13
Post-Capitalist Desire
Mark Fisher
Soon after the Occupy London Stock Exchange movement had
begun, the novelist turned Conservative politician Louise Mensch
appeared on the BBC TV programme, Have I Got News For
You?, mocking the protesters with the claim that the occupation
had led to the ‘biggest ever queues at Starbucks’. The problem,
Mensch insisted, was not only that the occupiers bought
corporate coffee – they also used iPhones. The suggestion was
clear: being anti-capitalist entails being an anarcho-primitivist.
Mensch’s remarks were ridiculed, not least on the programme
itself, but the questions that they raise can’t be so easily dismissed.
If opposition to capital does not require that one maintains an
anti-technological, anti-mass production stance, why – in the
minds of some of its supporters, as much as in the caricatures
produced by opponents such as Mensch – has anti-capitalism
become exclusively identified with this organicist localism? Here
we are a long way from Lenin’s enthusiasm for Taylorism, or
Gramsci’s celebration of Fordism, or indeed from the Soviet
embrace of technology in the space race. Capital has long tried
to claim a monopoly on desire: we only have to remember the
famous 1980s advert for Levi jeans in which a teenager was seen
anxiously smuggling a pair of jeans through a Soviet border post.
But the emergence of consumer electronic goods has allowed
capital to conflate desire and technology so that the desire for
an iPhone can now appear automatically to mean a desire for
capitalism. Here we think of another advertisement, Apple’s
notorious ‘1984’ commercial, which equated personal computers
with the liberation from totalitarian control.
Mensch was not alone in taunting the occupiers for their
consumption of chain coffee and their reliance on consumer
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technologies. In the London Evening Standard, one columnist
crowed that it ‘was capitalism and globalisation that produced
the clothes the protesters wear, the tents they sleep in, the food
they eat, the phones in their pockets and the social networks
they use to organise’.1 The kind of arguments that Mensch and
fellow reactionaries made in response to Occupy were versions
of those presented in Nick Land’s extraordinary anti-Marxist
texts of the 1990s. Land’s theory-fictional provocations were
guided by the assumption that desire and communism were
fundamentally incompatible. It is worth the left treating these
texts as something other than anti-Marxist trollbait for at least
three reasons. Firstly, because they luridly expose the scale and
the nature of the problems that the left now faces. Land fast
forwards to his near-future, our near-past, in which capital is
totally triumphant, highlighting the extent to which this victory
was dependent upon the libidinal mechanics of the advertising
and PR companies whose semiotic excrescences despoil former
public spaces. ‘Anything that passes other than by the market is
steadily cross-hatched by the axiomatic of capital, holographically encrusted in the stigmatizing marks of its obsolescence.
A pervasive negative advertising delibidinizes all things public,
traditional, pious, charitable, authoritative, or serious, taunting
them with the sleek seductiveness of the commodity.’2 Land is
surely right about this ‘pervasive negative advertising’ – but the
question is how to combat it. Instead of the anti-capitalist ‘no
logo’ call for a retreat from semiotic productivity, why not an
embrace of all the mechanisms of semiotic-libidinal production
in the name of a post-capitalist counterbranding? ‘Radical chic’
is not something that the left should flee from – very much to
the contrary, it is something that it must embrace and cultivate.
For didn’t the moment of the left’s failure coincide with the
growing perception that ‘radical’ and ‘chic’ are incompatible?
Similarly, it is time for us to reclaim and positivise sneers such as
‘designer socialism’ – because it is the equation of the ‘designer’
with ‘capitalist’ that has done so much to make capital appear
as if it is the only possible modernity.
The second reason Land’s texts are important is that they
expose an uncomfortable contradiction between the radical
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left’s official commitment to revolution, and its actual tendency
towards political and formal-aesthetic conservatism. In Land’s
writings, a quasi-hydraulic force of desire is set against a leftistCanutist impulse towards preserving, protecting and defending.
Land’s delirium of dissolution is like an inverted autonomism,
in which capital assumes all the improvisational and creative
vibrancy that Mario Tronti and Hardt/Negri ascribe to the
proletariat/the multitude. Inevitably overwhelming all attempts
by ‘the human security system’ to control it, capital emerges
as the authentic revolutionary force, subjecting everything –
including the structures of so-called reality itself – to a process of
liquefaction: ‘meltdown: planetary china-syndrome, dissolution
of the biosphere into the technosphere, terminal speculative
bubble crisis, ultravirus, and revolution stripped of all christiansocialist eschatology (down to its burn-core of crashed security)’.3
Where is the left that can speak as confidently in the name of an
alien future, that can openly celebrate, rather than mourn, the
disintegration of existing socialities and territorialities?
The third reason Land’s texts are worth reckoning with is
because they assume a terrain that politics now operates on,
or must operate on, if it is to be effective – a terrain in which
technology is embedded into everyday life and the body; design
and PR are ubiquitous; financial abstraction enjoys dominion
over government; life and culture are subsumed into cyberspace,
and data-hacking consequently assumes increasing importance.
It may seem to be the case that Land, the avatar of accelerated
capital, ends up amply confirming Žižek’s claims about Deleuze
and Guattari’s work being an ideology for late capitalism’s
deterritorialising flows.4 But the problem with Žižek’s critique is
twofold – firstly, it takes capital at its own word, discounting its
own tendencies towards inertia and territorialism; and secondly,
because the position from which this critique is made implicitly
depends upon the desirability and the possibility of a return to
Leninism/Stalinism. In the wake of the decline of the traditional
workers’ movement, we have too often been forced into a false
choice between an ascetic-authoritarian Leninism that at least
worked (in the sense that it took control of the state and limited
the dominion of capital) and models of political self-organisation
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which have done little to challenge neoliberal hegemony. What
we need to construct is what was promised but never actually
delivered by the various ‘cultural revolutions’ of the 1960s: an
effective anti-authoritarian left.
Part of what makes Deleuze and Guattari’s work continue to
be a major resource in the current moment is that, like the work
of the Italian autonomists who inspired it and who were in turn
inspired by it, it was specifically engaging with this problem. The
point now isn’t to defend Deleuze and Guattari per se, but to
accept that the question that they raised – the relation of desire
to politics in a post-Fordist context – is the crucial problem
that the left now faces. The collapse of the Soviet bloc and
the retreat of the workers’ movement in the west wasn’t only
or even primarily due to failures of will or discipline. It is the
very disappearance of the Fordist economy, with its concomitant
‘disciplinary’ structures, which means that ‘we can’t just carry on
with the same old forms of political institution, the same modes
of working class social organisation, because they no longer
correspond to the actual and contemporary form of capitalism
and the rising subjectivities that accompany and/or contest it’.5
Without a doubt, the language of ‘flows’ and ‘creativity’ has an
exhausted quality because of its appropriation by capitalism’s
‘creative industries’. Yet the proximity of some of Deleuze and
Guattari’s concepts to the rhetoric of late capitalism is not a mark
of their failure, but of their success in gaining some purchase on
the problems of political organisation under post-Fordism. The
shift from Fordism to post-Fordism, or in Foucault-Deleuze’s
terms from disciplinary to control societies, certainly involves a
change in libido – an intensification of desire for consumer goods,
funded by credit – but this doesn’t mean that it can be combated
by an assertion of working-class discipline. Post-Fordism has
seen the decomposition of the old working class – which, in the
Global North at least, is no longer concentrated in manufacturing
spaces, and whose forms of industrial action are consequently
no longer as effective as they once were. At the same time, the
libidinal attractions of consumer capitalism needed to be met
with a counterlibido, not simply an anti-libidinal dampening.
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This entails that politics comes to terms with the essentially
inorganic nature of libido, as described by (among others) Freud,
the Surrealists, Lacan, Althusser and Haraway, as well as Deleuze
and Guattari. Inorganic libido is what Lacan and Land call the
death drive: not a desire for death, for the extinction of desire in
what Freud called the Nirvana principle, but an active force of
death, defined by the tendency to deviate from any homeostatic
regulation. As desiring creatures, we ourselves are that which
disrupts organic equilibrium. The novelty of the Anti-Oedipus
account of history is the way that it combines this account of
inorganic libido with the Hegelian-Marxist notion that history
has a direction. One implication of this is that it is very difficult to
put this historically machined inorganic libido back in its box: if
desire is a historical-machinic force, its emergence alters ‘reality’
itself; to suppress it would therefore involve either a massive
reversal of history, or collective amnesia on a grand scale, or both.
For Land, this means that ‘post-capitalism has no real meaning
except an end to the engine of change’.6 This brings us back to
Mensch, and we can now see that the challenge is to imagine
a post-capitalism that is commensurate with the death drive.
At the moment, too much anti-capitalism seems to be about
the impossible pursuit of a social system oriented towards the
Nirvana principle of total quiescence – precisely the return to
a mythical primitivist equilibrium which the likes of Mensch
mock. But any such return to primitivism would require either
an apocalypse or the imposition of authoritarian measures –
how else is drive to be banished? And if primitivist equilibrium
is not what we want, then we crucially need to articulate what
it is we do want – which will mean disarticulating technology
and desire from capital.
Given all this, it’s time for us to consider once again to what
extent the desire for Starbucks and iPhones really is a desire for
capital. What’s curious about the Starbucks phenomenon, in fact,
is the way in which the condemnation of the chain uncannily
echoes the stereotypical attacks on communism: Starbucks is
generic, homogeneous, it crushes individuality and enterprise.
At the same time, however, this kind of generic space – and
evidently not the mediocre and overpriced coffee – is quite clearly
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at the root of Starbucks’ success. Now, it begins to look as if,
far from there being some inevitable fit between the desire for
Starbucks and capitalism, Starbucks feeds desires which it can
meet only in some provisional and unsatisfactory way. What
if, in short, the desire for Starbucks is the thwarted desire for
communism? For what is the ‘third place’ that Starbucks offers
– this place that is neither home nor work – if not a degraded
prefiguration of communism itself? In his provocative essay
‘Utopia as Replication’ – originally titled ‘Wal-Mart as Utopia’
– Jameson dares us to approach Wal-Mart, that emblematic
object of anti-capitalist loathing,
as a thought experiment – not, after Lenin’s crude but practical fashion,
as an institution faced with what (after the revolution) we can ‘lop off
what capitalistically mutilates this excellent apparatus’, but rather as
what Raymond Williams calls the emergent, as opposed to the residual
– the shape of a Utopian future looming through the mist, which we must
seize as an opportunity to exercise the Utopian imagination more fully,
rather than an occasion for moralizing judgements or regressive nostalgia.7
The dialectical ambivalence that Jameson calls for in respect of
Wal-Mart – ‘admiration and positive judgement ... accompanied
by ... absolute condemnation’ – is already exhibited by the
customers of Wal-Mart and Starbucks, many of whom are
among the most trenchant critics of the chains, even as they
habitually use them. This anti-capitalism of devout consumers
is the other side of the supposed complicity with capital that
Mensch sees in anti-capitalist protestors.
For Deleuze and Guattari, capitalism is defined by the way it
simultaneously engenders and inhibits processes of destratification. In their famous formulation, capitalism deterritorialises and
reterritorialises at the same time; there is no process of abstract
decoding without a reciprocal recoding via neurotic personalisation (Oedipalisation) – hence the early twenty-first-century
disjunction of massively abstract finance capital on the one hand,
and Oedipalised celebrity culture on the other. Capitalism is
a necessarily failed escape from feudalism, which, instead of
destroying encastement, reconstitutes social stratification in the
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class structure. It is only given this model that Deleuze and
Guattari’s call to ‘accelerate the process’ makes sense. It does not
mean accelerating any or everything in capitalism willy-nilly, in
the hope that capitalism will thereby collapse. Rather, it means
accelerating the processes of destratification that capitalism
cannot but obstruct. One virtue of this model is that it places
capital, not its adversary, on the side of resistance and control.
The reactionary elements within capitalism can only conceive of
urban modernity, cyberspace and the decline of the family as a
fall from a mythical organic community. But can’t we conceive of
consumer capitalism’s culture of ready meals, fast food outlets,
anonymous hotels and disintegrating family life as dim pre-echo
of precisely the social field imagined by early Soviet planners
such as L. M. Sabsovich?
Building on the whole tradition of socialist dreams of household
collectivism, Sabsovich imagined the coordination of all food producing
operations in order to transform raw food products into complete meals,
deliverable to the population in urban cafeterias, communal dining rooms,
and the workplace in ready-to-eat form by means of thermos containers.
No food shopping, no cooking, no home meals, no kitchens. Similar
industrialization of laundering, tailoring, repair, and even house cleaning
(with electrical appliances) would allow each person a sleeping-living
room, free of all maintenance cares. Russia would in fact become a vast
free-of-charge hotel chain.8
The Soviet system could not achieve this vision, but perhaps its
realisation still lies ahead of us, provided we accept that what
we are fighting for is not a ‘return’ to the essentially reactionary
conditions of face-to-face interaction, ‘a line of racially pure
peasants digging the same patch of earth for eternity’,9 or what
Marx and Engels called ‘the idiocy of rural life’, but rather the
construction of an alternative modernity, in which technology,
mass production and impersonal systems of management are
deployed as part of a refurbished public sphere. Here, public does
not mean state, and the challenge is to imagine a model of public
ownership beyond twentieth-century-style state centralisation.
There were clues, perhaps, in the architectural marvels from
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the dying years of the Soviet bloc, photographed by Frédéric
Chaubin: ‘buildings designed at the hinge of different worlds,
in which sci-fi futurism conjoins with monumentalism’, ‘quasipsychedelic, crypto-Pop’.10 While Chaubin sees these buildings
as a temporary efflorescence brought about by the rotting of the
Soviet system, can’t we grasp them instead as relics from a yet-tobe-realised post-capitalist future in which desire and communism
are joyfully reconciled? ‘Neither modern nor postmodern, like
free-floating dreams, they loom up on the horizon like pointers
to a fourth dimension.’11
Notes
1. Ian Birrell, ‘Why the St Paul’s Rebels Without a Clue Can’t Simply
Be Ignored’, Evening Standard, 18 October 2012.
2. Nick Land, ‘Machinic Desire’, in Fanged Noumena: Collected
Writings 1987–2007 (Urbanomic/Sequence, 2010), pp. 341–2.
3. Nick Land, ‘Meltdown’, in ibid., p. 442.
4. See Slavoj Žižek, Organs Without Bodies: Deleuze and
Consequences (Routledge, 2004).
5. Éric Alliez, in ‘Deleuzian Politics? A Roundtable Discussion: Éric
Alliez, Claire Colebrook, Peter Hallward, Nicholas Thoburn,
Jeremy Gilbert (chair)’, New Formations 68:1, Deleuzian Politics?,
p. 150, http://www.lwbooks.co.uk/journals/newformations/articles/
roundtble.pdf
6. Nick Land, ‘Critique of Transcendental Materialism’, in Fanged
Noumena, p. 626.
7. Fredric Jameson, ‘Utopia as Replication’, in Valences of the
Dialectic (Verso, 2009), p. 422.
8. Richard Stites, Revolutionary Dreams: Utopian Vision and
Experimental Life in the Russian Revolution (Oxford University
Press, 1989), p. 199.
9. Nick Land, ‘Making it with Death: Remarks on Thanatos and
Desiring-Production’, in Fanged Noumena, p. 281.
10. Frédéric Chaubin, CCCP: Cosmic Communist Constructions
Photographed (Taschen, 2010), p. 15, 9.
11. Ibid., p. 15.
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