Zé Burns / June 9, 2021 / Books
Book Review: TERMINAL PARK by Gary J. Shipley
Book Review TERMINAL PARK by Gary J. Shipley – Babou 691
Other/Gary J. Shipley/Reviews/Book Review_ TERMINAL PARK by Gary J. Shipley – Babou 691.pdf
By Ben Arzate
Staff Reviewer
Human population has accelerated to the point of complete unsustainability. Mass murder,
starvation, and abject conditions have become common place. Kaal, a professor, takes
shelter in a luxury tower. There, he watches a long piece of video art which explores the
installment art piece PsychoBarn as well as several murders. The whole time, the world
continues to fall apart outside.
“
“Who can say in the history of this planet that they’ve sat in a sun-lounger 1,450 ft. up,
swigging from a ₹20,000 bottle of Cognac as they watch the Arabian sea turn slowly pink
with blood?”
Terminal Park is told in a mostly non-linear way with no chapter breaks. Each section jumps
between scenes of the world collapsing, Kaal’s story, and sections of the 195 Days… video art
piece. Many of the sections also include philosophical digressions on Julia Kristeva’s theories
on the nature of abjection and on the themes of Alfred Hitchcock’s film Psycho.
Shipley’s depictions of bodies on top of bodies, mass shootings, rot, flies, and insanity are
appropriately horrifying. One moment that sticks out in my mind is when an unnamed
influencer goes on an insane rant on camera about the awful state of the world before
committing suicide. The scenes become more fantastic as the book progresses, including a
part where it’s shown that the mass death and quick births are causing humans to evolve
into non-human creatures.
Kaal’s storyline, by contrast, is reminiscent of a Don Delillo novel. There’s very little action,
outside of him breaking into the luxury tower, and most of it consists of passively taking in
the video art of NB, the artist behind 195 Days…, and trying to make sense of it. It dovetails
into discussions of works (both real and imagined) related to Psycho, including 195 Days…
PsychoBarn, a real piece by Cornelia Parker, is the most prominent. However, while the real
PsychoBarn is a sculpture, a recreation of the Bates house with barn wood, NB is able to
enter it and explore the inside. There are also mentions of the Gus Van Sant remake and a
one-minute version of the film. The latter, as far as I can tell, does not exist as described in
this book, though a search did turn up a YouTube video with the title. It seems to be a
reference to an actual piece of art called 24 Hour Psycho.
The intertextual interrogation of Psycho doesn’t come in until later in the novel and seems
to have little direct relation, though it has some thematic relation, to the apocalypse
happening outside of Kaal’s tower. This is even commented on when Kaal contemplates the
possibility of Psycho being the reason for the world ending, but quickly dismisses it as
seeing patterns where they don’t exist.
I can imagine someone picking this up and expecting a strange apocalyptic story reading
this and being disappointed in the change to a surreal work of film theory-fiction. This was
something that I certainly didn’t expect going in. However, I still found it to be an engaging
work and I left it finding that I wanted to re-watch Psycho and finally pick up Kristeva’s
Powers of Horror.
Terminal Park is a very odd work. Even as a fan of experimental fiction, it took me some
effort to wrap my head around it. It’s a fascinating mixture of horror, apocalypse, and
theory-fiction. It’s hard to recommend it, as it fills a very specific niche. However, if you’re
seeking a challenging work and you have an interest in contemporary art, semiotics, and
horror films and literature, this is the perfect book for you.
Ben Arzate lives in Des Moines, IA. His articles,
reviews, short stories, and poetry have appeared in
various places online and in print. He is a regular
contributor to Cultured Vultures and is the author of
two poetry books (the sky is black and blue like a
battered child and dr. sodom and mrs. gomorrah,
feel bad all the time), one book of short stories (The
Complete Idiot’s Guide to Saying Goodbye,
NihilismRevised), and two novels (The Story of the Y,
Cabal Books and Elaine, Atlatl Press). Find him
online at dripdropdripdropdripdrop.blogspot.com.
Posted in Books and tagged Ben Arzate, Books, experimental literature, horror, review.
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