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Read a future-facing fictional piece on technology
by the late Mark Fisher
Celebrating the AI: More Than Human exhibition at the Barbican, we’re
exclusively sharing ‘Commodities Leap the Species Barrier’, a piece by
the late cultural theorist Mark Fisher and curator Suzanne Livingston
SCIENCE & TECH - FEATURE
Text Suzanne Livingston
Text Mark Fisher
13th June 2019
AI: MORE THAN HUMAN, THE BARBICAN
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Mark and I wrote this piece in 2002 – via our work email accounts – as one of many pieces that
were created on the fly, often without author credit. We wrote for various zines, music events and
art experiments across the Midlands at that time.
We were both members of the CCRU (Cybernetic Culture Research Unit) at Warwick University.
We had arrived there with Sadie Plant, transported from our Masters degrees at Birmingham
University, into the feverish world of Warwick’s philosophy department to begin our PhDs.
The CCRU – which famously ‘does not, will never’ exist – was spread across three sparse flats in
Leamington and Coventry. There were seven of us, with a sprawling network of collaborators. The
core group was tight, endlessly restless, and remains so today. This piece was written several
years after the time we spent at Warwick.
Our aim was to cause conceptual disturbances and cultural interventions which were much more
mass, viral and irrational than a PhD thesis ever could be. Its lineage has produced a long list of
cultural experiments and artefacts over the years and continues to do so.
Looking back now at our piece ‘Commodities Leap the Species Barrier’ and the phenomenon of
the ‘Familiar’ – which Mark and I concocted based on our long fascination with hype, compulsion,
the gothic and desire – much of its engineering now exists. Data ghosts, which know us better
than we know ourselves, surround us everywhere. Synthetic entities are being willed into
existence and as humans we have compulsively folded into the technology we buy.
But not until we reach the world of synthetic biology (as explored in the Barbican show AI: More
than Human) can we imagine animals manufactured for absurd corporate purposes, programmed
to behave as supine ‘walking advertisements’, as biologically enabled brands.
I have wondered – for the purposes of fiction – what the next product launch would be, following
on from the Familiar. Perhaps with the world of brain emulation and the endgame possibility of
sharing brains, it would be licensed brain stems (the Creep?) to enable us to download and
synthesise the cognitive skills of the people/ brands we admire. It would be a whole new spin on
the sharing economy – a kind of sponsored brain renting...
Mark left the world just over two years ago. His passing leaves a huge hole in the future.
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– Suzanne Livingston
READ MORE
Are you content? How the internet rewired our brains
The birth of the internet kickstarted a new human history, a total collective reworking
of our behaviours, our self-image, the way we work, have fun, fuck, and interact
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LAUREN, Lauren McCarthy courtesy of the artist
COMMODITIES LEAP THE SPECIES BARRIER –
MARK FISHER, SUZANNE LIVINGSTON
The online information service, Ask Jeeves, would not pass the Turing Test, but according to Dr.
Tim Bryant of the Commercial Infotechnics group at the Binomics Institute, London, there is a
major new development in ‘commodity interfacing’ which just might.
Working on the convergence of voice-activated computing, the net, and cyber-pets, the
Commercial Infotechnics group believe they have delivered the ‘killer application’ that AIdevelopment has waited for. This, it seems, is the software necessary to transport AI bots from
the world of the big screen onto the sofa beside you.
‘We call it the Familiar’...
It has long been the wish of leading brand engineers to ensure that their product becomes part of
your furniture. If brands can be intimate with their customers from the start, the relationships
which they form are bound to be deeper, longer-lasting, and more profitable. The Familiar takes
this strategy to its natural conclusion and inevitable new beginning. This is where brands leap the
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species barrier.
The technology itself is a highly-complex Artificial Intelligence system packaged into the body of a
cyber-animal. ‘Potentially,’ Dr. Bryant says, ‘the Familiar could come in pretty much any form:
kids’ toys, humanoid...’ But Bryant points out that, in studies, respondents tend to find humanoid
AIs ‘creepy’. This, though, is a necessary and resolvable part of the adjustment process: ‘The
animal form simply developed from the popularity of cyber-pets. Animal forms interface the
technology for users in the most appealing way. The animal form animates and familiarises
technology that, when accessed through a keyboard and monitor, seemed dead and passive.’
According to Dr. Bryant, the genius of the Familiar lies in building the trust of its user, or
apprentice. He argues that the animal form is a psychological correlate of the way the technology
is seen by the unconscious – as something simultaneously alien and intimate.
“The Familiar will know more about your habits
than you do yourself... more than serve you, this
entity will engage and stimulate. It will be able to
make jokes and play tricks on you”
Critics see this engineering of attachment as little more than a cynical exercise in control. The
Christian anti-technology campaigner Doug Frushlee believes what is in question is not ownership
of cyber-pets but ‘possession by cyber-creatures.’ For Frushlee, the ‘occult reference is no
accident. This is a bewitchment, aimed at children, and through them, the rest of us.’
The appeal for the commercial enterprises that are bankrolling the research into the Familiar is
indeed the unprecedented penetration into consumers’ habitats and unconscious minds that it
offers: this kind of AI can operate as a walking, live-in, always-on 'advertisement' for their
products. ‘It goes far further than that,’ Bryant enthuses. ‘The Familiar is the ultimate product: a
product that collapses commodity, market research and promotion into one another. It’s a
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product that sells you more products.’
These new beings are far more sophisticated than standard advertising devices and techniques,
not least because they work through effective engineering rather than rational persuasion. Wired
into the net, the Familiar will not only respond to your explicit questions, it will apprise you of new
developments, commodities and opportunities in an unobtrusive and conversational style. ‘Since
the Familiar lives with you, through you even, it knows about you in incredible detail. In some
ways, the Familiar will know more about your habits than you do yourself. It genuinely exceeds
the butler function: it has a mind and personality of its own which it uses to learn about your
desires and preferences, and to anticipate the ways in which they might be met. More than serve
you, this entity will engage and stimulate. It will be able to make jokes and play tricks on you.’
Bryant anticipates a whole range of branded Familiars and familiarised brands. ‘It is entirely likely
that we’ll soon see personalities of all our favourite brands – call them pets, bots, friends,
confidantes. Our research shows that our trust of such creatures is potentially unending. We will
soon begin to think of them as extensions of the family.’
In memory of Mark Fisher (11 July 1968 – 13 January 2017).
Mark Fisher also known as ‘k-punk’, was a writer, critic, cultural theorist, and teacher based in the
Department of Visual Cultures at Goldsmiths, University of London. He published writing on
radical politics, music, and popular culture. This text was written in 2009 by Mark Fisher in
collaboration with Suzanne Livingston, the co-curator of AI: More than Human
Lead image: ”FACEPRINT”, Nexus Studios
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