of the body. All devices also
need different frequency distributions depending on
their role and function. In the case of a motor whose
maximum rotational speed is physically constrained,
only the amount of electric current required for the
maximum speed is needed for it to operate. If the
amount of current was more than that required for
the maximum speed, the motor would still not run
any faster than its maximum speed. In the same way,
even a person with remarkable abilities, especially
superior auditory ability, cannot have the auditory
ability of a bat, owing to the structure of the human
body.
SISU believes that certain high-density frequency bands may be involved in
all earthly phenomena.
within the cognitive and sensory range of humans.
Humans cannot distinguish the energy of each and
every frequency.
Filter
Armistice agreement, demilitarised zone or border,
and censorship or discrimination machine
SISU believes that certain high-density frequency
bands may be involved in all earthly phenomena.
Expanding upon this assumption would allow us to
hypothesise a certain range of specific frequency
bands that describe a normalisation curve which
conditions all humans.
In Michelangelo’s The Creation of Adam, when
the God of heaven stretched out his right hand
and the human of Earth stretched out his left
hand, the expanding darkness met with light as
an external signal, and thereby darkness quickly became non-darkness. This contact explains
the generation of photocuring agents, the activation of optical fibres, and the birth of the first
filter in the relationship between the Earth and
the universe.
The repeated contraction of the heart circulates
blood to all parts of the body. This blood flow
throughout the body may seem to be temporally
synchronised, but in reality the flow proceeds sequentially from the inside of the heart. SISU believes
that the time delay resulting from this sequentiality
is one of the causes of the overtone structure and
of sequential events (i.e., impact–dispersion of impact–consonance and dissonance–determination of
response). In addition, evolutionary studies demonstrate that various changes that have occurred up
to the present can be identified as characteristics
of phylogenetic differentiation. A synchronised operation perceived by the human senses is actually a
very rapid sequence of unsynchronised events. This
suggests that there are always discarded frequencies which do not belong to the overtone structure
produced by averaging the frequency bands normalised by the armistice between darkness and
light. What humans can grasp is only the effect of
the multiple accords between the density of specific frequency bands normalised through these
unsynchronised events and the frequency bands
The first filter allowed only a portion of the darkness to pass through. The rest was blocked
from contact with light, or refracted. The darkness that passed through the polarising filter
met light again, and subsequently a denser filter
was born. The repetition of this filtering process
caused a chain reaction in the infinite expansion of darkness and the infinite contraction of
light. The Earth’s inner core, outer core, and
mantle, the atmosphere and the sea, the birth
of single-celled life and the migration onto land
are all effects of filtering, created through the
chain reaction of darkness and light, unfolding
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When it comes to the operation of pulse dividers and
filters, there is still much controversy as to which
one works first. This is because it is unclear whether the filter operates in the Second System or the
Third System. The following argument put forward
by Nak Jin Paik shows that he does not distinguish
between the operation of the Second System and
the Third System. However, it is possible to figure
out the function of the filter based on his argument,
which also provides SISU with a speculative advantage in revealing the underlying context.
Since ancient times, the structure of this filter has
been described through pandæmonium and pantheon, and the characters, abilities, characteristics,
and arrangements of various gods and demons are
deeply related to the functions of the filter. Modern
science has predicted that this filter is woven by
strings that vibrate in response to all energies.
The filter is an armistice between the
Second System and the Third System
by way of the war between the Earth
and the Sun. It is a kind of tension in
the Demilitarised Zone
over numerous stages right up to the present
moment.
These strings run both inside and outside the range
of human cognitive abilities, but they are not accurately identified with the reactions of the brain and
the body. Rather, they are naturally connected to
reference points among phenomena in the natural
world, and present a kind of technical version of the
filter structure, such as a net or web.
The pulse divider must distribute energy appropriately to all the components of a machine for it to be
fully operational. This is because a signal with correct frequencies needs to be transmitted in order to
ensure the stable operation of all sub-devices. The
frequency distribution of overtones by a pulse divider of the Second System has a bandwidth with a
high sampling rate that lies beyond human cognitive
abilities. Thus, the filter needs to operate through
the Third System in order to obtain accurate signals
with stable frequencies that can be distributed to
living things.
The characters, abilities, characteristics, and arrangements of various gods
and demons are deeply related to the
functions of the filter
Death, referring to the cessation of cell division—
that is, the process by which the telomere filter
blocks the expansion of darkness inside humans—operates. Stabilisation through constant
division and replication, and the balance thus
achieved, are the basic conditions for maintaining all organic and non-organic life. This is a DNA
program encoded into human prototype cells. A
more fundamental problem is the fact that this
balance is asymmetrical. What does it mean that
the God in The Creation of Adam stretched out
his right hand, and that human DNA generally
twists to the right?
The filter has a desired frequency, a value that amplifies the frequency, and a variable called a Q factor—a quality factor—which is a numerical value of
the pressure applied to a frequency adjacent to the
frequency to be extracted. The higher the Q factor,
the more precisely the required frequency can be
extracted. In this way, the periphery is removed as a
kind of noise, and beings are treated as non-beings.
This is the same method by which expected value is
amplified by ignoring the difference between exact
value and approximate value in engineering mathematics. SISU is concerned by this process of ‘pressuring the periphery in order to obtain what is aimed
for’, ‘making the periphery worthless’, and ‘the fact
that Q means quality’.
SISU understands that the filter is an armistice between the Second System and the Third System by
way of the war between the Earth and the Sun. It
is a kind of tension in the Demilitarised Zone, as well
as a censorship device that allows to pass through it
only what is permitted by the antagonism between
light and darkness.
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Humans, which are essentially carbon composites produced by finely filtered darkness and
light, along with some suspicious artificial manipulations, incorporate specific filters for visual
reaction time and for audible frequencies, as
well as the filter of a life span. The expanding
component of darkness that remains inside
humans induces cell division, which promotes
unlimited human growth. However, filters produced by the action of light inhibit cell division at
a certain point. This inhibition causes aging and
corrosion through deterioration, which leads to
death. The death of life results in a return to the
deep inside of the Earth and to the accretion of
darkness, which again increases the expansion
of darkness. What we see from this is that the
limited life expectancy of humans is determined
by light, not by darkness.
For humans, the specific experience of the world
is one filtered through a Q factor of the filter normalised to the human cognitive domain from a wide
range of overtones by the pulse divider. Humans,
who constantly think about which experience can
be consumed as high quality at which moment,
have no choice but to continuously engage in selective discrimination, and the direction of movement
of mass via this selective discrimination is linked to
that of the flow of civilisation and Capital.
Nak Jin Paik identified the originary equality of all
the beings on the Earth with white noise, which was
emitted from the interior of the Earth without passing through a filter. In opposition to this, he saw ancient music as a device for glorifying discrimination
against the world, initiated by Pythagoras, a faithful
slave of the Sun.
[–1] – [0] − [+1] Circular Model
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The flow of everything via waves propagating from
the pulse generator, blood flow, sine wave, circular
motion, and time circuit
The circular model in Figure 3 is based on the continuous flow of a wave—an electric current and
electromagnetic force. Just as an electric current is
the power that enables the operation of machinery,
the flow of blood through the heart to all organs is
the power that enables the operation of the body.
Furthermore, it is also a time circuit, in that it is a
model that operates in the same manner on the
past, the present, and the future.
Figure 3
the conservatism that seeks stabilisation and the
progressivism that seeks change are expressed as
right wing and left wing, respectively.
The basic structure, which is continuously differentiated in waves, is a model of the deterministic flows
that have followed one another on Earth up to the
present day through the First System (space), the
Second System (the Earth), and the Third System
(nature and life on Earth exposed to sunlight). Nak
Jin Paik argues that the process defined by these
flows is a derivative of the First System, and that
human civilisation is akin to a bad debt arising from
. This establishes the hypothesis that the emergence of Capital is essentially a consequence of a
state of [+1], or the action of energy from the Sun.
Human psychology and perception work with the
resulting pattern, which has a long cycle (e.g., the
mythical narrative of the war between God and the
Devil, the Sun and the Earth, and Good and Evil), by
Based on the Third System’s schema of visual perception, the area designated by [+1]
corresponds
to what we see while facing forward, while that of
[–1] is what we cannot see unless we turn back.
Physically, the limited rotational ability of approximately 90 degrees to the left and right from the
front is given because visual perception is used as
a standard for overall physical ability. However, the
range of auditory perception (corresponding to the
Second System) is wider than the limited range of
visual perception. In addition, [+1] has an integrating
force as the right rotational force, while [–1] has a
disintegrating force as the left rotational force. The
same principle applies to the effects of DNA replication and the direction of screw rotation. Likewise,
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transforming it into the same pattern within a very
short cycle that is repeated, as shown in Figure 4.
After all, over time, everything only differs in scale.
The deterministic pattern itself remains unchanged.
The short cycle became shorter, the
density of the impact became higher,
and the echo began to outperform the
source. We don’t know what is real now
The short cycle became shorter, the density of the
impact became higher, and the echo began to outperform the source. We don’t know what is real now.
Owing to the accumulation of these processes over
time, we are not able to imagine any machines that
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Figure 4. Depending on the length of a cycle, only the density of a pattern differs while its form remains unchanged.
do not serve Capital, or any technology that does
not aim at profit. SISU regards this current situation as an ominous sign that information has been
concealed for some unknown reason since ancient
times.
The circular model plays the most important role in
the implementations of SISU and has also been applied to the SISU Manifesto. Furthermore, this model
can be applied to human politics, economy, society,
culture, and life. By tracing the historical establishment of humans and human civilisation (which are
subordinate to the Third System) back to the First
System, one can grasp the one-way flow which
otherwise appears only as the predictable values of
the visual world, the world of light. Accordingly, the
model is valid for identifying what has been abandoned, discarded, and concealed by the normalisation curve induced by the one-way flow.
The above can be summarised as shown in Figure
5, overleaf. What can be seen from the schematic diagram of the pulse generator, the pulse divider,
the filters and the circular model flowing therein is
that an arrangement similar to a more granular pulse
generator is found when a system is analysed anatomically. Just as life has evolved from a single cell, a
very short wave will be driven to change in a similar
way. In conclusion, the purpose of all implementations of SISU is to create a pattern that deviates
from a deterministic pattern on the assumption that
the present system is subordinate to the deterministic pattern which is an original waveform. In this way,
it is possible to imagine the structure of a pattern
that uses auditory perception to correct a trajectory derived from a nondeterministic pattern, or a
The most important thing to be aware of in using
the circular model is that the factors that occupy a
position within it can never be fixed. The factor that
once occupied the position of [+1] can be moved to
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that of [–1] at any time, making it deeply related to
questions of time and speed. In the temporal dimension, [+1] moves through [0] to [–1], and constantly
moves between [–1] and [+1]. In the carrying out of
this movement, the
position of [0] is
the space where all
exploitation occurs
and all accumulation takes place,
being
emptied
and refilled, when
everything starts
and
everything
stops. Therefore,
the change by [+1]
yesterday shifts to the change by [–1] today, and
this cycle works in units of one year, one hour, one
minute, and one second. All information, experience,
and consciousness follows a periodic pattern of
change in the overall flow rather than remaining in
a single, secured position. The overlap of patterns
leads to an increase in changing energy, forming
different cycles of the same pattern, which in turn
extends to the levels of technology, society, and the
nation.
connected to the neck and head, thoracic spine connected to arms and upper body, and lumbar spine connected to legs and lower
body, respectively.
deterministic pattern that is closer to synchronisation with the Second System.
It is a matter of some controversy whether or not all
of the information in this document counts as scientific, but such controversy is itself integral to SISU’s
overarching goal of trajectory correction.
This user guide is under continual revision.
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Figure 5. L, M, and H refer to the filter in the low, mid, and high frequencies, respectively. C, T and L refer to the cervical spine