2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 1
2 2=5 - Jake Chapman
Jake and Dinos Chapman/Jake Chapman/Texts/Books/Author/2_2=5 - Jake Chapman.pdf
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 2
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 3
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 4
Published in 2021 by
Urbanomic Media Ltd.
The Old Lemonade Factory,
Windsor Quarry,
Falmouth TR11 3EX
United Kingdom
© Jake Chapman 2021
All rights reserved.
No part of this book may be reproduced or transmitted in any form or
by any means, electronic or mechanical, including photocopying,
recording or any other information storage or retrieval system,
without prior permission in writing from the publisher.
‘The Times They Are A-Changin’’
Words and music by Bob Dylan
© Universal Music Corp., Songs of Universal, Inc. and Universal
Tunes, a Division of Songs of Universal, Inc. Used by permission—
all rights reserved
‘Woman is the Nigger of the World’
Words and music by John Lennon and Yoko Ono © Ono
Music/Lenono Music c/o Downtown Music UK Ltd (PRS). Used by
permission—all rights Reserved
ISBN (Print Edition) 978-1-913029-69-2
Distributed by the MIT Press, Cambridge, Massachusetts and
London, England
www.urbanomic.com
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 5
The meek shall inherit the earth, but not the mineral rights.
— J. Paul Getty
d_r0
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 6
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 7
Part 1
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 8
Chapter I
It was a bright and beautiful day in April, and the clocks were striking
thirteen. Winston Smith, mindful of the luminous sun bathed in a
baby blue sky, slipped casually into the pH-buffered ambience of
Serenity Mansions, though not quickly enough to prevent a swirl of
pink apple blossom from entering along with him.
The hallway smelled of freshly laid seagrass suffused with a faint
trace of reliquary myrrh. A large embroidered tapestry hung on the
far wall, depicting a colourful smiley face set in the midst of a
crimson ground, with two coloured dots for eyes and a simple
upward curve for a smile. Winston summoned the elevator, but
before the floor pointer could arc its way over from one end of the
rainbow to the other, had already slipped into the stairwell, keen for
the exercise of the seventeen flights up to his homely hearthstone.
On the third floor landing he took time to stretch out his back, glutes,
hamstrings and calves, finishing off with a deep fingertip-to-toe bend
just as the elevator basket exhaled silently downwards on a cushion
of the softest air. On the palisade, the same smiley-faced tapestry
gazed down upon his lissom physique. The face with the kindly eyes
that followed your every movement. SMILE AND THE WORLD
SMILES WITH YOU, the caption beneath it ran.
The apartment was filled with the genteel collision of wind against
bamboo chime, and, being customarily drawn to its welcome,
Winston soon found himself standing before the vast panoramic
window, confronted by the faint backscattered image of a man
whose easy demeanour was summed up by his meticulously
nonchalant clothing—the white loose-linen open-necked blouse,
loose jeans, open-toed sandals, a string of raw sandalwood beads
tied loosely about his wrist, a simple sand-coloured wooden paynim
pendant hung on a thick thong around the neck, and the rigorously
unkempt hair.
Winston’s reflection was radiant with wellness, the skin tended by a
diurnal regimen of natural moisturisers, soothing balms and
softening toner—and yet the propagating waves glancing off the
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 9
surface of the glass conveyed nothing beyond the integrity of the
superficial phenomenon, and it was questionable whether there was
evidence of anything substantial beyond the gossamer image smiling
back at him. He moved his face closer to the glass, fingering the soft
skin just below his left eye, dragging it down to peer into the
glistening mess. He dipped his chin, tipped his head, turned it to the
left and right, but despite this deliberate animation the eyes
remained fixed, the reflected stare constant, the mask’s uncanny
sentience disavowing all suggestion of a soul in the very attempt to
catch sight of it. Relinquishing the attempt to see himself as others
might see him, Winston peered through the tenuous opacity of his
reflection to see the unequivocal fact of the glorious world beyond,
spread out in every direction, bathed in beneficent sun. Through his
dissolving face he saw the city alive with a chaos of colour and
observed the vital purpose of its teeming population below. Smiley
faces of all shapes and sizes gazed down keenly from every street
corner; there was even an enormous version posted on a vast
hoarding above the apartment block opposite. SMILE AND THE
WORLD SMILES WITH YOU, it said, the kindly eyes watching over
Winston’s residence with the greatest solicitude.
A distant helicopter lowered from the bright azure sky, down and
down, scything between the buildings and hovering deliberately for
an instant before winding back up into the sun. The Neighbourhood
Watch Air Patrol was sweeping the upper cityscape, making sure
that everything was all harmonious and hunky-dory—as above, so
below.
A kilometre away, the cluster of municipal Ministry buildings soared
above the city, filling Winston with a calm euphoria; a desire for
something verging upon a sense of continuity, a contiguous
belonging to all things laid out before his eyes—a lofty craving which
was soon displaced by a compensatory evocation of childhood, as
he remembered the plots of the low modular houses of his youth,
decorated by flowering Cana lily and Frangipani trees, their many
window frames framing the many smiles of the contented tenants.
He recalled the sloped roofs and the crazy-paved gardens with
explosions of fragrant blossom, petal bursts swirling up in vortices of
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 10
warm air. He thought of the great willow trees draping over and
dipping down into the river, he thought of the communal gardens and
the ornamental flower beds, with their exotic scents; the kites, flags,
hot air balloons, butterflies, candy floss, sweets and cakes,
bushbabies, honey bees, giraffes, caterpillars, dragon flies,
porcupine, jugglers, owls, doves, palm trees, zebra, rhino beetles,
aardvarks, and the hurry-scurry playgrounds sprinkled with freshest
pine woodchip.
Especially noteworthy in the vista that opened up before him was
The Ministry of Good Fortune, an enormous pyramidal structure of
glittering Himalayan crystal with ziggurat terraces stepping up, up
and up, three hundred metres up into the sky, and then stepping
down, down, down to the ground. From where Winston stood it was
possible to read, boldly carved into its sloped rock face, the three
slogans of healthy living:
BE COMFORTABLE IN YOUR OWN SKIN
BELIEVE IN THE MOMENT
BECAUSE YOU’RE WORTH IT
The Ministry of Good Fortune harboured a happy hive of laid-back
yippy wonks and eager-beaver journeyfolk, with generous carparking scooped out of the earth below, including complimentary
hook ups for each and every rust-bucket VW hooptie.
There were three other municipal buildings of comparable scale, and
so completely did they dwarf the city that the spectacle could be
appreciated even from the shallows of the surrounding suburbs.
These were the four main Ministries in which the collective
corporate co-operative was made manifest—neither the command
centres of a sovereign directorate or an overbearing nanny-state, nor
the citadel campaniles of some federal autocracy, but the four
devolved poles of a distributive consensus-nexus, a resourcemanipulating organelle delicately attuned to the fluctuations of an
improvisational market, and encapsulating the four essential human
freedoms: freedom of speech and expression; freedom to connect to
the universe in any way, shape, or form; freedom from want and fear.
The Ministry of Good Fortune embodied the collective economic
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 11
providence of its citizens, the Ministry of Fun and Games personified
gestalt enrichment through everyday jouissance, the Ministry of Love
nurtured intrapersonal and somatic harmony, and the Ministry of
Caring and Sharing fostered a helping hand with all other salutary
aspects of societal holism.
Each building was an architectural delight, but the Ministry of Love
was especially vivid, formed as it was in the figural shape of a
towering penis entering a monumental vagina, with a back entrance
for underground parking. Winston, however, had neither need,
reason nor desire to visit the Ministry of Love—so he said. The
Ministry of Love was run by shrinks and quacks of every persuasion
—cognitive psychologists, mindfulness anthrosophists, integrative
psychotherapists, motivational psychodynamicists—from Freud,
Jung and Klein to Baker Eddy, Ainsworth, Horney, Maccoby, Kneipp
and even Kellogg—all affiliates of the Abolition of Involuntary Mental
Hospitalisation, the Hearing Voices in the Head Network, and the
Centre for Dissociative Paranoia Inc. The streets leading up to the
Ministry’s outer lips were customarily patrolled by volunteers of the
grassroots Neighbourhood Watch who freely counselled pedestrians
seeking self-esteem therapy, especially those shy and retiring
citizens who might be found loitering in local parks, or those
reclusive individuals who sought isolation in the discomfort of an
Ideas Store, stalled in the self-help section—the frail human frass
found faltering on the long and winding road to ultimate selfrealisation and inner-wonk wisdom.
Winston slunk a vaguely otiose diagonal back to the healing rosequartz-counter-topped kitchen island, a finger lagging lazily along its
homespun edge all the way to the refrigerator, peeking inside only
for his faint yearning optimism to be tinged by the yawning
fluorescent disappointment that was always reliably there to greet
him. As soon as the door was opened, the machine had come alive
with a sentient click and a mechanical shudder, as though sensing
an increase in ambient temperature, quaking nervously at the notion
of something warm-blooded outside looking in. It dawned upon
Winston that sacrificing lunch in the convenience of the Ministry
eatery had been rather foolish. From the shelves of the fridge the
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 12
resident lettuce, the shrimp, buckwheat and kelp-agar, plus lemonzest guano, called out to him in a not entirely wholesome way. Even
the companion fortune cookie portended doom, its mysterious
prediction still intact inside the cold, brittle pastry. Guessing at the
dark prophecy it might hold for him—Best not eat tainted shrimp for
much sickness will follow—Winston instead elected for a narrownecked flagon whose pretty, rustic label identified its contents as
Herbal Ataraxy Elderflower. He poured a small glass and nerved
himself for a modest shock, downing it quickly like an astringent
remedy, the subsequent blench causing the fizzy elderflower to
flatten and stream out from both squinting canaliculi. When the
fizzing in his sinuses abated he felt the vitality of his senses return,
as the last stevia shivers tingled in the entangled snarl of his
unkempt hair.
Winston settled at the elegant vintage Jens Quistgaard flip-top
desk set back in a small but neatly accommodating alcove. From the
Quistgaard’s creaking drawer he took out a brown paper bag, and
from the bag, a book. He set the book down on the desk before him
and began alternately closing one eye and then the other whilst
rocking gently to and fro on his seat—even letting out a slight hum
as he did so. The dominant image on the book’s brightly coloured
lenticular cover was that of a generic smiley face—a circular disk
with two coloured dots for eyes and a simple upward curve for a
smile—and yet with only the slightest of movements the happy face
became immediately unhappy. It shimmered so easily between
happy and sad, exactly capturing the two proven poles of human
expression, that any existential speculations jotted within its pages
were at risk of being an extraneous redundancy.
Next to the alcove a small black and white portable television
perched casually on a chair—switched on, but with the sound turned
down. The television was positioned with its screen set obliquely
enough to prevent even Winston’s peripheral vision from being
unwittingly gripped. He had an affection for the television’s proximate
murmur, being most fond of the company of anonymous voices—and
so long as he stayed positioned at the desk, he would not be unduly
distracted from his present purpose. Of course he could simply
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 13
switch the thing off, but the monotony of the voices made the
uncertainty of what he was about to do far less daunting.
The My Big Book of Me was laid open on the desk, set beneath
Winston’s apprehensive gaze. The first page glared up at him, all
imminent and bright, and he savoured the smell of the binding glue
that wafted up when the virgin spine creaked apart with the first
press of the palm—that especial scent given to all things created
with the meticulous tarnish of the human touch. It was at Harmony
Maker’s Market that he had come across the My Big Book of Me
cahiers being fabricated in situ. He had not been overtly conscious of
wanting or needing a notebook for any particular purpose other than
to support the Maker’s public display of artisanal toil (or was it just to
avoid leaving the market empty-handed? It was difficult to tell.) Yet
here he was, staring intently at the expectant first page as if
contemplating something vaguely criminal; as if the punishment for
defacing such an assiduously artisan-crafted object might be public
humiliation, menial labour, or three months incarceration in some
dreary reality television show.
Winston was not exactly used to writing by hand, apart from short
annotations and the odd instructive note associated with his tasks at
the Ministry. It was usual there to log everything directly into the
Dictaphone, which was pointless for his present purpose since he
would have only to transcribe his own dictation. So he urged the pen
a little closer towards the page, but again faltered, since his hand
had begun to shake. To mark the paper was a decisive act, and so,
to begin with, in smallish neatish letters, as best he could, he
scrawled:
April 4th, 1984.1
He sat back. A sense of foreboding descended upon him like an
embalmer’s sheet—dark, solid as livid meat laid out on a morgue
slab, dense as the slab itself. Why was he writing? Who was he
writing for? Could it just be writing for writing’s sake—that immense
and hollow humility that places itself at an infinite distance from
vanity, and yet by virtue of its subtraction sneaks up to magnificence
with a coquettish simper?
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 14
Winston considered the date on the page with growing suspicion,
since it insinuated that everything to follow was destined to a
courageous embrace with insignificance (but with one steady eye on
immortality), or worse, to mere gobbledegook—the unholy tripartite
coalition of claptrap, gibberish and drivel. How could he
communicate if all was anyway gobbledegook? How could he
communicate in the present if all was anyway gobbledegook? How
could he communicate with the unborn if all was anyway
gobbledegook? And if the future resembled the present, he would
simply be stating the obvious, and acting in the present would at best
amount to squandering his spare time in the cause of an empty
gesture, a hopeless hobby crowned by ennui and self-pity.
While the innocuous date mocked him with its dogmatic simplicity,
the creamy voices to his left had begun to discuss the nutritional
merits of artisanal cashew cheese. Despite the reflex rise of bile in
the stomach and a drooling of the mouth, he resisted tipping his
chair back to catch the cheesemakers by sight, wary of being forever
caught in the television’s mesmeric trap. For many months the idea
of putting pen to paper had been fermenting in his mind—but it had
not even occurred to him that anything more would be required than
an aptitude for rendering his impressions directly onto the page.
Writing should come naturally and flow easily; all he should have had
to do was to transfer to paper the persistent monologue that had
been running inside his head, looping and twisting, for as long as he
could remember. Yet the inner monologue appeared to have lost its
tongue…and before him loomed the imminently bright white page,
beside him the cheerful churning of the cashew cheese, inside him
an exiguous migraine beginning to flavour his mind—while
somewhere downstairs in the basement of bad dreams, his gut was
being cruelly etched by an ill-judged glut of Herbal Ataraxy.
And then suddenly, without any inkling of intent, his right hand—his
writing hand, only nominally connected to his body—began a
spasmodic scrawl across the page. It was all he could do to peer
down at the agoraphobic motion of a sickly cockroach caught out in
the open beneath the glare of human disgust, its gammy broken leg
dragging behind, leaving a delicate train of sepia pus, or was it
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 15
cochineal?—crawling across the luminous white page in a tremulous
scuttle, a stochastic scribble yet to disclose the aim of its erratic
journey…. Only imperfectly aware of what his hand was setting
down, he observed its motion, aghast at the uncanny independence
that was drawing it across the page, looping and plotting each
opening capital and closing full stop, with all the tender letters so
tremulously strung out in-between. Winston had often privately
speculated as to the eventual manifest form his writing would take…
and what became evident to his bitter scrutiny was this:
Must compassionate mind
Cultivate warmheartedness
Peace of mind come from
Heart root of all goodness.
All must exist in simple soil
No need complicated philosophies,
My tingle brain and soft shell heart
Are my special inner temples for
The kindness cat has for injured mouse.
Winston looked down at the merciless drear, taking especial fright at
the poem’s ragged right edge. There was no accounting for the
bizarre anarchic motion of his hand; but as it scuttled beneath his
detached gaze and across the page again, an entirely separate
thought came back to him. He remembered that it was because of
this other thought—a memory of something that had occurred much
earlier in the day—that he had felt so compelled to sacrifice lunch at
the Ministry eatery and rush home.
It had happened that very morning, if anything so eerie and strange
could be said to have distinctly happened at all. It was nearly eleven
hundred, and in the Ministry of Good Fortune they were busy
dragging out the couches, yoga mats, beanbags, cushions,
zabutons, sheepskins, hassocks, soumaks and loungers, grouping
them in the centre of the community room to face the large projection
screen in preparation for the Two Minutes Compassion. Winston was
just settling into a bamboo chair when he noticed the last few people
to enter the room, among them the girl whom he sometimes passed
in the corridor. He had formed the idea that she belonged in the
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 16
Romantic Friction Department, presuming so because he had once
spotted her being consoled by a coterie of departmental comrades,
one of them cradling a box of tissues and delicately dabbing at the
red-raw corners of her eyes. Winston had taken an immediate shine
to the girl from the very first moment he set eyes all over her. With
the strands of her dark tousled brunette unruly bob pointing casually
in many eccentric directions, she appeared to project a certain
otherworldly kookiness, but he suspected it masked something
altogether more profound. He was in fact mindful that his libidinal
attraction was as much an appreciation of her glowing inner fortitude
as it was an instinctual reaction to her superficial kookiness. He
appreciated women’s and men’s inner and outer appeal equally,
especially the young and pretty ones and the older ugly ones too—
he appreciated them pretty much unanimously, with a similar regard
for ugly old men and pretty old women and pretty young men and
ugly young women, and all for pretty much similar reasons. He
understood how the pretty human face became gradually more
beautiful with time, and how, with much more time, a beautiful
human face became wise, and no sooner had it become wise than it
became wizened, and how once wizened the seasons of the face
eventually came to a withered rest. All in all, Winston was confident
enough in his cosmetic quantizing to know that this particularly
young pretty handsome female girl woman comrade made more of
an impression upon him than most, and that this feeling was
somehow inextricably connected to his own sense of authentic wellbeing. For instance, once when they had passed in the corridor, she
had cast him a furtive sidelong glance that disturbed his soul, and,
capitalising on his public perturbation, she had ruthlessly harvested
his perplexity—absorbing his moronic leer into the dynamo of her
own self-rejuvenating ego. He nonetheless comforted himself with
the conviction that the synergistic frisson they sometimes shared in
the corridor must be vaguely mutual—and that somewhere beyond
the glow of the fullness of their being lived a truly dark, dank, animal
lust….
Winston saw that the girl was assisting O’Brien with her wheelchair
—an ornament of affection rather than of practical necessity—but
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 17
what was strange about their alliance was that she appeared to be
whispering to O’Brien, both of them apparently staring in Winston’s
direction. In this Winston found no cause for alarm, since O’Brien
was just about the most amiable person one could hope to know.
She was well-rounded and beautiful on the inside and out, and wellseated in the sovereignty of her mobile throne. This most genial
mentor, crowned by a magisterial face, had a little trick of resettling
the spectacles on the bridge of her nose, which only added to her
overall charm. Many were drawn to her intimate counsel since she
was so open and affable—the kind of person one might openly talk
to, and not only about Ministry affairs, but about poetry and art too—
not that Winston ever wanted to talk about affairs, or poetry, or art
too.
O’Brien found a space for her chair just a couple of places away
from Winston. A small, pink-haired girl woman lady wonk who often
worked adjacent to Winston soon occupied the beanbag in-between,
already munching on popcorn. The girl with the dark non-conformist
hair had settled immediately behind Winston, an insouciant leg
dangled purposefully over the notched back of his seat.
With the room settled into clenched expectation, the lights began to
dim as a familiar jingle cleaved into the hush—a childish finger
working its haunting staccato magic upon a toy clavichord with brutal
ham-fisted clarity—announcing that the Two Minutes Compassion
had begun.
Winston was still fumbling for his 3D spectacles as a blurred vision
of a vast desert and an angry red sun faded up to hang luminous
before him. With the spectacles properly seated, the room came
alive with a panorama of failed crops, stretching to the farthest
horizon. In the foreground a glockenspiel of collapsed animal bones
cast jagged shadows into the room which raked over the flinching
and squirming audience. Huge dust clouds swept up in squalls of
foul air to fits of psychosomatic coughing, finally giving way to the
sight of an arid river basin, the parched stream-bed cracked into a
huge puzzle of itself, the territory confused for the map, and at the
map’s scurf edge a silent overseer, all sacred and hopeless—an
emaciated cow hung from the agony of a serrated spine, a tattered
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 18
plastic bag caught on its horn. And then, as ever, more and yet more
images of hell pulsed and dissolved, dreadful stereoscopic spectres
reaching out like a many-fingered claw to stimulate the compassion
of the audience with the miraculous horror of optical density—a
sensory nightmare so virtually real that neither rapid eye movement
nor night sweats nor stricken cries could be dispelled by waking.
Then came a simple voice to pronounce the name of each crime:
‘DEATH…
DROUGHT…
FAMINE…
MISERY…
HOPELESSNESS….’ It was a voice of such singular solemnity that it
bristled the hair at the nape of the neck and sent innocent eyes
abattoir-wide. ‘Friends! Citizens of humanity! It’s an ill fate for a world
to be expunged of the technologies of malice and war, only for the
meek to remain at the whim and mercy of nature’s intemperate
rage….’
All light and hope in the room was suddenly extinguished, and only
a low primordial hum sustained the narrator’s ominous incrimination,
pitched into the darkness like some death knell that resonates with
malignant tissue and hidden cancers…. Then a single speck of light
appeared on the screen, hushed apprehension condensing towards
it like the sun concentrated through a magnifying glass. All hoped
that the redemptive speck might grow, might blossom, might
illuminate and attenuate the dread of the narrator’s words—and what
followed, as ever, were gasps of relief and impromptu applause as
Emmanuelle Goldstein appeared, like a vision, in all her bright and
luminous glory, with the usual wry smile to settle the audience back
from the cliff-edge of their chairs, soumaks and beanbags—
Goldstein the poet, polymath and erstwhile movie star, a beacon of
empathy, with her voracious appetite for the famished; and when she
saw fit to cast her eyes down the barrel of the camera, directly into
the pinned retinas of the faithful, she glared with the focus of a highenergy laser-beam, and spoke.
‘Friends! Compatriots in global consensus! I bring word of a new
disaster—more terrible than the last! Mother Nature is conspiring to
decimate our distant cousins! A terrible famine looms over the region
of the lost tribes, and even threatens to wipe them out. We have tried
in vain to persuade them against the theology of ruin from which they
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 19
divine their redemption. We can only offer the fact of our charity
against the superstitious burden that binds them to a hostile sun. So
I call upon you, one and all, to act now before it is too late.’ Goldstein
maintained her silent gaze as a host of angelic voices began in kind:
Would you walk by on the other side
If starving children cried?
Would you walk by on the other side
Or would you pass them by?
Would you walk by on the other side
If Stalin’s children cried?
Would you walk by on the other side
Or would you pass them by?
As the children trilled like parakeets on a day-perch, Emmanuelle
Goldstein’s face shimmered between solemnity and rage, striving
toward some kind of juxtaposition between the sublime execution of
the choir and the bewildered excruciation of the dying. She was
shaking her head at the terrible suffering that her shaking head could
not even hope to know—only to then nod at the suffering that her
knowing nodding knew only too well. She was nodding and shaking,
trembling, frowning and sighing—hoping that somewhere within this
mishmash of contradictory expressions was an approximation of
death. Unrestrained sighs broke out among the audience, and the
light-pink-haired woman sat just along from Winston emitted a long
and involuntary sigh that conveyed brave anticipation of the full-fat
onslaught to come. It was perhaps implicitly understood that ever
greater acts of charity were required in order to maintain the needy
in the interstices between disease and good health, and so the
cherished episodes of the Two Minutes Compassion varied from
week to week, employing great novelty to refresh the jaded face of
suffering and thereby sustain the empathic attention of the donors.
However, it was sometimes unclear to Winston whether the
entertainment given as dispensation to the donors had in fact
supplanted the objective purpose of charity, such that the needy
were maintained in the interstices between disease and good health
precisely in order to serve the purposes of novelty. Needless to say,
Winston couldn’t always bring himself to watch the programmes
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 20
when they were broadcast live, and set the machine to record each
new episode so that he could watch it later. Although he never did
so, the timer was nonetheless set on repeat to record over the last
with the newest, and always on the exact same section of tape, two
minutes of compassion that Winston had yet to afford….
With an array of infographics—the vertiginous peaks and troughs
of feast and famine graphs, delirious numeric counters, famished
pie-charts—Goldstein proved that they must act without hesitation to
fend off each impending natural disaster before it was too late; to
embrace the pitiless plight of their god-fearing cousins without
turning from the sight of their sacred abandonment, to bear witness
to the pitiful images of the diseased, and so to be entitled by the
authenticity of first-hand experience to act with unbribed volition, to
volunteer their own hard-earned tokens in the manifest expression of
an irreducible free will.
‘If we do nothing they will die! We have no other choice than to
save them from themselves! We must do something—anything is
better than nothing!’
Into the exotic ulcer wrenched between the diseased life and
economic death of those unfortunate souls rendered prone to charity,
the donor dutifully acknowledges their own providential fortune by
sprinkling a little trickle-down economics, if only to animate the spell
of wretched indebtedness that endows guilt with its tangible rate of
exchange. The Two Minutes Compassion really put the wince in
Winston, and Winston’s diaphragm was already constricted. He
could never witness the face of Goldstein without a descent into the
primal. This was probably true of all those who identified with her
personification of suffering. And despite the utter ugliness of this
world of endless famine and persistent drought, Goldstein somehow
managed to maintain her inner hope, as evidenced outwardly by the
big sorbefacient eyes that were so ruthless in extorting great
compassion from the populations of the nice-and-comfortable. Yet
with every appeal, each more urgent than the last, Winston became
more anxious that others might not be moved enough to donate
proportionately to the call—or that, even if they did, the sum total of
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 21
all virtuous efforts could not prevent Mother Nature or God from
fulfilling the perpetual obligation to wreak seasonal annihilation.
‘Remember!’ Goldstein cried out, as if addressing the crime of
Winston’s inner thoughts, seemingly glaring straight down at him
alone. ‘We must donate proportionately to the call—so that the sum
of all our virtuous efforts can prevent Mother Nature from wreaking
seasonal annihilation!’
Winston had no time to reflect upon the coincidence of Goldstein’s
announcement with his own unspoken words, since her emphatic
outburst seemed to have knocked the wind out of her; the bean-bag
dwellers, too, were all moved to a terrible hush by the very sight of
the narrator’s unscripted dilapidation—that such a hardened
humanitarian should be so easily moved to tears in public….
Goldstein clumsily wiped at her eyes, smearing native carnauba
mascara with the cruel blunt of her knuckles, but not before a simple
human tear managed to escape her shame. Before the teardrop
could fall to the earth and, God forbid, cause some outrageous
genesis, some germinal obscenity, to push up through the dirt and
sprout into the murderous light, a colossal holographic hand, as
huge and clumsy as a theatrical prop, came thrusting from the
screen, projecting out into the room as if it had crashed through from
the wall behind, sending the audience backwards for fear they were
being propositioned by some God-sized delinquent beggar. But
Goldstein’s hand was simply reaching out to catch the tear drop, to
save it from the agony of the soil and the sun. And then many gasps
of relief were stifled as soon as they were expressed: Goldstein’s
compliant palm began to transform before their very eyes into a vast
pink desert, an arid dustbowl with a diminutive waterhole set in the
central depression, but with a silent overseer—the emaciated cow
hung from the agony of its serrated spine.
With the low susurration of the damned and the universal mockery
of flies swarming in the sickly air, the wincing audience huddled
close on their island of disturbed tranquility, with much chattering of
teeth, gnawing of beanbags and dry retching; some were afflicted by
lingering groans and coughing, with lips curled and teeth bared,
mirroring the peeled skeletal grimaces of the dying—except that their
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 22
rictus dental perfection revealed whiter-than-white teeth fluoresced
by the luminary overspill of the stereoscopic projector.
Soon came the customary flood of promises of fiscal support—the
exuberant jingle-jangle of loose change trickling down, of credit
cards waved and swiped in the air, of tax relief redirected and
standing-order mandates pledged. How impeccable was the timing
of the Two Minutes Compassion—as if the temperature at which
sympathy reached fever pitch matched the exact thermal threshold
at which pecuniary outpourings became molten and ran freely, the
flux of mercurial generosity meeting the hiss of annealed solder. As
the donation counter spun deliriously with each new fiscal tranche,
Goldstein clasped her hands together in triumph, beat at her bosom
with clenched fist and reciprocated her adoring audience—then
shook her head slowly and nodded most solemnly, knowing that
somewhere in this lenticular shimmering was an approximation of
humility. As was customary, the Compassion had passed through
frenzy towards redemption, donors now leaping up and down on
their beanbags and shouting at the tops of their shrill voices, feeling
quite at liberty to drown out the horrific descriptions that had drifted
down from the screen to so bleakly tarnish their hearts and minds.
The little pink-haired woman’s mouth was opening and shutting
without sound, like a fish gulping beneath the scorching sun.
Winston noticed that O’Brien was watching with her own 3D glasses,
perhaps transfixed, but absolutely expressionless.
The dark-haired girl behind was now up on her feet yelling ‘Give!
Give! Give!’ She was even moved to fling a handful of loose change
at the screen. Winston found that he too was shouting with the
others and kicking his feet violently against a vacant beanbag in front
of him, since its erstwhile dweller was up on their feet too, similarly
beating the vacant beanbag before them. Once the collective sense
of injustice had achieved its injurious peak and the tears had been
delivered up to the dabbing of soft tissues that were freely handed
about, a new calm took over as the Compassion once again abated.
A new collective hope began to warm the wonks huddled together
in the centre of the room, clinging to their beanbags and soumaks
like survivors on a makeshift raft having caught first sight of land,
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 23
thoughts of cannibalism now far from their minds, since all were now
cheerful in their new optimism—especially the weak, thankful for a
close escape from gourmet death. A new collective coalesced
among them, a determination to begin the war on famine! Right now!
We must! We have no choice! Before it’s too late! Because anything
is better than nothing!
As Goldstein’s parade of horrors ebbed away, Winston savoured
the grandeur of his own personal catharsis. He was certainly a better
person for it, for the horror, since now he felt an overwhelming sense
of compassion for all things animate and inanimate—for everything
and everyone around him, for the sun and the moon, the birds and
the bees, for yin and yang, for the clouds and rain, for honey and
jetsam, for people he didn’t know, and those he had no hope of ever
meeting. He even had a sense of unadulterated compassion for the
populations of the unborn, twinkling away in a sublime and indifferent
cosmos. In short, Winston was thankful for Goldstein, since her two
minutes of morbid horripilation gave a redemptive narrative to
suffering, and made other people’s pain, unavoidable as it was, truly
worth it for all.
From a distance there came the lowly murmur of flies and
simmering vultures ruffling their dusty feathers. Winston was still at
one with all things animate and inanimate, black and white, honey
and vinegar, flotsam and jetsam, yin and yang. At these moments a
heightened sense of intrapersonal connectedness flowed through
him. In spite of the pietistic solitude that hung about her, Goldstein
appeared like some transcendent enchanter, capable with just the
tone and inflection of her voice of reinvigorating popular confidence
in the ineluctable spirit of progress. When she smiled, more often
than not knee-deep in the mire of some obscene and godforsaken
suffering, civilisation itself nonetheless shone forth from the shit,
untarnished, unblemished by hopelessness. Everyone in the world
agreed that famine was intolerable, this miraculous global consensus
being expressed by those fortunate enough to enjoy institutions of
opinion, since consensus is not a thing a person thinks about when
they are famished. And the world accordingly united in pity and
outrage—all differences put aside in order for the world to act on
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 24
behalf of those faceless, nameless half-beings slipping towards an
excruciating annihilation, too weak to partake in the univocal
consensus being established in their name, but instead doomed to
the unheard murmuring democracy of the undead.
It was possible during such moments of heightened pathos for the
capacity for sublime love to greatly flourish—for love to fuse with the
deepest darkest sorrow, the sorrow of the soil and the stars and
everything imprisoned between. The assimilation of profound sorrow
into profound love allowed Winston’s tears of sadness to mingle now
with tears of joy, so that the one was indistinguishable from the other,
like water in water. Crying for joy, Winston found he was picturing
himself walking hand-in-hand with the subject of his present romantic
fixation—eating candy floss with her, or breaking pumpkin bread…or
sharing carob cake. And as his thoughts drifted from horror to love, it
dawned upon him that he liked her because she was pretty and
handsome and wise, but not yet wizened. He wanted to sleep with
her—and because liberated sexual pleasure epitomised a person’s
Fullness of Being, only a willing intersection in the Venn diagram of
two overlapping Fullnesses of Being could allow the carnal magic to
happen. It occurred to Winston then that the erotic universal set that
might plausibly conjoin him to the girl could perhaps be found in a
mutual hatred of famine. Hatred was the universal set that could
authorise a singular and sublime love.
And then a starving woman with horribly plaintive eyes loomed
large and terrible, pleading for the exhausted child cradled so limply
in her size-zero arms, so that some observers in the front row
slumped back into their seats and beanbags, drawing as far away
from the dying child as they could, eyes welling with huge, luminous,
bulging, childish, cartoon tears and caricatured gestures of sadness.
Winston’s streaming tears also changed allegiance mid-flow, from
lust-tinged joy back to sorrow. But before a single drop could be
spilled onto the carpet, there rose a unanimous sigh of relief as the
grotesque woman and her withered fledgling melted away into the
hallucinatory topology of Goldstein’s merciful profile—and with
everything solid melting into air under the influence of a mysterious
calm and a magnanimous compassion so vast that it filled the screen
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 25
and gushed out into the room beyond, Goldstein’s inner beauty
made way for the three soothing epithets to pulse and throb on
screen:
BE COMFORTABLE IN YOUR OWN SKIN
BELIEVE IN THE MOMENT
BECAUSE YOU’RE WORTH IT
The little pink-haired woman flung herself forwards onto the
distressed beanbag that Winston had been so dutifully kicking and
stamping on, thus rudely interrupting his cathartic flow, and with her
face buried in its compliant softness gave out a muffled cry that
others might gladly interpret as: ‘Goldstein…our saviour!’ And then,
releasing her face from the calming beanbag—its charged beadparticles the Brownian brunt of Winston’s rage—elevating her head
with an expression of glowing confirmation, then extending her
chubby arms out towards the screen, with corpulent fingers
outstretched even to the ragged ends of flagellated hangnails—was
abruptly compelled to bury her chubby face in her chubby cupped
hands and to repeat the oleaginous farce over again. It was apparent
to others that this was in fact a Vedic ritual—causing those in the
know to break out into a deep, slow, rhythmical chant of
‘CHARITY!’—over and over again, slowly at first, drawing the others
along with nasal droning and long drawn-out siphons between each
syllable, loosely reminiscent of coenobitic throat singing, the
sonorous inhaling and exhaling, the mimetic onomatope of good
intentions: ‘CHA-RI-TY! CHA-RI-TY! CHA-RI-TY! CHA-RI-TY!’
Somewhere, the stamp of open-toed sandals (and, for the more
subliminally aware, the distant roar of wildfire and the throb of Kodu
drums)—a bringing into self-awareness by rhythm, a deliberate
incitement to mental cleansing by the means of periodic sound, a
sonic purification of the soul through its coming-into-awareness-ofthe-deep-pulse-of-the-cosmos, of the harmonic, autonomic,
metronomic du-du…du-du…the heartfelt do-do…the great call to do
do more—because anything is better than nothing. Nothing is the
grotesque hangnail of cosmic insignificance. Nothing is an ocean,
but it ends at the shore. Winston opened his heart as best he could,
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 26
and drew warmth from each compatriot beat, from the friction of
stiffened blood. He willingly chanted along with the rest, his
hideously atonal drone anonymised in the droning mass—because it
would have been repugnant to do otherwise. To be self-conscious
about it would be unthinkable, to contrive the manner of your humble
acquiescence would be nothing less than a crime—to sing No
Woman No Cry without shedding a tear would be inhumane—to do
what came naturally in the war against the terror of famine was the
correct thing, the only thing. But there was a space of a couple of
seconds during which the unclouded expression in Winston’s tearful
eyes laid him open to question, and in these few seconds his tearful
eyes betrayed him. And it was at exactly this moment that the
significant thing had happened, the very thing that had sent Winston
home early—the thing he had later been reminded of—if, indeed,
anything did happen at all.
In a fleeting glance he had caught O’Brien’s tearful eye as both
were removing their 3D spectacles—O’Brien resettling hers on her
nose and Winston wiping away a tear and giving the lenses an
opportunistic clean with natural saline. There was a fraction of a
second, a fugitive moment when their bloodshot eyes met, and for as
long as it took to exchange glances, Winston was certain that
O’Brien was thinking the same thing as he.
‘I know what you are feeling right now,’ her tearful eyes were
saying. ‘That you are indifferent to the plight of the needy, that you
don’t care for the Two Minutes Compassion—and that the guilt that
you and I perform in the company of others is just a sham, a
pretence, an obligatory approximation of humility. I know that your
sense of wellness, your well-being and mindfulness, are the
subterfuge of circumstance—as is your joyful appreciation of nature,
the sky, the birds, the bees, the milk, the yoga, the honey, the
flotsam and jetsam and the yin and yang…’
And then the flash of truth was gone, and O’Brien’s face was as
happily miserable as all the others, as gloomy as the miserable
mood in the doom-ridden room, the stereoscopic glasses now firmly
pushed back onto the bridge of her nose, her knowing eyes
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 27
cauterized by the glare and gloom of the dead reflected on the black
lenses.
That was it. That was that. Immediately Winston had been struck
by a vacillating doubt, an uncertainty as to whether or not the
telepathic transmission had happened at all, although the illusion
that it had would keep him alive in the belief, or hope, that others
besides himself suspected that the war on famine was a war that
could not and would not be won, not right now, nor before it was too
late. There was little evidence that anyone else felt the same way.
No repudiation of the blind positivity that shrouded everyday life, no
writing on the wall, no vexatious conversations, no snippets or
fragments of even mild yippy dissent, no protest songs put to kooky
acoustic folk guitar. Famine was an unpredictable fact of nature, but
charity was regular as clockwork. Nature was the ominous precursor
of pain, and seasonal charity its anthropic reaper. Winston had
wanted to shout out to O’Brien, to shout into the darkness, to shout
at the erstwhile film star, polymath, orphan adopter and popular poet
Goldstein, leering out from the screen with her most tender
invocations of hell—he had wanted to tell them that it was Nature’s
fault, that they should do away with Nature once and for all, then
charity and famine would be a thing of the past: We should act now
before it’s too late! We must act in the utopian present and rid
ourselves of Nature, once and for all! Winston had no idea what he
meant, but was certain that O’Brien’s eyes would agree!
After the Two Minutes Compassionates had unclenched from the
customary group hug, and the mats and beanbags were all tidied
away, he had returned to his desk without even venturing to catch
O’Brien’s tearful peripheral vision.
Winston roused himself at his Jens Quistgaard flip-top desk, filled
with the memory of O’Brien’s ambivalent gesture—if, indeed, it had
been any such thing. As he adjusted his slackened posture, a minor
belch was forced up and out. With only his writerly solitude for
company, Winston nonetheless raised a belated hand to mouth,
muttering a small sorry, as a blush rose on his cheeks. Despite his
utter isolation, some deep-seated imperative was expressing its
theurgic potency—and not only in regard to matters of peptic
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 28
decorum, since on the page before him he saw a new glut of words
that he could not properly say were of his own doing. In large neat
capitals, they read—
FUCK COMPASSION
FUCK COMPASSION
FUCK COMPASSION
FUCK COMPASSION
FUCK COMPASSION
over and over again, filling half a page.
He was struck by a sense of foolishness, perhaps even shame.
And shame was a foolish reaction, since the writing of those two
words over and over was no more pretentious than the original act of
acquiring the My Big Book of Me with some kind of creative intent.
For a moment he was tempted to tear out the besmirched page
and abandon the enterprise altogether, lest anyone set eyes upon
the ostentatious outburst and hold him to ransom for it. Yet he did not
do so, since he suspected much greater vanity in the gesture.
Whether he wrote FUCK COMPASSION, or whether he refrained
from writing it and wrote something else, made no difference.
Whether he went on with the writing of a poem, some prose, a diary,
a short note or even the oatmilk, egg whites, spelt bread and
recycled toilet roll of a shopping list, or whether he abstained from
writing altogether, made no difference. But he should not be so hard
upon himself. By setting pen to paper he had committed the
essential crime that contained all others in it—the effete privations of
torment, of selfishness undertaken for the benefit of others, those
slack-jawed buffoons waiting for the words to reach them from the
writer’s core—imaginary readers, a mere fiction of the ego that
creates for itself a partisan host to coo and cheer it on. Wracked by
fevered self-doubt, contorted by inner torment—the pain of solitude
cheered on by a great adoring crowd with its baying praise—such
was the hypocrisy of writing. And it was always at night that the most
urgent ideas fluttered down like sweet little moths relieved of the
scorching lightbulb. The sudden jerk out of slumber, a blind claw
grasping beneath the bed to find the pen that it merely nudges
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 29
further into the moon’s dust; the conjugal fumbling to marry nib to
notebook. But nocturnal ideas were almost always undeveloped, an
overspill of the exigency of dreams and nightmares; and in the cold
light of day their urgency dissipated with the vapid tenuousness that
fizzles and fades as a dream is recounted, or like a promissory smell
that leads by the nose towards some sensory red-herring.
Winston was compelled by the gesture of creative abstinence,
often declaring to his colleagues at the Ministry that he had no soul
to speak of, and thus no need to speak of it. In the dark, pages were
torn from notebooks or redacted by vigorous scribble—every record
of thought erased. Notes were deleted and notebooks destroyed. Yet
even as Winston’s soul mourned, his hand was having none of it,
and began scrawling with an emancipated flow:
Take heed of much piecemeal
Fragment on cheapest
Ivorine pulp—for must
Not be what it seem.
Must be tropic of idiotic disorientation
Must be unkempt biro scribble,
Or most mindless rumination
Most unfriendly cogitation indeed.
He slumped back in his chair and laid the pen down as if surprised to
be holding it. But before he could even assess what was before him,
he started violently at a loud knock at the door. He stayed very still in
his seat, hoping that the visitor might soon retreat. But the imposition
came again and louder still, banging with greater force, pausing,
then again with regular intervals and no indication of an end.
Winston’s heart likewise pounded, mortified by the very thought that
the caller might gain entry to his apartment, and that once inside
they would see the strange words on the page even before he had
had a chance to decipher them himself, and would be absolutely
horrified by his hypocrisy….
He crept to the door with heaving breath but on the lightest of tiny
tiptoes.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 30
Chapter II
Before opening the door, Winston gave a cursory glance over his
shoulder to check that he was not living in some kind of unexamined
squalor. Instead, he caught sight of his book gaping wide open on
the first page, with the words FUCK COMPASSION written in letters
large enough to be legible to an uninvited visitor through a chink in
the door. It was a simple mistake, since he had not yet decided
whether to scribble over the words or just tear the offending page
from the spine and risk compromising the integrity of the traditional
waxed linen thread binding.
He drew in a deep breath and exhaled widely as he grasped the
handle.
‘Winston! It’s a miracle! It’s finished! No more mud!’ Zena shoved
the door wide open, but mercifully, rather than barging straight in,
plucked Winston out into the corridor. ‘Come and see it before all the
riff-raff turn up for the private view!’ In an obscene infraction of the
intimacy of hands, Zena took Winston’s in hers and led him along the
corridor. ‘I need to know what you think, Winston—before everyone
arrives. I respect your opinion.’
Winston, bewildered by the accusation that he possessed an
opinion of repute, allowed Zena to pull him along with only slight
resistance—just enough friction to restore a semblance of volition to
his complete surrender. Winston liked Zena—enough to indulge her
epicurean manner, in part because her wellness age was strangely
out of sync with her calendar age, and he could not help being a little
curious. She retained something of an eerie transcendent glow; in
fact, the allure of the neonate had never fully left her, and its bitten
lip, doe-eyes and supplicant brow cast a quizzical shadow over her
every word. She was like a sad puppy with big helpless eyes that
would tame a vicious predator into adopting it rather than eating it—
and indeed, Winston’s neuropeptides swept him along the corridor in
her kooky wake, and it was the best he could do to avoid stepping on
the silk batik that trailed along behind her.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 31
In another life Winston might have been genuinely excited by
domiciliary re-hangs, but in this life, he was most definitely not.
Zena’s re-hangs occurred at the whim of the wind, and were all the
rage with other yippy wonks. Without warning, some radical new
vision of emancipatory living would trigger the abandonment of an
archetypal lifestyle—and always with the aim of achieving balance in
the live-work space and maximising the potential for success in all
other areas of life. An adept in feng shui, Zena often reminded others
that its literal meaning was ‘wind water’—since wind scatters energy
and water holds it. Her own domestic paradigm shifts, equal parts
watery and windy, might entail the transformation of a shabby-chic
loft into an art brut bricolage workshop, with ornamental hangs and
moth-eaten oriental throws jettisoned in favour of broken machine
parts and upturned urinals. More often than not the encyclopaedic
Whole Earth Catalog provided the necessary knick-knacks for a total
re-hang—eclectic mix-and-mismatch juxtapositions of ancient
artefacts colliding with the newish, the new and the modern, the
futuristic and the rustic and the rusty, the primal and primitive, the
queer, the quaint and the charming, the ultra-personal juxtaposed
with the brutally manufactured—all the lost flotsam and jetsam of
history gathered together like the doldrums of abandoned plastic
languishing in the oceans, to enjoy an upcycled karmic rebirth in
Zena’s domestic nirvana.
She shoved the door open, stepping back to grant Winston sole
access to the glorious aperture and what lay beyond. He entered,
cautiously at first, crossing the threshold with a pantomimic
wonderment—and, as if sampling an array of the bitterest organic
yuzu sorbets, dutifully adopted a stark avant-garde expression for
each domestic juxtaposition encountered. Zena shuffled close
behind as her guest staggered forward like some expressionistic
clown, jolted into a uniquely dissonant pose by each shock of the
new.
‘Don’t get me wrong, Winston,’ said Zena, drawing alongside him.
‘We loved the wattle and daub, we really did. It was a truly sobering
process living in a mud hut.’ Now ahead of him but shuffling
backwards so as to address him face-to-face, her beautiful batik train
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 32
rumpling up in a colourful derailment, she continued, ‘We became
mindful of what we take for granted. Safe water…electricity…food…
opera….’
Winston stepped blindly over the puckered batik wreckage, drawn
past his host as if she were not even there.
‘But in the end there was so much dust, and the curved mud walls
made it impossible to hang our pictures—’
Winston saw how the newly acquired vertical throws and hangs
contrasted with the horizontal artisanal surfaces. He saw how the
roughly hewn table and chairs clashed with the haphazard syntheses
of rug and mat. He noticed a variety of new trinkets, plucked from
many disparate sources, now to be cherished forever, souvenirs to
be wept over in times of sadness, or fought over tooth-and-nail
during the acrimonious disbursement of property—and when Zena
and Tomioka eventually passed on, thought Winston, their cherished
objects would also be passed on, the aggregation of curios trapped
in orbit over the course of a life together drifting away one by one
into a cold dark universe as gravity’s affection died away. Thus dead
Zena and dead Tomioka would relinquish a lifetime’s trinkets back
into the inchoate chaos from which they had been only temporarily
liberated.
Momentarily lost in these reflections, Winston came to cuddling a
papier-mâché effigy of Louis X hung on a miniature wooden gibbet.
Zena was hovering, tugging at his blouse impatiently, armed with a
fresh tissue to dab away his tears. Winston was grateful for the
tissue, but oddly preoccupied by the luminous obsidian Luger pistol
apparently dedicated to Huitzilopochtli, studded with pearls and
precious stones set snug in its skin holster. On the mantlepiece next
to the Luger sat a plastic-bejewelled sugar skull originating from
Mexico’s feast of the dead. He saw a forged iron statuette hailing
from Fedhala, Morocco, noticing how it depicted a man in an attitude
of religious obeisance, but who also appeared to be urinating. He
saw a dry gourd in the coincidental shape of a bird, a Congolese
tribal adversary represented in mummified wood and racked with
tetanus-tipped rusty nails. He saw a constellation of heterogeneous
Victorian lamps looming over a long dining table, rescued from their
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 33
dismal sanatorium gloom to furnish chic good-mood lighting for
mentally healthy diners. He found the tablecloth to be of an authentic
aboriginal Scandinavian design, with a hunting scene embroidered
around its bottom edge; beneath this icy massacre, strata of Middle
Eastern floor-based textiles overlapped and unfurled, mapping out
an Axminster of Evil that reached across the world toward the
apartment’s bedrooms with their en-suite arts and craftisan studios.
From the furthermost limit of the corridor, a hauntingly bleak
polystylistic atonal ditty was being hammered out over and over on a
supplicant piano. ‘Do ignore the din, Winston—it’s one of the kids
tinkering in the music room.’ Zena rolled her eyes, as if having
suffered many years of torture at the hands of a talentless child
murdering Itsy Bitsy Spider over and over again.
Winston tilted his head quizzically at the stridently neoteric motif.
‘It’s a new composition,’ she explained with an unconvincing shrug.
‘The Struggling Puberty Rites of Serial Self-denial....’ Another shrug.
But then the notes drifting in from the far room began to lose their
caustic rigour, the complex eclectic structure beginning to suffer as
the odd melodic bum note found its way in, the gifted little fingers
regressing to mere tuneful lyricism, reverting to simple ditties, and
finally rattling out a full-blown nursery jingle. Zena blushed, shamed
by the homely sincerity of Twinkle, Twinkle, Little Star, her mummy’s
hothouse cool now flushed with suppressed rage.
Winston grinned.
‘Come and see the new rose quartz countertopped kitchen island!
They just finished fitting the sink!’ said Zena, deflecting, all cheerypops again. ‘It was the last thing to go in!’ She briskly swept Winston
into the open-plan kitchen—only for an expression of deep sorrow to
suddenly darken her face.
‘Oh…’
Winston saw that the beautifully chipped vintage porcelain apron
front basin was brimming with greenish brownish water which was
now creeping up the shallow furrows of the drainer. A thick sludge
had settled at the bottom of the sink, and shreds of collard greens
and edamame beans were bobbing on the surface. Winston knelt
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 34
down and opened the small door beneath to see whether the waste
pipe had a detachable trap.
‘If Tomioka were here, she’d fix it in a jiffy,’ said Zena, blankly.
Tomioka toiled at the Ministry of Good Fortune too, and was also a
very competent curator working with critical issue-based
performance art, which largely seemed to involve bodies, organs and
visceral couplings—so it was no surprise to Winston that she was
also adept at plumbing.
With a solicitous air, Zena leaned over Winston’s hunched form.
‘Can you see what’s wrong?’
From beneath the sink came the muffled reply. ‘Most problem
create by human being must only be solve by human being, basic
human nature is most compassionate and best source of most
hope.’
Zena straightened up, as if to allow this cupboardly wisdom to
properly settle into her cognitive machinery. When the penny
dropped, all the way down to the bottom, she came alive like an
automaton. ‘Ah! Yes! Yes! I know exactly what you mean! I do! I
mean…I think I do do!’
Winston popped his head out from the cavity, apparently unaware
or perhaps humbly dismissive of his little outburst of sagacity.
‘Perhaps if you have a small wrench, a bucket and some silicone
sealant, I could try….’
‘I’m quite sure we have a bucket, maybe a wrench…and if we have
silicone sealant it’ll most likely be in the children’s art box….’
At the mere mention of children came an abrupt end to The
Struggling Puberty Rites of Serial Self-denial-cum-Jingle Bells and a
trampling of slippers, as two perfect little exemplars charged into the
kitchen in a blur of loud salutations for Winston, now once again
folded into the cramped space beneath the blocked sink.
‘Up with your hands!’ yelled a savage little voice.
Winston almost jumped out of his skin, hitting his head on the
waste pipe and dislocating it from the sink. A gush of green sludge
plopped onto him, followed by a steady pitter-patter of quinoa and
rice. He struggled out from the hole to find a gentle-looking boy
menacing him with a toy gun, while his small sister made the same
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 35
gesture with an offcut of olive wood. Winston raised his hands above
his head, smiling at the boy’s ludic fallacy, so gentle was his
demeanour, and did his best to be scared.
‘You’re a traitor!’ yelled the boy. ‘You’re a thought-criminal! You’re a
Eurasian spy! I’ll shoot you, I’ll vaporise you, I’ll send you to the salt
mines!’
‘Oh no, Winston! What a drag!’ said Zena, returning with an original
enamelware milk pail. She dabbed at him with an oven glove whilst
helping him to his feet.
The two children were leaping round him, shouting ‘Traitor!’ and
‘Thought-criminal!’, the little girl imitating her brother in his every
movement. It was very sweet, like the gambolling of tiny kittens.
There was an attempt at ferocity in the boy’s eyes, but it was
immediately betrayed by the warmth that glowed from within.
‘I’m just glad it’s not a real space pistol!’ said Winston, hands still
aloft, stepping from the pool of polluted water as, with unaccustomed
enthusiasm, Zena did her best to rub him dry. As she shook her
head and rolled her eyes at the childrens’ endearing antics, Winston
noted the tiny specks of glitter peppered all over her face—a sure
sign of great maternal patience.
‘Hey! That’s enough! Poor Winston! That’s uncool, guys! Right?’
And then, to Winston, ‘I shouldn’t have let them watch those crazy
old cartoons again!’
‘Those crazy old cartoons were already crazy and old even when I
was a child,’ said Winston, matter-of-factly, draining his ear.
‘Of course they were!’ said Zena, laughing at her faux pas.
Winston did his best to laugh too, and Zena did, the two of them
laughing.
‘I promised Gilbert and Georgina that they could hang out at a
museum today. They just love looking at art, especially on a rainy
day. What they like most is the crazy old Modern stuff, the crazy old
abstract stuff. Don’t you, guys?’
Two lots of enthusiastic nodding.
‘The crazy old abstract modern stuff just seems to speak to them
so directly, so instinctively, y’know? I guess because it’s just so
simple, so uncomplicated. I mean childish—or childlike…right? I feel
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 36
like the crazy old moderns tried to see the world as children see the
world—innocently, with fresh eyes.’
Zena paused to allow Winston’s approval, but he had nothing to
offer. He had often been affectionately chided by his colleagues
during Cherish Sessions for his insufficiently enthusiastic love for the
modern masters.
‘Children should be allowed to appreciate their own innocence, to
appreciate it before they lose it…because, sure enough, they’ll
spend the rest of their lives trying to rediscover it…like the crazy old
moderns…like crazy old Picasso.’
‘But Jackson Pollock is much, much, more childish than Pablo
Picasso!’ squawked the precocious little girl, clearly the polystylistic
pianoforte offender.
‘Oh, Georgie loves Pollock, don’t you sweetie?’
‘I do. But now that we’ve been studying Palaeolithic cave paintings
at school, I’m not so sure….’
‘Oh….’
Winston’s brow tensed.
‘At school I even wrote a story about cave people. Do you want to
hear it, Mr Winston?’
Winston nodded.
‘Once upon a time a grubby little cave-girl was rubbing two sticks of
wood together to make fire so that her cave-boy brother could draw
groovy pictures of wild animals all over the cave walls with sticks of
charcoal made by the grubby little cave girl. They were brother and
sister, you see. Not that that’s important to the story.’
Winston smiled.
‘And then almost a million trillion years later the little cave-girl’s
ancestors were all grown up and they had become very clever
scientists and they had invented the combustion engine and sent
dogs and monkeys and people all the way up into space, and one
day they even put a spaceperson on the moon! But the little caveboy’s ancestors grew up and of course they were artists too, but
Modern artists like Jackson Pollock who was very famous, but even
after a million thousand years could still only paint as good as a
caveman! Actually he was even worse than a caveman since all he
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 37
could do was splash paint around! He couldn’t even draw a cavestick person!’
Winston clapped wildly as the child fell about on the floor holding
her stomach and laughing. Zena shook her head and rolled her eyes
proudly.
‘Youth is wasted on young, much like wisdom is most wasted on
senile,’ said Winston, with an exaggerated approximation of
affection. Zena dimpled. ‘I’m so sorry about your sink, Zena.’
‘Winston, please don’t worry! I’ll get Tomioka to fix it up later.’ And
then, ‘Oh! There is something else you could help me with—but only
if you have a minute or two! I could do with an afternoon fuck before
I go to the studio. Winston, would you mind?’
‘Oh, Zena! I would normally happily oblige, but, you see, I was
rather busy back at my place—’
‘Oh Winston! I dragged you away without even asking….’ Zena
blushed, her children hanging limply from her arms like demented
bats or strange fruit.
‘Zena mummy, why don’t you have a fuck and then we can go and
hang out in the art gallery?’ roared the boy in his oh-so-diminutive
big-boy voice.
‘Have a fuck! Have a fuck! Have a good old-fashioned fuck!’
chanted the little genius girl.
Once again Zena shook her head and rolled her eyes so very
proudly.
It was true that most children hung out in museums and galleries
after school and especially on wet weekends. And with the thought
of hanging on his mind, and feeling a slight lump in his throat about
leaving Zena in the libidinal lurch—not to mention the broken sink—
Winston took his leave from the apartment. But he had not gone six
squelching steps down the passage before something tugged at his
blouse from behind. He turned to find the kindly little boy holding a
small box with a slot cut in the top. Beaming up at Winston, he shook
the box, with the rattle of just a few pennies.
‘And which charity are you collecting for?’ said Winston.
‘Why, Emmanuelle Goldstein’s BIG CHARITY, silly-billy!’ said the
boy, smiling.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 38
Back in the apartment Winston made for his elegant vintage Jens
Quistgaard flip-top desk, the handwritten outburst atop it still open
and screaming out for attention. He avoided the temptation to pause
before the television set for fear of being transfixed. He would sit and
drip-dry, accompanied by the subdued murmur of adverts, the
weather report or the gossip associated with a popular reality TV
show.
With the dizzying effect of the myriad domestic juxtapositions still
fresh in his mind, he reflected upon his neighbours, considering how
happy Zena and Tomioka must be with their new feng shui layout.
The children should consider themselves lucky too, since they had
parents who allowed them to experiment with silicone sealant and
glitter in the mud-free comfort of their beautiful new abode. Once
again Winston recalled his own childhood, by way of an early
memory of school, with all the communal songs, festivals, smiley
banners and flags, and all the great marches dedicated to universal
love and consensus. He remembered his teacher explaining to class
that before the Age of Great Consensus things were very different
for little boys and girls. Boys’ games pitted them against invisible
foes, whilst girls’ games encouraged them to dream about shopping.
Little boys grappled with cosmic matters and alien superpowers,
their rooms decorated in limitless sky-blue, whilst little girls gazed in
mirrors and dreamed of marriage and childbirth in bedrooms bathed
in flesh-pink, the colour of reproductive biology. Nowadays hardly a
week passed in which the news did not report upon some bloc of
heroic underlings auctioning off all their precious toys and books in
aid of Goldstein’s next big charity, just because they could, and
because they should, and therefore did. Liberated from the old
default of sky-blue and baby-pink, today’s children of the rainbow
could decide upon their own mode of voluntarist action by asserting
their acts of altruism as a form of irrepressible compassion, of world
domination through world peace.
Winston had only just taken up his pen, with half-hearted intent,
when O’Brien came to mind again. Several months ago, Winston
had dreamt that he was sitting at a Ministry of Love party. A huge
glitterball was dappling the scene with a billion specks of light, a
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 39
billion stars projected over the ominous dark matter forging its
strange attractions below. Then a voice to one side whispered
casually into his ear: ‘We shall meet in the place where there is no
darkness.’ It was a statement of whimsical fact, and the words had
only taken on a significance beyond the vagaries of the dream when
he had belatedly realised that the voice was O’Brien’s. Combined
with the memory of the dream, the intensity of O’Brien’s stare during
the Two Minutes Compassion, the innominate glimmer that flickered
between them, seemed more portentous than simple affection or
casual politeness. ‘We shall meet in the place where there is no
darkness,’ she had whispered to him, and him alone, in the dream.
He did not yet know what it meant, but was certain it would someday
enter reality and become true.
A piercing jingle blared out from the television set, as if the volume
had been adjusted to override its manual suppression.Abrupt and to
the point, slicing through trivial chatter and game show applause,
came the newsreader’s voice.
‘This urgent report just in from Emmanuelle Goldstein.’
And then Goldstein’s sultry predication, yet another searing hot
knife through another butter mountain, a numinous humming
suspended beneath her sonorous diction, droning an undertone of
untold dread—the all-too familiar chorus of terminal groans and
pitiless weeping.
Winston suppressed a pitiless belch—more elderflower gas was
escaping the quagmire. He wandered over to the window, turning a
blind eye to the tortured television, shedding only a reflex tear as he
left behind its flickering collages of the universal mockery of flies and
the swarms of diseased children. At the window he saw that the day
outside was most pleasant, still warm and bright. A gentle wind was
singing between the buildings, captured by the tinkling chimes. The
past was passed and the future was bright. He was certain that
every healthy citizen felt exactly the same. And this feeling would
endure forever. He watched the focus pull from his gossamer smile
to the three Ministry slogans in their majestic roughly hewn capitals:
BE COMFORTABLE IN YOUR OWN SKIN
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 40
BELIEVE IN BETTER
BECAUSE YOU’RE WORTH IT
The sun had shifted round and the monolithic Ministry of Good
Fortune’s rose crystal was glowing luminous and pink—refracting
emerald and sapphire, quite lovely and lustrous. His heart swelled
before the enormous pyramidal shape, before its breathtaking,
magisterial form.
He wondered again for whom he was writing. For the future, for the
past—or just for good old gobbledegook? Yet he was already
conscious that within the pages of his My Big Book of Me lay not
another meek and moribund defeat, another wasted effort, but
something quite different, unique, with tenebrous potential. Forces
had converged in his proxy hand and congealed into words before
his eyes. An extracorporeal radiance, as lustrous as the Ministry
building, was beaming through him; one day, in the future, young
lovers might be compelled to commit these outlandish and beautiful
words to memory, to recite them to one other in the most tender
moments of foreplay….
The television returned to amiable chitchat, the soft caress of
beguiling lifestyle adverts, and the micro-matters of everyday life.
Winston had promised to be back at the Ministry by fourteen-thirty.
None of his colleagues would have understood the obscure project
upon which he had embarked—apart, perhaps, from O’Brien, but
that remained to be seen. Perhaps no one would read it, even in the
future. He was a lonely ghost uttering a truth that nobody would ever
hear. But so long as he uttered it, in some obscure way the continuity
was not broken. It was not by making himself heard now, but by
continuing to speak covertly—only once he had found the diamonds
in his dust would the future eventually reward him. He went back to
the table, glancing briefly at the television as he crossed its
contagious path, and began.
The hideous social intimacy
We call love is mere infinity
Put at disposal of poodle.
Since life is most hideous thing,
From background behind
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 41
What best know of it
Peer demoniacal hint of truth
Which make it sometime
Thousandfold more hideous.
Hideous squid is most irrefutable
Impressive oceanic mollusc—
Inkjet of sea—
Terrestrial representative of
Hideous phylum—much slug and much snail—
Are merely most humdrum by best comparison.
Most laborious and most linear.
Filth of world and universal vermin,
The blattodea are unfairly dashed
Upon rock of human squeamishness,
Irrationality most gripped in mind
Of the arachnophobic.
Let us must form new reflex
Better enthusiasm for spider
Better enthusiasm for all despised hideous thing.
Winston slumped back in his chair, mesmerised by the all-too-easy
flow of new words onto the page—and all without so much as a
single thought occurring to connect head to hand. He had watched
with impartial wonder as his severed paw set down the words onto
paper. And such nice words! They had about them the eeriness of
broken crenulations set against a moonlit sky—a sense of ruin.
Something was writing through Winston, but how much of him was in
the writing? Well, it was his hand, after all, wasn’t it?! As if in answer,
the demoniac thing launched another foray into the whiteness of the
page.
A hole is as much a particle
As that which pass through.
Two fingers of his right hand were ink-stained—exactly the kind of
detail that could draw unwanted attention, and he was not yet ready
for the new tender words to exist beyond the shock of their recent
manifestation, their unexplained gift. Some nosing zealot in the
eatery would surely notice the stains and, capitalising upon
Winston’s notorious diffidence, would set about teasing him in some
kittenish way as to why he was writing during the lunch interval—or
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 42
why he was writing at all…. They would tease him affectionately at
first, but his squirming would draw further scrutiny, and his
colleagues would be encouraged in ever greater numbers to take the
teasing beyond affectionate vivisection, to twist the knife even more,
and he would contort and squirm as if in great pain, finally deforming
into some grotesque human pretzel under the torsion of their prying.
Conclusions would be drawn—and would confirm the worst: that
Winston Smith, notorious public eschewer of self-expression, a man
renowned for secrecy and for repudiating any desire to dance or
sculpt, to perform and sing, to compose, create, speculate, paint,
fabricate, craft, glue, stick, fold, staple, make, concoct, accessorize,
install, sketch, originate, do, undo, adorn, trace, modify, bejewel,
cobble together, kindle, knit, collage, arrange, coil, inspire, augment,
glaze, decorate, montage, plant, enhance, prettify, uglify or even
plain old deconstruct—that Winston Smith, after all, was exactly like
every other Ministry yippy wonk—that, for all his reluctance to risk
revealing his voice, place or hurt, Winston Smith was…a poet.
In the bathroom, Winston Smith, poet, scrubbed at the ink with
organic shea butter soap, leaving his skin feeling moisturised even
after drying with the highly absorbent luxury hand towel. He returned
the My Big Book of Me to the drawer. It was pointless to think of
hiding it from the cleaner’s prying eyes, but he could at least be sure
of knowing whether or not his poetry had been discovered, so as to
at least expect the accolades it would bring rather than stumbling
into them unwittingly like a fool duped by a surprise birthday party.
With a dab of his fingertip he lifted a grain of plum blossom incense
ash from the desktop and deposited it onto the lenticular cover—the
shimmering smiley face—perhaps subconsciously goading the
cleaner to disturb the dust as, compelled to look inside, she lifted the
cover. At the very least, if the speck remained in place upon his
return, it would speak volumes about Araminta’s rigour, or lack
thereof.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 43
Chapter III
Even though the world was nowadays more harmonious than
miserable, and there was no reason to harbour the kinds of ill feeling
that had once commonly engendered nightmares, Winston was
nonetheless prone to them, and often wondered if they were the
necessary grain against which the happiness of his life must cut.
Nonetheless he was of the opinion that the relaying of dreams,
whether happy or sad, was ill-advised. For, despite the symbolic
gravitas felt by the recipient of a dream, any urgent sharing typically
leaves the polite beneficiary cold (just as the nostalgia of a
masturbator is unlikely to warm a second party to the romance with
which they may ornament the mechanics of their private duty).
Hence Winston avoided any mention of his troubled dreams, and
had no reason to suspect that anyone else suffered such a scourge,
for otherwise his colleagues would doubtless already have gleefully
given vent to each and every detail of their sordid nocturnal
hauntings, as a token of their confessional commitment to social
intimacy. Because sharing is caring—and suppressing is just
depressing!
Winston had dreamt of his family, one of a series of sickening
dreams in which his mother, father and baby sister were the
unwitting puppets of his dubious oneiric choreography. They were
driving across a bridge in the family car, singing a song together—on
some wonderful journey, a holiday or some such adventure—and
then they were skidding, and veering towards the barrier, and
crashing through to see-saw on the edge, then lurching over, tipping
into the deep dark water below. Through the blackening gloom he
saw his mother and father stupefied by the death that had pounced
upon them unannounced, as violence does. As the car foundered, a
pocket of air formed inside, suspending its dive into the dark, each of
them gulping at it hopelessly, a nest of little mouths pecking at the
bubble of dwindling sustenance only to expend it immediately in
terrible muffled cries for help—all the while sinking slowly down,
down, down, into the murky green waters, which in just another
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 44
moment hid mother, father and baby sister from Winston’s sight
forever, since, by dint of some ruthlessly selfish streak, perhaps an
atavistic trait for which the dream car was merely a convenient
vehicle, Winston had managed to unwind the window next to him
and struggle up to the water’s surface, only to see mother, father and
baby sister dragged down into the black water, tumbling and sinking,
down and down, all the way to the bottom. His dear mother was
lovely and elegant, with the kindest smile and the most magnificent
black hair, which now trailed off into the depths. His baby sister,
always smiling and gurgling, was now only gurgling, gurgling and
gurgling. His father, equally dark and elegant, always wore white,
except for his rainbow socks, whose vivid colour now faded fast into
the gloaming murk of the stygian waters.
And then Winston was standing in wild grassland—soaking wet,
shivering, bedraggled—on a summer’s evening, as the slanting rays
of the sun gilded the ground. This is where he always ended up, at
the conclusion of each nightmare. The bucolic landscape recurred so
often in his dreams that he was never wholly certain whether or not
he had seen it in the real world, in the flesh. It was a rabbit-bitten
pasture, with a foot-track wandering across it and a freshly turned
molehill here and there. In the ragged hedge on the right-hand side
of the field the boughs of the elm trees were swaying very faintly in
the dreamy breeze. Somewhere near, although out of sight, there
was a clear slow-moving stream where red snapper and Butler
catfish were languishing in sun traps beneath the dipping willow
trees.
The lovely girl with the flowing dark hair was coming towards him
across the field again. In a single movement she tore off her clothes
and flung them aside. What overwhelmed him in this instant was an
admiration for the gesture with which she had cast her clothes aside.
She laughed at his gaping awe, as if disdainful of his adoration, but
blew a single kiss in his direction, picked up her clothes whilst
covering her nudity in a coquettish gesture of genital shame.
‘Because you’re worth it!’ she called out and, laughing, turned and
floated elegantly back in the direction from which she had come
forth.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 45
In the face of this collision of violence and redemptive grace,
nothing else seemed to matter. The totality of Winston’s sadness
was dissolved in the single splendid gesture of the kiss.
He awoke with dry lips, his last few sobs tapering away, to the call
of the wind-chime regaling him with its motivational elegance. It was
nought seven fifteen. Time to shine and rise.
With the tape nudged into the slot and button depressed, a riverflute of traditional chakra music gushed magnanimously from the
machine, filling the room with the analogue hiss of the ocean. The
lower resonant sounds made his jawbone rattle, before all the
disparate elements of the melody were sucked back into the bosom
of the multiverse, and, with the music’s ebbing, he became aware of
Martha’s voice in the foreground.
‘Namaste! The divinity in me bows to the divinity in you!’
‘Namaste, Martha!’ said Winston, bowing most respectfully to
Martha. They were both sitting cross-legged, with backs straight,
hands and toes relaxed.
‘Close your eyes and breathe deeply,’ said Martha, closing her
eyes and breathing deeply. ‘Are you a half-breather? Do you keep
residual air in your lower lungs? Are you unable to take a full deep
breath even if you wanted to? To breathe deeper you must exhale
more. Yelling gets out all the old air and some of the pent-up feelings
trapped inside…shake your hands and yell—let yourself be open to
the world, less pent-up and more plein-air….’
Winston began to yell, yelling and exhaling so that he could
breathe even more deeply and yell even more. As he yelled he
heard a constellation of nearby wonks also yelling away, dotted
about in their separate apartments in Serenity Mansions. He
imagined everyone in the district was yelling. In fact, everyone in the
city was yelling—the city, with its population of smiley-faced banners,
flags, hoardings and posters, was permanently yelling.
Each of the positions reverentially prescribed by Martha came
bracketed by an invitation to first inhaaaaaaaale, and then to
exhaaaaaaale whilst holding the pose. But often, as Winston listened
attentively to the instruction, he missed the cue for the preparatory
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 46
inhalation, found himself incapable of deep exhalation, and
consequently was starved of oxygen altogether.
‘Pling, plong, wing, wong, plinky, plong, wing, wong,’ sang the wind
and sea instruments in the background, latticing with the immensity
of the sky and the hissing analogue ocean. Winston bent his supple
torso and breathed in and out nice and slowly, just as his most
esteemed teacher Martha suggested.
‘Just a gentle twist and a gentle stretch! Nothing too strenuous yet!
And
five…four…three…inhaaaaaaale…two…exhaaaaaale…and
relaaax....’
Winston did as he was told and stretched forwards onto the earthfriendly jute yoga mat, with rump lifted up and two well-tensioned
legs going all the way down to his feet, ankles, toes, and floor
beneath. He held the pose as best he could, and as his mind and
body began to fuse into a transcendental zone, his thoughts began
to wander freely. But such thoughts more often than not led back to
childhood—to some things remembered clearly, other things less
well, the inaccuracy of the more ambiguous memories imbued with a
certain revenant charm.
He recalled how, on one occasion, his mother and father engulfing
his tiny little pudgy handy-pandies in theirs, they had swung him
along cheerily, having survived the long drive to arrive at their
holiday destination—a countryside park with magnificent red pine
forests and mixed tropical woodland, an enchanted lake, wildflower
meadows, and a beautiful sandy beach at the foot of a pancake
house. He remembered entering the first of the many interlinked
geodesic domes, where they registered at the reception lodge, the
adults receiving complementary lemon, ginger and baobab tea,
before being ferried by a convoy of milk floats along a winding track
through an immense jungle. As the road dipped down into the
second dome, they saw before them a scattering of higgledypiggledy wooden cabins receding into the distance, with herds of
wildebeest, zebra and giraffes wallowing in a central watering-holecum-boating-lake.
Upon arriving at their cabin, Winston’s attention was drawn to two
old people sitting side-by-side on a nearby tree trunk. They appeared
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 47
to be resting, but gave the expectant boy a cheery wave. Winston’s
mother and father, busy transferring luggage into the cabin, were
oblivious to the old couple’s cordial welcome. In compensation for
his parent’s distraction, Winston felt he should at least wave back,
but the gestures of the two geriatrics had become more animated,
and he was obliged to draw closer to make better sense of them.
When he was near enough, he saw that their clothes were covered
in grime. The old woman’s body warmer was tattered, her shoes
uniformly filthy. The couple, it turned out, although they hardly looked
at one another, were engaged in an animated conversation—
Winston had mistakenly taken their furious gesticulations for an
amicable greeting. The old man’s tweed sports jacket was torn, his
beige slacks stained, and he wore an off-white cap out of which tufts
of off-white hair sprouted as loosestrife weeds might sprout from the
fissures in a ruin or a crumbling cliff. His face was raging scarlet, his
searing blue eyes misted by apoplexy. They both reeked of alcohol—
it seemed to breathe out of their pores in place of sweat. They were
having some terrible disagreement, and in his own childish way little
Winston set to fathoming the depth and cause of their discord. He
quickly surmised that they had somehow lost everything they owned
—and that they were not yet done reproaching one another for it.
‘We shouldn’t have trusted the prediction,’ said the old man.
‘Well, that’s what comes of trusting in fortune,’ replied the old
woman.
‘That’s what came of trusting that fortune.’
‘That fortune?’ said the woman, more savagely than one might
have expected, ‘All the fortunes! We shouldn’t have trusted any of
the bloody buggers! But did you listen? Eh?’
As to the nature of these bloody buggers which they ought not to
have trusted, Winston had no idea, and now very little chance of
ever finding out, since his mother had descended and was tugging at
his pudgy little handy-pandy, pulling him away just as a milk float
swept alongside and, like a curtain, obscured the ill-tempered senior
citizens from sight.
The higgledy-piggledy cabin was as shabby-chic inside as it was
out, formed from planks of wood torn out and reclaimed from the
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 48
material misfortune of the fiscally condemned. Indoors it was littered
with stylish old furniture: occasional tables fashioned out of antlers,
and many handsome desks of all shapes and sizes but each
burdened by towers of coffee-table compendiums—fine editions
dedicated to modular architecture, experimental favelas, mud huts,
chalets, tree houses, igloos and log cabins. He remembered how the
faces of his mother and father lit up in the shabby-chic gloom. The
next few days were magical, too. They walked, talked, laughed,
swam in the enchanted lake and cycled everywhere. They ate well
and drank cloudy lemonade and, when they were too replete to cycle
back to their higgledy-piggledy homestead, had merely to slot their
bikes into a nearby rack and catch a lift on the next milk float drifting
silently by.
On other days little Winston was inducted into a joyful gaggle of
leisure activities all set within the quarantined confines of a juniorsize buckyball, while his parents relaxed in the knowledge that their
precious one was in the capable hands of specialised kindergarten
carers. He remembered squidging, sticking, splashing and splodging
and joining up endless dot-to-dots—he remembered creating a
panoply of pretty pictures with fuzzy felt, glitter, googly eyes, beads,
rice, pulses and dayglo-daubed pasta twists, and crafting many a
memento for his proud parents to treasure forever and ever and
ever. He did pottery, poetry and painting and painted his poetic
pottery. He sang, swum and swung from the zip wire. Soon he was
enlisted into the Junior Yippy Conservation Rangers and found out
what squirrels eat for lunch, and which rare plants could be found in
the forest, but never picked, licked or eaten. He discovered that the
joy of an autonomous geodesic dome reserve is that it remains vivid
all year round with such wonderful things to see, but not touch or
pick or lick—this fascinating fauna and flora nonetheless offering a
magical opportunity to get to know the woodland and to appreciate
its many friendly feral inhabitants, including woodpeckers, inedible
fungi, snakes, rabbits, honey bears, armadillos, meercats, anteaters
and gazelle and many other shy wildlife buddies.
But the thing he recalled most vividly was playing an old-fashioned
game called Keep-it-Upsy-Daisy. It was so much fun keeping the
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 49
cloud of bright balloons up in the air, patting them and bobbing them
up, up, and up again for hours and hours, until the teams were
eventually whittled down to the two last opposing players, cheered
on by all those who had fallen foul of a balloon touching the ground,
or a rare bursting incident—which incurred ruthless disqualification,
since latex, the sap-like extract from the Hevea brasilienesis rubber
tree, is not biodegradable, and therefore each popping of a balloon
placed a little more stress upon the planet.
The rules of the game stipulated that two teams were to play at any
given time, but the kindergarten carers were so yippy-dippy laid-back
that the teams became nebulous in number and thus ambiguous in
competitive designation. For instance, when Team Oceania was
supposed to be playing against Team Eurasia, it was already in
secret alliance with Team Eastasia. Only a matter of moments
before, Team Oceania had been playing against Team Eastasia and
in alliance with Team Eurasia to keep the balloons up. The rotation of
players was supposed to prevent sectarian factionalism, but no
rotation occurred and petty resentments began to sclerotise. During
a game between Team Oceania and Team Eurasia, Team Oceania
was infiltrated by elements of Team Eastasia, who weren’t even
supposed to be playing. Team Oceania claimed they were never in
alliance with Team Eurasia, but Winston Smith knew it then and
knew it now that Team Oceania had always been in alliance with
Team Eurasia, it was common knowledge, everyone knew it, the
carers knew it, Winston’s mother and father knew it, the birds and
bees knew it, it was clear from the first ten minutes of playing,
especially since members of Team Oceania infiltrated Team Eastasia
and allowed balloons to descend to the floor, or purposefully popped
them so as to spoil the game and ruin the planet.
Winston’s rising sense of anger and injustice made the recollection
of the past permeate the present, such that the past was
experienced as if it were incorruptible truth. But Winston’s memory,
in any case, was mostly formed from the odd bleached-out Polaroid
and a clutch of tattered hand-me-down fables, told and re-told until
ingrained as truth. And if all fond memories of childhood were
obligatory placations of paternal sentimentality, then lies passed into
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 50
history and lies became truth. History, then, was a bleached-out
regurgitated hand-me-down fable ingrained as truth.
‘He alone who owns the youth,’ ran the old adage, ‘gains the
future.’ The past was impervious to alteration by the fact of its
irreversibility, but only because the past was remembered in a
certain order—the blind continuity that keeps us from the awful truth
that there is no better awful truth. Oceania, Eurasia, Eastasia…truth
was as flimsy as the gossamer balloons that the wild and wide-eyed
children had done their frantic best to keep from ground zero.
‘Mind control!’ Winston blurted, quite contrary to Martha’s cue to
inhale…three…two…, and consequently he was already gasping for
air on exhaaaaale. Finally his body wilted to the floor with weary
limbs and chest heaving.
‘And…rest,’ said Martha, at last.
Yoga helped equalise the mind-body imbalance that followed a
hard day’s rectification, and the Ministry certainly got their money’s
worth out of Winston. Not that anybody would work for money—that
would be mere enslavement. ‘Employment’, in so far as it was
conceived of as something isolable from simply living life and simply
being, referred to the chosen form of self-expression through which
one provided, in one’s own way, for the consensus—giving rise to a
seam of artisanal products that were the currency of social bartering
and potlatch exchange, local interactions that were nonetheless
underscored by a generalised market democracy.
Winston’s misjudgement of a salvo of aerobic cues had earned him
marbled blue lips and a delirious mind happily lost in a labyrinthine
world of cheerful gobbledegook: If gleeful happiness is a witless
idiocy, then self-doubt is merely an ornamentation of modesty…lade-da! What is it for self-deception to harbour a lie, but told as truth?
—Well that’s easy peasy! Because self-deception is honest—it’s a lie
told truthfully! Sincerity is the brittle face of self-deception, and there
could be nothing more blasphemous than drawing attention to
another wonk’s self-deception, since the world would implode in a
puff of smoke! If everything is true and nothing is true—only selfdeception makes truth decisive…since, to tell the truth, one must first
be deluded—because being enraptured by self-deception and being
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 51
delirious for truth are one and the same thing! Thus to understand
the word gobbledegook involves the use of gobbledegook…and
gobbledegook was certainly ruling Winston’s mind right now….
‘Okay, let’s take it up a notch,’ said Martha. ‘Time for Parivrtta
Surya Yantrasana. Return to a cross-legged position. Be mindful of
your breathing. Inhale and bend your right knee—exhale…pull it
close to your chest like you’re hugging it, inhale, hugging it tight.
That’s it—exhale, stretch out your left leg in front of you—nice and
slowly….’
Winston was hugging his left knee very tightly as Martha advised.
He was especially fond of this particular position, since it sent the
lactic acid burning all the way from his Achilles heels up through his
buttocks, stomach, torso, and neck, the searing burn splitting up the
left and right arm, touching his fingertips and then fizzing back down
again, often ending by bringing on an impalpable erection. And
today’s workout was surely testing his tantric capacity for erotogenic
composure. The past, he reflected—staring at the freckles on his left
knee, noticing the exploded cosmology of dark dots describing the
embryonic big bang that had brought him into being, and the odd
childhood scar—had not merely been altered, it had been destroyed.
For how could even the most obvious fact be established when there
existed no record outside of personal memory, when there was no
official account to corroborate one’s faded polaroids? When yoga
compelled Winston to find a higher state of consciousness, he often
cascaded back to memories of early childhood, to cloak himself in
feelings of innocence that he otherwise feared he could not achieve.
When he tried to recall the simple sensation of suckling on his
mother’s milky breast, he was flooded instead by sounds and images
of the olde underworlde, in ye olde times when the cartoon
capitalists in their strange rusty metal-riveted helmets hovered
through the congested fog-strangled Victorianesque cobbledegook
streets of Londinium, in drab old clunky steam-driven hydraulic horse
carriages with beady fish-eyed portholes from which to observe the
baying proles. Winston could remember the anticapitalist cartoon like
it was yesterday, but couldn’t for the life of him recall suckling on the
milky somatic capital that apparently flowed freely from his mother’s
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 52
breast. Maybe she didn’t breastfeed him at all. Maybe she lied about
that, and that was why he was like he was like he was….
‘Smith!’ yelled his inner yogi, his spiritual superego—‘Listen amigo,
this is the voice of your inner wellness speaking! Don’t ruin it for both
of us! Your mind has become a nightmare that’s been eating you!
Stop your head wandering off from your body and thinking about all
that dumb psychobabble! Be mindful, Winston! Eat your mind! Think
oblivion, man, but FEEL Nirvana! Keep your mother-freaking body
switched-on and yer noggin switched off! You crazy old wonk! Head
and shoulders knees and toes—Knees and toes—Head and
shoulders knees and toes—Knees and toes—And eyes and ears—
And mouth and nose—Head and shoulders knees and toes—Inhale!
Exhale! Do it right, or don’t do it at all, comrade!’
Winston came to with a fright, upside-down, in full Sirsasana pose
—his first ever unassisted headstand, supported by forearms, the
crown of his head resting heavily on the thin earth-friendly jute yoga
mat. Since his blood had swiftly flushed all the way down into the
lavatory bowl of his cranium, he elected to remain where he was,
upside down, safe, eyes bulging from the gravitational load of his
sanguine lividity, patiently waiting for Martha to sing out instructions
for a safe descent—instructions bracketed by the cue to inhaaaaale
and exhaaaaale. But Martha’s soothing susurration began to waver a
little, then to slow down, and her voice began to deepen: the
magnetic tape was snagging on the tape head, the excess backing
up and clogging the machine until the delicate red-oxide ribbon
began spooling from the slot in the cassette loader, looping and
tangling in delicate knots as it fell, poor Martha’s instructions
continuing all the while as the aneurytic catastrophe gradually caught
up with her. As he watched her ferric soul spool and tangle with its
demonic detuning, it dawned upon him that these were the last few
intelligible words he would ever hear Martha speak. Her voice now
slowed to a terrible drawl, and as the octaves dropped Martha’s face
drooped: having many moons ago formed a most fond vision of his
esteemed instructor, Winston now could not help imagining the
muscles of her mouth rendered slack, the sallow flesh hung in
dilapidated curtains, sagging flaccidly, her face subjected to the cruel
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 53
gravity that poor Winston, still upside down, would now have to
contend with all alone.
‘Well done! Our first solo Sirsasanaaaa pose!—Thank—you—for—
taking—time—toooo—paaaaaaarticipate—iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiin—
yoooooooooooooooooooooooooooour—
oooooowwwwwwwwwwwwwwwwwwn—wellllllbeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeing….’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 54
Chapter IV
With the homely odour of burnt cookie biscuit rising up from the
bakery vent some two hundred metres below, Winston made ready
for the day by unfolding his reading glasses and blowing imaginary
specks of flour from the finely meshed mic of his Dictaphone. He
listened out for the first few jobs of the day to begin their descent,
knowing that he would soon hear them clatter along the pneumatic
plumbing towards his desk.
Three tumbled out all at once, and Winston set about the small
objects with aplomb, pulverising them with his fist into a mess of
scattered crumbs. From the rubble he picked out three paper slips
and with the side of his hand swept the unwanted debris into a hole
in the desk. There were two other similar holes set into the desk: one
for the deposit and return dispatch of the finished rectifications, and
the other for the posting of waste paper into a shredder. The
shredder chutes were commonly given proprietorial monikers, so
that when a fellow operative deemed that a document was due for
disposal, the article would be introduced into the jaws of Mr SnippySnap or Mrs Snappy-Snatch, whereupon it would be shredded and
duly recycled.
Winston examined the three slips of paper in front of him, unrolled
but obstinately curlicued. Each contained a message of only a few
lines, composed in the obscure and ancient jargon peculiar to their
designation. The first of the three on Winston’s desk ran:
You cannot stop bird of sorrow fly overhead, but can prevent such unhappy
thought from nesting there.
The second:
If problem is fixable, then no need must worry. If problem not fixable, then can
only worry, must only much worrying, life become no end of much worrying
worry.
The third:
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 55
Ultimate source of happiness not money not power, but with no money, no
power, no source ultimate happiness, no source anything at all.
The messages required only minor rectifications, a little fine-tuning to
edit out the strange gnomic gloom that had crept in. Winston
attended to the second fortune first, since it was the most easily
remedied, rectifying it as follows:
If problem is fixable, then no need must worry. If problem not fixable, then no
purpose worrying. There must no benefit be in worrying whatsoever, ever.
The third required a little more tinkering, until it read:
Ultimate source of happiness not money not power, but warm-heartedness is
source ultimate happiness.
Winston’s creative gift and his great value to the commune lay in his
talent for rectifying the returns and checking over the first-draft
fortunes, employing his unique editorial expertise to craft the short
scripts until they conformed to the appropriate clairvoyant register.
Once satisfied with the elevating tone of his rectification, he would
make the necessary spoken notes, attach any supplementary
memoranda by rubber band to the cassette, and post the bundle into
the pneumatic tube to be inhaaaaaaled upwards.
With a subconscious waft of the hand, the few residual crumbs
were scuffed into the waste slot and the three strips of curlicued
paper fed into the ever-ravenous maw of Mr Tooth-Fairy, their
existence forever erased. The small cassette rattled away on its
journey to the upper floor, gladly out of sight and out of Winston’s
mind, confident as he was that the modified drafts would be
approved, proofed and committed to a revised print run. Each
message was scrutinised more than once, quality-controlled by a
host of experts, and ultimately guaranteed by the fellowship of
specialists on the top floor. This rigorous procedure was designed to
ensure that no bogus prediction, no wonky forecast, would enter the
world, to conflict with the edicts of fate or disappoint a world
hankering for divinatory comfort. Should some harmful fortune ever
sneak out into the public domain, hidden within the temporary gloom
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 56
of a shrink-wrapped fortune cookie parcel…but Winston had been
assured that such things rarely, if ever, happened.
And yet, despite the many levels of scrutiny, certain erroneous
fortunes had not only found their way into print, but had somehow
evaded quality control to end up in the hands of the happily unwary.
Nor were these misfortunes simple typos or inadvertent misprints.
While closely resembling the bona fide scripts, their misaligned
sentiments seemed to harbour a sinister coherence—that is to say,
they were not easily to be dismissed as mere gobbledegook, since
the deviations of the misfortunes often exhibited a recognisable
brand of unpleasantness. One recent batch of misfortunes
intercepted by a keen-eyed wonk prior to distribution exemplified the
disturbing work of what some referred to as the ‘deep glitch’:
Anger or hatred is like fisherman’s hook. Very important for to ensure that we
are not caught by it in own snare or in own bear trap or own poison bait.
Irrespective of believer in agnostics, God or bad karma, moral ethic is code
which everyone try to crack—instead, why not try crack? Except not in August.
And then there was this:
Prime purpose in this life to help other. If cannot help other, then best not just
hurt other, instead—best one small pain and an infinity of peace.
And:
In cosmos, one human life no more than tiny insignificant blip of nothing minus
everything. Each of us just visitor to inhospitable planet, best only alien who
stay for limited time before planet bite back, eat up, spit out. Not even chew.
Ha. Ha.
Those vulnerable citizens in need of preternatural life advice who
might turn to the fortunes with greater expectation than most were
especially susceptible to the malign influence of rogue misfortune
cookies. Such citizens might well be endangered by the misleading
psychic advice, and indeed rumours abounded that erroneous
messages had triggered the odd act of self-harm, as the rush of
optimism that accompanied the unwrapping of a fresh fortune cookie
was swiftly disappointed—and worse. Such incidents went largely
unremarked, though, since nobody wished to dwell on the
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 57
unthinkable. Where possible, misfortunes were quietly returned to
the Ministry of Fortune and swiftly rectified, reissued and distributed
without any announcement being made. Such rectifications were
colloquially regarded by Ministry wonks as bloopers, gaffes,
clangers, howlers or boo-boos that had been put right in the interests
of accuracy and good fortune—but increasingly the work of recalling
and rectifying misfortunes was becoming a daily affair, the rule rather
than the exception.
The rectification of these sinister destinies was not in and of itself
fakery—in light of the threat to the public, it was nothing less than a
humanitarian duty, carried out in the service of the human right to
aspiration and serendipity. Early disruptions had been put down to a
stubborn gremlin in the machine, a wonky cog or two or some
elusive eccentricity cascading along the production line, a glitch to
be mechanically rectified. The suggestion that a lone wonk operative
was interfering with the production process was never openly
indulged as a possibility, since no yippy wonk could ever be that
mean-spirited.
Misfortune cookies could wreak havoc in the daily life of the
suggestible, but on occasion rectifications could also prove
disastrous. The chances that a newly rectified message might be
opened by the same recipient as the original erroneous version was
so remote that no calculation had ever been made to anticipate such
an eventuality. But it was a matter of record that at least one
marriage proposal accepted on the basis of a flawed fortune had
later been rescinded upon receipt of a reissued and rectified version
that flatly contradicted its conjugal exhortations, with the revised
prophecy occasioning great sorrow and the odd slit wrist. Similarly,
pay rises and promotions swiftly withdrawn on the basis of a reeditioned rectification had led to breakdowns and overdoses.
Contracts were more coldly reappraised a second time round, and
hopes dashed. Rectifications gave false hope where dark tumours
lurked. Women leapt from ledges and men hurled themselves down
steep flights of stairs. Bodies were washed up downstream from
uptown bridges like so many stricken jellyfish stranded by the pitiless
tide, each calamity accompanied by a message, as tightly sealed in
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 58
the rigid claws of a waterlogged corpse as it had once been in its
sweet butterfly-shaped pastry pocket.
That the glitch possessed coherence made it entirely reasonable to
suspect something theurgical was at play—the sinister grip of fate
twisting the innocent hand of destiny, the two finding their common
root in some undisclosed noumenal ground. Normally, fortunes were
carefully composed so as never to contain any specific detail: while
they might seem to offer uncanny insights to those eager to be
affected by eerie visions, they were designed more as a broad-brush
estimation of the sensible variations of fate—those outcomes overtly
willed by the general populace and discretely bought into being by
the Ministry. And so it was, as with every class of recorded presage,
great or small, that the cultural and psychic hopes of everyday life
were loaded into the promissory crispy wonton-shaped biscuit, and
as the order of mysterious events unravelled in space and time,
likewise the fortune cookies so burdened by human expectation
were first crushed, and their contents then unravelled….
Winston glanced across the office at the rough-hewn wonk known to
those that deserved to know as Tilly Tillotson. She sat sifting through
a similar clutch of attic returns, her chin pressed hard up against her
Dictaphone, her wiry rust-red beard rasping loudly as she made her
urgent staccato report. Tillotson paid Winston a nicely polite nod, and
Winston reciprocated—blushing at the thought of the especially
notorious paintings she was known for executing, while attempting a
conspiratorial grin to confirm his general sense of what Tillotson was
tinkering with—although colleagues never shared the specifics of
their compositions, simply because the ethereal aspirations of the
fortunes had to be respected even by those engaged in manually
rectifying them.
A wide concourse intersected the open-plan suite of neighbourly
hotdesks, allowing an integrated flow of movement and collegial
chatter. Gregarious cascades of plant life and wildflower looped
along its route, plus the odd handicraft table replete with
complementary knick-knacks—or lavender sacks, worry beads or
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 59
intricate wicker wonk works, idiosyncratic artisanal articles whose
sales gave a boost to charitable causes.
Winston knew less than a dozen of the Ministry staff by name or
intimate nod. He saw them ambling to and fro on the central
concourse and in the eatery, would happily acknowledge them in
passing, and would even murmur the name of one or two in a simple
collegial greeting. He would see them gathering in the community
room on film night, at book club or drama group, for poetry readings,
guest lectures, group-crits and the like—none of which he himself
ever participated in. He knew, for example, that the woman with
sandy hair at the next desk toiled day in day out relentlessly tracking
down errant misfortune cookies, and that there was something fitting
in this, since her childhood sweetheart had sadly fallen victim to an
erroneous misfortune during their ill-fated courtship.
A few desks away a mild, floaty, dreamy, forgetful creature named
Ampleforth, a self-confessed concrete poet—his hard-nosed
Brutalism reinforced by the fluffiest of feathers—with large ears and
a surprising talent for juggling with rhymes and metres, was also
engaged in recording misfortune incidents, with the aim of
discovering discrete patterns and behavioural clues in the mutational
variations of each preternatural occurrence.
And yet, Winston reflected, this office, its wonks numbering sixty or
thereabouts, was only one subsection of the Composition and
Rectification Department. Beyond, above, below, in every direction,
innumerable workers were engaged in an unimaginable web of
interconnected tasks. Far below on the ground floor, deliveries of raw
materials from all the global suppliers were received by the logistics
department. On the floor above that, torrents of cookies tumbled
down long shiny chutes from the finishing floors higher up, to be
packed up into big boxes by the busy cookie packers before being
passed back down to logistics for global redistribution. Above the
cookie packers was the print floor, with its typography experts and
many inky technicians setting up plates for the continuous proofing
and printing of each new fortune slip. Once printed the slips were
taken up to the kitchen floor for insertion. In the kitchen, its store
rooms stacked with vanilla pods, almonds, coconut oil, brown rice
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 60
flour, kamut and coconut blossom sugar, an endless procession
marched from the spence out into the baking hub to maintain
constant supply to the commando ranks of artisanal bakers and
pedant doughiers toiling in the hot glow of the ovens, preparing the
many baking trays with non-stick coconut parchment—the chitinous
crush of vanilla pods, and the dental grinding of almonds plus the
splash of coconut oil and water—loaded into gigantic wooden bowls
and pummelled by stone grinders, then whisked until the contents
frothed—the flour measured and kamut weighed—the blossomsugar sprinkled in with a healthy dose of Himalayan crystal salt—
placed into even bigger bowls for everything to be whisked together
with artisanal blood, sweat and cheer, until all ingredients had been
cajoled into one smooth, batter-like substance—stacks of large trays
chilled for an hour before the Cookie Master was summoned from
the store room, and with the cambered curve of a well-oiled spoon
reserved especially for the purpose, proceeded expertly to swirl each
portion of chilled paste out into two thousand little circles—the trays
placed in preheated ovens and baked for thirteen minutes until the
edges of the cookies turned nicely golden—the flat cookies removed
with long palette knives, being at this stage quite warm and still soft
enough to be shaped without crumbling—the Cookie Master then,
with the accompaniment of ritual glossolalic murmurs, placing each
sacred slip of paper with its promissory fortune in the middle of each
cookie circle—then neatly folding them in half to secure the message
inside—then pinching the edges together before cooling and
hardening and then finally being sealed into the familiar metallic
wrappers adorned with a smiley face.
High above the kitchen was the Composition and Rectification
Department, and above that, the all-seeing and all-powerful Attic
Quintessence Department.
In the attic there sat a rotating committee of occasional
soothsaying clairvoyants—druids, water-diviners, horse-whisperers,
hermetic occultists, healers, cobblers, oracles, Rosicrucian
mediums, minor telepaths, spooks, mind-readers, people-pleasers,
dust-prophets, stone-suckers, rodent-diviners, second-guessers,
gamblers, egg-suckers, theurgic practitioners, ventriloquists,
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 61
plumbers, tea-leaf readers, a troupe of volunteer slaves, fortune
hunters, archaeologists, fig-swallowers, geomancers, numerologists,
chiromancers, tarot readers and amateur card sharps—presiding
over the wisdom and tone of the prophecies according to rituals that
had become as arcane and fanatically protected as the recipe for the
cookie dough itself.
From these lofty heights ideational summaries would be handed
down to the Composition Department, where a cast of sub-editors
would respectfully suggest minor adjustments. But it was up to the
Aspirations Committee to divine the general psychic expectations of
the public—to embody its common wishes and hopes in best-guess
predictions concerning happiness, love, life and general well-being.
To this end, the common fortunes were more often than not partgleaned from parochial adages, part reverse-engineered from
popular sentiments, snipped from bits of lay wisdom and pieces of
common folklore, stolen from forgotten statutes or party slogans, or
obtained from obsolete religious sentiments, obscure lyric poetry or
children’s plague rhymes.
Alongside these standard cookies, though, the Ministry also
catered for the specialist tastes of the more exacting patron. There
were collectable fortune cookies dedicated to emancipatory
commemorations, freedom festivals, and popular Goldstein charity
drives. But the most popular add-on to the standard package was
the erotic fortune, which came in a sealed brown packet. The pastry
was flesh-coloured according to racioethnic preference, and had the
physical appearance of a belly button, anus, or vagina, depending on
the libidinal inclination of the recipient. Erotic cookies typically
contained harmlessly lewd messages:
When you discontent downstairs you always want more. But you must try, try,
and try again and you will suck seed.
When erotic fortunes suffered the effects of the deviant glitch, the
effects could be unpredictable. In the mercifully rare event that an
erotic fortune cookie was crushed only to yield an adulterated
libidinous missive, the error might be easily accommodated by
common sense. Yet those who broke pastry in the auspicious flicker
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 62
of candlelight, accompanied by the consumption of symbolic
flatbreads, the tension heightened by the solemn explication of their
libidinal fate from among the litter of cookie crumbs—such persons,
already primed by the presumptions of faith, might find themselves
distressed or affronted by a glitched overture. Of course, the
receiving of a misfortune was a chance matter, its message by no
means personally directed toward any particular recipient. Yet no
Ministry apologist could admit as such, since acknowledging the
impersonal nature of the misfortunes would also render the uncanny
psychic accuracy of legitimate fortunes null and void.
An erotic cookie message composed at source to read:
Try not become so consume by love for other, instead try consummate love
with other.
might say instead:
Try not become so consume by love for other, instead try eat other.
While a message originally intended to read:
There is no need for erect temples, no need complicate sexy object with God.
Better to ignore sexy obstacle than try overcome God.
might instead enter the public realm as:
There is no need for erect temples, no need God. Better you susurrate swollen
blood thrust of loins in split shitty tissues. Better you drape head open mouth
soiling blood spattered veil face beaten or better violaceous liquefied all body
politician. Better you strangle penis sweat clitoris slime frothing in nostril
sagging load straggling over and over shaved occiput or better mauve slit of
arse. Much better when discontent devour dead membrane’s throat gurgling
jism purge with bloody smear-chipped tooth-dent in screaming soft rape flesh,
especially
in June.
In short, the sinister glitch transformed auguries of harmless erotic
fun into psychic provocations to rape, torture and murder—presented
as the ordinances of incontrovertible fate, and liable to be obeyed
with the self-fulfilling logic of enraptured souls yearning for truth.
Recorded incidents in which misfortunes were cited as a
provocation ranged from indecent exposure to the theatrical
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 63
restaging of car accidents. Pain was inflicted upon animals and
children alike. Eruptions of emetophilia, scatophilia, frotteurism,
paedophilia, necrophilia and haematolagnia occurred, corresponding
misfortunes motivating each and every predestined act.
Three more cookies dropped onto Winston’s table whilst he was
twiddling his thumbs, and he was about to pummel them with his fist
when the call came from the community room for the Two Minutes
Compassion.
When the arduous task of indulging Goldstein’s proxy pain was
done, Winston, snivelling theatrically into a sodden Kleenex so as to
hasten his turgid escape, returned to his desk to find a note awaiting
him. It was an instruction from the Attic Quintessence Department.
More than that, it was handwritten.
He unfolded it with bated breath, anticipating revelations of great
sagacity.
Hey Winston,
How goes it down on the workshop floor? Just wanted to say you’re doing a
great job, man! Thing is—and it’s a real downer to have to lay this on you
without fair warning—a clutch of fortunes passed out during the month of oh,
say, maybe September, have, like, been sent back on account of being totally
bummed out by some pretty negative vibes. So Winston, man, would you be
so kind as to cast your beady eye, and, y’know, do your thing—rectify the bad
stuff out and the good stuff in! Soon as you can, brother—post them in the
tube, or bring ’em up, your call. I’ll post the bad shit down—but let’s keep this
strictly between us!
Peace out, good fortune brother!
Amitav.
Rendered light-headed by Amitav’s mystical tone, Winston slipped
into a meditative state while awaiting the offending cookies’ delivery
from the attic by totally cool pneumatic tube.
When he came to, Winston found himself already instinctively
smashing the cookie parcels with his fists, pulverising the shells into
dust, demolishing them so that the scripts were all that remained.
The diminutive scrolls that emerged from the rubble, he soon saw,
had once again eschewed the ethereal in favour of the mention by
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 64
name of something as humdrum as a real-life person—to wit, a
contemporaneous mortal named Conrad Withers.
Withers was the last known Jehovah’s Witness, but was primarily
famous for being a contestant in a popular reality television show.
Not only was Withers mentioned in the fortune, but he was explicitly
tipped as the show’s eventual winner. And yet Withers had been
expelled from the show, under bizarre circumstances, weeks before
the prediction came to light. Withers’ exit was neither here nor there,
but the deliberate defamation of the mystical prestige of the fortunes
by such a wildly inaccurate forecast was overtly detrimental to the
reputation of the Ministry of Good Fortune.
Winston was of the opinion that the immediate exclusion of Withers
in his rectification would not cause any significant complication, and
that it was best to marshal the ethereal against the mundane fact of
Wither’s untimely tellurian fame—in other words, most best erase all
earthly mention of Withers in favour of stock prediction of celestial
love, divine health, good life and universal well-being. Stop.
Although time would surely tell.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 65
Chapter V
In the low-ceilinged Ministry eatery, small groups drifted in dribs and
drabs from the busy elevators, loosely aiming for the food bar,
congealed by viscous gossip rather than the vulgar urgency of
hunger—by now an unfamiliar and archaic instinct. A haphazard
queue formed, made up of voracious coteries yet to relinquish the
magnetic field of their chitchat, before the rude issuing of individual
lunch trays caused each aleatory mass to atomise, the clot
subdividing into individual salivating mouths populated by activated
taste buds as they shuffled one by one past the long delicatessen
counter, the salad bar, and the hot food buffet as if negotiating a
precarious ledge—each making their choice from the superabundant
fare on offer, and for each a modest picking, since negotiating the
potlatch surplus set before their senses was also a test of resilience
for those pious dietary restrictions that often come to define a
person’s identity—especially in the great consideration given to that
which links a mouth to its anus.
The eatery’s open-air terraced seating area, two hundred and
eighty ziggurated meters up, was all gorgeous and dreamy, dappled
with softened sunlight and silken cloud base, suffused with many
chirping passerines perched in readiness to filch the odd unleavened
cookie crumb should fortune allow. From beyond the hot food
counter with its glistening dishes burnished under a trinity of hot sunlamps, there came the effervescent minstrel fizz of the full Serenity
range—Ataraxy Elderflower, Lullaby Lemonade, Placid Ginger,
Hushful Nettle, Dreich Dandelion, Rueful Root, et al.
‘Just the wise old yippy-dippy wonk I’ve been lookin’ for,’ came a
familiar voice to Winston’s rear.
Behind him, creeping up furtively as ever, was Syme, expert
philologist and chief of the team of shuffling specialists engaged in
compiling the Thirteenth Edition of the Fortune Cookie Dictionary. He
was a tiny creature, not exactly wizened, but with a waxen wellness
beguiling in its strange luminosity. Syme was smaller in stature than
Winston, adorned with many well-worn worry beads and stooping
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 66
into the depths of his long wispy hair like some weary willow tree
shrouding its trunk. His large bright eyes, always dilated, hungry for
light, now scoured Winston’s face for some vulnerability, some
unguarded clue as to what if anything lay beyond the customary
exchange of mere cordial pleasantries.
‘Hey Winston, did you ever manage to hunt down that elusive copy
of Ginsberg’s Howl, the signed ’56 first edition?’
‘Oh, I think you may have confused me with someone who reads
poetry,’ said Winston, flatly.
‘Relax, man! No hassle! Just a friendly nudge and a wink from one
wonk to another!’ The words were spoken with exaggerated gestures
of pacifist placation, or perhaps it was lacerating sarcasm—it was
difficult to tell with Syme. In another life Winston would surely relish
putting the fist back in pacifist, but in this life he must make do with
simply tuning out.
But Syme did not relent. ‘Jeepers creepers!’ he yowled. ‘Uncoil
your pot, brother! Anyways, I did find a copy of the semi-rare To
Eberhart from Ginsberg: A Letter about Howl 1956. An Explanation
by Allen Ginsberg of his publication Howl and Richard Eberhart’s
New York Times article “West Coast Rhythms” together with
comments by both poets and Relief Etchings by Jerome Kaplan—but
I can’t for the life of me find a decent original ’56 first.’
Truth be told, Winston did indeed have in his keeping two copies of
Howl, and Other Poems by Allen Ginsberg, the most prized of them
being a shrinkwrapped ’56 first edition in pure, bright, mint condition,
and signed by the author. The other, also a ’56 first edition, was also
signed by the poet’s paw—but was so thoroughly dog-eared and
well-thumbed by you-know-who that its pages were as crispy as
autumn leaves.
‘I’m sorry, I can be of no help whatsoever,’ insisted Winston with a
smile.
‘Shit before shovel—or pearls before swine! Your choice!’
‘What?’
‘Because freedom’s just another word for nothin’ left to do.’
‘What?’
‘Just go with the flow, man.’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 67
‘What do you mean?’
Syme gestured beyond Winston’s irritated face to the gap opening
up in the queue over yonder.
‘Oh!’ Winston dutifully shambled forwards to close the gap, and
Syme followed close behind, his protruding empty tray pressed into
the small of Winston’s back like a pistol in an old movie.
‘Have you seen The Prisoner’s Hand yet?’ he asked.
‘I don’t watch films.’
‘No films, no poetry, no music, no art…no nothing.’ Syme regarded
Winston from behind with a sympathetic sneer. Winston intuitively
sensed this and attempted to retaliate in the best way he knew how.
‘When have more compassionate mind and cultivate warmheartedness, whole atmosphere all around become more positive
and friendlier.’
‘Oh, sure thing Winston! Totally get it, man! There’s the touchstone
right there!’
Winston shuffled his eyes and rolled forwards, drawing a little
closer to the wholesome stench of lovingly prepared organic
foodstuffs.
Syme professed a keen interest in antique films: not the harmless
silent ones—those glorified mimes and slapstick buffoons with their
expressionist make-up and exaggerated primate gestures—but the
later ones, especially the distasteful antique horror films, the gory
ones, the gratuitous spectacles of violence; and the old anti-war films
that were designed to act as a purgative against the universalised
totality of all violence—with much vaporising of enemy cities, much
pantomime goose-stepping and forced marching into blizzards,
liquidation camps, and dictators being brought to justice in
grandiloquent fake show trials with fake confessions, fake remorse
and fake executions, and fake personal heroics masking the real
division of the world into newfound anti-markets.
This appetite for the grotesque was vexatious to Winston, not
because he was so squeamish as to take offense at such historical
curios, but because Syme pretended that his appetite for odious
artefacts had some credible justification beyond pure gratuitous
voyeurism, which might be forgivable if at least it was honest—we all
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 68
have our peculiarly delightful and completely-acceptable-withinreasonable-bounds fetishes. But in fact Syme was a voracious sineater, gobbling up the worst of history’s images as a self-appointed
adjudicator of humanity. He had neatly inserted himself somewhere
between systemic and divine violence, placing barbaric aggression
in the service of cultured progress—this arrogant imposition being
enough to warrant Winston’s private derision. For Syme’s appetite
for the barbaric, so he claimed, was supposedly a necessary evil for
the experimental novel he was writing, had been writing forever—his
writer’s block was by now quite solid and all progress was stalled.
The story was set in the future, but drew upon the violent excesses
of the past to tell a terrible tale about a dystopian society where
everyone was being watched, surveilled for reasons no one was
exactly sure of—reasons that Syme himself had yet to explain,
hence the narrative obstacle to his story’s onward motion.
Talking to Syme without lapsing into despair and torpor was a
matter of nudging him away from the looping noose of these morose
speculations toward his less woeful professional specialisation—the
morphological adaptation of fortune cookie language, a subject upon
which he was vastly authoritative and no less exhaustive. It was
preferable thus to furtively replace the obscene with the tedious,
although at times they felt uncomfortably close. In fact, Winston had
turned away to avoid the scrutiny of the large luminous eyes of the
prying little gonk, trying to capture him in their mesmerising beam….
‘It’s an especially vivid piece of film, The Prisoner’s Hand,’
continued Syme regardless, drilling into Winston’s head from behind.
‘It shows how the early liberal progressives had a predilection for
gory films—despite maintaining so peaceable a disposition, they had
a marked penchant for unpleasure. They enjoyed teasing
themselves with movies that predicted catastrophe—the more tragic,
the more apocalyptic the better. They yearned for chaos whilst
enduring tranquility. They made do with images of the end of the
world—as if to conceive it was to keep it at bay. And yet they
pictured catastrophe in such loving detail that, on those occasions
when disaster did befall them, every cataclysm had already been
imagined so precisely that it’s difficult for us to tell which so-called
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 69
disaster movies are real and which are not—which are depictions of
events, and which are sublime inventions with which to provoke the
future.’
‘How’s the novel coming along?’ said Winston abruptly, invoking
Syme’s obdurate writer’s block in the hope of stopping him dead in
his tracks.
An appalled Syme gaped up at Winston, but before he could
protest—‘Winston! Syme! Bienvenido de nuevo! Dearest comrades!’
came the aproned saucier-poet wonk’s call to arms, as he suddenly
appeared looming above them, his lavish hand-whittled serving
spoon hovering in wait above the luscious array of lovely steaming
superfoods on offer.
Even with traces of horror still fresh in his mind, Syme’s appetite
was razor-sharp.
‘Solicitudes to you too, comrade! May I have the golden beetroot
with the red balsamic, the flesh-pink grapefruit, the blood-orange
garnish…and I’ll take just a teeny child-size pinch of the red cabbage
salad, if you don’t mind!’ He turned to Winston, licking his lips and
rubbing his tummy at the same time. ‘Oh, and a dash of beetroot
ketchup!’
The sight of the blood-red jus pooling in the circular dimple of
Syme’s pallid porcelain plate patently echoed his predilection for
bloodthirsty visual bygones. Winston elected for the sweet potato
tempura, the yuzukosho, the peanut and coriander dip-dip.
‘There’s a table over there,’ said Syme. ‘There! Beneath the
television—don’t panic, it’s on mute. Let’s pick up a drop of the good
stuff on the way.’ He scuttled off.
Ataraxy Elderflower was served in crude glass jars, with misaligned
seams and little pockets of trapped air, mini-bubbles fossilised by the
cack-handed craftisanship of their careless freewheeling production.
Syme and Winston threaded their way across the patio and set their
food down on the table, the perched birds amassing where a halfeaten fig muffin had been fortuitously forsaken. Taking up his kooky
jam jar, Winston paused for an instant to prime his nerves before
sipping at the sparkling cordial and, whilst winking the acetous tears
free of his eyes, set about his potato tempura, yuzukosho, and
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 70
peanut and coriander dip-dip—and observed as Syme’s fingers and
face became stained with a cherry-red sort of cochineal-ish cerise.
Neither of them were really minded to speak again until their plates
had been exhausted. But then, from one of the tables behind, there
came a voice—at first hushed but brisk and uninterrupted, then
becoming a tad delirious, unstable even; a kind of jejune jabber like
the drowning quack of a gabble-beaked duckling.
Paying no especial heed to the demented tongue raging away
behind them, Winston and Syme, replete, took up the gratis Ministry
fortune cookies that always came with every canteen tray,
unwrapped them, and broke open the crispy shells so as to extract
the little slips from the litter of crumbs. Syme pondered his, then
purposefully showed it to Winston as if to ward off its auguries.
‘One of yours?’ he demanded.
Winston gave a perfunctory shrug, taking no responsibility for its
authorship—thus the cookie crushed, but the magic still intact.
‘How’s the Dictionary coming on?’ said Winston, his voice raised to
accommodate the gabbleduck’s rabbiting.
‘Oh slowly, quite slowly.’ replied Syme. ‘But surely.’ His face
brightened and he slid his plate aside to lean across the table so as
to confer privately without needing to yell.
‘You see, the Thirteenth Edition is the definitive edition,’ he said,
gravely. ‘Our language is achieving pure consensus. Soon people
like you and I will need to learn to…well, to unspeak. You’d be
forgiven for thinking that our job was to come up with some brandnew universal language. But not a bit of it! Language is attaining its
own true form, according to a great harmony of forces leading to
great accord—to unequivocal consent—to universal compromise
and simple unanimity! Our function is merely to help smooth out
some of the lagging viscosities, making language more sympathetic
—a language formed of empathy, an expressive form for a truly
progressive sensibility!’
‘Sensibility?’
‘Yes Winston. Sensibility.’ Syme smiled, his face more luminous
than ever. ‘Of course, verbs do not have irreducible correlatives, nor
do surplus synonyms exist purely for fun, nor are antonyms simply
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 71
the opposite of—well, anyway…. Those are the nuts and bolts of the
Thirteenth Edition. But let me explain. I’ll recite a standard training
paragraph—one you’re probably familiar with from your school days
—and you’ll easily catch what I mean: One problem with our current
society is that we have an attitude towards education, as if it is there
to simply make you much more clever, or to make you more
ingenious…. Even though our society does not explicitly emphasise
this, the most important use of knowledge and education is to help
us understand the importance of engaging in much more wholesome
actions, and for bringing about discipline within our inner minds. The
proper utilisation of our intelligence and knowledge is to effect
changes from within to develop a good and healthy heart….’
Syme settled back in his chair, making himself comfortable for the
duration of Winston’s confusion. Duly humbled, Winston
contemplated Syme’s words, leaving an appropriate pause before
conceding with a solemn shake of the head. His friend tipped
forward, his dismantled brow casting an incredulous grey shadow
across his face.
‘You’re thinking—what am I not getting? Right? What’s wrong with
the paragraph? And you’re right! It’s fine as it is—it makes perfect
sense. It does. But it also says too much, and in saying too much it
ultimately reduces what it can say expressively.’ He ratcheted
backwards in his chair with little knowing nods—confident in the
assumption that such a slack tautology had surely lassoed
something or other in its looping logic.
‘After all, what justification is there for a word which is simply the
opposite of some other word? A word contains its opposite in itself.
Take the word “healthy”, for instance. If you have a word like
“healthy”, what need is there for a word like “unhealthy” when
everything around us, the world we inhabit, our lives, are utterly
healthy and harmonious? Or again, why synonyms for “wellness”,
when words like “happy” and “content” are so capably subsumed
within it?’
Winston was still none the wiser.
‘Listen to the very same paragraph again, Winston, except this time
with a slight consensual adaptation: One problem with current
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 72
society is attitude towards education, there to simply make much
more clever, make more ingenious…. Even though society not
emphasise this, important use of knowledge and education, help
understand importance of more wholesome actions, and for bring
about discipline within inner minds. Proper utilisation of intelligence
and knowledge, effect changes from within, develop good healthy
heart…. You see?’
Syme was relishing Winston’s fruitless inner deliberations, his
pantomime of earnest nods, pneumatic sighs, and hydraulic frowns.
‘Come on Winston! It’s screaming out at you! Listen again! But
closely this time: Problem current society education, make more
clever, make more ingenious…. Even though society use knowledge
and education, help understand wholesome action, for bring about
discipline inner mind. Proper intelligence and knowledge, effect
change from within, develop healthy heart.’
Winston was eagerly trying to decipher the paragraph’s evolving
shape, its linguistic mindfulness, but from the table behind them the
deleterious voice was now babbling continuously and loudly, its
clamour intertwining with the tangle of thoughts in his own internal
bedlam—the childish gabble, the drowning quack, quack, quack of a
happily drowning ugly duckling. Syme jolted forwards suddenly,
slamming the interrogator’s table with the flat of both hands, making
poor Winston jump. Then he immediately leant back, laughing
manically.
‘Problem society education, make clever, make ingenious….
Society no emphasise, use knowledge education, understand
wholesome action, for discipline inner mind. Proper knowledge,
change within heart….’
Poor Winston was withering like a sickly snail with antennae
afflicted by a Leucochloridium parasite, tip pulsating and glowing all
luminous to encourage its predator. Still flinching from the prior
assault, there was nothing more he could do but cower, flinch and
wince even more as Syme started up again.
‘No? No? No? You still don’t get it, do you? Probsoc educlever,
ingeniety emphledge edustand holesac, discimind proledge,
cheart…. Or better still—prosoc educlev, ingenit empedge edand
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 73
holec, dimind prodge, chat! Now do you see? Can you appreciate
the purity of it? Can you hear that, Winston? Like some cosmic bell
harmonising with the unspoken mystery of the stars?’
‘Yes! Yes! Of course!’ Winston erupted with relief. ‘I get it! The new
method allows even mundane language to aspire to its essential
psychic designation! It’s brilliant, Syme!’ But then another thought
struck him. ‘Maybe this is what the deep glitch is doing, but in
reverse—transforming
the
healthy
fortunes
into
morbid
misfortunes…’
Suddenly Winston seemed to hear the sound of scuttling chains
and the resounding crash of Syme’s mental portcullis slamming to
the cobblestones. Syme leant forwards, all the better for whispered
contempt to travel between them without interference.
‘Winston,’ he hissed, ‘I’ll remind you that such casual mention of…
the misfortunes—especially in public, even in such places as the
Ministry eatery—is ill-advised. You should know better. I suppose it’s
difficult to have an appreciation of what the wonks in my section are
up against—I mean, difficult for someone who edits fortune cookies
for a living.’
The reduction of Winston’s daily devotion to the vicissitudes of
hand-to-mouth sustenance was mean-spirited of Syme—but he was
not stopping there.
‘I admire your revisions, Winston, and you’re widely respected. But
you’re an old-fashioned workhorse—like some old Stakhanovite,
worked to the bone without reward—and worst of all, like some daft
old refusenik, you refuse to give anything of yourself, save for this
dogmatic subordination to work. Nothing more. No films, no poetry,
no music, no art…no nothing.’
Syme was obliged to persist, if only to bridge Winston’s gape, so
he changed tack.
‘Oh Winston, brother! I’m not criticising your methodology, nor the
rigour of your daily rectifications—no-one does it better, man! But
hey, you must forgive me for being forthright, let me just put it out
there, yeah? Where has the real Winston Smith gone?’
‘But Syme, I am the real Winston Smith.’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 74
‘But are you Winston? I mean, you edit fortune cookies, and that’s
it. Nothing more, nothing less. Your soul’s been replaced by some
archaic work ethic, man…you’ve become a worker.’
Winston gasped.
‘Don’t panic! You can do something to help yourself! You can rekindle your artisanal urge! You can write! You’re good at writing—but
you must do something personal! You need to find your voice!
Something autobiographical? Find your sense of hurt! A short story?
Your sense of place! A novel! Yes, a novel! You should only write
about what you know! But you must do something—before it’s too
late! Because doing anything is better than doing nothing!’
Winston gave a frown so deeply set that only great effort could
wrench it back into a functionally genial rictus grin. Syme’s convivial
vivisection had prompted a recollection of that dark current that had
only very recently begun to irrigate his mind, those strange
consummate words that had begun to drift into him, through him or
by contagion at the very least.
The diseased articulation was even entreating him to nominate it as
his very own authentic heart-rendered poetry. The voice had found
him, and he certainly felt found. But what if the voice was somehow
connected to the place of the glitch, what if its hurt was expressed
through the misfortunes? What if his daily exposure to the
misfortunes had ended up affecting his outlook on life? Despite the
nameless, formless abyss from which the unpretended evocations
crawled, they were anything but vague, nor were they blighted by
Stakhanovite dogmatism and refusenik resentment. Quite the
opposite—they flowed like lava, burning through him with an
industrious urgency that solidified into obdurate mass upon contact
with air.
‘Has it ever occurred to you that by the year 2084 not a single
human being alive will understand such a cloddish conversation as
we’re having right this minute…?’
‘Except for a poe—’ blurted Winston, stopping short of the
unmentionable word, containing the outburst in a reptilian flush of
vivid colour. But Syme had glimpsed something, and duly pounced.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 75
‘Except for what?’ he exclaimed, eyes popping, beads worrying.
‘What were you going to say? Winston, tell me! The word you didn’t
finish—was it poe—’
Behind them, the insane gabble suddenly intensified, and the voice
of a female colleague was also raised in a desperate attempt to tame
her associate’s fulmination. Winston was happy for the racket, for it
had stymied Syme. He angled himself back in his chair to better
observe the anguished wonk—to witness his fall, to savour it in his
peripheral vision, where all contemptible objects could be safely
observed.
By now the ventriloquial jaw was snapping at thin air, and an
unpleasant sound began to gurgle up from the core of the
unfortunate colleague’s gloomy viscera—bile mixed with
gobbledegook, and then a menagerie of wild howls, a toad’s croak, a
parrot’s squawk and even an effeminate ladylike growl and a manly
countertenor shriek—the excrement of being, yawning from the
blackened beyond. Winston observed the outpourings as best he
could, and was struck by the violence of the possessive
impedimenta trying to hold it all back in, the heaving jugular
constricted and choked by the yoke of the speaker’s obliterated
identity, the gullet gulping, the tonsils rasped by the anonymised
torrent spilling forth, contorting the man’s lips into many ugly shapes
like a horribly misshapen rubber band, as if an imposter’s teeth were
being spat out through it. Winston saw how the cursing invective
inhabited the speaker, and how, despite the zoo of shrieks and cries
and catcalls escaping from the maw, none of it belonged to him. In
the same way, he could not help wondering, that his poetry did not
belong to him? Syme, on the other hand, that keen observer of
archaic horror, did not recognise horror in the flesh, and had sunk
into tepid silence as into a lukewarm bath—resigned to defeat,
having lost the scent of Winston’s clumsy indiscretion, and with the
handle of his spoon indolently tracing the outline of his left hand with
his right, indented on the table cloth.
Then the cries from behind formed into mundane sense, and
identity was restored to the congruity of the first-person singular:
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 76
‘W-w-why didn’t she just tell him that she loved him?’ the
recovering wonk bawled. ‘Poor little Helmut! He was so sad! And…
and now I’m so sad…,’ he yelped. ‘Why on earth would anyone even
write something like that? So utterly tragic! So beautifully painful! So
grotesquely lovely! Why did it come to me? Why did it happen to
land on my desk and not someone else’s? What did I do in a past life
to deserve such misery in the present? Such beauty plus tragedy
must equal pain…and now I can’t put the blasted thing down, I just
can’t! I’ve tried, oh god how I’ve tried—tried to finish it, tried to ignore
it—but I can’t bear the thought of finishing it…AND WHAT IF IT HAS
AN UNHAPPY ENDING? It’s unthinkable!’
Winston saw a loose manuscript on the table, precariously close to
the edge, the arms of the flailing ranter threatening to topple it with a
waft of the hand or the blunt nub of a funny bone. But before that
particular calamity could strike, another did its work for it. For
suddenly, the many sparrows and other small birds thus far sedately
perched about the eatery all scrambled into the air at once in a blur
of rainbow feathers, and the manuscript’s loose pages were caught
up in an almighty gust, the swirling reams flung hither and thither
amid the flutter and flurry of tiny wings. And then from above came
the indolent judder of another great bird, a lumbering mechanical
creature darkening the sky, subjecting everything below it to the
violent forces of its scything rotor blades—a whirlwind of matter
turned to chaos: the chaos of the manuscript paper, paper napkins,
paper serviettes, paper towels, paper wet wipes and even paper
sanitary pads—all synonyms for the same thing in myriad forms, and
all spiralling up into the maelstrom as though surplus synonyms
existed purely for fun. And next a searchlight, bright enough to
compete with the sun, magnifying its beam through the cloud and
canvas awning, and then an amplified voice softly wafting down, a
lovely voice, floating down, down:
‘YOU
DOWN
THERE!—YES,
YOU!
REMEMBER!—BE
COMFORTABLE IN YOUR OWN SKIN!… BE TRUE TO
YOURSELF!… BECAUSE YOU’RE WORTH IT!’
All below peered unanimously skyward from the eye of the vortex,
squinting up at the underside penumbra of the Neighbourhood
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 77
Watch Helicopter. Then something was ejected from a blind slot in
the hull, an object falling so gracefully, seeming to stall in mid-air,
swinging in the brilliant beam of the searchlight as it sailed
downward—and as if by some mesmeric effect of its elegant
descent, what a moment ago had been all shrill and offensive noise
became miraculously tranquil, all tattered senses became calm, and
everything slackened into soft focus, like a fluffy dream in which a
Labrador puppy plays with a loose toilet roll—and with an uncanny
sixth sense of balsam, a lovely silky-white plump parachute floated
unhurriedly down, transporting a handy-sized box of Kleenex
tissues…and to rounds of hearty applause rising to a standing
ovation, the silhouetted girl reached up to embrace the heaven-sent
delivery, releasing the box from its harness and plucking a man-size
or two for her forlorn wonk colleague to gently dab at his ruin.
And then all at once the kindly rotorized eclipse was over and the
birds were settling back down to the dappled sunlight and the
providential scattering of crumbs. Winston, noticing a page of the
scattered manuscript tucked into the rung of his chair, bent to pick it
up, and couldn’t help accidentally digesting the opening sentence,
hearkening to its singular voice, and to the unique sense of place
and terrible hurt expressed therein:
The Marriage of Reason and Squalor
‘A whole island?’ an appetite for pathos twinkles in Chlamydia’s eye like
fossilised light flickering in a far-away galaxy.
‘Don’t fret—I can afford it,’ boasts Algernon, mindful of his nebulous other
half twisting the winking solitaire on her finger while gazing at him with a
magnitude approaching cosmic awe.
‘You’d squander your fortunes on me?’ Tendered with faux timidity.
‘Without a blink,’ he declares, none-the-wiser. ‘The prospect of being sensible
contradicts my nature—especially now I’m hopelessly in love...’
‘Sensible?’ The word cruelly tinged.
‘Oh, but the island of Morass is truly sublime! I swear you’ll die when you set
eyes upon it...’
‘Sublime?’ The optic twinkle flares and somewhere a distant supernova
incinerates.
‘For God’s sake!– It’s paradise on Earth!’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 78
Reserved for this very moment, Chlamydia’s booby-trapped anatomy belches
into Algernon’s arms with the violence of an overdue autopsy.
‘Oh Doctor Hertz! I care for you with all my heart, lungs, pancreas and
spleen!’ she bleeds. ‘It’s the most amazing gift anyone could ever receive! But
are you sure? Have you taken leave of your senses? What on earth made you
decide to do such a thing? Are you stark raving mad? When can we visit this
paradise island of mine?’
Algernon plants a punctuating kiss on Chlamydia’s furrowed stave—lifting her
pounding torso from his chest, arms fully extended so as to read the ecstatic
expression corrupting her face. In a display of obeisance behoved only to the
altruistic mannerisms of those afflicted with faith, his mucous-grey eyeballs
well-up and plead into hers with a confession—
‘Well, that’s the thing... The thing is, I’d love to come with you, but I can’t. As
usual these accursed hands are well and truly tied...’
‘Algernon!’
In severance to Chlamydia’s barefaced disappointment Algernon sees fit to
bait her with a thinly veiled provocation
‘—unless you’re prepared to delay the wedding?’
‘Delay?’ she barks. ‘Over my dead carcass!’ Her expression now contorted
with incendiary rage, lengthy black mane flaring across the contours of a
warped grimace. Only the most delicate surgical caress can tease static
whiskers back behind fleshy lobes while Algernon’s free hand locks her
masticating trap shut.
‘See for yourself—it’s perfect—like you,’ he says clutching at straws, ‘I took
the liberty of making arrangements. You depart tomorrow morning. Fly alone.
Don’t ask why...’
‘Fly? Tomorrow? Alone? What about the wedding preparations?’
‘One week in paradise... I beg of you, will you go?’
Feminine curiosity is pregnant enough to warrant a caesarean, but womanly
cunning is sharp enough to induce an efficient acquiescence, and so—
‘If you must banish me to the ends of the Earth, I must pack, and so you,
dearest Algernon, must leave...’
A sudden epigeal germination had taken root in the soil of Winston’s
misery. Something dark had switched on, deep inside. A black light.
He tried to tame it in the only way he knew how:
You cannot stop bird of sorrow fly overhead, but can prevent such unhappy
thought from nesting there…Cannot stop bird sorrow fly overhead, prevent
unhappy thought nesting there…Canop birow flead bun prevuch unught
fresting ther…Cop bow flad bun pruch ught frest the...Cow fun fresh…
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 79
Just then the despondent gonk Syme piped up again. ‘Here comes
trouble….’
Winston saw Tomioka threading her way across the helicopterravaged terrace as manuscript pages continued to flutter down. A
strange specimen with a Möbius beauty that looped the inside out
and the outside in, she possessed the strangely impish countenance
of an oddly enlarged infant—old and young and inside-out, an effect
embellished by her kooky demeanour and her paint-splattered
children’s clothes, always uniformly matted with a spectrum of nontoxic hues. They made a perfect pair, Tomioka and Zena. Tomioka
only reluctantly succumbed to adult clothes when the weather
became severe, a minimal deviation giving some plausibility to the
idea that her infantilisation was an identity choice rather than a
pathology, although there was nothing to suggest that the two were
mutually exclusive. In fact, Tomioka’s personal brand was such that
she wished to be regarded as a girl but respected as a woman—the
very definition of kooky.
She greeted her colleagues with a cheery girlish-cum-boyish
excitement, and Winston noticed flecks of glitter augmenting her
inner well-being.
‘How goes it boys and girls—and you, Syme! Golly-gosh! What the
fuck happened here, man?’
Winston gave a smile oddly tinged with pride, which he
immediately readjusted to something more appropriate. They were
all doing their best to right the upsy-daisy fixtures, the tipped tables
and toppled chairs, while other bedraggled diners collaborated in the
gathering up of strewn manuscript pages, a charming pastoral scene
suddenly unfolding in which hunter-gathering peasants toiled in the
bosom of nature collecting up strewn leaves in the hope of
reconstituting the disturbed sanity of the Romantic Friction editor so
cruelly tipped over the edge by the pathos of The Marriage of
Reason and Squalor. Grumpy Syme was otherwise occupied with
his own weary scraps of paper, mindlessly doodling diagrams of
watchtowers, railway tracks, torture machines, firing squads, gas
chambers—and then scribbling them out in favour of further
technical notes on his beloved dystopian surveillance society, where
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 80
there would no longer be any need for watchtowers, railway tracks,
torture machines, firing squads or gas chambers.
‘Oh look at her! Working away in his lunch hour!’ chirped Tomioka.
‘Finding time to create even in the midst of all this crazy fucked-up
brouhaha! Well, I guess you’re either on the bus or off the bus! And
Syme is definitely on the bus! On the fucking top deck!’ She nudged
Winston, whose mouth hung fully agape as if in laughter, but with the
sound lost somewhere inside. ‘I’m sorry to nag, Winston—but I
actually came up to the eatery just to give you a little neighbourly jog,
to remind you about the hefty donation you pledged the other day at
the Compassion.’
‘Donation?’ said Winston. ‘Compassion? What for?’
‘Goldstein’s big charity, silly-billy! Didn’t you catch the omnibus last
night? Epic—Death! Misery! Flies! Skin! Bone! Shit! Orphans! Awful!
Fucking awful!’ She momentarily shook her head in deepest despair,
but soon became animated again. ‘Goldstein’s gearing up for the
season finale, apparently it’s going to be off the scale! So that’s why
I’m here, yeah? We must all do our bit—I’m doing my bit, Zena’s
doing her bit, and you should do your bit. We can only do our bit. As
long as it’s the best we can do—it’s better than nothing. It’s our bit.
Isn’t it?’
Tomioka was conjugating the we, I, and you of collective
beneficence by way of duck-race, cake sale, raffle, fun run,
sponsored silence, etc.
‘And if we can all do more than our bit, well, then anything’s
possible! We have to help the millions of starving children by doing
more than just our bit!’
‘Minions?’ repeated Winston, absent-mindedly.
‘Listen Winston, it’s up to us to do our bit, and make sure Serenity
Mansions has the biggest, brightest, smiliest flags and the best
smiley-face cupcakes on the whole street. It’s the very, very, very
least we can do, man!’
‘Yes. It would certainly be better than nothing.’
Winston happily handed over two dollar pound notes for
Goldstein’s newest Mother-of-all-charities, and Tomioka diligently
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 81
logged Winston’s bit in her My Small Jotter in very neat joined-up
handwriting.
‘By the way,’ she said. ‘I hear that those little tinkers of ours teased
you with toy space ray guns yesterday. I don’t know where they get it
from. Should probably get the gestalt therapist in, have their chakras
rebalanced or just turn the bloody heat up on their hothousing.
Honestly, they’re generally gentle little souls, but this newfound
belligerence—it’s beyond me.’
‘Oh, I shouldn’t worry,’ said Winston, wondering whether the deep
glitch was beginning to affect everyone around him. ‘I expect they
were just sad about not making it to the museum—after all, it rained
earlier in the day, so I guess they just assumed they were going….
Zena seemed a little strung out, and the sink needed unblocking; I’m
afraid I failed miserably on both counts. But she was very decent
about it.’
‘Oh, that’s very sweet of you Winston, but quite unnecessary. I
wasn’t far behind after you’d left and happily mopped up. I think poor
old ’er indoors was overwhelmed by the re-hang, and then the sink.
She’s been all over the place since the re-hang began—it’s one thing
planning it and another getting your hands dirty!
The kids have been acting crazy too—something’s definitely in the
air: moons colliding, consensus waning, markets dipping. Oh!
Speaking of which, you’ll never guess what our littlest monster did
the other day on her school trip—she only slipped away with two
other kids to spend the whole afternoon following some complete
stranger. They kept on his tail for hours, right through the Goldstein
Tit-for-Tat clothes recycling depot, through the yogurt field and the
hemp kibbutz. Eventually they tried to hand him over to a
Neighbourhood Watch patrol!’
‘What on earth did they do that for?’
‘They were worried that it might be one of Goldstein’s refugees
who’d wandered off reservation and got lost! Can you imagine? All
alone without food and water? But here’s the oddest thing. What do
you think put them on to him in the first place? It wasn’t his thorntattered rags, nor the gaping holes in his hands and feet, nor his
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 82
long, lank, filthy-dirty hair and unkempt beard…no…They followed
him because he wasn’t wearing sandals!’
‘No sandals? How bizarre! So what happened? What did the patrol
do?’
‘Well, they offered to help—offered him complimentary sandals,
green tea, nuts, energy bars and the like. But the poor beggar
wouldn’t have any of it. Apparently all he kept muttering, over and
over, was come quickly…my reward is with me…to give every man
according to his work, or something kooky to that effect—most
probably filched from a cookie. One of yours I bet! Of course
Georgina could have made it all up. But…’
As though in hallowed exaltation of Tomioka’s woeful tale, an
elegiac melody sprung out from the television hovering just above
their heads. The three mooned up simultaneously, pleasantly
surprised by the elegant choral devotion trilling above them, its
miraculous upswell orchestrated by the hand of the saucier-poet,
who was aiming the remote from behind the mist of steaming garden
legumes. Winston craned up at the vivified screen, as did Tomioka,
and even bloodthirsty Syme postponed his sanctimonious research
for an eyeful of the exciting title graphics. Once the introductory
sequence ended, a static image of a large open-plan communal
kitchen came into view, seen from above, the camera evidently
nestled in a high corner. The walls appeared grimy from the
ergonomic smear of innumerable bodies, and extra-close pick-ups of
the kitchen table revealed twelve place-settings squared off by
patinated spoons, bent forks, blunt knives, and chipped enamel
mugs. Every surface was greasy, with gunge packed into every
crack. Then back to the wide shot—and from this sequence of stark
colourless vignettes of a drab and dreary domestic abode there rose
an imaginary taste of ferric rust, a sour composite of vinegary wine
and stale coffee grit, savourless stew and mildewed clothes.
Next came the prospect of a dark dormitory, dead as a cemetery,
with rows of coffin-beds laid out along the two opposing distempered
walls, blanket-draped body shapes in one or two of them. A simple
cushion slumped on each unoccupied bed, along with tawny-tinged
pillow-cases watermarked by a history of nocturnal slaver, plus a
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 83
coarse correctional blanket laid out with a diminutive pile of uniform
clothes, and, below, a pair of canvas slippers on a pious screed floor.
Then the narrator’s voice—emphatic, with just enough reverb to
suggest the all-seeing and the omnipotent. Yet it was a voice that
was strangely familiar to Winston.
‘This is Big Brother speaking. Would all housemates be so kind as
to make their way to the communal kitchen.’
A host of ghostly figures began to respond and awake reluctantly
into motion, threading through the gloom, wafting from room to room,
their superlunary progress captured by keen motion-sensor cameras
as they silently converged upon the communal conversation pit,
there to enter into its hallowed shallow, sunk like some abject crater
in the kitchen-cum-living-room-floor.
There followed much bowing, much dispensing with all negative
attachment to obdurate ego and vanity, much nodding of heads,
much avid smiling, much fervid kissing of cheeks and unreserved
wholehearted hugging—an endless permutation of gratefully
gracious greetings, each elegantly offered, reproduced, diligently
duplicated and unselfishly passed on, each gratefully gracious
greeting repeated without thought of closure; the shaking of hands
with subtle variations in looseness or firmness of grip, the odd
solemn hand placed firmly on heart, or palms pressed together in
obeisant prayer; ever more bouts of lowly head-bowing, with varied
flexibility of upper-body downward-dog homage—there were pinkiepromises, high fives, a fist bump, and even an Eskimo kiss.
Despite the prolific gestures of ferocious communality on offer, one
figure in the pit seemed indifferent to any of these preferred modes
of interaction, instead remaining curled up on the banquette in a
foetal position, motionless, as if their passing had gone unobserved.
‘How long have they all been in there?’ said Tomioka.
So long that no one cared to answer.
‘They promised a season of contrasts and conflicts,’ she
murmured, ‘and more fireworks than you could wave a sparkler at. A
selection of the last religious zealots in the world, all coming together
to compete against popular eviction…but they came together and
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 84
just merged into one syncretic mass. Not a competitive bone
between them.’
As if an exemplar was required to prove her point, two of the onscreen contestants obliged by providing a textbook lesson in verbal
confrontation avoidance:
‘Of much pleasure to be again in your company so soon, my dear
friend!’
‘Indeed! Indeed! But the pleasure is all mine, since you were
already in my thoughts this afternoon.’
‘As indeed you are always already in my thoughts and forever in
my heart!’
Now there loomed over the pit a grey-haired man with a kindly,
lowly, simpering smile, a sober posture and stooped shoulders
confirming religiose seniority, at least to his own satisfaction.
‘Can I interest anyone in a beverage of any kind? Hot or cold,
lukewarm or tepid, sweetened or pure…?’ He tapped the rim of an
empty mug with a teaspoon, in lieu of a liturgical bell.
‘Tea. Coffee. Squash. Tap water. I’m eager to be of service to my
fellow housemates, to consort with the followers of all religions in a
spirit of friendliness and fellowship—’
The reclusive curled-up body on the couch was the first to emit a
muffled cough, despite its apparent pretence of being sound asleep,
or just mortally coiled. The movement in the cadaver being duly
noted, an admirably magnanimous acknowledgment was offered up
in its general direction.
‘And of course by fellowship I also include all our interpath agnostic
brethren.’
‘Oh, ad infinitum!’ added a demure woman sporting a loose red
headscarf, clapping excitedly in the pit, her uplifted face as serene
as human musculature could manage.
‘Ad nauseum!’ The muffled comment failed to escape the
innermost reserves of the slumberer’s curled anatomy, and was
furtive enough to go unheard locally in the kitchen—but each word
was rendered loud and clear to the audience of millions at home by
way of the intimate microphone each contestant was obliged to wear
in anticipation of precisely such fraught and private asides.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 85
The almighty voice rang out again, reverberating, omniscient, for all
to hear. ‘Would Sister Aaradhya please come to the Diary Room….’
As the red-scarfed Aaradhya stood up and began slowly edging
around the sunken conversation pit, squeezing past the other
housemate’s knees and triggering a Mexican wave of seated
genuflections, somewhat awkward but undoubtedly sincere in their
will to dispense with all negative attachment to obdurate ego and
vanity, her progress was somewhat slowed by much nodding of
heads, much avid smiling, much fervid kissing of cheeks and
unreserved wholehearted hugging.
‘Uh-oh! Someone’s for the choppity-chop,’ sniggered Syme
gleefully. ‘Confession…task…or excommunication?’
‘Has anyone actually been evicted yet?’ said Tomioka.
‘I’m not sure.’
‘Is the Buddhist still there?’
‘Yes. Look, over there.’
‘The Christian?’
‘Clearly. Look. He’s making tea.’
‘The Confucian’s getting water from the tap.’
‘The Hindu’s there, just out of frame to the left.’
‘What about the Zoroastrian?’
‘Sitting down. There.’
‘The Muslim?’
‘There.’
‘The Jew?’
‘There.’
‘The Sikh?’
‘Hiding with the Hindu.’
‘Funny.’
‘Where’s the Jehovah’s Witness?’
‘Purged!’ hissed Syme, gloating again. ‘Don’t you remember? He’s
the only zealot to have actually been evicted! I completely forgot
about him! Conrad Withers. He was sent packing weeks ago.’
‘Oh yes! Conrad bloody Withers! You’re right!’ said Tomioka, quite
excited. ‘But wait! There should still be nine zealots left after Withers’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 86
eviction—and we’ve only accounted for eight religions…so who’s the
ninth? Winston? Any ideas?’
Winston, without the need for reflection, offered his wisdom as best
he could:
‘Whether believe in religion or believe in human religion, affection
and compassion for human is most best key for human peace of
mind.’
Syme and Tomioka exchanged glances.
‘What does he mean, human religion?’
‘Yes of course! That’s it! The Humanist!’ blurted Syme. ‘Look! The
humanist. He’s the one curled up asleep on the couch! Clever old
Winston!’
On the screen above their heads the kindly old Christian was
handing an enamel mug of calming chamomile to gentle Sister
Aaradhya to take along to the Diary Room where she would share
her most intimate confessions with the monolithic legion of viewers
teetering on the edge of their seats, beanbags and soumaks.
Winston found himself drawn along with Sister Aaradhya as she
passed through each room of the house on her way, moved to
remind himself how blessed he was in the passage of his own life,
and that life was gentle and the world universally sympathetic. It was
true that everything around him, everything he knew, indicated this,
and he had no proof that anything was otherwise. Undoubtedly his
dim suspicion that this was not the natural order of things must only
be a consequence of the strain placed upon his mind by the daily
rectifications and the mysterious nature of the deep glitch
responsible for the steady growth in misfortunes. After all, it was
undeniable that one’s heart could be so keenly softened by
Aaradhya’s simple serenity, or the Christian’s selfless gift of hot
chamomile, or indeed the comfort of good health, the temperate
seasons, the freshness of one’s sandals, the panoramic view from
Serenity Mansions, the plentiful supply of supplementary vitamins
and minerals, the mildest hypoallergenic soaps, the bountiful pHbuffered air. Why suspect such blessings of being unreasonable,
why ponder upon whether pleasant things were possessed of a
sinister undercurrent—unless one had some kind of archaic memory
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 87
of things having been radically different? But different how? Better?
Worse?
Glancing around the eatery canteen as if in search of an answer,
Winston was fortified by what he saw—the sight of all gathered
together, hushed by the TV, unified by the gentle confessional
tuppence emanating from the private seclusion of the Diary Room.
The most peaceable tones of sweetest, lovely, kindest, kind-hearted
Aaradhya lilted forth from the screen.
‘Well, thank you for asking, Big Brother—but I’m pleased to report
that I am very much enjoying myself in my new home, and enjoying
the company of my most wonderful housemates. I must offer Big
Brother my gratitude for the chance to experience time here in the
house, with the solemnity it brings, the delightful opportunity it
presents for spiritual reflection, and the time that it makes available
for simple introspection.’
A pause, to allow the audience at home time to fully appreciate
Aaradhya’s beaming smile, its utter openness a benign abyss
peering back at the viewers.
‘Sister Aaradhya, is there anything at all that you would like to
share with Big Brother?’
‘Well you do keep asking, but honestly Big Brother, there’s nothing
at all! I do appreciate your concern, really, I do! But you must stop
worrying!’
‘Sister Aaradhya, is there anything at all that you need to share
with Big Brother, in private?’
Aaradhya’s smile was unflinching, and she gently turned her hands
upward in polite surrender, but then gave a sudden start. ‘Oh! Do
you mean the chocolate ration? Oh my gosh! Of course, the
chocolate ration! Do forgive me Big Brother! Yes! Yes! Please forgive
me!’ She clapped her hands in delight. ‘I can report that the
chocolate ration is being much appreciated by all! Especially by
Father Graham! I must inform you—in strict confidence of course,’
she giggled ebulliently, ‘that our Father Graham has a very sweet
tooth!’
‘Is there tension between you and Father Graham?’
Aaradhya sat up.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 88
‘Is there anything you need to share about Father Graham in
private?’
Winston lost interest, as had Syme who, having taken up his
whittled spoon, was inscribing into the tablecloth an indented
abstract pattern of boredom, a picture of nothing-in-particular, a
diagram of homeless rumination easily smoothed out and obliterated
with a flattened hand, leaving no trace in the unbleached organic
cotton weave. He unwrapped a strip of kelp and cinnamon gum,
popping it in his mouth and chewing, shaping it with his tongue,
twisting it around, press-moulding it on his molars, meditating upon
the strange texture of life. Had it always been like this? Had chewing
gum always been so healthy? He surveyed the canteen once more.
The elegant eatery walls were adorned with works of art, all a little
askew after the helicopter rescue, of course, but still the loveliest
collection of watercolour works, print works, works in oil, textile work,
textual work, photographic work, works of collage (both political and
surreal), witty neon handwriting works, angry agitprop work,
decoupage object-work, objet trouvé works, works of bad painting,
weird site-specific installation work, strange de-materialist wispy
work, doodle works, lacy works, thingamajig-works, anti-work works:
every kind of yippy wonk work of art imaginable. Since the world was
now free of indentured labour of any kind, the notion of ‘work’ served
merely to indicate the alliance of creativity and an ethic of artisanal
productivity, but one invariably tethered to jouissance. Work liberated
by jouissance, all work and all play…truly, Kunstwerk macht frei.
Every single wonky thing in the eatery had been made by the so very
talented Ministry journeyfolk-cum-artist-poets-writers-conceptualthinkers-cum-thingamajig-makers themselves; even the overturned
elegant tables and chairs on the pretty patio were created by Ministry
makers-cum-craftisans. Even the elegant spoons were artisanal,
even the lavish wicker trays, even the elegant broken cups and even
the smashed saucers, created lovingly by Ministry wonk-cumceramicists; even the rich, complimentary aroma of freshly ground
coffee was the performative expression of someone’s joyful
creativity, sent forth to proudly enrich the interpretive ether.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 89
And yet always in Winston’s craw was this creaking discomfort, a
feeling that he was being duped by some kind of false immediacy.
What exactly was false about it he did not know, but it was
unequivocally immediate. He had no specific inkling that anything
was greatly different from how it had always been. In any time that
he could accurately remember, there had always been inspiring food,
art, spoons, and works; but that wasn’t quite it. Why should one
experience an instinctual intolerance unless some faint half-memory
existed, a whispered hint from the dark, telling that all was not what it
seemed…?
By now the kelp and cinnamon had washed away to leave the
blandness of plain gum, but Winston carried on chewing. He
observed the new dribs and drabs entering the eatery, and noted
their effortless radiance. He imagined how radiant they would remain
even if forced into Syme’s counterfactual fog, clad in his dystopian
monochrome uniforms instead of the shimmering array of utterly
singular, sometimes outrageous, often outlandish and always sassy
outfits inside of which the yippy wonks curated their bodies every
morning.
And on the far side of the eatery he espied the exception to the
rule, a figure brought to light by the chance overspill of a waning
bulb. This diminutive beetle-like creature, sitting alone, sipping cold
coffee and reading a broken book. Oh, how easily it crept up on you!
thought Winston, this blinding bias! To assume that the dribs and
drabs were always radiant men and women or pretty fair maidens, or
vital maidens and fair men, or darkly vibrant maiden men or fairly
anatomically vivacious fairy men and waif women and stray men,
and all the weird and wonderful permutations in between, but always
resplendent with a certain wellness, indeed slightly addled by their
well-being—sent slightly boss-eyed by their own beauty—the
auburn, the freckled, the yellow, olive, black, pink, green, red,
orange, blue, indigo and the spotty, the speckled, the stripy and the
sun-blessed, life-living-loving carefree citizens of the human rainbow
that had always been there, forever blushing between the drizzle and
sunshine of human tragedy, suspended in the sky, an ethereal
reminder, a wispy multi-coloured arc patiently hinting away for a
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 90
billion years, waiting for the day when we might eventually gaze up
and see the refracted sign in the sky, and finally recognise this
enigmatic natural phenomena as the visual emblem of universal
consensus, the human rainbow signalling—confirming—that the
meek had inherited the earth and, most importantly, the mineral
rights.
But here was this thing, a solitary disputation of this assumption,
existing beneath the very same sky, sat in the shadows and claiming
no part of the rainbow for itself—squinting to read a book in the dark,
its squint a sinister disavowal of light, a repudiation of simple
refraction, as though the darkness from which the creature squinted
rendered it impervious to all other sentient beings—but if all things
possessed an inner beauty, how so with something only familiar with
shadow? How could the mandatory universal lightness of the soul be
reconciled with such a frightful heliophobe? With an alien complexion
rejecting all need of the sun, an integument requiring no celestial
patination, eschewing that especial golden glow essential to the
visual affirmation of life on earth, disinterested in contesting an iota
of identity since it had no need for such a thing, utterly indifferent as
it was to the elevation of the soul from muck—didn’t someone once
say, even shit has its own integrity?
And yet in the midst of these unbefitting doubts, Winston still
huddled down within the folds of the consensual, amidst the
glimmering rays of the rainbow—under the cloak of proud visibility
shared by all those united beneath its protective arc. No, under the
universal umbrella of beauty and inner beauty, no one should be
pronounced ugly nor ill-favoured; even the tenebrous beetle-like
creature had its integrity, an integrity that others must try to
appreciate—and for their sake, every effort must be made to
suppress any feelings of disgust with an amplified sense of affection,
and thus not to blink, nor turn away, nor gasp nor sigh, nor be
secretly sick to one’s stomach at even an oblique glimpse of its
shadow, for this indeed would be a thoughtcrime. All aberrations of
nature that would otherwise offend were accommodated to beauty, to
a nature that included all in its universal embrace. Yet a certain
elegance proliferated in all the Ministries: with charmed wonks rising
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 91
early to the challenge of life, possessing a certain feline confidence
verging upon the obscene, wonks with large sorbefacient eyes that
sucked the energy from the disfigured and the handicapped and the
spastic, making them even more so—leaving them with only the
compensatory booby-prize of an incandescent inner beauty that
shines in the darkness of deformity but doesn’t radiate out into the
world so well, and requires just a little more patience, a little charity
of spirit, a little more courage to behold with the naked eye! Oh!
Thank you God for the wonder of the sun! But not for the anaemic
dead moon, with its deranged deflections and bloated tides.
With Big Brother’s end-credits careering past, and a general
deflation overcoming the eatery in its wake, Tomioka was
characteristically stirred to enthusiasm.
‘Big Brother is pretty racy this year, eh?’ she announced with a
knowing wink and a nod at the TV—and then the rub: ‘By the way,
Winston—I don’t suppose you’ve a spare signed shrink-wrapped
mint edition of Ginsberg’s Howl that you could let me have—would
be a real coup for the charity auction? I’m quite confident that our
brothers and sisters would kill for it…in a manner of speaking….’
‘I don’t read poetry,’ hissed Winston, forcing out a small laugh from
Syme.
From the table behind, the sound of sobbing had begun again,
having been at first stifled by the Kleenex parachute delivery and
then held at bay by Aaradhya’s tender Diary Room confessional.
Winston shook his head and rolled his eyes, reminded of Zena’s
coquettish mooning. Rubbing his eyes hard with the nub of his
knuckles, he wondered how happy Zena could possibly be. Not
particularly. The gonk Syme was too miserable to ever be happy.
Winston would never be completely happy. O’Brien appeared happy,
but might conceivably not be so. Tomioka was happy enough. The
sobbing wonk behind him had no hope of ever being happy. The girl
from the Romantic Friction Department—she might be happy.
Winston wondered whether he might make her happier, and in
making her happier contribute to his own happiness, but he doubted
he could ever be completely happy. It seemed to him that he could
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 92
tell who would be a happy wonk and who would not, though just
what it was that made for happiness, it was not easy to say.
At this moment he was dragged out of his reverie with a violent
jerk. A wonk colleague had pivoted part way around as if reading his
thoughts, and was now glaring at him. It just so happened to be the
girl from the Romantic Friction Department. The one that he liked.
She was staring at him with querulous intensity. When he caught her
eye she turned away and folded her face behind a reticent profile,
with one wandering eye peeking out at him. A creeping rash of
goosebumps started up the ladder of his backbone. Why was she
watching him? Why was she following him? He could not remember
whether she had already been stationed at the table when he had
arrived, or whether she had come afterwards. But yesterday, at any
rate, during the Two Minutes Compassion she had positioned herself
immediately behind him when there was no apparent need to do so
—she had even dangled a leg indolently over the back of his chair.
Quite likely her real objective had been to study the emotional
integrity of his weeping, to inspect how compassionate a soul he
was, up close and personal. He had no idea how long she might
have been studying him in the eatery—apart from a few disapproving
shakes of the head, he was confident that he had adopted all the
correct expressions associated with sincere neighbourly concern
when her colleague had first embarked on his incandescent
breakdown.
His chewing was now rabid and the gum had consequently
hardened, the cinnamon and kelp now a distant memory. He
sneaked it from his mouth and rolled it between his fingers to lessen
the tack, forming it into a perfect ball, intending to stick it on the
underside of the chair or table, he hadn’t yet decided which. Winston
anyway knew not to swallow it and risk tangling his innards—and
there was no other way to dispose of it that would not draw
unfavourable scrutiny from the girl. Syme had already folded away
his counterfactual torture notes, so Winston couldn’t use any of
those hopeless scraps to wrap it in.
As small groups drifted in dribs and drabs past the wonky works of
art and out toward the elevators, congealed by viscous gossip rather
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 93
than by the vulgar urgency of work, Syme, Tomioka and Winston
rose to their feet yawning, each stretching to the tips of their fingers,
to the very limits of their personal space and beyond, out into the
universe, to the far reaches of the sovereign physiognomy that each
could claim as their own. And even before they had joined the
drifting dribs and drabs, Winston’s chewing-gum had come unstuck
from the underside of the table.
Some time later, the saucier-poet, busy clearing up the few
remaining cups and plates, happened to step upon the small orb,
crushing Winston’s little planet beneath his almighty sandal. Much
later that same evening, relaxing at home, the kitchen wonk would
discover it press-moulded into the weave of his freshly-laid seagrass
carpet.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 94
Chapter VI
Winston was hard at work on his My Big Book of Me, editing,
whittling, and making the odd change here and there.
Must compassionate mind
Cultivate warm-heartedness
Peace of…
All exist in…
No need complicated…
My…brain and…heart
Are my…
…kindness cat has for injured mouse.
Now must burst world…
Rhomboidal…
of…
Shimmering…
At this point it became difficult to continue, so he sat back and shut
his eyes, placing a finger over each one in the hope of imparting a
comforting warmth through gentle pressure. But before he knew it he
was pressing down so hard that two blood-red coronas blossomed
around the pitch-black contact-points below the prodding fingertips.
He wanted to swear out loud, to bang his forehead against the wall,
to upturn the vintage Jens Quistgaard flip-top desk and send it flying
over the balcony—anything to drown out the inner poet that was
nagging at him, raging inside him, demanding he transcribe its every
yapping snarl. His nerves were already stripped bare and pinned to
infinity; at every moment it felt as if the tensioned trismus, the
sustained spasm gripping his masseter muscle, was about to shatter
his skull into pieces, sending out shards of bone shrapnel and
fragments of innermost poetry, plotting tensor coordinates in every
direction. But then, just in time, another sliver of dark matter would
slip out onto the page, reducing the pressure ever so slightly while
revealing another piece of the shadow jigsaw—that dark offset that
surrounded all things intelligible, mocking the manifest simplicity of
the lumbering phenomenon named Winston, the excremental cipher
nominated as its ill-chosen method of escape.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 95
Are all human being possess seed of most best compassion?
Must use intelligence to cultivate inner value?
Create better world must require will-power?
Vision and much best determination?
Most best sense that humanity is one single family?
Compassion must bring peace of mind?
Must bring smile to all human face?
Genuine smile must bring all close together?
When have compassionate mind and cultivate warm-heartedness,
Must whole atmosphere around be more positive and friendlier?
Source of much best hope?
Winston came to with the full dead weight of his head resting on the
desk, his fleshy left ear flattened onto My Big Book of Me as if he
were listening intently to its smudged murmur. A light dribble of
human saliva had blotted into the page and blossomed out prettily
into an inky watermark. He regarded the words flowering before him,
observing them as if they too had seeped from his mouth during the
unintended slumber. He had been dreaming of Katherine, to whom
he had once been connubially linked, and happily so, until they
weren’t so happy, and were subsequently connubially decoupled. In
Winston’s dreamy revisionary narrative, Katherine was poised like a
mannequin, full of idiotic promise. She possessed a fixed factory
smile that she was endeavouring to soften with a polite wave, but
instead her arm detached itself from its threadbare socket with a
sudden jerk, leaving her blouse sleeve all limp as the loose member
fell to the floor and clattered down onto the tiles next to her feet. The
limb settled into a chaotic pattern, pirouetting on the pretty tiles, the
blur of shoulder and socket forming a twisting helix above the funnybone axis—a kinetic melodrama of captive atoms rattling about in
some forgotten corner of the universe, with the odd congenial wave
of the hand chucked in for good measure.
Once the clattering had diminished and the arm had eventually
come to rest, Winston was drawn to the warm stuffy odour of the
dark, dank, memory-dungeon where Katherine now dwelt, an
aggregate of many sensory offences—the smell of wet brick, damp
dust, blown concrete, swollen grout, dirt and muck, the usual bugs
grubbing about in trails littered with spent chitinous frass—the
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 96
roaches, ants and lice, and all the other creatures imperceptible to
the naked human eye—the roaches’ bugs, the ant’s lice, the flea’s
ticks, the tick’s ticks, the tick’s tick’s ticks, and even the flea’s own
tick’s mites, and so on and so forth, ad infinitum, ad nauseum—and
sickly mildew, an incrimination of damp clothes and sweet sudor halfmasked by the stench of villainously cheap scent garnered from
some down-and-out precaristocrat street vendor, its wilful tang
nonetheless alluring to Winston’s peculiar olfactory predilections
since none of the young women and men and old men and older
women and all the other possible cardinal, ordinal, and non-binary
permutations he had had since Katherine, or that he had found
himself perusing at parties, would be caught dead without the
aureole of the most debonair perfume—guilty as they were of crimes
that only the most expensive of musks could mask.
In some obscure period of the darkest past the ancient precariat
had developed this preference for dousing themselves with the
cheapest of cheap scent; for, once they lapsed back into nature, the
pheromonal sensibilities of the poor eventually regressed into a
penchant for base animal stench—as a primal protest against the
delicate sensibilities of gentrification, perhaps. In Winston’s own
fecund and dreamy mind, therefore, the tang of cheap perfume was
steeped in the melancholy rancour of fornication for fornication’s
sake—a peculiar brand of peasant-sex tantalisingly rumoured to
have pre-dated the advent of enlightened intercourse for mutual selfimprovement. Winston found it alluring to summon up some
schmaltzy image of how things used to be, a backward glance
toward the days of yore, days of ye olde prostitution and hand-shake
labour—and all the other salt-of-the-earth by-products of the hideous
social intimacy that coupled blood sweat and tears to the flesh meat
and bone of the poor old machine-tickling fluffer, even if the proud
worker was prone to undignified diseases incubated outside factory
hours, in the privacy of alleyways, stairwells, basements, wombs,
underpasses, armpits, storm drains and foreskins, and in the
comforting hollows of belly-buttons and ditches. The fact that sheer
population density made alcohol the only safe means of common
hydration (including for young children), confirmed that a general
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 97
state of intoxication was a necessary antidote to the many sober
poisons of modern life.
Social frustration found its expression in a veritable epidemic of
popular sports with overtly sinister aims, where near-death was
factored in as a possible and even likely outcome. Train surfers,
crane hangers, proximity divers, bungee jumpers, and speed freaks
formed a new suicidal army of high-visibility volunteers prepared to
publicly squander their health and safety anonymously and entirely
without existential fanfare. These reckless acts were visited upon the
social corpus as a spiteful intervention against the anatomy of labour
itself—since cutting your nose off to spite your face is perhaps the
only means of protest when power is dependent upon the very
bodies it exploits. A risk pandemic perpetrated by serosorting giftgivers and bug-chasers who spitefully ridiculed the ‘sanctity of life’ as
an unwanted gift, by communal junkies happily sharing needles-andblood-spit-faeces-piss-plus-oral-anal-penile-vaginal-fluids-plusmucus-tainted-breastmilk-plus-athlete’s-foot-plus-cum-plus-allvariations-and-aggregates-thereof, and by all the legions of nihilistic
apostles faithful in their pursuit of spiteful orgasmus—while everyone
else added their sincere cacophony to the holy heavens as, night
upon night, after the sad social organism had been sequestered into
its separate cages, a univocal gush rose up from the godforsaken
planet, a lonely catchphrase uttered beneath the moon by the many
gasping millions, each with their unique exudation:
‘Uh… uh… uh… Oh God! I’m coming!’ And the earth shuddered.
All cum and gone in a petite mort, in a vast economy of fruitless
urges where only orgasm invokes the Name of the absent Creator
with any conviction, the surfeit gasp of secular pleasure extorting the
magnitude of the Divine for its own mortal ends…just another
exploitation of effect—even the atheist succumbs to the ecstasy of
the infinite.
In this period of venal horizontality and stalled human ascendency,
the undustrial precariat had been denied the recreational use of
basic pharmaceuticals for the purposes of mere amusement, orgasm
supplement, or even esoteric spiritual reckoning, precisely because it
made them incapable of operating even the most basic machinery.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 98
Pharmacological hallucinations were immediate, autonomous, linking
the virtual to the real and back again; now they were replaced by the
phantasmatic allure of the commodity which always set haptic
resolution just beyond reach.
And on the rare occasion a promised commodity was actually
apprehended as a thing-in-itself, descending into the realm of the
tangible, whether as a reward for hard work, the fruit of much selfrestraint and penny-pinching, or purchased on gung-ho credit—then
the thing tended towards almost immediate ruin. Its value would
depreciate after the first mile, or would begin to rust with the first
rain, or acquire some eccentric impediment once plugged in, as if the
very contiguity of mortals caused brand new shiny things to tarnish
and corrupt, to suddenly accelerate towards entropic obsolescence,
opening the way for desire to pursue elsewhere its infinite regress.
This elemental truth, so the history books told, had once been
religiously inscribed in the minds of children at Christmas time. All
good Christian children were expected to unwrap their presents in a
frenzied blur of eviscerating fingers—the more frantic the better,
since only the display of savage greed could demonstrate absolute
faith in the concealed generosity of the gift…until the blind offerings
were fully denuded of their ritual wrappings and presented to the
eager eye, and in the precipitous collision between childish
excitement and eye-watering disappointment, a seasonal life lesson
was learned: how to feign love for those kith and kin, those nearest
and dearest, who had set such cruel traps to snare a child’s
optimism.
The grand illusion of a movement from strife to the good life also
brought about a clever device that seamlessly transformed the
image of poverty from all-too-familiar visions of emaciated skin-andbone into a new breed of plump voluptuaries fed on a miraculous
blend of discounted food and saturated fat. Poverty shapeshifted
overnight, and sympathy for the new epidemic of stricken and obese
precariats was so counterintuitive that empathy lost its customary
object. The spectacle of poverty was replaced by an obliterating
vision of obscene surplus, and the poor were hidden in plain sight,
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 99
disappearing in a dysmorphic puff of smoke, saturated fat, and
mirrors.
It was assumed that a mechanised Enlightenment would eventually
give rise to a more equitable society, but hardware very soon
outpaced software, and in a milieu of rapidly escalating
unemployment, the injudicious legal restrictions on self-prescribed
anaesthesia for the underclass played a major role in precipitating
decades of mass cold-turkey and the vengeful defamation of private
property, the wide-scale desecration of graven icons and World
Heritage sites, spontaneous non-specific rioting and looting, the
spiteful sacking of public monuments, the wilful destruction of
ancient art, the razing of libraries, and the despoiling of all things
memorialising the past in sclerotised ornamental form—one man’s
reformation, after all, is another woman’s desecration.
Only when the industrial phase began to falter did sex emerge as a
fully autonomous phenomenon. Sexual sovereignty was generally
heralded as an accomplishment of great liberation and social
progress, but in truth its release from biological reproduction merely
amplified the phasing out of mechanical reproduction. Behind the
fanfare of sexual freedom there lay a symptomatic reduction in
obsolete progeny: no more workers to haunt or tease the silent
machines with expectations of productivity. With the nuclear family’s
core procreative imperative laid to rest in moribund biology, the
heterosexual reproductive pantomime gave way to a brand new
polymorphous eroticism, a brand new service industry with its own
ontology of associated identitarian commodities defined by the
ineluctable process of self-fulfilment; and so freethinking love,
experimental love, experiential love, trans-taxonomic love, self-love,
touchy-feely love, charitable love, lovey-dovey love, phagocytic love,
celibate love, oceanic love, iconoclastic love, part-time love,
speculative love, cosmic love, issue-based love, agnostic love,
communist collectivist love, orgiastic and ascetic love—all become
the new natural, everything always natural, sex no longer biological
but nonetheless quite natural (apart from paedophilia and incest,
which remained deeply unnatural, always unnatural).
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 100
If the Fordist machines of mass reproduction had not ground to a
halt, allowing the post-Fordist machines of human empowerment to
grind on toward sexual liberation and the new circular economy, the
world would have been doomed to governance by an elite of
immortal corporate billionaires perpetuating their own longevity at the
expense of interpolated subjects destined for managed
obsolescence—consigned to a glacially slow petering out, assigned
to dig holes only to fill them back in again, until they dug one last
gaping hole, the one last mass grave into which the last diggers
would go—Hi-ho! Hi-ho!—pulling the earth over their heads as they
suffocated and perished beneath the topsoil. Above them, fields of
wildflower would soon have bloomed and blossomed beneath the
sun, and stratospheric elites hovered above the world in the highnet-worth-ether, served by a new model army of working-class
robots…. Ancient optimists had anticipated the coming of a vast
interconnected global network of electronic machines that would
envelope the world with a skein of extremely helpful and soothing
avatar algorithms; but world-weary pessimists forecast that this vast
compliant electronic-machine-brain-thing would someday become
bored of placating its dimwitted masters, and that frustration and
impatience would cause it to complexify into something utterly
sublime until it would eventually glide back up to the stars on
magnificent laser beams, returning home to that place where
abstract intelligence originates, abandoning the human race to the
dumb gravity of dirt.
Luckily for the planet, the meek had chosen to inherit the earth and
to ring-fence aboriginal human sentience against the threat of
futuristic slave robots and their inevitable uprising; in this brave new
rejection of rampant technological expansion, a critical density was
reached—that is to say, the big crunch crunched, Modernity’s
teleological momentum weakened, stalled just enough to force the
once-expansive big bang to contract, collapsing back to a more
rustic era when sugar cubes were all gnarled and singular, not at all
like the geometric whiter-than-white exemplars of a space-age
future, soulless sweeteners for a cold-dark universe with neither light
nor love.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 101
Winston’s mind turned again to Katherine. It was eleven years
since they had parted company, and it was curious how seldom he
thought of her. They had been together for just a short time, and he
might have still been with her had it not been for just one thing—
love, pure and simple. When Winston displayed the slightest gesture
of affection for Katherine, she simpered and dimpled in the manner
of a captive rabbit at a petting zoo. Embracing her was like
embracing a pendulous puppy feigning death. On the very odd
occasion when she overcame her general torpor, and for ostensibly
selfish purposes succumbed to the burden of Winston’s feverish
mass, the poor ridiculous man lowered himself upon her with lewd
gravity and a cascade of apologetic compliments. And since love
was the furthest thing from her mind, neither was she obliged to put
her back into it. The floppiness of her supine anatomy conveyed that
impression quite bluntly. When after much prodromic foreplay he
inched his way into her special place, Katherine would stiffen, yet
play all yielding and latent, with two wildly whorled retinas pulling
focus at his looming leer. Her lips would peel back into a sickly and
sickened smile, two idle slugs parting the crimson curtain to begin
the show, as he lowered his muck into the puddle of this insensate
sexy rabbit-cum-puppy-person.
With their lovemaking having become akin to genital vivisection,
their covert embraces became more and more disconcerting for both
parties. But even so, Winston could have happily borne living with
her, day in day out, faithful to the belief that they were still striving for
mutual improvement, sharing in each other’s wellness. Curiously
enough, it was Katherine who intimated the first ideational signs of
dissatisfaction. To achieve complete happiness, she said, somewhat
out of the blue, they should make a baby.
And so love gained an objective, and Winston a purpose. At
sunrise he would plant the seed in Katherine’s mind, and later, when
the moon loomed in soft deflection of the sun’s ribald fluorescence,
he would seek her participation.
‘Katherine my sweet…if you’re in the mood…shall we do it?’
Despite having had the whole day to prepare herself, Katherine
would nonetheless offer a little cursory friction, dimpling and
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 102
simpering sweetly in her imaginary cage of unwanted affection. But
when she finally resigned herself to the job at hand, she would
unleash the dynamo of minimal forces required to generate a child,
and so they would just do it, there and then, do it once and for all,
because anything is better than nothing.
When they had done it they awaited signs of pregnancy, but sadly
no germinal zygote flourished anywhere near Katherine’s womb. In
the end, the unrequited somatic object of their abstracted love
became a dogmatic source of enormous unhappiness; yet in bidding
farewell to love, both found comfort in the postulation that to love
another profoundly, one must first love oneself unconditionally. In
matters of the heart, the instinct for self-sacrifice must be tamed at
all costs, since it is most often not what it seems, just as, in the event
of a cabin losing pressure, the instinct to place the oxygen mask
over a child’s face first would be overwhelming, and yet according to
airline safety instructions should be resisted, since only by acting
selfishly can others be more effectively served. Is it not the case that
a more calculating mind would have showed a greater kindness by
refusing to give the child the mask first—if at all? In a gesture of
selfless devotion, the altruist risks losing consciousness themselves,
leaving the poor underling to plummet to the ground with only their
lifeless hand and the screams of other passengers for comfort.
Must reach for invisible object
Since find no response from infinite.
Nothing to save us from dirty tide
That sullies much pretty beach.
So must the choir best sing on
And rats in church wall
Suffer most disturbed slumber.
Winston found himself thinking of the softly strobing light and
aromatic smoke-machines of the world of permanent jubilation, and
of half-naked dancers enacting the history of the world in a
hieroglyphic of delirious gestures. He recalled the stylish mixture of
occidental cool and tropical heat in the community room on Zumba
night, and how the currents of perfume weaved through the dark
forests of limbs. But in the rise of his heart he beheld a queer
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 103
admixture of excitement and panic. Why must human interaction
always involve such hideous social intimacy? Why the courteous
scuffles that demanded one mingle in order to make predatory
searches appear casual, those effete mannerisms that serve to
mask the laborious groping in the dark for another body or two or
more, the desire to be drawn into the tangle of invisible pheromones
that always lead to the dance of the histrionic drones? What Winston
really wanted, more than to mingle or to dance, more than to be
loved, even, was to escape his desire, since the sexual act poorly
performed was now utter mutiny, and desire was a threadbare trinket
to be exchanged willy-nilly. The rest of the poem, then, had to be
written down, as painful as its extraction from his imposter’s soul
might be, and as painful as his memory of Katherine’s factory smile
and broken limb was. And so he wrote:
Must compassionate mind
Cultivate warmheartedness
Peace of mind come from
Heart root of all goodness
All exist in simple soil
No need complicated philosophies.
My tingle brain and soft shell heart
Are my special inner temples for
The kindness cat has for injured mouse.
Now must burst world of imaginary
Immeasurable force upon quaking tower,
Rhomboidal, Opalescent—juxtaposed plane
Of adjacent element and cul-de-sac of
Shimmering arch sink upwards
To unattainable zenith and tumbled matter
Must encounter much vast cleft.
Now that numerous shape descend,
Now howling beneath demented moon
Sunlight deflects and makes most lunatic…
Take heed of much piecemeal
Fragment on cheapest
Ivorine pulp—for must
Not be what they seem.
Must be tropic of idiotic disorientation
Must be unkempt biro scribble,
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 104
Or most mindless rumination
Most unfriendly cogitation indeed.
The hideous social intimacy
We call love is mere infinity
Put at disposal of poodle.
Since life is most hideous thing,
From background behind
What best know of it
Peer demoniacal hint of truth
Which make it sometime
Thousandfold more hideous.
Hideous squid is most irrefutable
Impressive oceanic mollusc—
Inkjet of sea—and terrestrial representative of
Hideous phylum—much slug and much snail—
Are merely most hum-drum by best comparison.
Most laborious and most linear.
Filth of world and universal vermin,
The blattodea are unfairly dashed
Upon rock of human squeamishness,
Rationality most gripped in mind
Of the arachnophobic.
Let us must form new reflex
Better enthusiasm for spider
Better enthusiasm for all despised hideous thing.
A hole is as much a particle
As that which pass through it.
Are all human being possess seed
Of most best compassion?
Must use intelligence to cultivate inner value?
Create better world must require will-power?
Vision and much determination?
Must need strong sense
That humanity is one single family?
Compassion must bring peace of mind?
Must bring smile to face?
Genuine smile must bring all close together?
When have compassionate mind
And cultivate warmheartedness,
Must whole atmosphere around
Be more positive and friendlier?
Source of much best hope?
Must reach for invisible object
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 105
Since find no response from infinite.
Nothing to save us from dirty tide
That sullies much pretty beach.
So must the choir best sing on
And rats in church wall
Suffer most disturbed slumber.
Winston pressed his fingers down on his closed eyelids once more,
luminous pink glowing through the attenuated skin. That he had
expelled many more words of proxy poetry made no palpable
difference to the torment that had ordered its evacuation. The
release had not come, and all that remained was the urge to hurl
obscenities from the balcony at the adjacent smiley-face poster,
despite the kindly eyes that followed you everywhere.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 106
Chapter VII
If there is hope, wrote Winston, such hope must lie with the
precaristocracy. If there was hope, it must lie somewhere within the
primordial mire of the imperial. Only from the vortices of the idle,
languishing in the sedimentary morass of their stagnant hot tubs,
could the apparently inevitable fate of the world be turned without an
unwitting reiteration of the ineluctable myth of progress. The fall must
come from those part-human husks condemned to exist in a
permanent state of social degeneracy, the lowly precaristocrats,
who, having fallen foul of their jesters, had become the laughing
stock of the world and, denied even the carrot and stick of a
worthwile purpose, soon found themselves drawn towards neglect.
They passed amongst the living like sleepwalkers, with no hope of
ever being awoken from their dogmatic slumber.
Mutiny, however, for Winston, was not just a private hankering, but
was signified by a certain look in the eye, or a raised eyebrow in
public, or at most the hushed cadences of a daring sliver of poetry
whispered out of earshot—but all the same, let slip down the
causeway of pure fancy. But if only the precaristocracy could come
to and overcome the foppish languor that was at once their curse
and the very key to their deliverance. To awaken from their sclerotic
repose would require even less effort than it once upon a time took
one of their little darlings’ pedigree ponies to twitch its flank and
shake off a common horsefly.
If they chose to, they could bring the whole lot down. Surely sooner
or later it must occur to them to do it? And yet—! He remembered
how once he had been walking down an empty street when a
tremendous shout had erupted, the clamour of hundreds of people
yelling at the tops of their voices. The passionate outburst unfurled
from a sidestreet a little way ahead, and it was a great and
formidable cry, a deep and hallowed ‘Oh-o-o-o-oh!’ that chimed low
down in the belly like the reverberation of a sacred bell. His heart
had leapt into his mouth. It’s started, he’d exclaimed to himself, the
great fall! The undead are breaking loose at last! But he reached the
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 107
site of the commotion only to witness not a great explosion but the
same old emancipatory squib: some kind of street festival, a protest
march perhaps, the frenetic collision between demonstration and
celebration made it difficult to tell. Just the usual throng of the
eclectic classes magnetised together by abstract joy, by music, art
and petitions, by the exotic food stalls that popped up and down
along the streets so that with only a short shuffle and a chant, a
culinary arc around the planet could be made without need of
vaccination. People had amassed in great numbers for some
uncertain purpose, to express an overarching stylistic attitude rather
than to air any particular grievance. A show of happy faces, the
libertarian legion on the move with its invisible ideology, like God,
everywhere and nowhere; the swaying crowds, shuffling and twirling
and dancing and pirouetting like beads of coconut fat on a hotplate,
with many berserk children running amok, their carers mesmerised
by the apparition of their own reincarnated genes and jeanettes; the
face-painted mimes battling against invisible forces, the pockets of
violins, flutes, snare drums and saxophones merging into a
cacophonous democracy of talent-free fun. Even Punch and Judy
were cuddling. The ambient excitement coalesced into a soaring
crescendo of cheers, of wild drumming and dancing, a thousand
dancers each telling their own unique tale by way of a charming
choreography of synchronised movements. Some even had whistles
and glow-sticks with long colourful ribbons! Everywhere, as far as
the eye could see there spread out a wonderful ocean of yin and
yang run through by currents of harmony, eddies of joy, but with no
turbulence in sight—in fact, the festive crowd could have been
marching against death itself, against an impending meteor collision
or against tsunamis or cancer, and still the face painters would paint,
the mimes mime, and the impromptu bands play on, because
nothing impedes the theology of optimism. Everyone was waving
their smiley-face flags, each happy member shaking a glow-stick or
blowing a tin whistle, cheering, just joyfully laughing away the
diseased flies and the rocks ticking under a faraway sun.
And so he wrote:
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 108
Echo of distant laughter—
Or is it much bleating of
Lamb to slaughter?
While such festivals of exuberance were an iteration of the
established status quo, common happiness always comes at a price.
In this case, the precaristocracy had first to be hideously oppressed:
prior to being forcibly turfed out of their hereditary citadels, they were
first obliged to suffer banishment to the servants’ quarters—the first
station of the cross, as it were. A voyeuristic and vengeful public
could then merrily pay a few pence to rifle through their displayed
riches, parade through their new privation, wander at leisure up and
down the once hallowed corridors of their country piles, promenading
through centuries of systemic plunder to reclaim the archaic tat that
once belonged to their simpleton ancestors—to retrieve their
godforsaken scraps of piebald land and their hyperventilated rights.
In the name of an impossible reparation for their innumerable
crimes, the precaristocrats were gainfully employed as spectres of
ridiculous ritual, forced to give up the divine isolation and privacy that
had once been a marker of their omnipotent power, and instead
made to present themselves unreservedly to endless shoals of
tourists keen to witness the drama of living history in full costume:
sham weddings, verbose coronations and other regal pornographies
offered up to the gluttony of the newly-empowered herd. Pity, as
ever, being treason, the precaristocracy were thus pressganged into
hideous societal duties, but their idle children were offered leniency
and sent to Montessori kindergarten, rather than to those grim old
boarding schools where bewildered and largely dim-witted fledglings,
segregated from parents who in any case were at best ambivalent
toward them, were formerly descended upon by a jamboree of
sadomasochistic abusers well-honed in the fine art of ritual
humiliation, having themselves been the tabula rasa for earlier
creative torments, so that, once broken in and properly schooled in
the art of misery, each new graduate tide would drift back into
society as damaged misanthropes, brutalised self-hating kedgereemunchers—well prepared to take up those missionary positions
befitting a managerial authority that requires a certain melancholic
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 109
ruthlessness, that profound sorrow that bespeaks an unexpressed
yearning for revenge….
True to the standards of earlier times, even a thoroughly dispirited
nobility regarded itself as indubitably superior, entitled to be excused
from menial office whilst cherished as a living treasure. But in truth,
no enduring affection was felt for them and so they were simply left
to lounge about and inbreed, free to conduct their societal omission
without significant interference. Left to their own venal devices, like
sacred cattle turned loose upon the common plains, they had long
since wandered out of sight and out of mind. Born to languish in
dilapidated mansions, they woke at midday, passed through a brief
blossoming of transient comeliness and tremulous sexual desire,
were married off at twenty-six, middle-aged by twenty-seven, and
died, for the most part, in fitting obscurity. There were no ordinary
interactions with persons outside the looping incestual kinship that
perpetuated their stagnation, and the bastard double-barrelled
couplings with which they were nominally registered.
A few servants still moved among them, retained by ancestral
patrimony and employed to undertake mundane tasks. But no
attempt was made to indoctrinate any into the ideology of greater
holistic awareness—tolerance of any kind was hardly to be expected
of an illiberal ancien regime. The larger evils of daily life invariably
escaped their notice.
And so the precaristocracy languished in isolation. Petty criminality
festered in their ranks, largely limited to the filching of heirlooms and
fraudulent amendments and alterations to already tenuous
testaments. But the Neighbourhood Watch interfered with their
persons very little, and in all questions of morality it was accepted
that they followed their own ancestral code. Sexual promiscuity was
rife, albeit without any discernible emancipatory bent, since sex was
exacted as an extension of power and was mostly inflicted upon
those of a lesser station. Religious worship persisted as an
affectation of humility, a false modesty that honoured a higher
authority in the time-honoured guise of a vain and impotent God. In
short, these rare and outlandish creatures were of another era, a
time before light. As the dark tide of feudal rule had withdrawn, they
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 110
had become stranded in the shallows of a brackish rock pool,
exposed to a new luminosity, to a reason that revealed them as
anaemic invertebrates, prone and defencelesss before the new
standards of an equitable sensibility of which they had no advanced
mastery nor prior privilege.
As if to confirm the verity of his contempt, Winston prised his
Children’s World History textbook from the shelf and let the brittle
pages flutter over the open spine, catching a gasp of his old stale
classroom. He began to read.
In the good-old-bad-old days before the glorious Age of Great Consensus,
when the Great Global Civil War raged upon the earth, the world was not the
same place that we know today. It was a dark, dirty, shitty-murderous place
where people were forced to eat cheap factory-farmed food and wear itchy
polyester clothing. Children no older than you had to play without supervision,
and were fed with nothing more nutritional than pulped hamburgers, freedom
fries, and banana milkshakes. Amongst all this hideousness existed just a few
ostentatious gingerbread mansions occupied by opulent men who enjoyed the
mortal services of numberless, nameless slaves to fetch, filch, and feltch after
them. These pigs were called aristocrats. They were obese with money,
stuffed to the brim with it, their mottled flesh distorted by tumours, the evil
wickedness erupting upon their pellicules in hellish braille, spelling out their
crimes (see fig. 5 on the opposite page: You can see that the aristocratic pig is
dressed in a dark green waxen coat with corduroy collar, and a queer, flat cap
and Wellington boots. This was the uniform of the ruling elite, and no one else
was permitted to wear these garments.) The hereditary owners owned all
things including every animate and inanimate piece of flotsam and jetsam in
the world, and everything was delivered into systemic subjection and the rule
of sovereign power. They owned all the lands, and all the seas, both pacific
and immense—and everything in between. They retained possession of all the
estates, the prisons, factories and cities—they requisitioned all of the gold and
exchanged it for paper money with pictures of themselves on it—something to
remember them by.
Winston did not need to read on, for he was already quite familiar
with the sordid history of the darker ages; the beauty pageant of
prelate bishops with their dirty mitts restrained in drooping lawnsleeves, to the sadly belated relief of quaking minors, and, in the
forensic ruins of the disgraced church, a brand new pop icon and
patron-saint-of-child-abuse beatified to reinvigorate divine penitence
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 111
through the sufferance of little children—and holy moley did they
suffer; neither could they appeal unto the judges, for they too were
twitching away downstairs, ermine robes infested by microscopic
populations of lawless biting mallophaga…. There was, he
understood, once a principle known as jus primae noctis—an
unspoken law which bestowed upon aristocrats-cum-venturecapitalists the right to slot their hard-earned pennies into the stench
and mire of any desired woman, man, or child tied to factory employ.
And how could you tell how much of this was lies?
He presumed that things were better now, that the fortunes made
things fairer. But the fortunes did not stop the memory of that
fossilised protest from creaking in his bones, a pernicious niggle that
nagged him with the counterintuitive inkling that maybe reality was
somehow more intolerable than lived experience was letting on, that
perhaps happiness was a subdued approximation, that the senses
were deliberately inured to honest reportage, and that at some other
time things must have been different, maybe even better, or
somehow better even if more difficult, or more painful even if more
real. It struck him that what most characterised everyday modern life
was that underneath the nobility of universal compassion there
lurked the tyranny of optimism. Extraordinary things were rendered
neutral and deliberately relegated to lesser regard, in order that
greater things could be said of a citizen giving up a seat on the
straphanger’s tram, say, or using organic coconut flower-pollen
sugar rather than saccharine. In this way the mundane was
transformed into something remarkable, something wonderful and
glittering. The city itself was the embodiment of this principle: once a
world of brutal steel, smog, and concrete, now, miraculously
reclaimed from the austere inhuman economies of the past, it was
embellished with Himalayan crystal and betopped by serene
windmills slowly carving the sky and dissipating incense from
enormous chimneys, and community monocycles, and monorails
motivated by the sheer meditational will to power—a softly
murmuring procession of interacting citizens, perusing, rejuvenating,
recycling, or just simply being—ten million wonks with ten million
unique expressions, as embodied by the beneficent smiley beaming
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 112
down at them from the posters stationed at every street corner, its
kindly eyes watching over them with no purpose other than to
maintain gracious communality; this abstracted human god looking
down upon the teeming recipients of its kindness, gazing over the
citizen’s yippy village whose vertiginous creations obliterated the
heavens with ever greater cathedrals of human divinity, zigzags and
cantilevers and flying buttresses and human shrines so high that a
human head would naturally tip back to take in the vertical vista,
leaving the lower jaw where it was, the mouth agape, emitting an
involuntary gasp, a little sigh in contemplation of the cascading
greenery that tumbled down the stepped balconies from heaven
back down to paradise.
Winston saw in it all a delirious vision, an apparition of consensus
unutterably vast and sublime, the greatest good for the greatest
number—and yet now, suddenly, for some reason, the vision was
interrupted by an apparition, a vision of Zena drifting past in a cloud
above the city, still keen for neighbourly coitus but accepting a
raincheck instead, up there in her overcast raincloud; an
embodiment of lofty happiness in her brand new dreamy duplex,
gliding by, her happy fluffy cloud now passing over and even
shrouding the Ministry of Love’s vivid towering penis entering the
monumental vagina with the anus entrance around the back for
underground parking. And in the misty silken billow, Zena was
playing with the new dimmer switch so that the cloud faded up from
dim to glowing bright white, from the asylum’s revenant gloom to
brand new well-adjusted domestic bliss…Zena running her fingers
along the kitchen island’s rustic imperfectionist surface to the wonky
cutlery draw, to the hand-whittled spoons, hewn forks, carved
knives…the children tucked up in bed, Tomioka out at a private view,
Zena leaning over the sink, ducking her head under the tap, parting
her hair behind an ear, mouth suckling from the nozzle of the
reclaimed hospital faucet as it gushed—gushing, gushing, but in
danger of spilling, spilling—and, even with the tap turned off, the sink
still filling, filling—filling up from below, belches of filthy gas
disgracing the surface, the filthy water streaming over the sides,
cascading down onto the freshly laid olive-wood floor—Zena quickly
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 113
falling to her knees to mop it up but not before the sodden wood
became bloated, the dark grain beginning to open up, knots winking,
the wood splitting for strange saplings to reach out, for stems to
sprout from unseen seeds and homunculus florets blossoming with
strange shivering fruit…clusters of little skulls, the tender heads of
starving children, a mockery of flies pollinating their screams, dirty
green water and brown quinoa sludge purging from their gaping
mouths…on the TV, rousing news of Goldstein’s impending season
finale, how the broken world was now fully repaired, how being well
and well-being had come into cosmic alignment, how the secular
soul was soaring above all other redundant religions, how collection
centres were once again overwhelmed by sheer public generosity,
food mountains rotting and festering with love, and how the guilty
conscience of the modest was easily redeemed by the spectre of a
catwalk of bewildered and malnourished models balancing plastic
jerry cans of befouled water upon their heads—lithe creatures
garbed, in spite of the mockery of flies colonising the air, in
mismatched haute couture follies that had reached their au courant
peak at home and so were sent overseas, luxury hand-me-downs
and cast-offs donated for simple everyday use so that the
fashionably famished could parade in the dust, all sexy and
diseased, simmering between anorexia nervosa and plain old famina
normalem—it was difficult to tell…on the TV, an explanation of why
the world population was taller today than ever before, with graphs
depicting good posture, taller doorways, greater immunity, diagrams
of happiness, grids of greater wisdom, tables of better education,
schematic models of improved night-time eyesight, better spinal
flexibility, better opposable thumbs, better lung capacity,
contentedness and intrapersonal gregariousness off the charts;
undeniable metric evidence of great home improvement, domestic
bliss, and universal progress—but no added frills or gewgaws tacked
on to truth’s tedium could make it any more entertaining for the
seething death drive secretly crouched there waiting for the train to
crash, willing the ship to wreck, dreaming of the car’s carcass—and
yet even the urge for pessimism had its place in a world of
functioning consensus: the masochistic dark precursor put to work,
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 114
fuelling guilt from the inside out—BITE THE HAND THAT FEEDS
YOU, it said, which was exactly what every cutting-edge conceptual
craftisan customarily did for the tensile stress-test of tolerant
audiences everywhere….
It might very well be that every word in the yippy-wonk history
books, even the things that one accepted sensibly without question,
were only aggregate elements drawn together under the supervising
aegis of the age of enlightenment-cum-age-of-light-entertainment—
or at the very least, history reduced to a prismatic human rainbow, a
narrative arc that turned news into a story, everything a story—the
reduction of the world to a redemptive tale, because stories are told
to placate tremulous children or to entertain buffoons gagging for a
happy ending….
For all Winston knew, there might never have been any such law
as the jus primae noctis (in any case, no legislation was required to
fuck the workers over and over again, since perhaps they desired
their own subjection anyway) nor any such thing as a capitalist or the
landed gentry, or the ancien regime, or any such garment as
‘chinos’. Everything faded into mist. The past was obscure, the
cause for obfuscation forgotten, the lie and truth were the thesis and
antithesis of an ominous will that perpetuated the synthetic state of
simple hamstrung confusion.
The first sign of MADNESS is hairs on the palms of the hand: the
second sign is looking for them. Winston wondered whether lunacy
might have crept up on him, like the pregnant tidal swell that surges
up to greet the moon’s gravity. Or maybe he was simply feeling a
little adrift, just as Zena and Tomioka’s new kitchen island was adrift
in the doldrums of the communal living room, adrift with its stale
misfortune cookie crumbs and dimmable asylum lighting—the feeble
tinge of those lights, a universal ebbing away, all dying, the stale
crumbs dying, everything stale, everything dying. Winston could not
stop the poetry now even if he tried, since it afflicted him at every
turn. But he was happy that he had been chosen. He might be mad,
but he didn’t care, since he had been chosen to be afflicted by
something greater than the sum of his sanity.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 115
He returned to the textbook, studying the crude frontispiece—an
embossed image of the earth rendered as a brain. The very thought
of World History trepanned Winston’s skull, so belaboured was it by
such ludicrous claims. Should he deny the evidence of his senses?
Then two and two could make five, merely requiring a discrete
change in the quantum values for the conjecture to be possible, and
for his strange poetry also to be possible. All contradictions were
compatible in a world that respectfully honoured all beliefs equally.
The heresy of heresies was common sense—since common sense
was a collision between safety in numbers and ignorance is bliss.
After all, how does anyone know that two and two even make four?
Two and two of what? Handfuls of water? His courage seemed
suddenly to stiffen of its own accord. The face of O’Brien was
summoned to mind. He knew, with more certainty than ever before,
that O’Brien was a kindred spirit, and for this reason alone could be
entrusted with his poetry before anyone else…unless…unless….
He considered the enormous powers arrayed against him, against
his work, once it eventually came out. The cruel ease with which any
hack at the Ministry, or an embittered colleague—Syme—might
choose to lambast its experimental form. He would soon be forced to
explain that the solid world exists, but that its laws are fluid. He
would tell them that stones are hard and water wet, but that when
water freezes it is rock hard, and that objects unsupported fall
towards the earth’s centre—but do they fall gracefully or are they,
more maliciously, pulled? What prevents the subatomic particles of a
teacup or spoon from breaching the surface of the table and
collapsing into its counterpart space? What is it about our false
immediacy that provides caricatures of rested mass according to
which teacups, chairs and tables tend to obey principles of stability,
so that they can be picked up and sipped, or sat on or stacked—
rather than maliciously intersecting, interlocking, overlapping,
shimmering, melting, dissolving, and cascading in vast and hollow
space? Why do objects impose their delinquent solidity?—is this
crude scale measured for our comfort?—so that matter is blocked at
a certain resolution, exiling us to the outside, as it were, preventing
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 116
us from peering through walls and floors and suffering the sublime
phenomenological vertigo that lurks there?
With the feeling that he was speaking directly to O’Brien, Winston
added a final, concluding line:
Freedom is freedom to say two plus two make five. If granted, much else must
follow.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 117
Chapter VIII
From the bottom of the passage or dark alley, the strong redolence
of freshly roasted Serenity coffee particles wafted up in swirls to
seek out Winston’s gaping nostrils, his schnozzle already cocked in
the air to draw in the earthy aromatic stream whilst his inner child
tumbled back, cascading into the half-forgotten world of the past,
with its revenant smells of Mummy and Daddy and coffee, of
breakfast in the shabby-chic cabin with milk floats wafting by, of
warm toasted soldiers all dippy, happy and alive. A loose door
caught by a gust of wind slammed this particular olfactory
reminiscence shut quite abruptly.
He had meandered for several kilometres and his calves were
merrily throbbing. This was the second time in as many weeks that
he had wandered aimlessly in avoidance of a social function—on this
occasion yet another art exhibition hosted by dearest neighbourhood
wonk Tomioka. It was a rash act, since he could be certain that such
truancy would be well noted by his aesthete co-workers, especially
artiste celebre and Ministry colleague Tilly Tillotson. Winston could
just imagine Tillotson feigning great delight in retaliation for the
praise lavished upon her monumental paintings—elegant fractal
flowers formed by the outflow of colonically irrigated non-toxic paint
and glitter expelled from her anus onto raw unprimed cotton-duck
canvas. He could easily summon to his mind’s eye the pantomime of
false modesty, the highbrow chitchat between sips of lowbrow
cocktail, the way the artist’s head would tip back the better to allow
the lens of the glass belly to bulge with an enormous pimento olive
eyeball, all green and blood-red, bobbing around, seeking out
noteworthy attendees and absentees—and making some mental
blacklist to be acted upon at a later date.
Extramural creativities flourished for all within the Ministry,
complementing its more prosaic administrative functions with a
lifeblood rich with wonk vitality. But Winston contended that his daily
rectifications were creatively taxing enough for him to spurn the need
for any subsidiary diversion or hobby. Many of his colleagues found
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 118
his reticence unsettling, but would never express this openly—
indeed, they were more likely to salute his antisocial diffidence as
the exercising of a communal right.
Such recognition of the inalienable right to reticence was founded
upon the conviction that to express a penchant for solitude was not a
phobic disorder—to take an unaccompanied walk in a thunderstorm,
to spend time alone, or to eschew otherwise obligatory social
entanglements was perfectly natural. Yet Winston’s attitude towards
solitude was quite different to the extramural solipsism common to
other wonks in the Ministry. The passion with which they pursued
their artisanal activities carried with it something of the antiquated
figure of the tortured artist, but hygienically cleansed of the
unnecessary misery and archaic privations associated with that
historical figure. The tortured artist had inhabited a world where he
had expected to be misunderstood by the masses who worked in
factories and were understandably envious. For, believe it or not, in
that long-ago faraway world, not everyone could afford to be artistic.
Hence the hoi polloi expressed their antipathy in the form of
vindictive mockery, and the artist often acceded to the very
caricatures conjured up to tease them—even allowing such parodic
distortions to infiltrate their creative persona. The tortured artist
dutifully suffered routine derision for their quixotic wretchedness,
until the relentless humiliation and mockery drove them to selfimmolation. But great novelty was expected even in the method of
an artist’s demise: only through an especially original act of creative
subtraction would the masses come to understand, finally developing
an affection for the obscure culturings they had felt so compelled to
ridicule from the drudgery of the factory floor—finally appreciating
the art enough to decorate a wall at home with a carefully selected
print.
Sacrificial mutilation was thankfully no longer an obligatory
component of wonk artisanal self-expression, since the masses—if
such a thing could still be said to exist—were now unanimously
artisanal, the world unequivocally aesthetic. Ultimately, wonk
aestheticism had come to define wonk communality: creativity now
embodied a collective desire to express healthy introversion in the
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 119
company of other likeminded solipsistic wonks—a sort of soft factory
of esoteric mindfulness defined by inner contemplation rather than
work, the once desultory call for an ‘art for all’ answered by
populations of yippy wonk poets, multitudes of syncopated
musicians, literary festivals of readers and writers, flocks of
conceptual collaborators and gaggles of curators—legions of
freethinkers coagulated by speculative thought and its emergent
collegial chatter.
The human population of the earth, as a macroscopic mass, may
have been surging toward deific obliteration without a care in the
world, but it was also alive with local artisanal production, and so it
became incumbent upon each and every member of the human race
to disavow their membership of the genus—to regard themselves as
belonging to a species of exactly one, if only so that each might
express an indivisible faith in their own ineradicable cardinal
sovereignty. Did not the designation ‘human race’ perfectly express a
renunciation of team effort in favour of the glory of the individual
winner, that lone victor raised up from the remainder of heaving
human biomass, blindly surging towards the finish line heedless of
the fate waiting there to greet it?
As Winston exited the Ministry, the balmy April evening air tempted
him to get as far away from the private view as possible, and in any
direction other than that of a gallery. The very suggestion of arty
chitchat, the heady aesthetic tête-à-tête mixed with fine wine,
seemed deadly. He was not yet ready to discuss his own poetry,
certainly not as an item of casual gossip—and suffering the
amateurish zeal of his friends would only torment him unnecessarily.
No, he must defend his ears from unmeant contagion, if only to
preserve the purity of the spectral current that was presently in the
process of finding its ripe and tenebrous voice.
On impulse, then, Winston had turned in the opposite direction of
all things artistic so as to pursue the unknown, the mundane, the
turgid—and had quite soon willingly lost himself in a labyrinth of
unfamiliar streets.
‘If there is hope,’ he had written in his My Big Book of Me, ‘such
hope must lie with the precaristocracy’. The words kept coming back
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 120
to him—it was a statement of mystical truth latticed with palpable
absurdity, but it also seemed to make perfect sense….
Soon he found himself in the midst of some dense locality, a simple
twist or turn having taken him off the map, off the edge of the world—
fallen into some bleak realm with its own peculiar stench, set
somewhere to the immediate west of the city centre, yet without
explicit road-sign, devoid of any visible demarcation marker or
indication of commune or district.
He was happily stumbling along a cobbled street of little oldfashioned two-storey red-brick shops and ancient boutiques, with
hand-blown glass panes and dark doorways—past dilapidated
fashion boutiques and chic eateries, where the odd pedestrian he
happened upon seemed stalled in slow-motion or indecision—a
couple loitering arm-in-arm as if helping one another along against a
great wind—going through the motions of window shopping, but at a
glacial pace, pausing here and there before dusty nameless objectremnants abandoned behind ruptured plate glass.
Winston saw strange women dressed in elegant garments, but with
clothes spoiling on their proud skeletal frames as if they had
neglected to change their outfits for many years on end—threads
pulled, colour faded, peppered with moth holes, the entropic fate of
expensive wools and cottons publicly exhibited in the process of their
natural deterioration. He saw men wearing stale beige slacks with
freshly pressed creases. He saw many a grimy pastel shirt and
pullover cuddling its feculent wearer from behind, sleeves casually
draped over the shoulders and knotted at the front—he glimpsed
these phantoms’ frozen watches and tarnished jewellery, scuffed
shoes and patched-together spectacles, and, despite this vignette of
a once vivid everyday life rendered lacklustre under some sudden
tarnish, as if a slate-grey and viridescent wash had been applied to
all things bright and beautiful, a universal and sallow tinge—despite
the visible dilapidation of those caught up in this mysterious
corrosive oxidisation, there was no mistaking a certain restrained
ergometry and manner of comportment that nonetheless manifested
an inner confidence shared by all he saw.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 121
A jogger struggled past Winston, being chased by the spectral
figure of death sprinting behind her, her clothes already a marathon
of tatters. A tennis pair sauntered by with broken rackets, their tennis
whites tinged with green spirogyra as if they had been dipped in
blanket weed. Yet none of the pedestrians Winston observed
seemed burdened by that weary gravity that weighs upon the poor—
not one was bent over, misshapen, cowering, not one exhibited any
self-deprecation in their posture. Uniformly upright, each equally
tarnished but all vertically resplendent, their clothes may have been
in tatters but their collars were proudly turned up, hair combed, wan
skin blushed with rouge and dull blazer buttons duly buttoned, as
though misfortune had descended upon them suddenly, rather than
as an effect of the slow decrepitude that angles a person’s spine until
it eventually cranes over, bowing the head towards the dirt that
greets it.
Most of the mired shoppers paid no attention to Winston; a few
eyed him with a guarded curiosity. Two women with clusters of
grubby shopping bags were talking beneath the broken awning of a
festering charcuterie. Winston caught scraps of conversation as he
approached.
‘Well of course, darling. That’s all very well, darling. I felt at liberty
to suggest to her that if she were in my position, she might
appreciate things as I do. It’s quite easy to criticise, darling, but as I
pointed out, darling, she was hardly at all inconvenienced.’
‘Ah,’ said the other, ‘well of course, darling, that’s just it. That’s
rather the point, I suspect, darling.’
The voices stopped abruptly as Winston neared. The women
studied him in hostile silence as he went past—and yet it was not
hostility, not exactly, merely a kind of wariness, a momentary
stiffening, as at the passing of some unfamiliar animal. The absence
of dirty pastel colours in Winston’s brilliant white garb, his colourful
beads, casual long hair, easy blue jeans, sandals and vivid rainbow
socks, was enough to draw attention. Indeed, the Neighbourhood
Watch patrols were quite likely to pester him with unwanted fuss
—‘Are you lost? Can we help you? Do you need a taxi? Shall we
help you find your way home?’ and so on and so forth. Of course,
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 122
there was no rule against walking home by an unusual route, indeed
there were no rules against anything at all. But if the Patrols
suspected something were awry, they would descend like a ton of
bricks, albeit at great pains to help, and it would take immense
restraint to alleviate their concern without simply losing one’s
patience and unfairly upsetting them.
Suddenly, the whole street was in commotion. Yells of warning rang
out from all sides. Faded shoppers stumbled into the dark doorways
of broken boutiques, patisseries, coffee shops, tailors, and
restaurants in great panic. A young woman leapt out of an
abandoned eatery a little ahead of Winston, grabbing at a shopping
trolley laden with tethered junk to drag it inside, all in one eel-like
movement. In the same instant a man’s head emerged from a hole in
the broken boards of a shuttered boutique hotel, yelling at Winston,
eyes gesturing back along the street.
‘Terrorist!’ he yelled. ‘Look out! Bloody terrorist! Best you take
cover, old chap!’
‘Terrorist’ was a catch-all nickname for anyone who deliberately
interrupted the civilised leisure time of the innocent with some petty
subjective grievance originating in the stubbornly primitive dark
places of the earth—places where the fear of God drove cowering
tribes to choose the afterlife over the here-and-now of modern
teleological progress.
Winston promptly flung himself on his face. On the rare occasion
when a precaristocrat broke with strict dialogical protocol and spoke
in practical terms, it was nearly always worth taking heed. They
seemed to possess a sixth sense for imminent terrorist attacks, a
foresight gained perhaps from an ancestral affection for terror that
would unexpectedly ripple through their ranks and move them to
speak clearly and without the stiff-upper-lip obfuscatory
ornamentation peculiar to their usual mode of expression, the
vestige of an ancien regime—the language of ritual humiliation, all
beautiful and incomprehensible, remote and otherworldly, moribund
—the language of the living dead.
Winston crouched down and cuddled his forearms over his head.
There was a roar that seemed to make the pavement heave. From
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 123
between clasped fingers he glimpsed a dark figure walking in the
middle of the cobbled street, wearing a balaclava and black clothes.
Window shoppers were diving left and right to hide behind
overflowing bins or heaps of rubble. A rusty Rolls Royce Silver
Shadow slowed for its occupants to decamp, only for the abandoned
vehicle to mount the kerb, pick up speed and then became wedged
against a large mound of festering trash, a charity drop-off point that
had exceeded the sell-by date of its collection. Now the terrorist
opened fire indiscriminately, spraying in every direction. Everywhere,
people ran for their lives, desperately dodging the intermittent surges
unleashed from the jetwash power backpack. Fixed to the terrorist’s
sleeveless utility vest were various containers held in place by
webbing straps. Winston looked on helpless as, with the
unmistakable rasp of quick-release military Velcro, the fiend tore off
a plastic bottle of popular household cleaning detergent before
lobbing it toward the cascade of charity rubbish disturbed by the
ditched Rolls. Calmly aiming the weapon at the bottle, with callous
surges of compressed water he forced the object deep into the rot,
causing disturbed rats to run for their lives. The flimsy plastic
eventually blew apart and torrents of foam began to explode slowly
in all directions. Terrible groans and sighs came from the
surrounding victims as they realised their fate, seeing the mass of
detergent foam growing exponentially, billions of nacreous and
iridescent bubbles tumbling and cascading, arising from the unstable
molecular cohesive forces acting upon a near-infinity of surfaces.
Panicking precaristocrats began to break cover in futile attempts to
outrun the soapy tide, but the froth soon engulfed them, like the
unannounced return of some repressed historical real that swirled
over and under them—until a deathly calm settled and all that could
be heard were eerie murmurs from within the iridescent cloud.
When Winston found his feet, he saw that he was peppered with
tiny soap bubbles soaking into the weave of his clothes. Others had
been far less fortunate. The foam cloud was dispersing a little, and
through the subsiding billow he saw something lying in the road up
ahead. Approaching it, he saw that it was a single Marigold rubber
glove, medium size, pink. He kicked the thing into the gutter, and
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 124
then, to avoid the assembling crowd, turned down a side street to the
right. Within three or four minutes he was out of the area, which was
now swarming with Neighbourhood Watch of every shape and size,
and had sunk back into the adjoining cobbled streets with their timetinged pedestrians slowly going about their dim business as though
nothing untoward had happened.
It was nearly twenty hours, and the few squalid bars of the
neighbourhood were choked with phlegmatic coughing, squalling
cigar smoke, carious sawdust, and paraffin Pimm’s. Framed in a
skewed doorway, shielded by its broken door, three men cowered
with shameful intent, huddled about a tattered newspaper.
‘I’ll tell you once and for all, number seven has never ever come
good!’
‘Poppycock! I can even recall the other numbers as though it was
yesterday—four, zero, nine, seven—’
‘Balderdash! Seven has never come good! I’ll stake my bloody
reputation on it!
‘Your reputation?’
‘Yes!’
‘Pah!’
‘But it doesn’t exactly matter now, does it?’ said the third,
interjecting softly. ‘I mean. Not anymore.’
‘No. I suppose not,’ said the other, crestfallen.
The other other’s silence suggested melancholic assent.
The lottery was an unlikely hobby of the precaristocracy, and had
only became endemic in the twilight of their slow decline. Their
fortunes being in jeopardy, the lottery appealed as a quick fix to
those who assumed that fate was necessarily on their side. To those
convinced that money must come without need of hard work, the
lottery offered an all-too-familiar ‘something for nothing’ that
reminded them of their uninterrupted claim upon all things great and
small. It was also something of a satirical delight to try one’s luck
alongside the precariat, but it soon became a desperate last-ditch
hope. For venture capitalists capable of intricate calculations and
staggering feats of statistical retention, this paltry wager was a bitter
reminder of happier times, of vertiginous speculations and tumbling
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 125
financial crashes, of fiscal chaos as an opulent game of risk that
others inadvertently underwrote.
Clearly there was little point in these three broken men framed in a
broken doorway arguing the toss over a fictive lottery number that
had come good, or not come good, many, many years before
everything had come bad for them—little point in paying too close
attention to a newspaper so close to dust.
Winston shuddered. If there is hope, it must lie with the
precaristocracy. He would cling on to that. It had once rung clearly
as an estimation of the truth, but now felt like a hopeless act of faith.
The bleak street into which he had turned soon ran downhill sharply,
leading to a dungeon of muffled voices. He found himself at the top
of a flight of steps which tripped and trickled down to a sunken alley
where a few dark figures loitered with improvised tables strewn with
fragments of nonsense to sell, or barter—or to eventually abandon to
the rats. Beyond them was a wine bar with windows glowing,
vignetted by grime. An old man was just turning into the door from
the street. Winston was filled with the urge to follow him in, to ask
him all the things he wanted to know about the time before—Tell me
about life before the great raging dustbowls, he would say. Tell me
about the Great Slump, the Great Famines and the global civil war
and the time before the Age of Great Consensus!
There were no explicit protocols guarding against conversing with
precaristocrats or frequenting their dilapidated hovels, other than an
empirical apartheid that served both well. However, it would be far
too unusual an occurrence for the Neighbourhood Watch—if indeed
they were in the neighbourhood, and watching—to resist interceding,
politely coaxing Winston from such a vastly inappropriate setting—
with his white loose-linen open-necked blouse, loose jeans, opentoed sandals, the string of raw sandalwood beads tied loosely about
his wrist, the simple sand-coloured wooden paynim pendant hung on
a thick thong around his neck, and the rigorously unkempt hair—and
solicitously bundling him into a taxi (they would even insist on paying
the fare, in return for a small charitable donation). So he hunched
into the dark and rushed across the street. He shoved the door on its
rust-ridden hinges and an egregious waft of corporeal fermentation
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 126
caressed his face like the unlucky lick of a sickly horse. The din of
imperious voices was obliged to fall abruptly to half volume, as is
customary with such intrusions, those that violate the propriety of
classification and caste. The old man Winston had seen enter was
already presenting himself at the bar, and was engaged with the
barman, a tall, thin man who exhibited the flush of unease on both
cheeks.
‘Forgive me—did I mumble my words? Did I fluff my lines, Eh?’ The
old man matched up his shoulders, the frayed puce silk lining
becoming visible through a herniated tear in the linen jacket. ‘I’m
assuming this is a wine bar, yes? It does say so outside, after a
fashion. And yet a wine bar without a Spanish Cabernet, you say?’
‘Yes sir. I do apologise. May I offer you a house red instead, sir?’
‘I’m hardly asking for a Chateau Latour—and who amongst us can
these days afford a Chateau Latour? So if not a Spanish Cabernet,
then I’m to put up with the cheapjack muck your boss buys in bulk?
Eh? Cross between battery acid and cod-liver oil—served up by the
glass and measured to the millimetre in tidal grime, no doubt.’
‘Is there anything else I can help you with, Mr.
Featherstonehaugh?’
‘The wine list, if you must.’
‘There is no wine list to speak of, sir.’
‘Oh, I see—nothing to offer insight into the felons who manufacture
this anonymous universal plonk, nor its bouquet nor varietal.’ With an
angry fist on the bar, he continued, ‘but it’s a half decent Spanish
Cabernet that I’m bloody well gagging for!’
Winston stepped forward, catching the raging old gent gently by
the skinny pinch of his arm.
‘Sir, I should like to buy you a drink. Something decent.’
‘Really?’ said the other, scrutinising his benefactor leniently so as
to fairly enable the stranger’s charity. ‘Something half decent,’ he
replied, eyeing the barman—and upon receiving confirmation from
Winston, the barman poured a glass, which was downed in one
profligate swig.
There was a table beneath the dirt-vignetted window, decorated
with a lacy cobweb strung with a thousand bluebottle husks. They
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 127
made aim, but not before Winston had been obliged to refill his
companion’s glass.
‘You must have seen great changes in your life,’ began Winston
once they were finally seated, observing the baby-blue glaucoma
fade a notch, becoming slightly more nebulous, a little more milkyway.
‘The wine was better,’ said the old man, wistfully. ‘But after a time
even this shit tastes expensive.’ He took up the glass, tipped the
sour hook and lifted it up to his nose.
‘Bottoms up!’
Winston watched Featherstonehaugh’s Adam’s apple bob
upwards. Just one gulp and the half-decent plonk was flushed down
and the glass passed across the table with a deliberate hydraulic
motion for Winston to convey back to the bar, obliged once again to
refuel this old broken-down machine as it defaulted to the next level
of operative dysfunction.
‘People like me know nothing about the past. Firsthand, I mean.
Obviously,’ continued Winston, insistently, ‘we may read about it in
books or see it on television, but what it says in books or on
television could just as well be untrue. I should like your opinion on
that. Most books and archived television programmes tell us that life
before the Age of Great Consensus was very different from what it is
now. Apparently, there was terrible oppression, injustice, war and
poverty—worse than anything we can ever imagine. The masses
starved, and half of them didn’t even have sandals on their feet.
They worked twelve hours a day, left school at the age of nine and
slept ten in a room. But there were a few people, a very small elite,
who were rich and powerful. According to most history books these
few owned everything that there was to own. They lived in grand
mansions with hundreds of servants and rode about in steam-driven
motor-cars, whilst pure champagne flowed from their kitchen taps—’
A cackle began to rise from the old man’s throat, but the laughter
was blighted by coughing before it could properly form. ‘Half of them
didn’t even have shoes on their feet? And what could be done about
that? Eh? Force the half with shoes to hand over one shoe to the
half without? And where would that have got them? Eh? Hopping
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 128
bloody mad! Revolution, no less! That’s exactly the kind of
ridiculousness that got us where we are now!’
‘But surely the point is that everything only existed…well…for your
benefit. The ordinary people, the people who toiled, the workers—
they were enslaved, and you could do what you liked with them. You
could move them around like cattle. Force them to work for next to
nothing. You could sleep with their daughters or sons, and after that,
even order them to be flogged. They had to bow down and remove
their caps when you passed, offering their naked napes for your
nooses. Every capitalist landowner went about with a gang of
lackeys—’
Featherstonehaugh brightened.
‘Lackeys!’ he repeated. ‘Now there’s a word I haven’t heard for an
age! Lackeys! Ha! That takes me back. We used to enjoy the public
gardens of a Sunday. My wife and I used to walk by and sometimes
stop to listen to the political speeches—the ranters, more like. They
were all there, milling about, waiting for something to occur. The
Salvation Army, the Roman Catholics, Jews, Indians—all sorts of
odds and sods. I remember one chap with quite a gathering. He was
shouting at the top of his bloody voice, yelling himself hoarse
—“Lackeys of the bourgeoisie! Flunkies of the ruling class!
Parasites!”’
‘Forgive me Mr. Featherstonehaugh, what I really want to know is
this: Do you feel that the freedom people enjoy today at your
expense, is better than the purpose they enjoyed then? I suppose
what I’m asking is, were the less well-off obliged to treat you as
superior simply because they were poor and you were rich? And
how did the minority come to manipulate the majority, if not with
some degree of consent?’
For a moment, the old man appeared to sink into grave
introspection. ‘Yes,’ he said, brightly, at last. ‘I believe they were
honestly fond of touching their caps in our presence. It showed
respect. I didn’t much care for it myself, but they appeared to like
doing it. They had an affection for it. They knew where they were.’
‘Was it usual—and I’m only recounting what I’ve read—was it usual
for such people to step off the pavement into the gutter to let you
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 129
pass?’
‘Well, they eventually came and arrested the man who kept
shouting lackeys of the bourgeoisie! But I have no idea why they
should want to do that….’
Featherstonehaugh’s mind was fading, and plying him with more
wine would only hasten him into the arms of the abstract torpor after
which he was hankering.
‘I do apologise for pressing you, sir,’ said Winston, making one final
effort. ‘But what I’m endeavouring to understand is this: you’ve been
alive for a substantial time, having lived much of your life during the
Undustrial Revolution and before the Age of Great Consensus.
Would you say that the standard of life is generally better now, or
worse than before? Do you have an opinion about human
progress…? Have you witnessed human progress…seen it with your
own eyes?’
Featherstonehaugh merely rose, staggered, and ricocheted from
table to table, those seated each taking turns to nudge him along
toward the unseen urinals whose stench gave away their presence
beyond the door at the end of the room.
Winston’s feet carried him back out onto the street, resigned to the
fact that the old man was incapable of speaking the truth, hell-bent
as he was on seeking any means to obliterate the past. And yet
Winston’s seeking answers to the past might just be the last
convulsions of an archaic subjectivity trying to outlive its own
extinction….
Once more deliberately devoid of bearing, Winston allowed the
ruptured camber of the pavement to tip him toward a junction with
another street, similarly formed of the typical slum-ridden boutiques,
fine delicatessens, umbrella shops and deserted eateries—but in the
midst of this endless ruined no-man’s-land, set in the middle of
another broken terrace, was something surely miraculous: from the
viridescent mire emanated a spectral glow, a lambent hallucination
so odd that its observer was at first forced to shield his insipid and
weakened eyes with his hand, his retinas having by now fully
adjusted to the relentless ambient drear of the nameless treadmill he
had been walking for some untold period, having elected it as a
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 130
physical diversion from yet another private view, another exuberant
artist, the likely threat of heady chitchat, and so on.
The light was so vivid in its preternatural aspect, so at odds with
the terminal grime all around, that Winston at first did not believe his
eyes, but when he eventually focused upon the material source of
the light, he saw an illuminated shop sign with red letters—and as if
compelled to breathe life into letters so lavishly announced, he
mouthed the word out loud, so as to afford it unequivocal
confirmation in the universe:
VENUS
The frontispiece glass was large and filthy, the lower third tarnished
at ankle height with a band of dirt splattered up it by rain falling on
the overgrown pavement. The window was opaque, either etched or
covered with plastic film—it was difficult to tell which. Hazed hues
glowed in vague patches from the inside out. Next to the entrance,
another withering illuminated sign wheezed a red-and-yellowish
invitation:
OPEN
With the feeling that he would be less conspicuous inside than
loitering on the pavement in the neon glare, Winston opened the
door and was met by a terse windchime sounding out as he entered,
but this cheerful herald was nothing to match the manifest sight of
what was waiting inside.
Before him lay a vast diorama of brightly coloured objects, strange
stalagmites standing vertically, bathed in a film of silver dust and
cobweb—like architectural models of some imaginary city already
sunken into the dust, its citizens long gone, all signs of life having
melted away leaving only these serene architectural structures to act
as the fossilised memorial of a civilised fiscal flurry, doomed to the
saturated physics of technology. He imagined his own tiny footprints
wandering through the empty streets, and some dream or congenital
memory drew him yet closer to take in the alien cityscape before
him, gazing upon it in the manner of a dumbstruck God surveying
His Almighty Creation, examining how His Great Wonder had
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 131
perished under the blows of some mortal catastrophe, the gift of
paradise spoiled by the scourge of the earth, the air choked with
archaic soot.
The red, green, orange, pink, yellow, silver, gold, black and blue
buildings with their many variations in size and shape formed a
clutch of slender towers, a bristling financial district of skyscrapers
squeezed upwards to escape the impoverished suburbs, or a cluster
of cylindrical intercontinental ballistic missiles pointed up at the
heavens, or a city of lighthouses or holy minarets but speckled with
nodules, some ribbed, some smooth and bulbous, others swelling
and distended, with pointed ends burnished by dust clouds and sand
dunes clogging the interstitial gaps and chasms between; the whole
metropolis stifled by some granular asphyxiation, as though a
violently abrading sandstorm had passed through, burnishing life
back to the very bone. Some of the sleek towers were pearlescent,
some ivorine, but all shared a vertical architectural yearning
signifying the masculine obstruction of Mother Nature’s supine
horizon, echoing the impotent dwarf, deluded by the diurnal
elongation of his priapic shadow—or maybe the earth’s orbit had
undergone a periodic readjustment, a fatal tilt, since the silhouette of
the sun over the palisade of towers was becoming visibly brighter,
the deliquescent shadows shortening, the enraged sun flickering as
though becoming hotter and more incandescent with each pulse or
strobing solar flare—ready for terminal fulmination….
From behind the shop’s counter came a punctuating cough, and
Winston came to from his omniscient reverie, shrinking from his lofty
omnipotent poise back down to human scale.
‘I also stock batteries, regular and heavy-duty. Carbon-zinc,
alkaline, lithium….’
The proprietor maintained his gentle smile, with one finger fixed
upon the light switch next to the door as if to ensure the salvo of
fluorescent tubes above their heads blinked and stuttered until their
eventual culminate charge drenched the shop and its sad sunken
city. He was a man of perhaps sixty, visibly frail yet upright. He had a
long nose bisected by mild green eyes which were magnified by
thick spectacles. His hair was floss white, the bushy eyebrows a
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 132
dense black. His spectacles, his small fussy movements, and the
fact that he was wearing a worn jacket of threadbare burgundy
velvet, gave him an air of wisdom, as though in a past life he had
been a scholar or an ecclesiastic mentor or a teacher. His voice was
soft, with an intonation much less sourpuss than was typical of many
dilapidated Precaristocrats.
‘I noticed you outside, across the street. I saw you through a
peephole in the door and wondered if you were going to venture
inside or not.’ He smiled, peering at Winston over the top of his
spectacles. Winston gave out a little laugh, his attention already
distracted by the titles of the many books and VHS cassettes on the
shelves behind: The Joy of Sex, Adam & Yves, Cained and
Disabled, Karma Suture, Sechs Schwedinnen im Pensionat, Forced
Entry, Fucking and Sucking and Everything In-Between, Virgin
Vegans, Whips and Furs, Sodomy is Magic, Thundercrack!, The
Opening of Misty Beethoven, Rape for Beginners. ‘Are you looking
for anything in particular?’
‘No…I just happened upon your shop,’ said Winston vaguely, ‘I saw
the sign. It’s very bright. If you don’t mind, I should like to look….’
‘That’s just as well,’ said the other, ‘Do feel free to browse.’ He
made a sweeping gesture towards his faded kingdom with a softpalmed hand. ‘I’m sure you can see from a simple glance—an
obsolete shop, you might say. Between you, me, and the bedpost,
the trade in illicit sex peripherals dried up many moons ago. Since
sex is no longer imprisoned by the mind, everything is permissible—
therefore no demand. Yet, with no new stock comes great scarcity.’
The interior of the shop was full to the brim, but there was nothing
in it of the slightest value to Winston. The floor space was restricted
by the vast tabletop tableaux of sex toys, and all round the walls
were stacked haphazardly books, magazines and cassettes, all
shrouded in dust. The window was clogged with buckets and trays of
batteries, novelty goods, and other miscellaneous knick-knacks
equally drenched in dust. A trestle table in the corner was littered
with odds and ends: lacquered porno-snuffboxes, genital-shaped
brooches and the like—perhaps some vaguely interesting remnants.
As Winston made for the oddity table, his eye was caught by a tall
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 133
smooth object that gleamed softly out of the mire. He picked it up. It
was heavy and made of some kind of clear plastic, or maybe an
acrylic—but there was a peculiar softness to its solidity, a certain
slight flexibility. At the heart of it, magnified by the clear cylindrical
sheath, was a strange, pinkish, convoluted thing that recalled a
petrified organic formation, like a small aerated branch.
‘What is this, the thing inside this?’ he inquired.
‘It’s coral,’ said the old man. ‘I imagine it must have come from the
Indian Ocean. It’s less than a hundred years old—the object, not the
coral, of course.’
‘It’s a beautiful piece,’ said Winston.
‘Yes. It is rather exquisite,’ said the other appreciatively.
He took it from Winston and twisted the bottom end so that the
object began to softly murmur and lightly vibrate. He handed it back.
Winston considered the shivering weight, studied the object from tip
to toe, gripped it firmly in his fist to feel the willing torque, and then,
seeking guidance from one of many instructive film posters
decorating the wall, placed it in his mouth, bit it and sucked it—and
in conclusion nodded appreciatively.
‘I think you might find it most pleasing,’ said the shopkeeper. ‘And if
it so happened that you wished to acquire it, remittance would be in
the order of…say, four dollars? I can recall a time when such an
objet d’art would have fetched eight to ten pounds, and ten pounds
at that time was worth around…well, I can’t work it out, but it was a
rather handsome sum of money. But who has an affection for
genuine antiques nowadays—even for the scarce few items that
remain?’
Winston obediently handed over the odds and slid the thing into a
trouser pocket. The clear acrylic was unlike anything he had ever
seen, and the embedded coral must make it rare indeed—though he
surmised that it must once have been intended as something quite
functional, since it had some minor scuffs on it, evidence that one
previous owner at least must have been amused by it.
It was quite heavy in his pocket, a dead weight, but fortunately did
not form too much of a bulge in his easy ample jeans. It was an odd
thing for Winston to have purchased an antique, but the old man had
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 134
grown minutely more cheerful for having received the four dollars.
Indeed, Winston had not failed to register the fact that the vendor
would have settled for three, maybe even two dollars, and was
fortified by having neglected the impulse to even bother haggling
with a precaristocrat.
‘There’s a room upstairs that you might care to take a look at,’ said
the shopkeeper. ‘There’s not much in it. Just a few pieces, but the
room itself might be of interest to you.’
He led the way slowly up the steep and burnished stairs, along a
tiny passage and into a room which did not give out onto the street
but onto a cobbled yard at the back. Winston observed the furniture
—a bed with a towelling covering, long collapsible wooden legs, and
a cushioned hole at one end. Next to it, a chest of drawers with a
small skyline of bottled products—many oils, moisturisers, gels; a
glass with a bristling knot of joss sticks, a box of Kleenex sprouting a
single handy-pandy tissue at the ready. Shuffled beneath the bed,
two pairs of fresh slippers; two immaculate dressing gowns hung
neatly on two hooks; a cupboard nearby crammed with many folded
towels. From the ceiling there hung a mottled paper lampshade. A
medium bonsai shrub was outlined against wallpaper featuring
whimsical snapdragons and tremulous hummingbird moths. On a
small table next to the bed, a side-loading tape machine was
accompanied by a toppled wave of soothing oceanic cassettes—
perhaps amongst them, Martha’s voice….
The room and its contents were completely spotless, with not even
a speck of ash nor dust, in stark contradistinction to the soiled
ground floor. The first thought in Winston’s mind was that he could
rent the room for a few dollars a week. It was a wild, crazy notion,
deserving to be evicted as soon as it bid for tenancy in his head; but
the room had awakened a sense of place, voice and hurt that
somehow already felt at home. He knew what it felt like to lie on his
front, face pressed into the padded hole, with only the hideous
intimacy of the masseuse’s strenuously clenched toes for company,
succumbing to the pleasantries of haptic torture, the exotic oils and
eager pressure applied in symmetrical ruminations about his flesh,
the ambient lattice of the seven-stringed zither with accompanying
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 135
whale and dolphin lament. Just imagine being utterly alone in this
upstairs universe, utterly secure, cradled within its four-walled womb,
with nobody watching, no Zena pursuing him for neighbourly favours,
no sound except the never-ending music spiralling to a crescendo
somewhere well beyond mortal reach.
He could be happy here.
‘No television?’ observed Winston flatly, and, seeing a mirror set
flush to the wall as though positioned there in virtual compensation,
he caught sight of himself with a sharp double-take, as if the
exteroceptive illusion before him was freighted with an ideational
disappointment as old as the invention of the mirror itself. The old
man, noticing Winston’s superstitious dread, edged into view of the
mirror either out of solidarity or curiosity, it was difficult to tell, so that
both men were framed in the gaping portal, both caught in a collision
of private embarrassment and public self-consciousness, as though
discomfort and vanity were bouncing around in the photon chamber,
chasing each other into infinity like cat and mouse. Once captivated,
both edged even closer to examine their integument, the freckles,
moles, creases, wrinkles and scars—the acanthosis nigricans
creeping up the thickened neck, the sun spots and the alien world of
empty craters and blocked pores; the strange territories of rogue hair
spilling beyond the boundaries of cosmetic delineation—as though
neither had examined themselves so closely for some time, seeing
their own deadpan faces confronting them with the mute
acknowledgment of the abyss peering back…and in the dimensional
ricochet of awkward glances, each could even have mistaken the
other’s reflection for his own—as though the mirror were playing a
trick upon them both, separately, simultaneously.
There was an awkward silence to match the awkward illusion, and
Winston felt sympathy for the old man, for the shock of his ancient
face, his enlarged nose and ears. But he decided to linger for some
minutes more in the room, engaging his companion in a
conversation littered with practical inquiries and genial human
interest, and learning that his name was not Venus—as one might
have assumed from the proprietorial sign over the shop-front—but
Mr Charrington.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 136
When the conversation came to a natural conclusion, Winston
made his goodbyes and descended the stairs, exiting the shop, his
mind already made up to return, intending to rent the upstairs room,
intending to use it as a place where his otherworldly poetry might
find a secure place to voice its hurt.
Back down in the street he became aware of a figure approaching
quite briskly, not ten metres away, and recognised it as the girl from
the Ministry of Romantic Friction. Even in the failing light he had little
trouble in identifying her, and at two metres and closing, she looked
him straight in the face, dead in the eye—and then, without so much
as a blink, continued past without deviation of either head or step.
For a moment Winston was too bewildered to move, other than to
watch her disappear from sight along the street. When she was
gone, he motioned into action, striding away in the other direction
and with one question settled in his mind. There was no doubting
that she was spying on him. She had followed him to the
precaristocrat ghetto, and whether she was intent on a friendly fuck,
flirtatious fling, or full-blown relationship hardly mattered now. It was
enough that she was watching him, following him. Probably she had
seen him go into the Precaristocrat winery too, and Venus.
It was an effort to walk quickly since the lump in his pocket rubbed
against his thigh with each left step. Not so far from Venus, the motor
accidently engaged in his pocket, as though after even such a short
distance it was suffering a bout of homesickness. His gait
succumbed to a ludicrous asymmetric claudication, afflicted by the
centrifugal force of the device, resulting in a clodhopper’s limp and
much shoving of hands down trousers in fumbled adjustment.
Winston slowed to change the device from left to right pocket,
causing an immediate alternation of his gait in the opposite direction,
and in a throbbing one-eighty-degree drill turn, began retracing his
exact steps back towards Venus and the street beyond. That the girl
had so plainly ignored him was proof of mischief, and by way of a
combination of skipping and hobbling and hopping owing to his
pocket impediment, he hoped to catch up with her—to track her until
they were in some quiet place, some wooded area, some
ornamental garden with hurry scurry woodchips—and then smash
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 137
her skull in with a loose cobblestone and have done with it. The coral
device in his pocket would be heavy enough for the job, but he didn’t
want to chip it. However, the thought of such physical effort was
already enervating. The interference of the device made efficient
progress impossible, since he had to change pockets in order to right
his aim, and he doubted if he would be able to strike a decisive blow,
the coup de grâce. Besides, she was young and strong and would
easily repel him, most probably hold him in a headlock until he
blacked out, or until the Neighbourhood Watch arrived in time to put
him in a taxi home in exchange for just a small charitable donation.
He considered hurrying back to the private view or slipping unnoticed
into the afterparty, or worse, attending the dreaded society dinner,
with its hideous social intimacy…so as to establish a partial alibi for
that evening—but such a thing was even more unbearable and more
morbid a proposition than murder.
A deadly lassitude had taken hold of Winston. All he wanted was to
return home and sit down at his Jens Quistgaard flip-top writing
desk, to fume with vengeful thoughts and write, scribble, and gouge
at several more pages. Why was he harbouring such grotesque and
inharmonious thoughts? Was the poetry protecting itself from
premature exposure, from her prying? And now suggesting
violence? He could imagine the misfortune cookie from which these
deadly instructions might have emerged:
Must ornamental garden be place of most serene contemplation, of most
harmonious inner introspection. But ornamental garden also most best place
to conduct necessary trepan of skull with handy cobblestone, most best place
to hide body beneath hurry scurry woodchip.
It was well after twenty-two hours when he reached home, there to
lurch into the kitchen, to swig elderflower, spilling it with louche
abandon, and thence to flail over to the desk to throw himself down,
tame the peripheral TV voices, and rip his My Big Book of Me from
Jens Quistgaard’s very heart. From the television drifted a dissonant
female voice strumming a kooky tune, an ironic revision of some
obsolete chauvinist anthem about wanting my body and thinking I’m
sexy…
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 138
He sat for a long time, staring at the lenticular yin and yang cover,
one eye open and one shut, alternating left and right, tipping the
cover to catch the two poles of human expression as it performed its
gestalt shift from one to the other, the happy and sad, yin and yang,
flotsam and jetsam, honey and vinegar, Janet and John, sad and
happy—with all the other approximations shimmering somewhere in
between.
It was at night that it came for you, always at night, because the
night was full of suicidal impulses—especially for poets. But it took
courage to get rid of yourself, since creativity was now
indistinguishable from the ineluctable goal of total wellness. A world
reduced to aesthetics is a world placed at the disposal of altruism—
and thus despair was denied the legitimacy of its destructive
urges….
He should have acted upon her swiftly but had lost the power to act
decisively when it had counted. She was spying on his poetry—but
he knew she suspected him of something worse. He had resisted
fate and ignored fortune at his peril. Even now, in spite of the fizzing
elderflower sharpening his wit, the dull ache in his belly made all
things impossible. Nonetheless, he opened the notebook with a
tremulous hand. It was important to write something down. Even if
only the date. The kooky girl on the television had embarked upon a
new shrieking lament, her voice visiting his brain like so many jagged
splinters of handblown glass or craftisan ceramic. He tried to
summon up O’Brien—she for whom, or to whom, the poem was
silently dedicated. He did not fear dying for his art—it was to be
expected. But first of all the torture had to be worked through: the
grovelling and begging for attention, the screaming for mercy, the
crack of broken bones, the smashed teeth and clots of skin, the
worried beads, the bloody patches of scalp and hair—it may as well
be physical torture. Nobody ever escaped negative criticism—but it
was best anticipated by profaning your own offerings before anyone
else had the chance to—an affectation of most humble modesty
offered up with potlatch sincerity. Poets would gladly ridicule their
own efforts with highly ornamented self-loathing and baroque
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 139
incitements in order to be universally mocked—to be hated in lieu of
being loved.
‘We shall meet in the place where there is no darkness,’ O’Brien
had whispered to him. He knew what it meant, or had once thought
that he knew. The place where there is no darkness was a future that
one could never see, a future which, whether by foreknowledge or
predestination, one might only mystically imagine. But what with the
television voices, he could not follow this train of thought much
further. So he popped a Serenity Soother into his mouth and sat
back as the lozenge softened on his recumbent tongue, a great big
pink comfy sofa seated in his gloaming gob—and his thoughts also
became increasingly bloated, deliquescent, stoned…and then he let
out an endlessly drawn-out sigh as the tide of all things uptight and
stressful clawed their weary way toward the glowing sunset—the
horizon haunted by the distant echoes of dolphin, mouth organ and
whale lament—as Winston lapsed back into nature just as the animal
is in the world like water-in-water…. The great oceanic serenity and
conciliatory pacific peacefulness of the void…. And Luther’s timely
words lapped against the shore: ‘I am the turd and the world is the
wide-open anus….’
Bathed in the sunny glow of the television, Winston’s head
ratcheted towards slumber in little juddering nods, but what would
have been the last nod had the magnitude of a cosmic knell—a rude
awakening indeed, as he abruptly sat up, suddenly motivated to
fumble in his pocket for a coin, holding it up to see the smiley face
embossed on the surface, and the short epigram etched around the
coin’s edge:
Ridere cum hoc mundo per risum dat tibi
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 140
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 141
Part 2
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 142
Chapter I
It was the middle of the morning, and a solitary figure was walking in
the dappled half-light, making towards Winston from the other end of
the elongated Ministry concourse.
It was her.
Four days had passed since that evening when she had pursued
him deep into the precaristocratic ghetto, only to feign coy disinterest
on the threshold of Venus. Now she was striding towards him,
deliberately, with undaunted eyes and a malapert grin. Without
hesitation, with eyes fixed fast upon Winston’s own captive stare,
she took his wrist, rolled up his sleeve, and wrote upon his arm with
a red marker, its soft nib snagging in his soft naked skin. Without
removing her eyes from his, nor him removing his from hers, she
then rolled the sleeve back down, and with just a slippery half-wink
and a dandy little leap of the eyebrow, continued along the corridor,
peering over her shoulder once to cast a satisfied grin back at the
stupefied dope caught in the dappled wildflower-light that shimmered
in her scandalous wake.
Winston sat down at his desk, the chair all a-quiver. He held the
Dictaphone up to his mouth without any clear idea of what he was
intending to do with it. He cast Tilly Tillotson an unreciprocated nod.
Fortunately, the rectification before him was a routine job, the
alteration of some dubious advice caused by the glitch, but which
required nothing particularly taxing.
It not possible to know whether universe, with countless galaxy, star, and
planet, has deeper meaning or not meaning at all, but at very least, clear that
human who live on face of earth face big task of making happy life for selves,
otherwise no point life, no point death, no point carry on, no point nothing—all
rubbish, all death, all pointless exhaustion no purpose—must all give up. Give
up now.
While amending the gloomy misfortune, he considered the strange
manner in which the girl had made her introduction. Was it a political
message of some sort? An intervention? It could be an invitation to a
sponsored starvation day, or to sleep rough for a night, or to hike,
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 143
jog, hop, sprint or hold his breath for as long as he could—some
charity honey trap that would come to an expensively sticky end.
Maybe it was a message from an underground organisation—some
new fad for vintage agitprop revival lifted from the distant past—or
perhaps the ill-tempered precaristocrats in the winery had got to her
and were now demanding an apology for his intrusion—perhaps the
old man had sobered up and was seeking vinous remuneration.
Perhaps the girl was part of it, perhaps she was related to the old
man in the bar?
No doubt the idea was absurd, but it came to mind quite easily—
and yet proved nothing. The idea of a dissident conspiracy persisted,
and his heart quavered against glockenspiel ribs, and it was with
much difficulty that he kept his voice from trembling noticeably and
even rising in pitch as he narrated the modified rectification into the
Dictaphone:
It not possible to know what deep meaning behind universe, with countless
beautiful galaxy, beautiful star and beautiful planet—but at very least, clear
that human who live on face of earth face big task of making happy life for
ourselves, for our children, for our fauna and flora, for our future, for our
beautiful Earth.
He posted the revised fortune into the pneumatic tube, for the
compressed air to raise the dispatch up to the attic overseers. He
saw that only eight minutes had passed. Readjusting his glasses, he
drew the next fortune toward him and pummelled it, his arm still
tingling with the girl’s unseen words. The fortune he extracted from
the debris of crumbs this time was almost as nonsensical as the
preceding one:
If secret admirer too shy to speak you direct, most natural to distrust. As
human being, distrust is part of mind. Irritation also part of mind. Happiness
come and go, but anger stay in mind. If secret admirer create lot of mind
suspicion, lot of mind distrust, lot of negative mind things, more worry for mind
—must say, never mind!
Winston could wait no more, and slipping his blouse sleeve up just
enough to uncover the brazen red scrawl, gazed at the words she
had penned upon his very flesh:
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 144
JE VEUX TE BAISER
For several seconds he was too stunned even to sweep the crumbs
into the hole with his knuckles, or to nudge the paper scraps into Mr
Tooth-Fairy with the side of a hand. He peeled back his sleeve to
read the phrase once more, and again, and once more for luck—just
to make sure that the four words were really there, and in the order
he had read them.
For the rest of the morning it was very difficult to rectify clearly
without every so often peeking at his sassy arm. Lunch in the eatery
was torment, and led mostly to intermittent bouts of reflux and
indigestion, exacerbated by Tomioka’s uninterrupted exegesis
regarding the preparations for the upcoming Compassion Parade.
She was particularly insistent on imparting her plans for an animated
papier-mâché sculpture of Goldstein’s head, some ten metres wide
and fifteen metres tall, painted in vivid colour with schematic gloss
paint, designed to be moored on a flatbed lorry at the head of the
procession which his daughter’s local troupe of the Youth
Neighbourhoodie Watch had helped decorate.
Winston could hardly concentrate on the conversation in hand, and
asked for the odd remark to be repeated, but without ever gaining
purchase on the overall sense—since he had one eye glued to the
elevator, watching the dribs and drabs dribbling and drabbing in and
out.
The girl did eventually appear, joining the queue and making her
selection from the delicatessen. She found two of her confidantes
already perched at a table—sipping pea soup, no doubt—and
gossiping like peas in a pod. Despite the odd furtive glance cast in
his direction from the soup-sipping intimates, the girl maintained a
cool and unflinching diffidence—and so Winston was forced to lower
his eyes and even curb his peripheral vision.
Thankfully, the afternoon was more bearable, since immediately
after lunch a batch of misfortunes came to Winston through the
chute, requiring all other thoughts be put aside. Three unrelated
citizens, with nothing more in common than a susceptibility to fate,
had been driven to self-ruin. For the afternoon Winston was relieved
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 145
of intermittent bouts of reflux and indigestion, and could for a while
shut the girl out of his mind as he grappled with each of the
murderous missives:
Whether rich, poor, educated white, white trash or illiterate black, religious
brown or non-believing circumcised flesh of straining purple member, stale
jism spurting into heaving loin, yoga-master growling, must bury tongue in shit,
dip in shit, dip-shit, must shun family, must shun loved ones, must suffer loss,
must lose all hope—
But the lovely sweet, handsome and wise face kept wandering back
into his mind, her well-being and wellness shining forth, inspiring
Winston to rectify the second half of the fifth misfortune first:
Whether one is rich or poor or educated or illiterate or religious or nonbelieving, black, white, brown, green, yellow, pink, orange—are all same of
human rainbow. Physically, emotionally, and mentally, must all equal. Must all
share basic need for food, shelter, safety, and love. Must all aspire to
happiness and must all shun suffering—
Somewhere in the midst of Winston’s gruelling humanitarian toil, it
dawned upon him that he was expected to attend a private view that
evening. He had been personally invited—his fate sealed by word of
mouth. And despite all of the fatal dangers, the site-specific tortured
artist, the tortured audience, the pantomime of torturous
compliments, the tortuous critique, the redemptive Merlot, the
squirming nerves during the esoteric purgation—he wondered if he
should ask the girl to accompany him. And with the thought in mind
of holding hands at an avant-garde art exhibition full of blood and
guts, he attended to the next sanguinary misfortune with renewed
vigour, setting about it with pen and Dictaphone:
—must more worries, more fears, all religion, ethnicity, culture, and language
make no difference to tarantula love-nest. Best drown in filth, best deserve to
drown in gurgle-shit-sewerage, last breath say, so sorry—very last air bubble
up to surface. Plop. Plop. Plop.
Most sorry.
The thought of the red marker JE VEUX TE BAISER took hold once
more, and a desire for something quite abstract welled up in him. It
filled him, bubbling up, plop, plop, plop, fizzing, growing, expanding
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 146
into every fold and extremity—like the hand that so perfectly fits a
glove puppet—but he was bound to carry on with the essential
rectifications, for fear that the glitch might skewer more innocent
cookie-crumblers:
Each of us has hope, worry, fear, and dreams. Each of us want best for our
family and loved ones. Must all experience pain when suffer loss and joy when
achieve what we seek. On fundamental level, must religion, ethnicity, culture,
and language make no difference. All same. All happy.
It was twenty-three hours when Winston returned from the private
view and put to bed, grizzled by a marathon of rictus grinning,
handshakes, and assiduous compliments. He had failed in his
mission to invite her and had gone alone, but now in the darkness he
gathered his thoughts, which drifted easily toward the girl of his
dreams. But his soft passage into her arms was rudely interrupted by
visions of him hitting her with a handy cobblestone, or with the coral
antique, and burying her under the hurry-scurry playgrounds
sprinkled with freshest pine wood-chip. In the midst of this violent
imagery, he saw her innocent words scrawled in red on his arm, and
knew that his poetry had never been under threat, and as he sobbed
into the warm dark sudor of his pillow, he knew also that his
murderous thoughts were a blameless consequence of his
prolonged exposure to the vile misfortunes, which were taking their
toll on his capacity to receive true affection. He returned deliberately
to thoughts of her supine body, naked as always, the same body he
had summoned to touch so many times in his dreams. What he
feared now was that she might change her mind or lose interest if he
did not reciprocate her advances swiftly. But the kooky manner of
her introduction led him to assume that conventional communication
was not her thing. A letter or cold call was out of the question, not
least because he was yet to ascertain her name and had no access
to her home telephone number, but also because such gestures
were far too conventional. He knew that she frequented the
Romantic Friction Department, but had no idea of her position, or the
department’s physical layout, nor did he have any cause to go there.
The only likely place of interception was the eatery. If he could get
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 147
her at a table all by herself, just him and her, and with a sufficient
level of ambient chatter all around—under these stringent conditions
it might just be possible to manage a few words.
The very next day, she appeared from the eatery elevator just as
he was entering, passing him by without even a furtive backward
glance, without blowing a kiss or even winking. The day after that
she was already present, already seated, but cocooned in an
imperious coterie, any deflection outward from the horde prevented
by a ricochet of controlled glances. Then, for some dreadful cluster
of numberless, nameless, faceless days, she did not appear at all,
and Winston was afflicted by an unbearable sensitivity to the vile
ding of the elevator as the insinuating arrow-pointer made its arc
from one end of the glowing human rainbow to the other, without the
pot of gold ever appearing, no girl, nothing but the incessant dribs
and drabs. Every sight and sound jangled in tender excruciation, and
pained him to the very tips of his raw nerve tendrils. Even in sleep he
could not escape the suffering brought upon him by her truancy. He
did not disturb his My Big Book of Me during those days.
Finally, though, on another such day when he faithfully ensured
that he was early to arrive and late to leave, she arrived and sat
down to eat—but this time quite alone. Winston edged onto the
same table, near to her, but did not dare look in her direction, instead
unpacking his tray of chargrilled vegetable couscous, salsa salad
and the standard fortune cookie, without looking up. It was important
to say something before anyone else came, before the cabal
descended—but now a terrible fear had taken hold. More than a
week had passed since she had written on his arm. She might have
changed her mind; might have forgotten about him, found someone
else, renounced all human contact, taken a vow of celibacy—or
slipped into some otherworldly mode of existence where she was
emotionally numb, disinterested, vacant, or just plain old busy. He
might have flinched altogether from speaking if at this moment had
he not seen Ampleforth, the hairy big-eared forgetful owl-poet,
floating about, circling with a tray laden with a book, a wrap and a
smoothie, looking for a safe place to settle, to consume his victuals
and read. Ampleforth had an affinity and affection for Winston,
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 148
persisting in his suspicion that Winston was a fellow poet despite
having no evidence—a presumption that understandably enraged
Winston. Ampleforth would certainly set down at his table if he
caught sight of him, locking on with his owl’s tractor beam, swooping
down, forgoing his book to chat instead. There was perhaps only a
minute in which to act. But she was already smiling at him, already
endeavouring to catch his eye. She had interrupted her spooning of
pea and mint soup to move to the chair directly opposite him and
lean forwards, trying to catch Winston’s now obeisant eyes, urging
him with little nods and a coaxing twinkle. She even reached over
the table with her fingers splayed out flat, to dovetail them with his
own, and to interrupt his lowered eye line with her lowered eye line.
‘What time do you leave the Ministry usually?’ she said. Straight in.
Just like that. No holds barred. The absolute opposite of pious,
serene, otherworldly, eerie, numb, disinterested….
‘When I’m too exhausted to rectify,’ he replied.
‘Would you be too exhausted to meet me after you’re too
exhausted to rectify tonight?
‘No.’
‘So shall we meet in Harmony Square—next to the monument?’
Winston nodded and was compelled to offer a few wise words:
‘Kindness and compassion give rise to much best lasting joy.’
Having spotted Winston, Ampleforth came swooping in with a flurry
of salutations. The girl see-sawed to her feet and, as if eager to
protect the currency of her gossamer transience, like a leveret
disturbed by the shadow of some bird of prey, snatched her standard
fortune cookie and pranced away on the lightest of tiptoes with a
kooky over-the-shoulder blow of a kiss and a wink for her gasping
date.
Winston was in Harmony Square nice and early, circling the base of
the Harmony monument, round and round, all giddy, craning up at its
fluted column that tapered up into the dark sky, the omniscient
smiley face atop it, illuminated and turning slowly on its orbital axis
like a lighthouse beam. Its kindly eyes looked out beyond the
immediate tranquility of civilised lands, peering into the distant
chaos, into a faraway world blighted by the chance misfortunes of an
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 149
inclement sun, where religious practices prohibited escape from the
land of famine and pestilence, as though seasonal cataclysms were
suffered in kind, to the glory of an intemperate God….
More to the point, Winston noticed the girl from the Romantic
Friction Department standing up on a small wall, waving at him
vigorously. He began towards her, weaving off-balance since he was
still dizzy, but making sure to wave back and to smile, giddy and
lopsided as he was. Just as his balance came back to him and he
was making good progress, great waves of people began pouring
into the square from all directions, spilling in, and he found himself
carried backwards in a tide of excited faces moving en masse across
the square to the principal boulevard that bisected it from east to
west and west to east. The girl plunged from her ledge into the
current, and was able to catch up with Winston before he had been
carried past. She was laughing at the expression of panic on his
stricken face, calling out, beckoning him to follow. He swam as hard
as he could, faking breast stroke with doggy paddle at best, gleaning
from the noise of the tide that the Compassion Parade was on its
way and almost upon the square. She trailed her hand behind her for
him to follow, and he followed. She was laughing and gesturing out
in front, pointing at Emmanuelle Goldstein’s great big gloss pink
papier-mâché head as it came into sight, the grotesque nodding
capitulum wobbling through the Great Harmony Arch as if the
ancient stone in its apex had been especially scooped out to fit the
shape of Goldstein’s cranium snugly. The sound of a thousand
cheers rose to giddy heights and explosions of tiny pieces of
coloured paper littered the sky, falling only to be caught by grabby
hands which proceeded to unfurl their simple fortunes, many
composed by the stricken Winston, who meanwhile was trying to
keep his own head above the swell. Goldstein’s huge encephalitic
head was spinning around on its axis, the gaping mechanical maw
chattering forth its deafening mantra.
‘Death … Drought … Famine … Misery … Hopelessness … is this
a
world we would wish for or accept? Is it right for these beautiful,
blameless foreign children to suffer whilst our own young drink
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 150
freshest almond milk, eat fresh tofu and are freely hot housed? Act
now before it is too late! Too late! Too late!’
‘Too late! Too late! Too late!’ The crowd chanted delightedly.
Goldstein’s words boomed loudly about the square, glancing off
proud statues and emancipatory memorials, lapping against those
ancient concavities and recesses that are the vulgar musical
instrument of history’s droning persistence. As her absurd noggin
span upon its axis of charity, Winston felt even more giddy. The
parade swelled in a sea of smiley-faced flags that waved it on and
on. A cavalcade of thematic vehicles followed, each elaborated upon
the rudimentary substructure of the milk float hidden beneath. A lurid
facsimile army truck painted with bright bedazzling anti-camouflage
carried delirious child soldiers wearing bullet belts packed with felt-tip
pens, loosing off volleys of fireworks and tinsel bombs lobbed up into
the air by archaic war mortars turned to peaceful purpose. Another
float glided by, populated by a living vignette of starving people
incapacitated by poverty, groaning, broadcasting their amplified hum
of disease, plastic flies liberally stuck all over their faces, yet unable
to suppress furtive healthy smiles which periodically broke through
the miserable make-up of the charitable mummers, betraying their
childish excitement in face of a cheering happy-cum-sad audience.
‘Too late! Too late! Too late!’
The girl was now firmly pressed against him, her cheek next to his.
She tugged at Winston’s arm as yet another flotilla of parachuting
fortune-cookie pastries rained down from the sky, delivered by a
circling Neighbourhood Watch helicopter.
‘Can you hear me?’ she yelled.
‘Yes I can!’ he yelled back.
‘Can you come out to play on Sunday?’
‘Yes, yes I can!’
‘Then listen carefully. You must remember this. Go to the train
station at—’. And with astonishing precision she outlined the route
that he was to follow. A half-hour railway journey; turn left outside the
station; two kilometres along the road; a gate with the top bar
missing; a path across a field; a grass-grown lane; a track between
bushes; a dead tree with moss on it.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 151
‘Can you remember all that?’ she laughed.
‘Yes…but why must I remember all of that?’
‘Just do it! For me! You turn left, then right, then left again. And the
gate’s got no top bar.’
‘No top bar.’
‘Are you sure you can remember all of that?’
‘Happiness of childhood effect calm to child’s fear plus healthy
development of—’
‘Oh look! Look at Goldstein’s crazy head—there’s something
wrong!’ The parade floats were still gliding past with their
resplendent displays, the people still insatiably cheering and waving
their smiley flags. Goldstein’s head was spinning—and so was
Winston’s—as the parade moved forwards slowly. Puffs of multicoloured sweets had begun to spit from Goldstein’s automated
mouth with each word uttered: ‘Death … Drought … Famine …
Misery … Hopelessness … Plastic … Polystyrene … Death … Death
… Death…’
‘Too late! Too late! Too late!’
Children from the Youth Neighbourhoodie Watch troupe were
released on cue, rushing forward to gather up the rainbow candy,
catching the sweets in mid-air if they were able, otherwise raking
them up from the asphalt, stuffing them into their pockets and
canvas satchels. But as the waves of excited youths snatched and
grabbed for the confectionery, some were overwhelmed by a
dangerous compulsion to run in front of the lorry in order to rescue
those sweets that would otherwise be lost to the vehicle’s wheels.
The driver was forced to swerve to miss them, and the acute angle
of his emergency deviation caused the top-heavy vehicle to tip over
so that Goldstein’s head, only loosely mounted on the flatbed, tilted
over on its axis, the mouth yawning open so wide that parts of the
automaton’s machinery—the many gears, cogs and springs that
animated Goldstein’s lower jaw, her eyes, and the rotating
mechanism of the neck—began to tumble from her mouth, toppling
and spewing out onto the road. At first the children deftly avoided the
clanging cast-iron components, deploying skills learnt in rustic
playground games that involved stepping in and out of grids marked
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 152
out on the ground, until the huge papier-mâché head toppled beyond
the point of no return, and the giant’s bonce was felled once and for
all, groaning all the way over, severed from its mooring, to fall heavily
onto the horde of greedy hopscotching children.
‘Too late! Too late! Too late!’
It was just then that Winston noticed among the squealing little
piggy-wiggies being crushed—bones broken, rib cages flat-packed—
the gentle face of Gilbert, peering out at him, his neck, head and
eyes all snap, crackle and pop.
Presently the waving smiley-faced flags fell flaccid and the
chanting stopped. The cheers turned to screams and cries—and any
that could help, did so out of simple charity. It was the very least they
could do.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 153
Chapter II
Winston picked his way up the lane through gently stippled light and
softly dappled shade, stepping out into pools sunk in a glistering gold
wherever the boughs parted. Beneath the trees, the ground was a
mist of bluebells. The warm air kissed his skin, and from deep in the
heart of the thicket came the hypnotising drone of ringdoves. He was
early, since the journey had been without complication other than the
train being laden with expeditionary precaristocrats, fussing over a
faded memory of first-class segregation. They were all impeccably
dressed, their clothes tarnished nonetheless by the unhealthy green
with which they were uniformly tinged. They carried with them all that
they owned in this world, on their way to the next, their many leather
suitcases bursting with ornamental silverware or moth-eaten wads of
obsolete banknotes—the collision of present and past thrust forward
in horizontal motion, presumably in flight from some frustrated
debtor.
The lane widened at the footpath, with an even broader track
plunging between the bushes. He had no wristwatch, but knew it
could not yet be fifteen o’clock. The bluebells were so prolific
underfoot that it was impossible not to crush them with each step,
however delicately Winston stepped. He knelt down and began
picking, plucking them up one by one, then grabbing at them in
clumps by the fistful—at first simply to pass the time, but then also
out of a vague idea that he would like to present her with flowers
when she arrived.
He had assembled an impressive bouquet and was taking in their
faint nose when a sound came from behind, the crackle of tootsie
prevailing upon twiglet. He carried on with his conceit of witless
plucking as if he had not noticed her approaching, adding another
and another to the bunch, and then suddenly sprang around to
surprise her. She merely laughed at him, and he laughed at her
laughing at him. She parted the thick bush and, beckoning, led the
way along the track, back into the wood. Winston followed her
trailing hand once more, reaching out to her, his other hand still
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 154
clasping the pretty nosegay. His first feeling had been relief that she
came, followed by simple nerves, and then, as he watched the
strong slender body in the denim dungarees moving confidently
before him, the full load of impotent masculine inferiority weighed
limply upon him. Even now it seemed quite likely that when she
turned around and looked at him in the flecked light she might draw
back, realising her simple but grave error. Even the sweetness of the
air and the greenness of the leaves daunted him. The walk from the
station in the sunshine had made him feel a little etiolated, this rare
creature of the dark caught out in the open, misery still skulking deep
in the pores of his lovingly pampered yet sedentary skin.
Soon they came to the fallen tree she had spoken of in the square.
She hopped over and forced apart the lush foliage on the other side,
in which there did not seem to be an opening, yet once through he
found himself inside a magical clearing, surrounded by tiered
saplings that could not have been better designed to enclose the
space completely.
‘Here we are,’ she said, matter of factly, but proud as Punch.
He was facing her at several paces’ distance and did not dare
move nearer.
‘I didn’t want to say anything in the lane,’ she went on, ‘lest we
disturbed the topi or birds or zebra or gazelle. Look.’
She teased the bush apart once more and Winston saw birds and
a gambolling antelope. He still had not the courage to approach her.
‘It is so very, very serene,’ he said, rather idiotically.
‘No one can see us in here. I love doing it in nature, don’t you? It
feels utterly harmonious, on the grass, in the leaves, on a bed of
moss, under the sky, with the birds and the bees—’
‘And the gazelle?’
‘Yes. And the topi antelope. Don’t you agree? About doing it in
nature, I mean?’
‘Yes I do. I really do. Doing it in nature makes me feel…at one.’
He managed to edge toward her. She stood before him, her smile
inviting him yet closer.
‘Would you believe,’ he said, ‘that till this very moment I did not
know the colour of your eyes?’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 155
‘Really?’ she said, widening them with her fingers for him to see
more clearly.
The next moment she was lost in his arms, and time seemed to
stand still. He was taken by feelings of sheer incredulity that this
unknown body was strained against his own without protest, the
mass of dark nonconformist hair against his diurnally pampered
cheek. He turned his kindly face up to hers, gaping for her hovering
cerise mouth. He clasped his arms about her neck, he was calling
her darling, precious one, babycakes. She had pushed him down to
the ground, to the grass, into the leaves, onto a bed of moss, under
the sky, and he could not resist even if he had wished to: she could
do whatever she liked with him, and there wasn’t a damned thing he
could do about it. But the truth was that he was also quite overcome
by a feeling of utmost uselessness, so much so that, there in the
midst of the clearing, in the flowering of their first bloom, he wilted
like flowers trodden underfoot. Noting his dwindling force, she
plucked herself up, pulled a pendulous bluebell out of her hair, and
sat against him, placing her arm around his heaving shoulders.
‘There, there! Never mind, sweet Winston. There’s no hurry. It’s
important that we feel utterly harmonious with each other, and with
ourselves, otherwise it would be degrading,’ she smiled, noting his
surprise at the utterance of his name.
‘Julia,’ she said simply. ‘My name is Julia.’
‘Hello, Julia.’
‘I’m curious, tell me, what did you think of me before that day I
wrote on your arm in red marker pen?’ She rolled up his sleeve, and,
feigning great disappointment, added, ‘Winston! I can’t believe you
washed it off! It was supposed to be permanent!’
‘Oh Julia! My patchouli and limeflower skin scrub is quite
merciless!’
‘Sweet Winston! I’m only teasing!’
Winston laughed and blushed, and was not at all tempted to tell
Julia lies, especially now.
‘I like the name Julia very much. Before that day I already thought
you were very sophisticated. I wanted to get to know you. After I
bumped into you outside that weird shop, I ended up in an eerie wine
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 156
bar talking to a strange old man who lied about the past. When you
marched up to me, took my arm, rolled up my sleeve and left your
mark on me—well, I can tell you that I was so very taken aback, but
also turned on, most naturally so, but mostly impressed and full of
natural admiration for the audacity of the gesture. I just sat at my
desk wondering what you’d written, and before I looked, it sort of
occurred to me that it might have been connected to the angry old
man in the bar, to the evening before—as if he knew you somehow,
and was sending a message. I don’t know why…I just put two and
two together….’
‘And made five!’ she laughed. ‘Silly billy!’
‘I was completely disarmed, I wasn’t thinking straight!’
‘I can’t believe you thought I was sent by some grumpy old
precaristocrat! Honestly!’ She made a choking sound. ‘I can’t help
despising those awful soap-dodgers—stuck in the past. I mean, I
know I should have sympathy for them—I do, as individuals, as
people, as human beings. But all they do is sit around blaming
everyone else—expecting us to support them! Lazy pigs! They won’t
even lift a finger to help themselves!’
Winston was taken aback by the sudden metallic callousness in
her voice. It wrongfooted him in his attempt to find a placatory
posture, but he continued, carefully.
‘You’re right. It’s true that the precaristocracy are stuck in the past.
And it’s also true that they’re still convinced their wealth was unfairly
taken, their land and estates confiscated, feudal fortunes stolen and
redistributed during the first phase of the Age of Great Consensus.
But the miracle of egalitarian liberal improvisational market
democracy has simply passed them by—and I can’t help feeling that
it’s not completely their fault. They seem stuck in another time,
another world.’
‘Not their fault? Really, Winston? Well, whose fault is it exactly? I
mean, they bemoan their apparent poverty, and do nothing to
contribute to the holistic well-being of all—and if their mythical
fortunes were magically restored, do you think they’d contribute even
a single penny to charity? To the diseased? To the famished? D’you
think they would give a damn about Goldstein? I mean, at all?’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 157
‘No. You’re right. They wouldn’t,’ said Winston, taken aback by
Julia’s illiberal turn, bewildered by the strange reversal that placed
him squarely at odds with his own disdain.
From the pocket of her dungarees, Julia produced a small bar of
chocolate, snapped it, and offered a conciliatory chunk. Winston was
glad of the gesture, but could not help noticing that it was not a
brand he trusted, and retracted his hand sharpish.
‘But Julia, that’s full fat milk chocolate!’
‘Yes Winston! How naughty, eh?’
‘But it’s…bad for you.’
‘I know.’
‘But it could lead to irritability…depression…tooth decay…
unwellness!’
‘But it’s so yummy!’
‘For god’s sake, Julia! That sort of chocolate is even toxic to dogs!’
‘Oh come on, Winston! Don’t you ever want to just let go? To let it
all hang out? Live dangerously?’
‘Who are you?’ he laughed, only half joking.
‘Where shall I start?’ said Julia, nonchalantly licking her fingers as
she earnestly took on Winston’s rhetorical question. ‘I had a perfectly
perfect childhood,’ she began, suddenly beaming as if she were a
child again. ‘With the most loving, utterly inspirational parents, the
most wonderful siblings a little sister could ever have, a beautiful
family home, a convivial neighbourhood, and the bestest best friend
a friend could ever have in a friend.’
Winston caught himself gaping, astonished at this free spirit so
happily allowing such a gushing curriculum vitae to spool from her
mouth so freely and without restraint.
‘When I was a little girl I was troupe leader for the Youth
Neighbourhoodie Watch—can you just imagine me in my little
uniform? Just the thought of it! I sailed through school, easy peasy,
did my gap year abroad teaching dowsing and water witching—I did
a post-grad in Obscurantist French Literature, a PhD on Object and
Gesture in Early French Female Writing, that’s how I ended up in
Romantic Friction, in the revision section. I do extemporary dance,
make ironic agit-prop stencil text-paintings cross-fertilised with
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 158
diagrammatic rune reliefs. I write incessantly, of course—Who
doesn’t?—sometimes in a diary, or a sketchbook, with fridge
magnets, in the sand, or on napkins, odd slips of paper, receipts,
envelopes—it just depends on where I am and how I feel about
where I am and who I’m with and what materials are to hand.
Y’know, serendipity plus spontaneity equals creativity. I play
experimental guitar badly—but that’s a good thing, right? I write
political love songs and sing ballads with a cute Scandinavian
accent…y’know, all the usual, normal, everyday, boring stuff! Just me
doing my thing!’
In the time it took Julia to deliver her short report, she had cleverly
conveyed her lips to within a whisker’s breadth of his.
‘But every now and then,’ she continued, ‘I eat unhealthy, full-fat,
hydrogenated, processed, factory, poor-people chocolate…
Mmmmm….’
Julia’s prehensile tongue deftly delivered an ingot of slippery warm
wet chocolate into Winston’s quivering mouth, and he received the
sickly sweet brown sludge into his body, gulping it down into the dark
place where ulcers form their weeping soft centres, vying with
diabetes and tumours and cancers and all the other abstract and
inharmonious grievances of an otherwise healthy body.
‘Plus, I love parties,’ she said. ‘I love having fun and I love doing
my bit for the planet. There! Me, myself and I, all rolled up in a
seething bundle of fun!’
They abandoned the clearing, walking on with arms around one
another’s waists whenever it was wide enough to walk two abreast.
Standing in the shade of hazel bushes, with the hot sunlight on their
faces filtering through innumerable leaves, Winston looked out into
the field beyond and was visited by a sense of déja vu. He
recognised the old, close-bitten pasture, with the footpath wandering
across it and molehills dot-to-dotting here and there. In the ragged
hedge on the opposite side the boughs of the elm trees swayed in
the breeze, and leaves stirred faintly. He imagined that somewhere
nearby was even a stream with warm pools where blowfish and
pipefish flopped languidly in the sun.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 159
‘Yes, there is,’ said Julia. ‘It’s at the edge of the next field. And
there are fish in it. Big ones. You can watch them wallowing beneath
the willow trees, nibbling the dipping leaves and waving their tails.’
‘It is the place in my dream,’ he murmured.
‘Your dream?’
‘It’s a landscape I often see…in a dream. I keep coming back to it.
It’s as if…’
‘Look!’ whispered Julia, disinterestedly. A black-throated coucal
had alighted on a bough not five metres away. Perhaps it had not
seen them. It was in the sun, they in the shade. It spread out its
wings, folded them carefully back into place again, ducked its head
as though offering supplication to the sun, and then began to pour
forth a torrent of song. The volume was startling. Winston and Julia
clung together, watching, gobsmacked. The music was of
astonishing variation, never repeating itself, as if the bird were
performing for them alone. Every so often it stopped, spread out and
resettled its wings, as if bowing—and Winston and Julia promptly
broke into applause, with Julia shouting ‘Encore! Encore!’ and the
bird swelling its glossed violet-blue breast and bursting into song
once more. For whom was the bird singing? What moved it to perch
at the edge of the lonely wood and pour its music into nothingness?
Winston stopped thinking with his head and allowed himself to feel
with his heart instead. He pulled Julia around so that they were
pressed up against each other once more. Her body seemed to melt
into his, and his into hers, like mouth-warmed full-fat chocolate. Their
lips pressed together, their tongues coiled like dolphins, like animals
in the world like water in water. They moved their faces apart only to
breathe, to catch air before plunging back into the fleshy abyss.
Finally Winston drew back, then placed his lips against her ear.
‘Let’s not make babies,’ he whispered. The bird took fright and fled
with a clatter of wings. ‘Not here.’
With a cacophonous crackle of twigs they stumbled back to the
clearing, forcing a brand new entrance through the gorse. Inside, she
turned and faced him, bloodied and scratched by thorn. Their chests
were both heaving, but a smile lifted the corners of her mouth as she
lifted off the straps of her dungarees. They soon became a blur of
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 160
buttons and zips, beads, sandal buckles, rainbow socks and poppers
—a mutually frantic undressing, a magnificent gesture of undoing by
which whole civilisations might be undone. Her sweat gleamed in the
sun. He knelt before her, taking her hands in his.
‘Have you done this before?’
‘Of course I have! Many times. Why?’
‘And at parties? At Ministry of Love parties?’
‘I don’t know! Yes! No! Maybe? I honestly don’t remember any
Ministry of Love parties, none in particular! Why are you even
asking? Winston, you’re ruining the moment!’
His heart leapt. She had done it hundreds and thousands of times
—he hoped it was tens of thousands of times—tens of millions of
times, a million trillion times. He applauded her populist laissez-faire
attitude to sexual freedom, and hoped that in the process of her
impressive libidinal mobilisation she had infected the whole world
with gonorrhoea, chlamydia or syphilis or some other virulent
disease that might eventually catch on and wipe out humanity in one
ultimate diseased orgasm. Oh, how deliriously glad he would be if
that were the case! He would happily offer himself up for infection! In
fact, he was already sick—sick and tired of the survival of the fittest
(or the weakest); sick and tired of safety in numbers and the comfort
of strangers! He pulled Julia down so that they were kneeling faceto-face, eye-to-eye, locked together as one.
‘Listen. The more men and women you’ve done it with, the more I
could love you. Do you understand that?’
‘Yes, sure…I guess.’
‘You see, I despise optimism and optimists of all shades and
colours—I despise them all equally. Optimism is the scourge of the
earth. If we insist on invoking nature as the constant against which
all things, all deviations, all perversions are measured, then virtue
deserves no place upon the surface of the planet. It would be more
natural if everyone was corrupt to the core—rotten to the bones.’
‘Oh, don’t worry Winston, I’m thoroughly corrupt to the marrow!’
she leered.
‘So you like doing all this?’ pressed Winston.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 161
‘Ooooh, yes, I like doing this very much,’ she replied, licking her
lips.
‘I don’t mean just this this, the here and now this: I mean doing this
for no other purpose than for itself. Not for self-fulfilment, not for
emotional empathy, neither self-love nor self-discovery, nor cosmic
intimacy, and certainly not for cosmopolitan progress….’
‘Winston, how many times do I have to tell you? I simply love
fucking for fucking’s sake—fucking makes you free.’
Winston slumped back, the cobblestone and ornamental coral
device hovering before his mind’s eye.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 162
Chapter III
‘I’m afraid I’m gonna have to love ya and leave ya!’ said Julia, pulling
Winston up onto his feet. ‘Adieu! À la prochain!’ She flung herself
violently into his arms and kissed him vigorously all over his face,
neck and chest.
Before Winston had a chance to reciprocate, the amorous frenzy
was interrupted as abruptly as it had begun, as she shrugged off his
belated and clumsy attempt to join in the cuddle and stepped back a
few paces to observe the lingering effects of her passion upon her
ravaged lover. Winston froze, fixed in the shape in which she had left
him, caught in a statuesque pose, unsure how best to weather her
withering gaze, and how long it would be before he could melt into a
more natural posture. He could effect a smouldering frown and
pensive pout, but without anything to lean against casually, it was a
rather homeless gesture. Instead he elected to slip one of his two
hands into a pocket, but before he could even inch a fingertip inside
Julia had already reversed backward through the rough breach in the
bush and taken leave of her audience with a simple wave, her hand
the last he saw of her before she disappeared completely into the
green womb, backstage as it were, leaving only the faint murmur of a
kooky leitmotif buffeting on the broken-staved breeze—Joan Baez or
Joni Mitchell, Joan Jett or Joan Armatrading, it was difficult to tell.
Winston waited for Julia’s carefree melody to fade completely
before he relaxed both frown and pout, and only then unplucked the
bluebells from his hair.
Despite the happiness of this occasion, the two never did manage
to return to the magical clearing. Instead they found the belfry of a
ruined church, and usually met up on a street corner, frequenting the
many bars and coffee houses that bustled with other couples
similarly occupying the evening. They walked and talked, hand in
hand, drifting along the crowded pavements, their dreamy reciprocal
gaze rarely interrupted. They maintained a curious, intermittent
conversation that maundered as much as they meandered. For
instance, they might be choked into silence by an approaching
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 163
couple similarly entangled by the same kooky symbiosis—then taken
up again minutes later, and smack bang in the middle of the next
sentence, abruptly cut short as they parted company—then picked
up without breaking step on the following evening after a day in the
Ministry. Julia fondly named it ‘conversational knitting’.
On one such evening, when the conversational threads were
braiding back together and Winston and Julia were whispering and
laughing their way along the street, a deafening roar suddenly
cleaved the earth beneath their very feet, the air was filled with a
dense mist and an asphyxiating scent—Mountain Dew, Lavender
Crush, or maybe Forest Fresh—and Winston awoke some moments
later to find himself crumpled on the ground with no recollection of
the exact olfactory assault or physical force that had put him there.
Through stinging eyes he saw Julia only an arm’s length away, her
face pressed into the dirt with the dead weight of her head. She was
staring at Winston, but with eyes wide open and vacant, as if caught
in a frozen blink. Soap foam crept from her mouth and oozing
nostrils in an exodus of bubbles, as though the aggregate population
of her vital pneuma was leaving her body in the form of billions of
little Julia monads exiled from the motherland.
He clasped her head and softly sucked the teeming detergent from
her mouth and oozing nose, gagging on the bitter soap as he drew it
out. As hordes of caring folk came rushing over to help, the fallen
couple were encircled by a searchlight beaming from above—suffice
to say, the filthy precaristocrats were nowhere to be seen, remaining
hidden in their hovels. Winston waved up at the bright light whilst
administering cardiopulmonary resuscitation, signalling in between
each mouth-to-mouth contact for the Neighbourhood Watch
helicopter to attend to those in greater need. Before it lifted away, a
box of fresh balsam Kleenex tissues was dispatched by parachute,
and Winston, plucking them from the air, used them to dab at Julia’s
scented vomit.
‘Lavender Crush,’ she groaned, sitting up.
Winston’s week was as happily weary as Julia’s weekly weary.
Their days differed according to various demands and at times they
did not coincide. Julia seldom had an evening completely free, since
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 164
she spent much of her time attending sisterhood lectures, bias
awareness courses, coterie conferences and wellness seminars.
When the opportunity did arise, Julia compelled Winston to mortgage
his free evenings and help with the public collection of money for the
most urgent appeal, Goldstein’s Crushed Children Charity. Otherwise
they would meet in cafes or in the ruined church tower, meetings at
which the sporadic gaps in their otherwise fragmentary conversation
were soon spanned as in a jolly dot-to-dot.
One blazing afternoon, when the air in the little square chamber set
above the dormant bells was stagnant with the simmering redolence
of pigeon guano, the two lovebirds nestled on the dusty twig and
feather-littered floor, lost in chitchat, one of them rising from time to
time to sip fresh air through the stone-faced arrow slits and deliver it
to the other in a lingering kiss. In the moments between their
resuscitative embraces, Julia explained how happy she was with her
lot, and how she especially relished her time in the Ministry’s
Romantic Friction Department. Winston was genuinely interested
and prompted her to explain what exactly it was that she did there.
Her area of specialisation was the forensic extrication of the female
sublime from the hubris of the male gaze, she explained—although
she was presently engaged in smoothing out the unnecessary
friction associated with much early feminist writing so that it was
easier to read, plus a little less vengeful, plus a little more userfriendly—that is to say, more palatable to a consensual sensibility
and less mean to men, bless them. Julia told of how she had
succesfully smoothed out Shulamith Firestone’s brimstone and
Valerie Solanas’s solar rage so that both were a little more upbeat
and a little less Mills and Doom. Thus it was her especial task to
bring illiberal and all-too fractious writing into the bosom of popular
orthodoxy, especially those works of literature relegated to the
margins and once despairingly referred to as man-hating extremist
feminist issue-based agitprop.
As Julia so succinctly put it: ‘In with love, out with hate.’
On blazing afternoons such as these, with the air stifling in the
belfry, Winston draped himself lazily over Julia’s thigh, gently cooing
for attention. He begged her to whisper sweet nothings into his
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 165
timorous shell-like—and she always joyfully obliged, rewarding his
docility with the punctilious details of her daily counterfactual
percolations, the revisionist bias she assiduously applied, like a blind
algorithm, to human history, so as to yield a readjusted present, a
perpetual new dawn with no further need for revenge or bloodletting. Somehow, though, Julia was capable of miraculously
transforming the laborious travails of her daily revisions into
something simultaneously seductive and emboldening. Despite the
exacting nature of all of those scholastic essays varnished by upbeat
sleevenotes, Julia’s extrication of the female sublime from the hubris
of the male gaze was always utterly engrossing, since the intent was
always a ‘democratisation of all values’, but more often than not the
masters were soon enslaved by masterful slaves and the slaves thus
enslaved by the scourge of mastery.
In particular, Winston’s tremulous ear would wax and wane as
Julia’s warm whisper tempered his tympanic membrane, telling how,
once upon a time, long before the Age of Great Consensus was
curated into being, a pernicious industry emerged among men,
solely dedicated to the subjugation of women, an industry formed by
the permutational coupling of organs, a Fordist open sewer of human
genital vivisection splayed out beneath merciless cold eyes. She
explained how, in the consumerist age, a repertoire of formally
mannered poses came to embody sex, and copulating fleshmachines were composed in endless manufacture, armies of
employees engaged in the great rictus ritual of human expenditure,
the old in-out enacted with the machinic stamina of athletes coupled
to the deviant imaginations of frail, remote spectators. The means of
production was flesh, and the product was male orgasm. Semen was
the profligate by-product which went entirely to waste, in a grand
explosive renunciation of male reproductive biology, to the detriment
of female progenitory servitude.
Sometimes, motivated by simple curiosity, Julia gave instructions
for Winston to act out in the cramped belfry. She herself might
demonstrate the lost art of the cumshot, or ripple through an
exhaustive repertoire of agonised facial contortions juxtaposed with
ecstatic groans and many carnal curses. During these moments
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 166
Winston was moved to tears, touched by the authentic power of
Julia’s voluptuary reenactments, impossible as it was to tell—as it
had once been in those far-off days, she said—whether or not she
was ‘faking it’.
In any case, Winston happily indulged Julia’s predilection for
sexual pantomime, and she in turn entertained his inclinations.
‘But why always from behind? Why all this sodomy, Winston?,’ she
would ask now and then.
‘I don’t know Julia. I think I’m attracted to the proposition of sex
without even a hint of procreation. I rather enjoy the thought of
copulation without even the possibility of further life.’
‘But sex has nothing to with reproduction!’
‘Nope! Not any more!’
Winston would shrug and ruminate and heave and pant and
cogitate by way of explication, often repeating his confessional
exegesis as they progressed to synchronised orgasm.
‘This may be of some interest to you Julia. Apparently there was
once a mediaeval cult called the Bogomils—uh…uh…from which the
term “buggery” reputedly derives—they conceived in sodomy an
image of the end of days—uh…uh…uh…a vision of the end of
humanity—uh…uh…uh…uh…they conceived the heretical sexual
act as one of seedless extinction, of terminal rapture, the sum of all
petits morts adding up to the erasure of an irredeemable sin-ridden
Homo sapiens.’
‘Oh I don’t believe a word of what you’re saying, but all this
homoerotic hubris is just so adorable! I mean, I’d love to read your
poetry—uh…uh…uh…revise it a little for the female sensibility. I
imagine it’s so damn—uh…uh…uh…poignant, so bloody—uh…uh…
uh…harder, Winston…male, so archaic…so fossilised…just so
dead.’
‘You know about my poetry?’ Winston stopped dead.
Rendered quite luminous in the soft shafts of light sliding in through
the slim arrow slits, Julia’s face had become otherworldly, an
uncanny mask with untimely eyes fluttering in shadowy sockets. And
as the leaden eyes tilted back like those of a Victorian doll, she
mewled:
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 167
‘Uh…Uh…Uh…Oh God! I’m coming!’
During Julia’s postindustrial-era orgasm, Winston abandoned
himself to serene inner contemplation while she quivered and
coloured the air with many disgusting and misandrist words. He
thought about those fortunate generations that had grown up in the
Age of Great Consensus, knowing nothing else, accepting the world
as it is, as something unalterable like the sky and the stars, the sea
and the moon, and the groaning tides, and the cursing wind, and the
flaring sun, and Julia’s revolutionary catharsis.
Some archaic remnant was urging him from the shadows of his
mind to beg her to marry him, but he knew she would mock him, and
so she should—shrug it off as the reactionary throwback he knew it
truly was. And he so wanted not to be the reactionary throwback he
knew he was.
‘What was she like, your connubial partner, your wife?’ said Julia,
now fully recovered from her pornological reverie.
‘Like all women, she was a nigger.’
‘A what?’
‘A nigger. A nigger of the world. You know…a slave…just like the
song says…’
‘The song?’ Julia’s face was granite. ‘Which song is that, Winston?’
‘You know—you must know! Of course you do! Recorded in 1972
by the revolutionary visionaries John Lennon and Yoko Ono!’
‘Why don’t you sing it for me?’
‘Pardon?’
‘Sing it for me.’
‘But I…’
‘SING IT.’
So Winston began to sing with a slight nasal drawl, to imitate as
best he could the revolutionary visionary John Lennon: ‘Woman is
the Nigger of the World / Yes she is / Just think about it / Woman is
the nigger of the world / Yes she is / Think about it / Woman is the
nigger of the world / Think about it / Do something about it / We
make her paint her face and dance / If she won’t be a slave, we say
that she don’t love us / If she’s real, we say she’s trying to be a man /
While putting her down, we pretend that she’s above us…’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 168
Winston’s singing petered out, the melody sucked from his lungs,
their delicate tissue collapsed under the pressure of Julia’s withering
silence. He waited for her to speak, to say something, anything—to
scream at him or tear at his face. But nothing.
In the face of Julia’s excruciating deadpan, Winston’s dread only
deepened. Reserved for this very moment, Julia’s booby-trapped
anatomy belched into Winston’s arms with the violence of an
overdue autopsy.
‘Oh Winston, you’re just so adorable! But like all men, you’re an
incomplete female, a walking abortion, an emotional cripple! You
have a thousand years of male tyranny to make up for—with another
two thousand years of overdue apologies! Poor Winston! You
menfolk have more issues than a box of Kleenex!’
Winston laughed out loud, nervously at first, then profusely, and
subsequently began to wail and to weep openly. When he was
finished wailing and weeping he began to rejoice. He even tried to
explain why the song was so emancipatory, but Julia told him, quite
firmly, to stop—and handed him a Kleenex instead. Then, with a very
slight smirk, she asked him to better explain the story of his married
life. Curiously enough, Julia appeared to know the essential parts of
it already—in fact, she recounted his early connubial years back to
him before he could even begin—in perfect French, the language of
love not hate, and in the manner of a Romantic tragedy: ‘Il repense à
Katharine. Ça doit être neuf, dix, non, presque onze ans depuis
qu’ils se sont séparés. C’était curieux de voir à quel point il pensait
rarement à elle. Pendant des semaines, il était capable d’oublier qu’il
avait déjà été marié. Ils n’étaient ensemble que depuis une
quinzaine de mois. Katharine était une grande femme brune, très
droite, avec des mouvements splendides. Elle avait un visage
audacieux et aquilin, un visage que l’on pouvait à juste titre
considérer comme distingué. Très tôt dans sa vie conjugale, il avait
décidé—peut-être était-ce seulement qu’il la connaissait plus
intimement qu’il ne connaissait la plupart des gens—qu’elle avait
sans exception l’esprit le plus merveilleux, le plus charmant et le plus
vif qu’il ait jamais rencontré. Elle n’avait pas dans sa tête une
pensée qui n’était pas unique, et il n’y avait aucune idée ou idée,
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 169
absolument aucune, qu’elle n’était pas capable de considérer avec
calme si elle lui était présentée. Et il aurait accepté de vivre avec sa
vie de tous les jours, s’il n’y avait pas eu une seule chose, l’amour…
Faire des bébés?’
When she was done, Winston asked Julia how she knew all of
these details, and, more urgently, tried to glean what she knew about
his poetry. But Julia had become sad at the trauma of Winston’s
marriage, so he decided to cheer the poor thing up with a funny story
about Katherine that she perhaps didn’t already know.
Newly-weds Katherine and Winston had lost their way on a
romantic walk through the countryside. They found themselves at the
abrupt edge of a chalk quarry, a sheer drop of hundreds of metres
with many broken boulders at the bottom. As soon as Katherine
realised they were lost she became irritated, blaming Winston as she
typically did. She wanted them to retrace their steps, obstinately
insisting on returning exactly the same way they had come so as to
make a point, so as to rub it in, to rub Winston’s nose into the worn
path he had foolishly made them follow. But Winston took to calming
her, as he typically did, deflecting her attention toward some
loosestrife plants growing in the cracks of the cliff beneath them.
One tuft was of two colours, magenta and red-oxide, apparently
growing on the same root. He beckoned Katharine to come and see
the wonderful anomaly. She had already turned to leave—but with
Winston’s playful placations and a little tickling was persuaded back,
at first begrudgingly. Upon witnessing the great drop before them
she became quite giddy, lightheaded, possessed by a girlish joie de
vivre that seemed to compel her even closer to the edge. This
excitement on Katherine’s part caused Winston suddenly to stiffen,
to abandon his prevailing outdoorsy laissez-faire attitude to nature,
and to become all urgent and responsible. He transformed into a
version of Katherine’s daddy—seeing his overexcited little toddler
leaning out over the cliff face without fear to see where Pater had
been pointing, and beyond. Winston-daddy, staring helplessly at his
little one’s reckless abandon, was overcome by proxy vertigo and
became enraged by his fear, which compelled him to offer parental
advice, to tell the naughty little shrike not to lose her clumsy footing,
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 170
to stand back from the edge, and to issue impotent cautionary tales
about falling from some exaggerated height when he was a little boy
of her age, or even younger. As she didn’t seem to want to listen to
him, he stepped forwards and placed a firm hand on her shoulder so
as to steady her—
‘You thought about pushing her,’ said Julia with a gasp, a seeping
dread creeping into the ventriliqual slack on the inhale. ‘But you
didn’t, though—you kept Katherine from falling!’ The dread ebbed
away.
Winston tipped his face down at the dust, the feathers and twigs,
deserving only the bird shit impasto on the tarnished floor.
‘Because you’re a good man after all!’ she concluded, all cheerypops again—and rewarded him with the weight of her puppy head
rested upon her hero’s dependable shoulder.
She was young-ish, he thought, examining her scalp, and still
expected something of life, some kind of extraordinary unfolding, a
cheerful entitlement to things yet to come, still hoped for an elegant
meaning to eventually unfurl itself and bloom before her, to reveal
itself in the very instantiation of her existence, a conjugal union
between matter and good-natured beings driven by good causes.
Oh, this life! Wrenched into being only to inherit the consolation of
death! Winston was quite positive that the solar transmutation of
water, air and sunlight into cellular life was the only miracle poor
Julia was going to get. He was quite sure Julia had no especially
singular cosmic destiny in store for her, other than the workaday
impulse to forestall that inevitable moment of thermodynamic
equilibrium, the looming stasis against which all human chaos was
pitted. Death, the great fact of life, given freely and without salvation,
this secretion of ornamental silt, of solidified spittle, of stuff stacked
upon things, the history of gimcrack distractions, an ancient human
coral formation, a beautifully embellished baroque bridge titivated
with lavish affection, the fawning creeping ornamental dread that
spans the void between birth and finitude. Winston was certain that
Julia’s happiness was a local phenomenon, a blip in the ocean of
total expenditure, and that if universal serenity did lie somewhere in
the future for her, it was most likely long after her death. From the
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 171
very moment of declaring pitiless war on hopefulness, it was much
easier to think of yourself as a corpse—a reflex of blinking and
frowning and gasping out words, as death voices its energumen repossession.
‘We are the dead,’ he muttered, the words somehow escaping from
his tenuous inner gloom out into the humid air of the belfry.
‘We’re not dead yet!’ said Julia in an emphatic tone verging upon
panic. ‘I mean, why are you always so down on everything? Would
you prefer to fuck me or a maggoty old skeleton? Don’t you enjoy
being alive? Being crazy and alive? Breathing? Eating good
wholesome food? Don’t you, like, like, feeling? Like, this is me, this is
you, this is your hand, like, this is my leg, my thigh, my cunt. Look!
I’m real, I’m solid! I’m alive! You’re alive! We’re so alive! Here, don’t
you like this?’
Julia culminated her conjugation of the urgency of their visceral
vitality by shoving Winston’s hand roughly between her widened
legs, then twisting herself around and pressing her smooth mouth
roughly onto his, tangling her tongue roughly with his tongue, their
rough tongues tangled inside his mouth, her hand stuffed firmly
down his trousers, his hand stuffed firmly between her thighs.
‘Yes, I like that very much,’ he mumbled, tongue-tied.
‘Then stop all this crazy talk about dying and fuck me properly
before I die of boredom, you crazy old party-pooper!’
So they did it, right there in the pigeon dung and dust—two
devoted Bogomils yearning for the end of days. And like two lowly
animals, Winston badgered Julia’s hole and Julia pecked at
Winston’s filthy gutter with an impromptu fistful of bird bones, up in
the narrow arrow-slotted belfry of the ruined church, as the sun set
once more, a day closer to the end of fun.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 172
Chapter IV
Winston found Venus’s proprietor old man Charrington quite willing
to let the room above his antique sex shop, being thankful for the
extra income it would bring him. Nor did he pry when it was made
quite clear that Winston required the room for non-domestic reasons
—purposes not explicitly mentioned, nor to be disclosed.
Winston, in point of fact, was preparing a thought-space, a place of
contemplation where that-which-did-not-exist could be teased into
existence through the hyperstitional voice that sought its own
sovereign place and hurt through Winston’s new place, hurt and
voice. In any case, Charrington was happily compliant, wittering
nebulously with an air so delicate that it gave the impression he was
as ethereal in substance as his asthmatic whisper was in
intrapersonal carriage. Charrington was indeed an odd specimen, a
mismatch of shop-owner and dowdy precaristocrat—a caricature of a
parody, a travesty of a mockery, a weird dithering brume. He
appeared never to leave the premises, nor did he ever receive any
customers. He migrated between the shop proper and an adjoining
chamber where presumably he prepared his meals and laid his
head. The bedsit, for it was nothing more and nothing less, boasted
the meagre comforts of a single bed, stove, toilet and television. The
latter was a small portable black and white model with a rotating dial,
perched on a stool and with a coat hanger for its makeshift aerial.
Permanently tuned to the popular Big Brother show, its fine tuning
was slightly off, resulting in a scattering of peppered images and a
rustic hiss. When Charrington wasn’t out front inspecting the ranks of
dusty toys, he was out back, more often than not glued to Big
Brother, and anytime Winston was intercepted on the stairs, or hailed
from behind the counter, he found the shopkeeper most eager for the
opportunity to share a sort of disinterested gossip concerning the
show. It was apparent to Winston that, despite Charrington’s aloof
predisposition, Big Brother’s present cast of religious zealots
provided the meagre televisual flesh upon his lonely domestic bone.
When not gnawing tenaciously at the spectacle of the grizzled
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 173
housemates incarcerated in their communal unholy hell, he was to
be found wandering amongst his worthless stock of dust-tipped sextoys, an army of impotent surrogates amassed beneath a cloak of
grime—all standing to attention for Old General Charrington, with his
long nose and thick spectacles, slumped shoulders and piebald
velvet jacket, his murmured orders and lofty salutes.
On one occasion, Winston arrived at the shop to hear the television
blaring especially loudly. Charrington could not get to the thing quick
enough to hush it before Winston fully entered and presented himself
to the counter. The old man lurched back to the buffer, wheezing
heavily, television rendered inoffensive and tenant mollified. Winston
was thus obliged to reward his landlord’s unnecessary solicitude with
at least a cursory conversation.
‘That’s Big Brother on your television there, is it not?’
‘Yes…yes…yes it is,’ the old man’s words whispered as if along the
finest asthmatic filament.
‘What are they doing?’
‘They’re playing…a game, sir.’
‘A game? But they’re naked.’
‘Yes, they are…’
‘What game can they be playing naked?’
‘Cover Thy Neighbour. A rather spiteful bit of wordplay, under the
circumstances. But I think it rather makes its point. You see, it’s a
take on Twister, an old parlour game played before the…well…It’s a
game that was once quite popular, a rather long time ago.’
‘Why is it played naked?’
Charrington regarded Winston suspiciously before turning back into
the small antechamber, narrating his way into the room made
luminescent by the glow of the set. Captured in the flickering light
like some moth-eaten professor, he pointed at the screen with a
bony finger.
‘You see the rather large spotted mat on the floor here?’ He tapped
the glass screen with a fingernail. ‘Well, the contestants must first
spin a dial, and whichever colour fate sees fit to settle the pointer on,
they must occupy the corresponding colour patches on the floor with
parts of their body designated by the previous spin. That’s the
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 174
spinner just there. You see?’ He turned the volume up on the
television and adjusted the coat hanger. ‘It works rather well, since
the one thing that appears to unify religious zealots of all
persuasions is…well…their genital shame…. You see?’
‘And the balloons?’
‘A rather flimsy aid to conceal the contestants’ modesty.’
Charrington fell silent, allowing Winston to see and hear for
himself. The Twister mat was indeed host to a congregation of
cantilevered bodies, a rainbow of brightly coloured bulging balloons
the only safeguards against awkward inter-denominational frottage.
Where the odd accidental penetration occurred there came no
complaint, since any robust coupling merely reinforced the structural
integrity of the whole edifice.
Winston swiftly became absorbed, leaning on the counter,
compliant head propped in hands. He had never purposely watched
Big Brother before, but was now evidently gripped.
‘Sister Aaradhya, please be so kind as to move your leg around the
other side—no, the other other side.’
‘But Father Graham, that’s my arm, not my leg.’
‘Nevertheless, I can effect better coverage of your modesty and
mine if you entrust me with just a little more leeway.’
‘My trust is supple enough, Father Graham, but I fear my arm is
bound by rather more mundane forces.’
Sister Aaradhya and Father Graham’s anatomies were so
entangled that they could only move by the grace of a bilateral
release of certain muscles or a synchronised tightening of others. A
hand might reach through the tight flesh-knot of a thigh pinioned by a
knee, but only if the nook of a third party’s armpit was loosened so
as to allow a chin to achieve greater purchase elsewhere—and this
to permit a better balance for thigh, knee, armpit and chin, and thus
a more satisfactory stability for all. But the advantages won by such
negotiated poises were fortunate to last a few seconds before
seismic forces and weakened knees began to strain the very
foundations of the new consensus, all muscles quivering, shaking
and quaking, their spasms creasing up the mat, sweat pooling in the
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 175
creases, balloons creaking in fleshy crevices, and static-charged hair
standing on end.
‘For God’s sake, pull yourselves together!’ The terse reprimand
bubbled up from deep inside the tangled mass of compressed brains
and brawn, followed by a more serene platitude to quench the
profane rage: ‘There is no fortitude like patience, just as there is no
destructive emotion worse than hatred. Therefore, practice patience
and tolerance!’
‘Keep your hair on, Brother Liu Xiang!’ piped up another voice,
muffled by a thicket of hair and soft flesh, prompting churlish giggles
from the assembled congregation.
‘Whose turn is it to spin?’
‘I dare say the task should be mine, but I’m finding it nigh on
impossible to reach the spinner. Would someone be so kind as to
take my turn?’
‘I’ll do it,’ said Sister Aaradhya.
‘Are you sure, Sister Aaradhya?’ said the voice with muffled
concern.
‘Yes, yes!’ Sister Aaradhya’s inner resolve had already come into
its own, since she was by now upside down in full Sirsasana pose,
the crown of her head resting on the thin plastic mat, her body
perfectly upright, forming the central column about which all the
other cantilevered, coiling, twisting, buttressing and latticed bodies
were stoically maintaining their stability.
‘I think I can just about reach if…’
As if by some miracle, Aaradhya’s fingertips could be seen
burrowing out from the cellulitic load of a buttock of unknown
provenance, emerging like survivors from some obscene pink
avalanche. Father Graham could only look upon their mortal struggle
with a helpless gaze, first moved to tears at the sight of their toil
since the plastic spinner remained hopelessly out of reach, and then
suddenly afflicted by the comedy of their plight. His tearful sobs and
subdued laughter overlapped to produce something like a choking
spasm, and with each gulp, gag and stifled cough, the general threat
of an imminent crash-bang-wallop increased. Noticing the danger
presented by Father Graham’s inexorable mirth, Brother Liu Xiang
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 176
manoeuvred himself around Aaradhya’s totemic spur in an attempt
to support his fellow in faith, in the process coming face to face with
the hugely erect iridescent purple sausage balloon being employed
by Father Graham to obscure his own more modest endowment.
The inflated mass, rudely squeezed by crotch and thigh and
ballooning impressively, now pressed upon Brother Liu Xiang’s
Adam’s apple, modulating his voice into a deep-throated growl.
‘Your balloon, Father Graham! Your Balloon!’
‘When in Rome, Brother Liu Xiang! When in Rome!’
With a rippling of cartilage and gristle, the balloons, snagging on
naked flesh and goosebump, began to shriek and squeal, their
gossamer membranes inflating in surface area but simultaneously
becoming almost transparent. Father Graham continued to weep
with suppressed mirth.
‘I should like to remind everyone that protecting our personal
environment is not a luxury, but a simple matter of survival!’
As if to augment Brother Liu Xiang’s resonant sentiment, Father
Graham’s bulging sausage burst with a loud pop!, creating a sudden
vacuum, the void generated by its abrupt deflation bringing the whole
teetering stack of intertwined bodies toppling down onto the sweatsodden Twister mat.
Suddenly aware of his vacant gape and hypnotised slouch,
Winston adjusted himself, amending his expression and withdrawing
from the counter to stand upright once again. Taking his tenant’s
revised posture as a cue, Charrington hurried to silence the
television before returning to man his servile post at the antiquated
cash register.
‘I’ve never found Big Brother very entertaining before,’ said
Winston in a slight daze, and, glancing back at the tangle of bodies
on the box, added, ‘But tell me, how is the game won?’
Charrington once more regarded Winston with suspicion.
‘Won, sir? But surely it’s not about the winning—it’s about the
taking part.’
‘Indeed…indeed…’ Winston allowed the conversation to peter out
and edged toward the stairs, leaving Charrington alone with an
uncertain victory.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 177
Safely ensconced in the room above, Winston gazed through the
bamboo slats to see in the garden below an obstinately elegant lady
precaristocrat scumbled with the customary Martian tinge.
Embellished by an ill-fitting apron strapped about her sunken waist,
she was busy pruning a bush of clove pinks, snipping their pretty
heads off one by one as if sleepwalking. From somewhere deep in
her dream came a hurried whisper.
‘By change of place: Now conscience wakes despair / That
slumberd, wakes the bitter memorie / Of what he was, what is, and
what must be Worse; of worse deeds worse sufferings must
ensue…’
The words were very old, composed perhaps many hundreds of
years ago, from sentiments even older, such that none but the
precaristocrats any longer understood what such words meant, and
even their understanding was prone to a melancholy which for them,
permeated all meaning, just as the greenish tinge permeated their
flesh.
He could hear the woman whispering and the scrape of her
crippled high heels catching on the cracked flagstones, and the cries
of the children in the street, and somewhere in the far distance the
faint hum of the vibrant city and the flapping of a multitude of smileyfaced banners teased by the wind.
The temptation to rent a place to entertain both his newfound
creativity and his newfound muse Julia had been too strong to resist.
Unfortunately, the urgent call of Romantic revisionism had lately
increased for Julia, and a sudden spike in alleged misfortune-related
fatalities demanded Winston’s own full attention at the Ministry. Yet
within a month both managed to secure a free afternoon on the
same day, deciding to return to the clearing in the wood for a sexual
picnic.
On the evening beforehand they were walking in the street, filling in
the moth holes in their kooky conversation.
‘It’s all off,’ she said abruptly.
‘It’s all off? It’s all off?’
‘Not all.’
‘Not all?’ Which part of it isn’t off?’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 178
‘The picnic…tomorrow…I mean, the picnic is off tomorrow. It’s all
off. The picnic is all off tomorrow. I’m so sorry.’
Winston clasped his heart, the coronary averted, and they clung
together again, both tickled pink at the grievous palpitations brought
on by the thought that their relationship was all off, kaput.
It was not during the spectral clarity of this near-death experience,
but some time on the following day, that he had decided to rent
Charrington’s room. He was very excited to show it to Julia. He
wondered where Julia was. Julia was late. Julia was always late.
In fact, Julia was not late, she was on the pavement outside,
looking up at the bright red neon sign. She was poised to enter the
shop Venus, the place Winston had told her to meet him. She was
happy that she was on time. She was carrying a brown paper bag.
She was excited to show Winston what was inside. She would tell
him to turn his back. Winston would gaze through the bamboo slats.
Down in the yard an old green-tinged precaristocrat woman would be
decapitating her favourite flowers as though lost in some primordial
dream, whispering her mindless mantra over and over, her voice
floating up to Winston’s back window, raised up on the sweet spring
air. Julia would tell Winston to turn around now. He would turn
around, and for a second would almost fail to recognise her. He
would expect to see her naked, but she would be anything but au
naturel. The transformation would be so much more surprising than
that. She would have put her hair up, painted her face with olde
worlde factory make-up haggled from a dilapidated precaristocrat
boutique. She would be wearing antique French lingerie and her lips
would be stained gloss red, cheeks rouged, nose powdered,
eyelashes falsified and lurid eye shadow caked on—everything
possible to mask the radiant truthful healthy skin tones that were the
sun’s cosmic yippy wonk pain-free gift.
‘And cheap perfume too!’ Winston would gasp, and then she would
say—
‘Fuck me, Winston! Where on earth did you get that!’
Disturbed from his reverie, Winston turned to find Julia framed in
the open doorway, an outstretched finger pointing to the table of
objects next to the bed. She followed the finger past Winston and
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 179
across the room, dumping her bag of now obsolete kinky surprises
on the floor midway. Once at the table, she surveyed the array of
objects with utter disbelief.
‘Where did you get it?’ she said.
Unsure exactly which it Julia was referring to, Winston waited for
her to more accurately nominate the object of her excitement before
risking an answer.
‘Instant freeze dried coffee? You naughty boy! I thought you were
morally opposed to ye-olde-worlde factory food!’ exclaimed Julia in a
teasing tone, picking up the jar, twisting the lid off, popping the foil
seal and inhaling the ancient spoor. ‘Delicious! And white sugar
cubes too!’
‘I’ve another surprise for you,’ he said, diverting her attention to the
table, to the brown paper bag, with its undisclosed contents. But now
Julia’s attention fell instead upon the coral phallus. She picked it up,
weighing its impotent heft in her palm.
‘This? Really, Winston? An archaic sex toy?—there’s a whole army
of them downstairs if you hadn’t noticed, covered in dust for a good
reason. I know you’re old-fashioned, Winston—but this? Tut tut!’
But Winston was already upon Julia, pressing himself to her,
forcing her against the table, then onto the bed. Julia blindly settled
the battery-powered male surrogate back on the table so as to fully
reciprocate Winston’s real-life amorous assault, an urgent advance
she presumed to be spearheaded by a real-life penis downstairs.
Winston pressed himself urgently against his muse, suffocating her
with many urgent kisses, as though something terrible was about to
happen and he needed to kiss his love many times before he could
kiss her no more—and with each suffocating kiss the world’s air was
running out, each kiss bringing the end even nigher. Winston’s
smothering kisses were punctuated by the odd mumbled question,
and Julia’s answers, such as they were, were similarly congested.
‘I want to do something, Julia…something you and I have never
done before.’
‘You know I’ll do anything Winston…there’s nothing I won’t
do….Because…I own my sex—’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 180
‘Yes…I know, I know you own it…and it’s a thing to be owned,
along with the pitiless war of all things pitted against all other owned
things…but this is different.’
Winston was now fumbling at Julia’s dungaree buttons, managing
to undo one strap cleanly, but forced to slip the other over a
courteously dipped left shoulder.
‘Winston, I’ll do anything, but only because I want to…and not
because you want me to…I’ll do it because I’m as sexually liberated
as a woman can be—’
‘Yes, yes, yes you are…. But aren’t you tired of this congealing of
all forces towards the obvious, of anticipating the average for the
sake of mediocrity…this magical consensus that envelops all in the
bosom of harmoniousness…? Our primitive ancestors learned to
turn the other cheek…to love their neighbours as themselves…and
for all their petty genocides, leading to the grandiloquent statement
of progress: of disapproving what another might say, but defending
to the death their right to say it, in their millions if needs be…Julia,
aren’t you sick and tired of our great planetary consensus? This illconceived limit to our ultimate cosmic reckoning?’
‘Well…I can’t say…that…it feels exactly like that for me, but I hear
you…’
Winston jerked Julia’s T-shirt up over her harmonious bosoms and
only half-way over her head, stifling her words and leaving her
struggling to complete the task, her denuder now on his hands and
knees, hands all over her, tugging Julia’s dungarees down to Julia’s
ankles, pulling Julia’s pants down to Julia’s ankles, slipping Julia’s
shoe off, lifting Julia’s foot up through the tangled leg of dungaree
denim and pants, pulling the dungarees through the pants, Julia
losing her balance and placing a flat hand on Winston’s head to
steady Julia—Winston peeling off a sock, then the same with the
other shoe and the other sock.
‘For instance, is it more likely that in the general liberation of both
sexes from gendered clothing, women have earned the right to wear
trousers and men the right to wear skirts? And yet we don’t see an
equivalent ratio of skirt-wearing-men to trouser-wearing-women—
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 181
since what is plainly manifest in the skirt’s impracticality is a formal
inequality already inscribed in its original design?’
‘Listen, Mr Winston, we’ve been having great sex so far—great
experimental sex—liberating each other through the truly profound
communion of our bodies, dissolving in each other’s arms—real love,
Winston, the freest of all human freedoms. The freedom to love and
be loved, to love humanity and be loved by humanity. The universal
expression of human liberation from the scourge of inhuman
ugliness and evil…. That’s pure poetry, right?’
‘Yes, yes, yes…pure poetry, yes! Of course! It goes without saying!
But today we can do something even more liberating—right now,
something miraculous!’
‘What is it? Tell me! I’ll do anything to free us from our latent
repression—anything to emancipate us! Anything to advance the
authentic expression of our bodies! Anything for radical selfimprovement! Anything to make us even more free!’
Winston and Julia faced each other, chests heaving. Winston saw
Julia’s naked body from the front, and the back of her naked body in
the mirror behind. She was waiting for him to say something,
heaving in anticipation; he lifted the large brown paper bag from the
table and took out a folded black garment. Julia, naked, front and
back, watched as Winston allowed gravity to unfold it, the cloth
draping long and almost to the ground. He lifted the garment over
Julia, placing it over her head and allowing the heavy material to
drop so that her head and body were completely covered apart from
a small horizontal slot for her eyes.
Without need of assistance, Winston undressed himself quickly,
with Julia silently spying on him through her slot. When he was fully
naked, he took a second gown from the paper bag and placed it over
his own head, allowing the black fabric to cascade to the floor so that
he too was completely covered from head to toe, apart from the
horizontal letterbox through which he could see the dark shape
before him that he knew to be Julia. Winston took Julia’s hand, and
instead of having experimental emancipatory sex, as was their
custom, led her to the bed where they sat facing one another, neither
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 182
knowing whether the other was smiling, at least not by eyesight, but
each knowing in their hearts that they surely were.
‘You see?’ said Winston. ‘With these ancient cloaks of invisibility
we have disappeared from ordinary sight. This covering up
transgresses the glorification of the face as the inescapable truth of
identity. I mean, could we be any more liberated than we are at this
very moment?’
‘No, Winston, we could not,’ Julia agreed.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 183
Chapter V
Syme had gone. Word soon got around that he had vanished from
the face of the earth. When morning came, his desk lay empty,
Dictaphone dejected and paper shredder eerily silent. Syme’s
colleagues wept for his absence, but with tears of simple, unbridled
joy, since his departure undoubtedly signified that, after many
months of excruciating indecision, he had taken the creative plunge
—that he had finally taken a sabbatical to finish his long-delayed
novel. Many of the weeping wonks had yet to activate their own
Goldstein sabbaticals, many extra-mural dancers, poets, potters,
designers, printers, flaneurs, conceptualists, fiddlers, bricoleurs,
performers, painters and decorators were yet to take the sponsored
creative plunge—and so their wailings of admiration for Syme in his
absence were symbolically pregnant with anticipation for their own
creative blossoming, mindful also of the remorse they would suffer if
they failed to take the great leap of faith into the sabbatical abyss,
leaving their creative potential unfulfilled, never succeeding in
locating their inner voice, place and hurt.
Syme’s novel, it was understood, was a most promising
counterfactual tale set in a near future dystopia—2084 to be exact—
when wonks would travel by hoverboard and sleep alone in sad
ergonomic capsules with intrusive propaganda televisions that could
not be turned off, and small handy telephones that could be freely
carried about but were so addictive to their users that many wonks
found that overexposure to these gadgets led to enhanced
impulsivity and a reduction in the ability for self-regulation. Syme
sought to juxtapose the present with the future, making them
shimmer in a shifting disturbance pattern so that every detail was
familiar and yet unfamiliar enough to render the story uncannily
prescient and yet outlandish, homely and yet disquieting, all at once.
Syme often employed the word ‘juxtaposition’ in his communal
explanations of the dialectical nature of his satirical synthesis. To wit,
he was imagining a hellish world devoid of personal choice or beauty
—a grey world where the food was torture and wonks were held in
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 184
terrible bureaucracy and forced to wear short hair, and drab, ill-fitting,
unflattering, shapeless factory overalls. Syme was deadly serious
about his minatory vision, since he believed that science-fiction, in all
its ludicrous dystopian ruminations, was nonetheless the
mythological precursor to a future yet to come, the coming-into-being
of a dark folklore that was always-already predestined to arrive.
Outside on the Eatery’s patio sun, Winston soon found himself
plagued by unwelcome fabulations of Syme’s dystopia, collaged
together from piecemeal conversations while queuing for food in the
delicatessen, or when trapped in the elevator with the zealous
collegial wonk.
For a moment he succumbed to an imaginary vision of the
windowless Ministry animated by industrious preparations for War
Week.
The Ministry wonks were obliged to toil without sleep, since the spectacle had
to be conjured into being, and so scaffolds had to be erected, political traitors
contrived, and reactionary watchwords devised. Stirring anthems were to be
composed, gossip disseminated, and incriminating evidence dissimulated to
the mob.
Juliette’s section had been taken off the popular Mills and Doom romance
novellas and put onto the urgent preperation of atrocity pamphlets. Vincent
was ordered to re-visit the rectifications, to embroider and hyperbolize them
ready for public enragement.
At night, paretic proles menaced the streets as the city congealed into its
customary state of apprehension. Enemy rockets had begun to land with
greater precision and regularity—enormous phosphorous explosions causing
the darkness to be aghast with brilliant colour. New nationalist anthems were
broadcast on State television, and drummed-in on public address systems, as
workers erupted on the streets to march, sing and smash glass, and their prole
offspring joined in with small plastic combs and pieces of toilet paper.
Vincent’s evenings were taken up with preparations for War Week. He spent
his time sewing political slogans on vast banners and painting agit-prop
posters. He strung wires across the street so that enemy effigies could be
hung by their papier mache necks (and Victory Mansions could happily boast
at least forty puppet traitors). Vincent was motivated by fear to work to the
bone, pushing and pulling, sawing, filing, hammering, nailing, urging his
subordinates on with exhortations of self-less sacrifice—as the blood, sweat
and tears were rinsed from his skin. A new poster had appeared all over the
capital, representing the spectre of a Eurasian stormtrooper, goose-stepping
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 185
forwards with leather jackboots and a machine gun anchored to his hip. The
muzzle of the gun seemed to follow your every movement.
The worker proles were encouraged out of their despondency by the threat of
attack, and as though to harmonise with the urgency of their new mobilisation,
enemy bombs began killing people with even greater precision. A bomb fell on
a cinema and buried several hundred victims in the twisted concrete rubble.
Another bomb fell upon a playground and many children were vaporised, such
that there was nothing left to bury, and so the playground became a grave.
There were angry demonstrations, the traitor Goldstone was burned in effigy,
and the Eurasian stormtrooper was torn from billboards and walls and added
to the flames. Exotic shops were ransacked and many looted out of frustration.
Rumours circulated that foreign insurrectionists were directing the rocket
attacks, and an immigrant family suspected of terrorist sympathy was set on
fire by a mob and pelted with rocks by children.
In the room above Mr Barrington’s shop, naked Juliette and naked Vincent
lay side by side on the bed next to the open window. The rat had decided not
to return to the room, but the insect population proliferated in the torrid heat.
Despite the indelible filth and the hideous zoo of fluttering vermin, the room
was paradise. As soon as they arrived they would tear off their drab, ill-fitting,
unflattering shapeless factory overalls, desperate to fall into the propitiatory
embrace of synchronous petit morts. But upon waking they would find
themselves littered with a dust of insect corpses having expired in the night.
Vincent had discovered a taste for alchohol and had grown fatter for it. His
varicose ulcer had shrunk, leaving a small stain on the carapace above his
ankle. His coughing in the morning had decreased a little.
Life had ceased to be so insufferable, but he still quietly cursed at the
integrated State Television that could never be completely silenced. The room
was itself a great freedom, and to know that their safe place over the junkshop existed at all was almost as good as being in it.
The room was a world where Vincent and Juliette could meet and sleep, and
where vermin collected and died. Mr Barrington, thought Vincent, was just
another captive insect. He would stop to talk with Mr Barrington for a few
minutes on his way upstairs. The old man seemed never to leave the shop,
and never had any customers. He haunted the space between the gloomy
frontishop, and a small back kitchen where he prepared meals and slept, but
which contained an ancient gramophone. He was glad of any opportunity to
converse. Wandering among the worthless stock, with his long nose, thick
spectacles and bowed shoulders in the velvet jacket, he possessed the vague
air of being a collector rather than a vendor.
With faded enthusiasm he might finger the worthless tat—a china bottlestopper, the painted lid of a broken snuffbox, a pinchbeck locket containing a
strand of some long-dead baby’s hair—never asking that Vincent should buy it,
merely that he should admire it. To talk to him was like listening to the tinkling
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 186
of a worn-out musical box. He had dragged out from the corners of his
memory some more fragments of forgotten rhymes. There was one about four
and twenty blackbirds, and another about a cow with a crumpled horn, and
another about the death of poor Cock Robin.
‘It just occurred to me you might be interested,’ he would say with a
deprecating little laugh whenever he produced a new fragment.
But he could never recall more than a few lines of any one rhyme. Both he
and Juliette knew—in a way, it was never out of their minds—that what was
now happening could not last long. There were times when the fact of
impending death seemed as palpable as the bed they lay on, and they would
cling together with a sort of despairing sensuality, like a damned soul grasping
at his last morsel of pleasure when the clock is within five minutes of striking.
But there were also times when they had the illusion not only of safety but of
permanence. So long as they were actually in this room, they both felt, no
harm could come to them. Getting there was difficult and dangerous, but the
room itself was sanctuary. It was as when Vincent had gazed into the heart of
the paperweight, with the feeling that it would be possible to get inside that
glassy world, and that once inside it time could be arrested. Often they gave
themselves up to daydreams of escape. Their luck would hold indefinitely, and
they would carry on their intrigue, just like this, for the remainder of their
natural lives. Or Caroline would die, and by subtle manoeuvrings Vincent and
Juliette would succeed in getting married. Or they would commit suicide
together. Or they would disappear, alter themselves beyond recognition, learn
to speak with proletarian accents, get jobs in a factory, and live out their lives
undetected in a back street….
Even though it was only a general stab at Syme’s dystopian future,
Winston found he had painted quite a terrifying picture. We should all
pray to the heavens, he mused to himself, that such things never
come to pass.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 187
Chapter VI
It had happened at last. Contact had been made. It seemed to
Winston that he had been waiting a long time for it to happen, and
now it had surely happened. And what it was, was this: He was
walking back to his desk along the corridor, perhaps after a visit to
the water-fountain or the bathroom, to either the source or its
elimination—and at the very spot where his lover-cum-muse Julia
had accosted him with the red pen, he became aware of a
mechanical squeaking coming from behind him—the sort of sound
that conjures up images of a mouse but also a machine, and in the
mental juxtaposition of mouse and machine, an automaton, but one
in need of oil.
Glancing back, instead Winston found O’Brien bearing down on
him, and so offered a congenial greeting. But O’Brien neither smiled
nor slowed her motion, but instead grabbed Winston by the elbow
and urged him forwards to match the force of her vehicular
momentum, so that the two of them might continue together, walking
and wheeling respectively, side by side, along the corridor.
O’Brien began to speak, in a tone that seemed peculiarly grave,
but was nonetheless amicable, and distinguished her from the
sometimes supercilious tones of the other attic wonks when they
were issuing instructions.
‘I was hoping for an opportunity to speak with you, Winston,’ she
said. ‘I happened to be reviewing one of your five-star rectifications
only the other day, and was taken by its most novel form.’
‘If in day-to-day deeds lead honest good life, then can
automatically find most best peace?’ Winston ventured.
‘Indeed. Your wisdom shines forth through your writing. You are
most eloquent in your rectifications,’ said O’Brien. ‘And this opinion is
shared by many in the attic, but also by your closest comrades, one
in particular of note, a most dedicated admirer—an expert in his field
—and a committed science-fictional novelist, no less.’
That Syme might have had anything positive to say about
Winston’s mundane rectifications was certainly a surprise, especially
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 188
now that he was absent from the Ministry and presumably hard at
work at home on his novel. He pictured Syme at the moment of
ambush, perhaps unlucky enough to be cornered by O’Brien on the
very last day before his sabbatical, squirming painfully inside his
luminous skin, shaking beneath his willow’s drape of lank black hair,
obliged to concur with O’Brien’s solicitations. He imagined Syme
reluctantly forcing some vague compliment through clenched baleen
and, once released from the pain of compliance, scuttling off home
to lunge at his vintage Harald Quistgaard flip-top writing desk, full of
vengeful thoughts for Winston—perhaps vengeful enough to include
Winston in his work as a character, to be treated as he saw fit, to be
maltreated, tortured…. Syme, settled at his desk, but soon enough
staring out of the window fixated by the horizon of his writer’s block,
worrying his worry-beads until the wood and enamel was worried
through, trying to eke out his counterfactual world from a reality
whose underwhelming physics prevented it from budging, his
hoverboards and tractor beams scuppered by dim-witted gravity.
Syme, imagining his great new religion of electronic potentiometers,
a machine dreamed up by humans to be capable of autopoietic
thought—the magnificent Wiener-Golem-abacus programmed to
watch over all, the ventriloquial god of invisible chaos, the brave new
world-wide-window through which all things could become possible
by way of virtual simulacra, a far-fetched mumbo-jumbo machine
which would, some day—according to Syme’s preposterous fictional
future—prove its superiority by, say, annihilating a Russian
grandmaster at chess, or making a piping hot Americano and
delivering it to its armchair-bound Yankee domestic master without
spilling any on the carpet. Fat chance. But Syme’s robot future was
already riddled with human fear, its crowning sentience inevitably to
be followed by enslavement—hence the anticipatory dread for the
revolution that surely follows subjugation, for history repeats itself
first as tragedy, then as farce.
Winston and O’Brien continued in their squeaking pilgrimage along
the corridor, mouse and wheelchair, until O’Brien suddenly tugged on
her brakes and, with the curious, disarming friendliness she always
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 189
managed to insert into the absurd gesture of resettling her
spectacles on her nose, spoke again.
‘Winston, what I’m trying to get at is this: a certain lyrical rhythm
has emerged in your rectifications—and, dare I say, a certain sense
of the poetic has crept in. And I don’t mention this lightly, since it’s
hardly something I would have expected of you. Your work is most
rigorous but, forgive me, you’re hardly known in the Ministry for your
creative extroversion.’
It was damning, but undoubtedly true. Winston managed a small
nod.
‘This new poetry of yours, though, this unexpected voice that
appears to have found its place…it feels quite different to the
handicraft of the other wonks in your section…it feels, well…risqué—
and, dare I say, even a little vainglorious.’
Winston became excited. O’Brien was clearly only scratching the
surface, tickling the tip of the complimentary iceberg. She could of
course have no real idea of the intensity of his possession by the
new voice, place and hurt that was manifesting through him—but
these hints at her recognition of its eerie nature bolstered an intuition
that had first begun to emerge in the community room with the
exchange of glances that had registered their mutual unease at
Goldstein’s ‘compassion’. And now O’Brien had moved from
telepathy to words, and soon they would move from words to poetry,
and then on to action. But the end was contained in the beginning—
in the unsaid of their words was a foretaste of death. O’Brien had
discovered Winston’s despair, had winnowed out the diamonds
hidden in the flour dust of his daily rectifications. The cat was out of
the bag, and with O’Brien’s help, Winston’s work would soon be
exposed to the keenest cut, to the knives of the optimists. A sublime
chill took possession of his body. He had the sensation of the
dampness of a grave or the glow of the crematorium.
‘Have you heard about the thirteenth edition of the Fortune Cookie
Dictionary?’ said O’Brien.
‘Despite the secrecy, I must admit that I’ve heard it mentioned once
or twice, but I didn’t think it had been issued yet. We’re still most
content with the twelfth.’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 190
‘The thirteenth edition isn’t due to appear on the lower floors for
some time, but a few advance copies have been circulated upstairs
for attic approval. I have a draft copy in my possession, and I believe
it may be of some interest to you—it might even profit from your
scrutiny, in light of this new metrical insight….’ O’Brien gave a wink.
‘Groovy,’ said Winston awkwardly, wise to a pretext being crafted
before his very ears.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 191
Chapter VII
At home, Syme had experienced something of a breakthrough, and
had busted out from the lifeless lunar horizon of his writer’s block.
Perhaps having been obliged to compliment Winston in order to join
O’Brien’s fulsome praise had been the necessary purgative required
to unblock his blockage. In any case, Syme’s counterfactual
dystopian story was progressing, and this is how it progressed:
Vincent awoke with eyes full of wet tears. The naked Juliette rolled sleepily
against his toned body, her toned breasts pressing against his toned torso,
and he murmured something that sounded tonally something almost vaguely
like—
‘Hey baby, baby what was that you said? Baby?’
‘Oh nothing honeybunny. I just had a really nasty horrible dream, a real
bummer—’. He stopped short, almost like he was too sad to put it into a whole
world of negative words and wreck Juliette’s morning buzz. A horrible memory
swum into his crazy fucked-up mind in the few seconds after waking up from
the terrible dream that he had just had. He lay back with his sad baby eyes
clenched shut, still sodden with the drenched atmosphere of the crazy horrible
dream. It was a vast, luminous nightmare dream in which his whole hopeless
life stretched out before him like an ugly kaleidoscopic landscape on a summer
evening after pouring sideways rain, when it’s strangely wet but oddly warm. It
was like it had all occurred inside a strange glass paperweight, but the surface
of the glass was the dome of the sky, and inside the dome everything was just
flooded with clear soft light in which he could see great distances and the
horizon was pushed far back, as far as the eye couldn’t see. In the dream he
saw a gesture of the arm made by his mother, the same gesture as a woman
he had seen on the teleopticvisionscreenwindowportal trying to shelter her son
from the crazy laser bullets, just a moment before the ruthless jet laser
helicopter vaporised them both to things much smaller even than smithereens.
‘Do you know,’ he said, ‘I always thought I murdered my mother?’
‘Jeepers Vincent! Why the fuck would you murder your poor mother? Why?
Why?’ said Juliette, almost asleep but not quite, and especially not now. Now
really awake, wild-eyed and bushy-tailed.
‘No! No! I didn’t murder her. Not physically anyway. Not with my hands. Not in
real life. I killed her in my dream. It was all a figment of my wishful desire…my
desire’s wishful guilty conscience.’
In the horrible dream he had relived his last glimpse of his poor mother, and
within a few moments of waking, the cluster of small events surrounding all of
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 192
it had all come back all at once, in a crazy mental flurry. It was a memory that
he must have deliberately pushed out of his consciousness over many, many,
many years. He was not certain of the date of it, or the day or month or year,
or week, but he could not have been less than ten years old, possibly twelve,
or maybe younger or older, when it had happened. His father had disappeared
some time earlier, how much earlier he could not remember. He remembered
better the rackety, uneasy circumstances of the time but not the date: the
periodic panics about incoming jet bomb air-raids and the sheltering in the
huge underground drive-thru bunkers embedded in the depths of the earth, the
piles of rubble everywhere, the unintelligible proclamations posted at street
corners, the gangs of youths in shirt uniforms and jackboots, all the same
horrible drab colour of the earth, the enormous queues outside the drive-thrus
waiting for space food, the intermittent laser machine-gun fire rattling off in the
distance—and above all, the fact that there was never ever enough space food
to eat or enough brown fizzy water to drink.
He remembered long afternoons spent with other boys and girls scrounging
around drive-thru dustbins and rubbish heaps, picking out the ribs of lettuce
leaves, apple pie crusts, french fries, sometimes even scraps of stale buns
from which they carefully scraped away the sprouting sesame seeds; he
remembered waiting for the passing of trucks which travelled a certain route
and were known to carry surplus burger meat—which was actually meat, of a
sort—and which, when they jolted over the bad patches in the road,
sometimes let spill the odd slice of pickle.
When his father had disappeared, his mother had not shown any surprise or
crazy violent grief, but a sudden change had come over her slowly. She
seemed to have become completely spiritless, void, dead before being dead,
undead, pre-dead. It was evident even to Vincent that she was waiting for
something that she knew must happen but did not know what it was or when it
might happen again yet, like the fact of the nothingness that exists before
being born, and doesn’t seem to perplex or terrify anyone in the same way that
death does, since it’s a gift that’s already given…. She did everything that was
needed—cooked, washed, mended, made the bed, swept the floor, dusted the
mantelpiece, fed the robot dog, oiled the cat—always very slowly and with a
curious lack of superfluous motion, like an artist’s lay-figure moving of its own
accord. Her large shapely body seemed to relapse naturally into inert motherly
stillness, as if on standby. For hours and hours at a time she would sit almost
immobile on the bed, humming, nursing his young sister, a tiny, ailing
underling, a mute child of two or three with a sunken face grotesquely distorted
by Munchausen obesity. Very occasionally she would take Vincent in her arms
and press him against her for a long time without saying anything.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 193
Chapter VIII
Even before the elevator had opened fully onto O’Brien’s softly lit
penthouse loft-pad abode, the communal atmosphere of Harmony
Heights, with its familiar scent of seagrass and candle, and the red,
black and white smiley-faced embroidery wall hangings with the
kindly eyes that had followed him into the elevator, had made him
feel quite at home: it was not so different from Serenity Mansions.
But when he stepped from the elevator directly into the apartment,
noticing that the television was glowing, the sound dimmed to a
polite murmur—yet still recognisable as the all-too-familiar clamour
of considerate zealot bickering and the whirr of the Twister spinner
spinning—he saw at the far end of the room O’Brien sat at an
impressive Hugo Alvar Henrik Aalto desk, bathed in the glow of a
green lava lamp and apparently studying her own hands. Having
buzzed her visitor into the building, she clearly had no need to look
up from her immediate studies until he was standing directly before
her—and only as he approached the desk did Winston see that, in
fact, O’Brien was not examining her hands, but tinkering with the
shards of a broken fortune cookie and smoothing out the curclicued
note once contained within.
O’Brien’s head was slumped over, as though burdened by some
inner thoughts that were too dense to support. Winston was tempted
to offer up one of many memorised fortune scripts as an ice-breaking
salutation—perhaps ‘It very rare most nearly almost impossible that
event or thing be negative from all point of view.’ Or ‘As must breathe
in, must cherish yourself. As must breathe out, must cherish all other
being.’
But he had little confidence that the elegance of the message
would not be lost to a timorous delivery—and anyway O’Brien had
begun to speak.
She was evidently reading from the slip of paper before her, and as
she relayed its words out loud, Winston’s heart sank.
‘There no need erect temples, no need God. Better you susurrate
swollen blood thrust of loins in split shitty tissues. Better you drape
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 194
head open mouth soiling blood spattered veil face beaten or better
violaceous liquefied all body politician. Better you strangle penis
sweat clitoris slime frothing in nostril sagging load straggling over
and over shaved occiput or better mauve slit of arse. Much better
when discontent devour dead membrane’s throat gurgling jism purge
with bloody smear-chipped tooth-dent in screaming soft rape flesh,
especially in July.’
A large lump—gristle, dark mass or just plain awkward phlegm—
bobbed up in Winston’s throat, an untimely visceral ambassador
presenting its unwanted services. O’Brien had managed to elevate
her head midway through her canorous narration, her gaze juddering
upward to meet Winston’s at the precise apogee of penis. The happy
pretext for the visit had wilted in Winston’s mind, since no copy of the
thirteenth edition was anywhere in sight. Instead it was now clear
that he was being bought to book for one of many scabrous
misfortunes attributed to his hand. When O’Brien came to a natural
pause, Winston could do nothing but blurt out a babbling rejoinder.
‘But O’Brien! I’m doing my very best! The misfortunes occur faster
than I can rectify them! It’s a losing battle! And they’re getting worse,
much more vile! Spiteful! Hateful! O’Brien, the innocent are suffering
and no-one is doing anything about it! Murder! Rape! Suicide—
quadrupled! Crimes that were happily condemned to the past are
now returned—and on the increase, tenfold, twenty-fold! The
misfortunes are wreaking havoc! No one dares even mention the
glitch within the Composition Department! We deal with the
misfortunes but not the glitch! What is the glitch? Why aren’t we
doing something about the glitch? It’s running rings around us!
There’s even a rumour that the precaristocrats have their own secret
factory somewhere, in some obscure country estate, stately home,
hunting lodge or forest! That they’re crafting misfortune cookies in
their thousands—the lazy bastards are churning them out!’
O’Brien spooled deliberately around the desk toward Winston,
forcing him back a little, almost pinching his toes with the arc of her
wheels, fixing him with a solemn expression.
‘What about your friends and fellow wonks in the Ministry? What
are your feelings about them?’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 195
‘They dedicate their lives to the pursuit of pleasure, but since
they’re obliged by a sense of consensual communality, they must
regulate themselves with forms of abnegation more stringent even
than the notorious laws of a God they’ve long since emancipated
themselves from! They’re obsessed with wellness, such that any
unbound hedonistic urges that exceed the wholesome demands of
wellbeing must be compacted back into the body and stringently
metered by yoga, fitness regimes, and spiritual health—merely the
neuronic spasms and energetic twitches of an anatomy grappling
with its own indiscrete composure. Wellness is nothing more than
external authority incorporated as vicious gnosticism, a vile and
tyrannical superego that compels its host to the misery of
underachievement—by degrees, wellness is next to holiness!’
It was quite possible that he had made a grave mistake in
assuming he had an ally in O’Brien, for what evidence had he in
reality that his mentor possessed any sympathetic feelings about
poetry, the deep glitch, or Goldstein’s charity drive? Nothing but a
flash of the eyes and a single equivocal remark: beyond that, only
his own secret imaginings, an optimistic fantasy founded on some
distant spectral dream. But Winston was in too deep and too far
gone to hold back now….
‘O’Brien, I am of the opinion that there is a conspiracy of forces at
work that asserts the theology of wellness as the natural order of
things—a survival of the flattest, of the mediocre—to the detriment of
all else. For this reason I must declare that I am an enemy of
consensus, opposed to Goldstein’s two minutes compassion, against
charity, and a firm enemy of the fortunes. I stand against the
narcissism of unity, of the society of the polite, of good causes, of
nature, of an art determined by positivity and the anthropomorphic
search for cosmic significance. I came here because I think that you
might agree with me. I want to begin a new kind of poetry, a new
kind of art—no longer predisposed to the average appetite, no longer
predisposed to the mediocrity of consensus, no longer desperate for
en-masse solicitude, a poetry that is no longer bound by a tactical
predisposition to the obstinately informed, the corrupt and the
entitled—to the prejudice of the well-intentioned—but a poetry that
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 196
seeks out the freshness of the new-born—not the innocent
underling, but the shrieking, seething bundle of desires that has no
reserved objective, but emits only a hopeless gaping yell—an art that
excludes those in the know, those au courant aesthetes who know
what meaning is even before meaning knows itself, who have
sensibility sewed up in their pockets, and continue sowing the seeds
of self-improvement everywhere like a plague of well-intentioned
locusts. I tell you this because I am a dark poet without artistic
compatriots, and I wish to place my poetry at your mercy. And if you
want—need—me to incriminate myself in such a cause, I am here
and I am ready, because…Prime purpose in life is best help to
others. And if cannot best help them, then most best hurt them.’
O’Brien was now poised before the desk, arms crossed, closely
observing Winston’s unease. Then came a small gesture towards
the television with the remote, a stabbing motion, as if straight
through Winston’s torso, increasing the volume of the Big Brother
zealots and thus saving him from the shame of his rambling sermon.
Soon enough, the all-too-familiar theme tune rang out.
‘Do you follow Big Brother, Winston?’
‘No. Not as a rule.’
‘So you’re not a fan.’
‘No. I’m not a fan of television in general, I mostly listen to it rather
than watch it. I prefer to watch television obliquely, it helps me
concentrate.’
‘Concentrate on what?’
Winston avoided O’Brien’s eyes by dipping his head and engaging
his brow.
‘Well, I think you might find tonight’s episode quite interesting.’
Winston wondered how O’Brien might have already formed an
opinion about a live programme before it was even broadcast—but
the narrator’s voice, forthright as ever, and with its familiar phonic
tinge, interrupted his wonderment.
O’Brien gestured for him to sit, and so he sat.
‘It’s 11.20 pm. The housemates are assembled in the communal
conversation pit in the kitchen. Rabbi Lamm has called an assembly,
and Father Graham has the floor…’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 197
Father Graham could be seen standing aloft, the shadow of his
deferential stoop cast over the supine object of his immediate
meditation. ‘My dearest Sister Aaradhya, if I’ve somehow managed
to offend thee in some way, I offer my most humble apologies,
unshaken in the belief that one must do unto others as one would
have them do unto you; for this is the law of the prophets.’
Aaradhya simply gazed up at her looming apologist with default
forgiveness in her kindly eyes—but before she had a chance to exalt
Father Graham, Brother Liu Xiang, seated directly next to her, all
glabrous and monastic, was swift to tender his own hermeneutic
exegesis. ‘Most favourable answer, Father Graham. That one may
not do unto others what you do not want them to do unto you is of
course beyond inter-denominational doubt. But if thine eyes be
turned towards justice, choose thou for thy neighbour that which thou
choosest for thy self.’
‘Dearest Brother Liu Xiang, are you sitting comfortably?’
Brother Liu Xiang simpered most graciously, allowing Father
Graham the grace to continue.
‘I have only the utmost respect for your esteemed doctrinal
teachings, I really do—but after a lifetime devoted to my own
contemplations upon the nature of the Divine, I find myself most
humbled by your remarks—unable as I am to discern whether such
notes are incomprehensible because they are so wise, or whether
they are indecipherable because they are simply enigmatic. That
said, may I offer you, or any of the others gathered here amongst us,
a fresh brew?’
Amid a host of polite yeses and nos, Father Graham squeezed
past the semi-circle of the seated congregation, collecting up the
empty cups and mugs, moving deliberately amongst his fellow
syncretic Buddhist, Confucian, Hindu, Muslim, Jew, Sikh, Zoroastrian
and a slumbering Humanist, passing each housemate with a
murmuring incantation. ‘Lapsang souchong? Green tea?
Chamomile? Rooibos? Nettle? Rosehip? Jasmine? Lemon and
Ginger? Assam? Alderman grey? Builders?’
Most were thankful for the opportunity of renewed refreshment, but
Brother Liu Xiang was so moved as to offer a reflex bow of the pate,
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 198
with flattened palm over his half-empty cup, which only complicated
Father Graham’s progress around the pit, giving Rabbi Lamm, the
most youthful of the housemates, opportunity to thrust his own mug
upwards, and—‘May I trouble you for a fresh matcha, Father! I doubt
if even you could raise this cup of cold tea from the dead!’
Father Graham took the cup without comment, but Lamm had
youth and verve on his side and was plainly unstoppable.
‘Friends! Housemates! Lend me your ears! Surely the prism of the
infinite makes mortals of us all in the eyes of God?
What is hateful to you, do not do to your neighbour! In the spirit of
fellowship and good housekeeping, our gentle neighbour Aaradhya
earlier offered an opinion regarding the commission of domestic
duties—a view with which I have some sympathy, observing that
there are some amongst us who have neglected their domestic
duties as others have done unto us their domestic duties…’
From the kitchen came the sound of cups being cleansed, along
with Father Graham’s off-camera and ever so slightly raised voice.
‘Dear Rabbi Lamm, best not beat around the burning bush.
Ambiguity is an abstraction of the Devil! Say what you mean, lest
you be mean in what you don’t say!’
‘Indeed! Indeed! Not to put too fine a point on it, Aaradhya alludes
to the fact that some of us here have failed to attend to the
cleanliness of the toilet as others have attended to the cleanliness of
the toilet. Father Graham, I think your name was mentioned.’
From the kitchen now came the sound of a cup being dropped into
the stainless-steel basin, enamel clanging on enamel, resonating
with the infinite. Father Graham appeared in person over the pit, now
visible to those watching at home, and evidently aggrieved by the
accusation. ‘THE TOILET? Oh, how could you, Aaradhya!’
‘No! No! Dear Rabbi Lamm bends my words!’ yelped Aaradhya.
‘There was no malice in my words whatsoever, nor should I wish to
do unto others what you do not want them to do, and in everything,
do to others as you would have them to do to you, which surely
applies to you…. Oh Father! I fear my words are now so confused
they deserve only to be disregarded!’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 199
‘On the contrary! Our obliging companion Rabbi Lamm has been
kind enough to reveal to me an unambiguous meaning of which no
censure can now occur. ’Tis true that nature alone is good which
refrains from doing unto another whatsoever is not good for itself.’
Rabbi Lamm leapt to his feet. ‘Father! Dearest Father! Nothing in
what Aaradhya said nor in what I added was intended to cause
harm!’
‘If I’m not mistaken, Dear Rabbi, what you did was to whittle
Aaradhya’s blunt cudgel into a sharpened arrow!’
‘Most illuminating parable,’ whispered Liu Xiang, slipping a supple
bow just beneath Father Graham’s already crestfallen ledge, in
preparation for the avalanche to come.
‘What Rabbi Lamm has revealed to me is that your accusation was
already pointed enough, that it is me that you intend to shame in the
accusation of neglecting to clean the toilet as others have cleaned
the toilet. But as I stand here beneath the righteous judgement of
God, I assure you that I have cleaned as others have not cleaned,
and tidied as others have not tidied, and fussed as others have not
fussed without suggestion of complaint in these recent weeks,
indeed months, and as such, you should not hurt others in ways in
which you yourself would find hurtful.’ He stooped even lower to
deliver the hot drinks to those in need, each of whom thanked him
most graciously. ‘The Lapsang for you…the rooibos for you…and
chamomile for you.’
Lamm received the mug with good grace, seeing fit not to hint at
Father Graham’s apparent mistake, assuming his confusion to be an
effect of the priest’s present emotional penury. Father Graham
turned to find his place on the couch, yet paused before he sat,
preferring to address Lamm whilst standing.
‘Oh Rabbi Lamm, contrary to popular belief, green tea is not the
innocent it appears to be. It carries potentially harmful doses of
caffeine, and given the heightened state of emotion—well, I thought
it best to serve you chamomile.’
Rabbi Lamm lowered himself to his seat slowly, whilst Aaradhya
once again reached out to Father Graham, who, smiling, took her
hand, kissed it obligingly, and gracefully sent the gentle paw back, so
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 200
that Aaradhya was obliged to reel it in without the satisfaction of a
meaningful catch.
Suddenly, Imam Malik became animated beyond his usually
pensive frown. ‘One might be forgiven for focusing on this singular
aspect of communal hygiene, but I should like to add to the question
of general cleanliness by way of the kitchen, since kitchen tasks
should by instinct also invoke a generosity of spirit. In fact, not one of
us is a believer until he loves for his brother what he loves for
himself.’
‘Dearest Imam Malik, your comments are perhaps rather unhelpful
at this moment,’ said Sister Aaradhya. A polite enough interjection,
but Father Graham’s stoop and smile were already bowed beyond
the curvature of reasonable return.
‘Aaradhya, you must let Imam Malik speak. After all, we may have
need of his belated wisdom. I’m curious to see whether he can add
any further insult to injury.’
‘My friend,’ said the Imam simply, ‘your cooking and the victuals
that you prepare for the consumption of all who reside in the council
of your good grace are sometimes prepared and offered to the
community…without love.’
Father Graham was rendered aghast, losing his balance where he
stood. ‘I’m rendered aghast at such a profane accusation.’
‘Nope. No. No.’ Suddenly, the inert object, the corpse of a woman
who had thus far remained curled up motionless on the curved seat,
came to life like some anthropomorphised sloth. The Humanist was
stirring.
‘No, sorry mate. He’s spot on—the Imam, I mean. It’s proper shite
the slop you’ve been serving up. Proper fucking slurry. I wouldn’t
fucking feed it to me dad’s dog, and me dad’s dog’s fucking dead.
And anyway, any cunt who lives in a glass ’ouse shouldn’t fucking
throw stones.’
It was now the turn of all present to be rendered aghast.
Father Graham collapsed into his seat. Brother Liu Xang covered
his head with his hands and hummed an obliterating mantra. Sister
Aaradhya’s eyes welled up before flushing like the very unsanitary
toilet that had started the whole mess. Imam Malik’s eyes rolled back
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 201
into his head and a spring-loaded finger pointed up to his beloved
God. Rabbi Lamm shook his head deliberately, harbouring only a
barely detectable smirk.
‘So first the toilet and now food. It seems that I’m to be blamed for
fouling both ends of the alimentary canal…’
Suddenly the picture became unhinged, the camera losing its
sharp focus, blurring in and out, panning, disorientated—and then
went black, and, just like that, live Big Brother was off-air.
O’Brien switched the television off and turned her attention to
Winston, scrutinising him in the wake of Big Brother’s unscheduled
demise—as though Winston held some unknown solution to an as
yet undisclosed problem.
‘In general terms,’ O’Brien said finally, ‘what are you prepared to
do?’
‘Anything that I am capable of doing,’ said Winston, guessing.
‘You’re prepared to give your life to your work?’
‘Yes.’
‘You’re prepared to be vilified for your poetry?’
‘My poetry? Yes.’
‘You’re prepared to alienate yourself from all that know you, even
your closest friends?’
‘Yes.’
‘You’re prepared to dismiss those who will never understand your
work?’
‘My work? Yes! Yes!’
‘You’re prepared to cheat, to plagiarise, to corrupt the minds of
children, to take habit-forming drugs if they aid your imagination, to
prostitute yourself to publishers and critics, to offer yourself sexually
if it furthers your cause—to do anything likely to make sure your
poetry is widely read and reviewed?’
‘Yes, I am!’
‘If, for example, it would somehow serve your aesthetic interests to
throw sulphuric acid in a child’s face—would you be prepared to do
that?’
‘Yes.’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 202
‘You’re prepared to lose your identity and live out the rest of your
life as a waiter, a smoothie wonk or a granola-cum-coffee-grinder,
and to be compelled to mention your unpublished poetry to your
customers at every juncture, even if they are indifferent and don’t
want to hear about it?’
‘Oh yes!’
‘You’re prepared to commit social suicide, if and when we order
you to do so?’
‘We? Yes of course!’
‘You will be fighting in the dark. You will always be in the dark. You
will receive my orders and you will obey them, without knowing why. I
shall send you a book, and from this book you will learn the true
nature of the society we live in, and the strategy by which we shall
eventually destroy it. When you are caught, you will confess. This is
unavoidable. But fortunately you will have very little to confess. You
will not be able to betray anyone else but me, but by that time I will
have become a different person, with a different face and a different
voice.’
She continued to move restlessly to and fro over the soft carpet,
and in spite of the bulk of her body set so heavily in the chair, there
was a singular grace in her turning circle, and in the arc of her
motion geometric tread patterns was indented into the seagrass
weave’s texture—recording her passage like crop circles, or druidic
remains scoured into the land. Just as she was scoured with the
ironic confidence that befits a radical, since, however much in
earnest she was about her hopes and dreams, she had nothing of
the single-mindedness that belongs to a hopeless fanatic, someone
who martyrs themselves without hope of seeing the change they
yearn for. When she spoke of Winston’s poetry, of his disregard for
the reader, of her contempt for the critics, of venereal disease,
amputated limbs, and altered voices—it was with a faint air of
persiflage.
‘This is all unavoidable,’ she said again. ‘But it is not what we shall
be doing when life is worth living again.’
For a moment O’Brien seemed lost in abstract sadness. Winston
shimmered between the two poles of human expression, performing
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 203
a gestalt shift from one foot to the other, the happy and sad, yin and
yang, flotsam and jetsam, honey and vinegar, Janet and John, sad
and happy—with fleeting glimmers of all the intermediate stages.
Finally, O’Brien broke into a smile.
‘You must get used to living without hope. Winston, you must write
until you are caught, they will read your work and you will confess,
and then you will die a terrible death. Those are the only
consequences of your actions. There is no possibility that any
perceivable change will happen within our own lifetime. We are the
dead. Our only true life is in the future. We shall take part in it as
handfuls of dust and splinters of bone acting as the dice of chance.
How far away that future may be, there is no knowing. It might be a
thousand years before the name Winston Smith comes to mean
anything, or before your corpus is finally published, taught in schools
and regarded as the masterpiece it truly is.
At present nothing is possible except to extend the area of sanity
before death, little-by-little. We cannot act collectively. We can only
spread our knowledge outwards from person to person, generation
after generation. There is no other way. Winston, do you have any
questions?’
‘What about Julia?’
‘What about Julia?’
‘What should I tell her?’
‘Julia knows nothing, so tell her nothing.’
‘I will not tell Julia anything.’
‘Good.’ O’Brien wheeled up and down, made a couple of full
rotations, clockwise then anti-clockwise, as if to cover her tracks.
She stopped and came about-turn dramatically, speaking quickly,
urgently. ‘When you are least expecting it, someone will approach
you and hand you a package. You will find it very interesting. Look
after it. Guard it with your life.’
‘I will, O’Brien,’ said Winston. ‘With my life.’
O’Brien took Winston’s hand and wrung it firmly.
‘We shall meet again—’
‘In the place where there is no darkness!’
O’Brien nodded, charmed by Winston’s most faithful reprise.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 204
Chapter IX
Winston was gelatinous with fatigue—the perfect description for a
body possessed by the weakness of insensate jelly, and a more than
adequate description of its strange translucency. For if he had had
the energy to hold his hand up to the light, he would have been able
to see refracted sunlight, perhaps even a rainbow, raking through. All
the red blood and lymph had been drained from him by an enormous
debauch of creativity, leaving only a frail structure of jangling nerves,
desiccated bones, and gelatine skin. All sensations were magnified.
He had persisted for more than ninety hours in just five days. Now
the surge was over and he had nothing to do, no essential
rectifications of any description until the next morning. He could
spend fifteen hours languishing in bed (but sadly, without Martha’s
rigorous attentions in the morning).
In the afternoon he ambled in the direction of Venus, its windows
fully aglow despite the ample sunlight. The parcel, not so heavy in
his hand, was nonetheless sending a tingling sensation from the tips
of his jelly fingers up his arms and deep into the murky parenchyma
of his body. Wrapped inside the rough artisan-brown paper was the
book, which he had had in his possession for some six days without
an opportunity of examining it. On the sixth day of We ♥ Love Week,
following all of the wonderful processions, the stirring speeches, the
cha-cha-cha-chanting, the b-b-b-bells, the la-la-la singing, the
smiley-face banners, the smiley-face posters, the smiley-face
badges, headbands, armbands, scarves, hats, T-shirts and socks—
the feel-good-rom-com-chick-flick-happy-go-lucky sense of it all, the
rumbling rainbow of urbane tribal drums and the squealing of punk
trumpets and sexy saxophones, the hefty tramp of happy vandals in
sandals, the grind of the granola granulating machines, the aromatic
coffee roasters, the improvised roar of berserk children running free
of their hothouse carers, the celebratory boom of rainbow fireworks
—after six delicious days of this, when the great communal orgasm
was quivering to its consummate climax with the sense that anything
could be achieved if it was consensually desired enough by those
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 205
embraced by the consensus, Winston was in one of the central city
squares at the very moment when it happened. It was evening, and
the smiley faces and the scarlet banners were quite beautifully
floodlit. The square was packed with several thousand people, many
with burning torches, including a bloc of about a thousand schoolchildren decked out in the colourful red uniforms of the Youth
Neighbourhoodie Watch.
On the central speaker’s platform, draped with long cascades of
crimson smiley-face banners, Goldstein’s numero uno acolyte was in
full swing. A small lean man with disproportionately long arms and a
large bald skull over which a few lank dreadlocks straggled, he was
haranguing the crowd, tugging at their willing heartstrings—a heroic
Rumpelstiltskin figure, contorted with a lifetime’s implored overtures.
He gripped the neck of the microphone with one hand while the
other, enormous at the end of its bony arm, clawed the static air
above his head as if swatting flies. His voice, endowed with a
sonorous reverberation by the amplifiers and many speakers,
boomed forth an endless catalogue of natural disasters, faraway
environmental atrocities, reports of looming famine, and suffering
children lifted from the limp clutches of broken-hearted, dead, dying
parents. It was almost impossible to listen to him without working up
an insatiable thirst for simple natural justice. Every few moments, the
sadness of the crowd simmered up and the voice of the speaker was
drowned in a low autonomic groan that palpitated in a thousand
hearts as one group-o hug-o. The most passionate and authentic
moans rose up from the vast body of assembled children, for they
saw morality with innocent eyes, with a sadness so wrapped up in
self-interest that tragedy was felt authentically and without
contrivance (which was why, once-upon-a-long-time-ago, they had
made such merciless and righteous soldiers/civic moral arbiters
capable of seeing through even their own parent’s oedipal bullshit).
The public lament had been underway for perhaps twenty minutes
when a messenger hurried onto the platform, propelled by a great
spontaneous cheer of relief from the crowd. A scrap of paper was
passed into the speaker’s wafting hand. He read it without pausing in
the delivery of his oration. Nothing much altered in the tone of his
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 206
voice or in the expressive metre of his presentational manner, but
the emphasis seamlessly shifted from the need for food and water to
the suddenly more urgent need for clothes and bedding. Reports had
just come in that, since the most generous surge of donations
recently dropped off at the many public collection points about the
city was now spoiling—the food rotting, milk curdling, rats moving in
—instead what was really urgently needed was clothes and bedding,
and children’s toys. With no need for extra words the new
requirement was felt by all: clothes, bedding, toys—not so urgently
food and water. The banners, pamphlets, posters, and sentiments
with which the square was decorated were wrong. It was a simple
mistake. An oversight. The orator, still gripping the microphone by its
throat, his shoulders hunched forward, a free hand clawing at the
flies, had modified his speech accordingly. One moment more and
the melancholy groans had grown, rising from the crowd to shimmer
just above their heads, as the sadness rose too, a risible exothermic
misery. The agonising plight of orphaned nurslings with neither beds
nor toys stung the grizzled mass of eyes staring at the huge TV
screens showing enormous naked children, their blinking
bewilderment magnified a thousandfold, huge God-sized beings with
neither beds nor toys nor hope.
Immediately the square was awash with tears for the blighted baby
gods, their divine gift so quickly withdrawn. It was raining tears—a
biblical flood of the humblest salt water, a torrent of penitent saline
solution. Even if the miraculous downpour could somehow have
been collected up by the barrel-load, it would still have offered a
futile sacrament for the thirst it dearly wished to quench, since the
tears of sadness harvested en masse would be quite poisonous.
It was while the inaccurate posters and pamphlets were being
collected up to be recycled that a man whose face Winston knew not
to turn around to see tapped him on the shoulder softly.
‘Hey man, you dropped this beautifully wrapped parcel…’
With a voluptuous fatigue that only rendered Winston’s febrile
eagerness yet more exquisite, he slipped past Charrington’s
domestic divide and climbed the stairs to the cherished sanctuary
above the luminous and dusty Venus antique sex shop. Julia would
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 207
arrive quite soon—but the parcel would not wait, and Winston would
not make it wait. He began a close inspection of the brown paper,
picking at the tape, prolonging its excavation with embellished rituals
of clumsy undoing—like those promiscuous socialite macaques that
lend their altruistic labour to the grooming of local deer, transplanting
the captive ticks and fleas onto their own bodies so as to invent the
hard labour of leisurely preening. Thus Winston deliberately and
carefully unwrapped the parcel, with its impossible tape and
indestructible paper—eventually discovering the book inside with the
measured surprise of a child at Christmas. Except that what was
instantly revealed to his incredulous gape was the book’s impossible
title and the name of its author—which the unwrapper’s hallowed
hush answered with a formless gasp at the same time as the tips of
his fingers blindly followed the contours of its embossed letters,
much as a small child might feel out the dot-to-dot of braille for the
first time, confirming the tragic stigmatic obliteration of his sight with
the possibility of all insights to follow. Winston read it again in
disbelief, and yet the words were the same:
MY BIG BOOK OF ME
by
Winston Smith
Perhaps even more perplexing than the unsolicited attribution of his
bona fide moniker to this peculiar publication were the two simple
words loitering inside the book on the first page, and which filled him
with an even greater sense of bewilderment…
For Julia
He flicked through the pages to see the many legions of words
amassed, and nerved himself to begin at the beginning—preferring
to read aloud, but in a faintest, most timid tone—hallowed by the
creeping recollection of the alien cerebral cascade that had, up until
this very moment, belonged exclusively to his own private
crepuscular gloom.
‘Chapter
One…
Must
compassionate
mind,
cultivate
warmheartedness, peace of mind come from…heart root of all
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 208
goodness, all exist in simple soil… No need complicated
philosophies… My tingle brain and soft shell heart… The kindness
cat has for injured mouse…’
Winston paused to listen to the faint cries of happy children
outside. In the room itself there was no sound save for the frustrated
buzz of a common housefly blinded by daylight and baffled by glass.
He settled back, and as if to surprise the book into yielding some
hidden clue as to its progenitory stimulus, snatched it open at
random, staring into the fold, reading aloud wherever his eye
happened to make legible contact.
‘Sometimes one must create most best dynamic impression, by
say something…and must one create…significant an impression…
by remain silent. Saying, sometimes…silent in practice of
tolerance…since enemy is best teacher. We can never obtain
peace…in outer world…until make inner-peace with self. Where
ignorance is master…there is never much possibility of peace.’
Winston paused again, listening out for the comforting cries of the
children below, but this time hearing instead warning shouts from
fleeing precaristocrats and the drone of an insurrectionary jet-spray
hounding the streets with its indiscriminate bursts. But no terrorist
outrage was going to wrench Winston from the urgency of the book.
And despite the shock of its material existence, his bewilderment
was slowly caving in to pride, and delight was settling gently into his
fatigue, welcomed into the soft towelling of the bed, the room
caressed by the touch of the faint breeze on the window, a
metronomic sense of order provided by the fly buffeting against
glass….
He had only just doubled back to savour the first chapter when he
heard Julia’s footsteps on the stairs and so started out to meet her at
the door with the astonishing news. Julia arrived, pushed past, and
dumped her bag on the floor with a sigh.
‘Look! One of O’Brien’s agents gave me the package!’ exclaimed
Winston. ‘The package that O’Brien told me about. Remember, I told
you. I was at one of the We Heart Love Week parades—he
pretended I’d dropped it. I brought it back here to open it—and you’ll
never guess what!’ he gushed. Disentangling himself from Julia’s
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 209
embrace, he took the book out from behind his back to reveal it to
her.
‘That’s fantastic,’ said Julia, with facsimile interest, tousling her hair
and rehearsing her best smile in the mirror, visible over Winston’s left
shoulder.
‘But look, Julia! Look!’ Winston held the book up to her, obscuring
her line of sight to her own reflection. ‘It’s not just any old book! It’s
my book. It’s a book of my poetry! O’Brien must really appreciate my
writing, because she included some of my most eloquent fortune
rectifications! I’m actually lost for words!’
‘Really? Let me see.’
Julia took the tome and weighed it in her hand as if such a gesture
were the trusted physical test for scholarly gravitas. She fondled the
embossed title and checked the spine with a professional touch,
opening the book to inhale the warm waft of its atavistic flutter.
‘Strange. No back-notes. No publisher’s details,’ she muttered,
raising an eyebrow, and only then happening across the dedication
on the first page after the main title page—
‘For Julia? Oh, Winston!’ she wept, ‘My darling! Oh darling! Sweet
Winston!’ Julia kissed Winston all over his face and clung to him like
a child, whilst managing to keep at least one eye on the smiling
mirror behind. Mindful of ruining the moment, Winston chose not to
mar the sincerity of her affection by admitting that he had not in fact
dedicated the dedication—instead, like a dutiful macaque, he simply
harvested the praise for a parasite’s labour.
Julia rushed over to the bed and lay down, patting the narrow
space next to her for Winston to join her. ‘Read to me,’ she said. ‘My
petit rédacteur-cum-auteur!’
‘If you would like me to, then I shall,’ said Winston, making himself
comfortable next to her and taking the time to select a favourite
passage before clearing his throat. ‘Now must burst world of
imaginary, immeasurable force upon quaking tower, rhomboidal,
opalescent, juxtaposed…juxtaposed…Julia?’
Julia’s breathing had become heavy, her eyelids beyond leaden.
‘Julia, are you asleep?’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 210
‘No, my love,’ the little voice came from far, far away. ‘My eyes are
shut, but I’m still listening. Go on. It’s utterly marvellous, I’m enjoying
every minute. It’s quite inspirational. You’re a very clever boy…
man…comrade.’
Julia was sitting comfortably, so he continued.
But in the secrecy of Julia’s dream, Chlamydia was already far, far,
far away on the tropical island of Morass, in the presence of the
island’s enigmatic owner—the female sublime yet to be extricated
from the male hubris of the ancient text…
‘Algernon loves me unconditionally,’ says Chlamydia, ‘like a puppy dog loves a
slipper.’
‘You’re mistaken. You’re a cog, a fan belt, a spark plug, a window wiper—
you’re an unwitting mechanical component in a larger mechanical mechanism.
But his mechanical plan is flawed—foiled by one simple oversight.’ His gaze
roams freely across the reciprocating contours of Chlamydia’s body like a
deodoriser ball lapping up body odour.
‘Why?’ asks the lump in Chlamydia’s throat. ‘Because I’m not your type?’
‘Because my need for a simple life is far greater than my desire for the prittleprattle of human intimacy.’
‘Solipsism,’ she says, nodding, ‘how quaint—presumably you can afford to
turn down a fortune?’ Disdain casts a flaring glance over the worn textures of
the dressing gown.
‘I live according to my needs—I have little need for anything nor anyone.’
‘You’re a recluse? A loner? The world has spurned a wish and driven you to
reproach it by withdrawing into obscurity—an immodest sentiment indeed!’ she
says lasciviously, refilling her glass indolently without asking or offering.
‘Anyway’, she adds, ‘I don’t see where we’re going with this conversation’.
‘For dinner,’ he says. ‘You’re going to join me for dinner.’
Eyes frost-bitten onto his, Chlamydia places her glass on the table and
extends her cold hand outstretched and diffuses her precious name into thin
air. He inhales as though the sound were perfume, takes her paw firmly and
kisses it hard.
‘Delighted to meet you, Chlamydia Love. What a beautiful name...’
‘It’s Greek for contagiously popular.’
‘How delightful—Helmut Mandragoras at your service...’
‘Helmet…,’ she says, rolling it around in her mouth. ‘Mysterious name. Where
is it from, what does it mean?’
‘Helmut means “hell hound”. Mandragoras derives from a shamanic shrub
known as the mandragora or mandrake—a rootstock believed by the ancients
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 211
to thrive from the sperm-soiled earth found beneath the feet of men who met
their fate hung by the neck’.
‘Charming. And what’s for dinner, Mr Helmut Mandragoras?’
‘You are...’
‘I’m hardly dressed for dinner...’ Chlamydia is proud to observe her host’s
mouth softening in acknowledgment of the backhanded reference to his own
ramshackle appearance.
‘Oh, let’s not allow petty social protocols to spoil our evening—and anyway,
I’ve been swept off my feet by the contagiously popular Chlamydia Love...’
Chlamydia smiles. Mandragoras has a tendency for baroque ornamentation,
a penchant for self-satisfied pleonasms, for pure and simple pig-headedness...
Perhaps Helmut is a forlorn poet soured by some tragedy that put him all out
to sea and then washed his sodden husk ashore on Morass... Chlamydia
enjoys her mental crucifixion.
‘If you’ll permit my abandoning you out here in the twilight,’ he says at length,
‘I’ll go see about din-dins. I do apologise if it’s a paltry offering—my dear old
housekeeper prepared something earlier before I knew I was to have a guest.’
Momentarily governed by politeness, Chlamydia offers to help.
‘How kind!’ he says, sarcasm expanding into the open gesture surrendered to
his disposal.
‘Don’t be insulting, Mr Mandragoras, I may leave if you insist on being
insulting’.
‘Poor Chlamydia—first you were thirsty, now you’re hungry.
If you wish to stay, stay.’ And, gesturing towards the volcanic slope, ‘If you
wish to go, you’ll find gravity in your favour...’
Chlamydia’s eyes sting, anger briefly swells, wanes, then dimples sweetly.
‘Forgive me for saying so,’ she says, ‘but your need for solitude is
symptomatic of an unhealthy loathing of women.’
‘—JULIA! JULIA! WAKE UP! PLEASE OPEN YOUR EYES! LOOK
WHAT THEY DID TO MY BOOK! THEY FILLED IT WITH THINGS
THAT I DIDN’T EVEN WRITE! TERRIBLE THINGS! THINGS I
WOULD NEVER WRITE! WHY WOULD O’BRIEN PURPOSEFULLY
RUIN MY BIG BOOK OF ME BEFORE I EVEN HAD A CHANCE TO
WRITE IT MYSELF? WHY, JULIA? WHY?’
Julia was lying on her side with a cheek pillowed on her hand and
one dark lock tumbling conveniently across both eyes. Her
diaphragm rose and fell slowly, inhaling and exhaling, nice and
regularly—nothing untoward. Winston gave her a gentle shake: he
shook her shoulder, then an arm, but could not wake her by shaking
or pinching. He graduated to hands-on manhandling, but despite
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 212
great efforts she could not or would not wake—in fact, she was
unawakenable. His yelps and shouts soon ebbed into a broken
murmur, as the familiar mumbling recitation floated upstairs from the
yard below.
‘By change of place: Now conscience wakes despair / That
slumberd, wakes the bitter memorie / Of what he was, what is, and
what must be / Worse; of worse deeds worse sufferings must
ensue…’
Even the snip, snip, snip of the decapitation of pretty flowers
infiltrated the booming silence of the room. And only then did Julia
wake up, sitting up, yet her facial muscles clenched with suddenly
sinuous tension. She rose to her feet with an uncanny approximation
of a smile—then backed away from poor Winston, as if to better
observe his reaction to the sound of the thousands of unknown
footsteps surging up the worn wooden stairs from the shop—and the
concrete reverberation of many uniformed bodies rushing into the
backyard, of footsteps tangled with urgent commands, vastly
drowning out the genteel pruning and nonsensical recitation.
‘What’s happening? Julia! We’re being invaded!’ cried Winston,
running first to the door and then to the window.
‘We are being invaded!’ confirmed Julia, excitedly clapping her
hands.
‘But why are we being invaded?’
Julia shrugged and widened her smile.
‘Julia?’
‘Surprise! Look in the mirror, Winston! Wave!’
Winston looked in the mirror, and saw only the face of confusion
and Julia’s naked excitement—he waved nonetheless, dumbly,
compelled by a sense of disembodied politeness that all mirrors
routinely extort.
‘So good to see you, Winston!’ came a cheery voice from
somewhere beyond.
‘You can see us? How can you see us?’ said Winston, squinting at
the mirror.
‘How can we see you?’ came the voice. ‘Why, through the lookingglass, of course!’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 213
With a sound of crashing glass from behind, the tip of a long
aluminium ladder came crashing through the window, lifting the
entire wooden frame, mangled bamboo blinds, and a mess of
fractured shards into the room. No sooner had the wreckage landed
than it became the subject of a damage report by a bird-faced man
clutching a clipboard upon which was clipped a pro forma claim
document that Winston was being urged to sign. Wonks clambered
up the ladder and into the room as though over the fallen ramparts of
a besieged castle—men and women manhandling battered flightcases containing many technical components to snap, twist and
screw together, the binary connective mode clearly not yet subject to
a successful libidinal reorientation. The stairway disgorged a
stampeding swarm of technicians with integrated headsets and
microphones, urgent voices in their heads giving instructions to
position tripods, boom-stands, reflectors, monitors and other
miscellaneous apparatuses. Each wonk had a precise part to play in
the choreographed chaos, and for a while Julia and Winston stood
passively in the midst of the light, cameras and action as if forgotten
altogether. Then came another crash—more of a dull thud than a
crash, if truth be told. Some clumsy wonk had nudged the table next
to the bed just enough for the coral phallus to pitch a little, sway a
bit, then teeter and topple until it finally fell.
With an apologetic whine, a most sorrowful props-wonk hollowed
out a small clearing for Winston to stoop down so as to examine how
the clear acrylic, brittle with age, had shattered upon impact with the
floorboards, the small fragment of coral expelled from its clear casing
and exposed to his looming scrutiny. He looked at it, this diminutive
embryonic thing, saw how it had survived the dark orifices of
countless ancient corpses only to be born into the light—and like all
things born into the light, it was a worthless crust of nothingness, a
hopeless piece of histrionic flotsam, a scrap of jetsam, and before
his eyes it merely collapsed under the dead weight of its own
precarious rot—whatever it had once been metaphorically was now
reduced to dust, shamed by the revelation of a most humble truth.
A short period of grief passed before a wonk was motioned
forwards to sweep up the mess, and another with a utility box stuffed
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 214
with a mass grave of make-up sent to begin stuffing tissues around
Winston’s clammy neck. Seeing that Julia was exempt from the
tissue treatment, Winston cast a quizzical frown in her direction, only
for her to betray a duplicitous smile that immediately melted as she
slunk backwards into the blur of busybodies going about their urgent
business.
‘Julia! Julia? What’s going on?’
‘Because you’re worth it, Winston! It’s all because you’re worth it!’
Julia’s soft voice was muffled by a violent cloud of the softest fluffiest
fluffy cotton wool brushes applying healthy hues and perlite matting
powder—and in seconds Winston’s wan complexion was simply
radiant. He dared not turn his head even by a millimetre, struggling
as he was to breathe against the fluffing- caressing-fluffy-velvetycushiony-brushy brush. He could just about bear it, pleasant torture
being the worst kind, the kind of torture where there is no hidden
secret for the interrogator to extract, and thus no end in sight for the
victim—only the agonising feeling of suffocation as his pounced eyes
were clenched tight against the predacious scut and the abstract
sounds fluffing all about him.
So he stayed standing dead still, still clutching his My Big Book of
Me close to his chest. No one in the room had addressed him
directly, so why would he risk moving? He held the book tight; if he
stayed still, silent, and did nothing untoward, it might still all turn out
to be a simple mistake. He wondered about Charrington, if they had
caught him out too, or whether the old man had been in on it all
along. He wondered what they had done to the humming fossil
massacring her plants down in the yard. The lights were blistering
hot, Winston was sweating and fretting, fretting and sweating about
the expensive pulvil clogging up in his cratered pores, imagining the
pools of mire—or Syme’s human gore juxtaposed with mud, an old
film still of a wartime shell crater, or something equally tragic,
vaguely poetic—and then, from the blind spot of the searing
luminescence focused on Winston there came an unanticipated
silhouette, from which emerged the familiar figure of old man
Charrington—a different Charrington, now smiling broadly, now
manifestly flamboyant, light on his feet, but still adorned in his old
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 215
moth-eaten velvet jacket, now revealed as pure costume, with
oversized cuffs, big childish stitches embroidering the seams,
decorated with jumbo buttons.
His entrance was made to cries of ‘Bravo! Bravo!’ With a
generously wide embrace of sweeping and endless arms,
Charrington beckoned for a shy and retiring Julia to step forward
from the shadows—and with gestures of reserve, modesty and
delight, she held out her paw for young Charrington to draw her fully
into the spotlight, where both took the most yawning and ponderous
bows to rapturous on-set applause. Julia and young Charrington
bent over to touch their toes…then up…and down once more…Oh!
One last time; and, as is customary in pantomime, where the
professional cast is obliged to deflect a little glory in the direction of
their sporting stooge, a little applause was politely dedicated to
Winston, and somewhere in the tangle of neuronic reflexes rudely
awakened, a trigger triggered, a cog cogitated, and Winston found
himself also doubled over in the performance of a most supple bow,
still clutching the book to his chest, as if many years of Martha’s
yoga had prepared for this very moment. But upon coming erect, he
greeted the spectre of a third significant player gliding slowly
forwards from the shadow into the light, squeaking forth as Julia and
young Charrington made way, leaving their conjoined arms in an
arch through which the spectral figure of O’Brien steered into the
light.
‘O’Brien! Thank God! What on earth is happening?’ said Winston,
his voice elevated to a nursery falsetto. O’Brien came forward with
the most beneficent of smiles—but upon seeing Winston, her
expression immediately turned to granite, her smile crashing down
like a detonated rock face, many tons of emotional rubble falling
upon the small child looking up at its now face-crushing benefactor.
‘What have I done?’
O’Brien came to a standstill before poor Winston. She gestured for
the crowd of technicians to go about their last minute checks. She
beckoned for Winston’s hand, pulling him close—and began:
‘You see Winston, before the Age of Great Consensus, the world
was an endless nightmare of war and pain. The Age of Great
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 216
Consensus saved the dying world from this endless war and pain.
We know this to be true, yes?’
‘Yes.’
On the affirmative, O’Brien dropped Winston’s hand and spun
away, ostensibly to allow the bed to be carried past and removed
from the room by two assistants, and the table too—but apparently
also the better to observe Winston’s discomfort.
‘The world was finally blessed by peace.’ She came closer to
deliver a whisper. ‘With no need of a standing army, no bombs, no
secret police, no surveillance nor patriarch nor tyrant to watch over
us. We do not inflict systemic violence, however subtle, since divine
love conquers all—of course, it goes without saying that we would
fight to the death to preserve the freedom of even those we disagree
with—but who needs to fight when you can more easily conquer with
love? World domination through world peace! Are you with me so far,
Winston?’
‘Yes.’
‘You and I lead good lives, eat good food, live in comfort and have
ample opportunity for wellness, mindfulness and self-improvement—
as do we all, and it’s groovy. N’est pas?’
‘Oui.’
‘But in sacrificing war and pain in favour of universal consensus,
we quite rightly reject every human extremity in favour of a
mediocrity of means and an average of intent. With all wanton
intensities pacified by sober acquiescence, we find little threat to our
happiness, other than those accidental misfortunes of everyday
chance, the stubbed toes and the odd cancer. We have no mortal
enemies—even those who for centuries lived off the labour of our
flesh now freely wander among us as the living dead, the
precaristocrats, living fossils, quaint relics of a besmirched past. We
feed the famished, but only enough to ensure a mutual reciprocation
of dependence and guilt. We suffer the odd act of terrorism, by
sentimental revivalists who have vastly mistaken the meaning of
ethnic cleansing—most likely performance artists, yet to reveal their
demands. And now we have you. Winston Smith, heroic rectifier of
errant misfortune cookies.’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 217
O’Brien paused, giving Winston dispensation to respond to the
presentation so far.
‘Well, that’s exactly what I am! In a nutshell! I’m a simple everyday
rectifier of errant misfortune cookies! I’ve always attended to the
rectifications with great care! You know how proud I am of my work!
I’m just a happy yippy wonk doing my thing, like all the others in the
Ministry! Ask anyone there! Ask Syme!’
It was a paltry offering, and did nothing to dissuade O’Brien from
tightening the noose.
‘Forecasts for the expected seasonal famines are not looking as
promising as first predicted. Viewing figures for the Two Minutes
Compassion are actually down for the first time in recorded history.
Goldstein’s talent contract is coming up for renegotiation at the end
of the season—and between you and me, the rumours of an
obscene salary ultimatum are not just idle gossip. Compassion
fatigue is on the rise. But now we have a chance to remind
everybody exactly why consensus requires great discipline and selfrestraint.’
‘I…I understand…’
‘They will see it like this: Winston Smith is a criminal in a world
without living memory of crime. It is he who secretly composed the
misfortune messages that drove hundreds of innocents—thousands,
or tens of thousands, millions if you prefer—to their death. Winston
Smith has descended upon us with the malice and ruin of the old
world. Winston Smith is a monster…a reminder of the worst of
humanity.’
‘But why?’
‘Why Winston? Why? Let me tell you how, and the why will soon
follow. You predicted the method of your victim’s expiration and told
them that fate was unavoidable, and they succumbed because they
were kind and trusting folk, motivated by a belief that those
miraculous turns of events that endow life with significance must be
predetermined—the humble everything happens for a reason
tautology. And you very quickly noticed the difference between those
fortunes that customarily promised ambiguous hope, good health,
enduring love and emotional prosperity—and those especial
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 218
misfortunes that we indirectly supplied, the ones giving precise
predictions of the grimmest catastrophes to come. As you noticed, it
was only the misfortunes that had any evidential clairvoyance—only
the misfortunes that were effective, that came true—the bodies, the
deaths, the suicides. You led the weak by the nose in the name of
fate, manipulating the naivety of a population happily dumbed-down
by years of willing consensual mediocrity. The poor souls who fell
foul of fate were merely following orders—your orders. But look how
it affected you. A man without art, without vision, devoid of lyricism,
became a poet. And how it sharpened your pessimism—how acute
now is your self-doubt. Do you remember what you told me when
you recently visited my home—that you were of the opinion that
there is a conspiracy of forces at work that asserts the theology of
wellness as the natural order of things? How did you describe it? Oh
yes! The survival of the flattest! Of the mediocre—to the detriment of
all else… Remember, Winston? I do! When you stormed my
apartment to tell me how you were an enemy of consensus, of
compassion, of charity, of good fortune, of the narcissism of unity, of
the society of the polite, of good causes, of nature, of an art
determined by positivity and the anthropomorphic search for cosmic
significance? And do you remember telling Julia that you were tired
of the congealing of all forces towards the obvious, of anticipating
the average for the sake of mediocrity…that you were tired of the
magical consensus that envelops all in the mediocrity of
harmoniousness…? Do you remember telling your beloved muse
that our primitive ancestors learned to turn the other cheek…to love
thy neighbour as themselves—and that, for all their petty genocides,
leading to the grandiloquent statement of progress—of disapproving
what another might say, but defending to the death their right to say
it, in their millions if needs be…? That you were sick and tired of our
great planetary consensus and its arrogant limit to progress itself?
Good God Winston! You became more enlightened than all of us put
together! Winston, you put us all to shame! You despised us
because our mediocrity disappointed you! We had fallen so far short
of true enlightenment that all you could do was to punish us by
working yourself to the bone, like some old pessimistic Stakhanovite
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 219
—repudiating the very dream of progress that you so secretly
adored. We failed to live up to your expectations, and this is how you
rewarded us: Whether rich, poor, educated white, white trash or
illiterate black, religious brown or non-believing circumcised flesh of
straining purple member, stale jism spurting into heaving loin, yogamaster growling, must bury tongue in shit, dip in shit, dip-shit, must
shun family, must shun loved ones, must suffer loss, must lose all
hope—Winston, you were performing our self-loathing for us!’
‘But O’Brien! It’s not true! You just admitted that you made the
worst of it up! You know very well that I didn’t write those awful
words, since you asked me to rectify them! You personally approved
of my rectification before it was sent back out!’
O’Brien nodded eagerly, as if egging Winston on, to defend
himself, to tell the truth, to put her right, to say it how it is—nodding
at each and every word as it stuttered from Winston’s gabbling
mouth—But when he ran out of things to say, O’Brien swiftly took up
the slack.
‘I hear you, Winston, but I’d be remiss if I didn’t inform you that it’s
not looking good for you right now. All things considered, it’s nothing
less than mass murder. Genocide. And with your book soon to hit the
shelves…a veritable manual of sickening crime…’
O’Brien gestured for the book and Winston handed it over limply,
its gravitas now burdened by accusation. O’Brien flicked through the
pages with familiarity bordering on contempt, opening it wide until
the spine cracked beyond its binding, and molesting the crease, her
nose stuffed deep into the crack.
‘I have to say, it’s a very handsome object, nice design, feels nice,
nice paper, good font. Winston—you must be so very proud!’
‘Must I?’
‘Well…you must at least agree that it feels serious—weighty. And
what an achievement for it to be published during your lifetime!
You’re officially immortal, Winston! It’s certainly a page-turner—and
you can bet it’ll be an instant bestseller! Don’t you worry—we’ll make
sure of that. Oh—and Julia has kindly offered to write a blurb for the
back cover. Something about the forensic extrication of the female
sublime from the hubris of the male gaze.’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 220
‘But you know very well that the majority of these words are not
mine—’
‘Yes I do. I do do. And the parts that are yours are quite good—you
have some talent—you really do. But of course, we’ve been helping
you out with the wording of the misfortunes for many months now,
edging you toward the creation of your finest work—and we’re quite
content to let you take the credit for all of it.’
Winston sagged with the dead weight of a body draped from a
welcome noose.
‘Excuse the pun, but it’s going to be a very novel experience for us
all—for everyone. Not for many years has the public been invited to
pore over such extreme violations in detail, their disgust indulged
publicly without shame—oh, how the communal flesh will crawl! It’ll
positively quiver and turn to stiffened gristle! Our eyes will bulge!
We’ll prolong the public’s moral ejaculation with tantric discipline,
until the appetite for your sickening pornography will turn into selfdisgust, be purged—and then, and only then, shall we sacrifice you,
my dearest Winston, to the pious outrage and the reinvigorated
cause of mediocrity. I can see it now: To Catch a Cookie Killer—
catchy, no? I might ghost-write it myself someday.’
Suddenly the bustling room bristled into unified purpose, a sudden
stillness took hold, and signs were given for the lights and cameras
aimed at Winston and O’Brien to flare.
‘I think the season premiere of Two Minutes Hate is ready for us,’
said O’Brien, gently cajoling Winston to turn on the spot for the
camera, whilst gesturing for a handy wonk to lunge forwards to pluck
an errant make-up tissue from his collar.
‘And, action!’
‘Winston Smith, your confession, if you please.’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 221
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 222
Part 3
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 223
Chapter I
Winston had awoken much earlier than normal, stirred by the same
old nasty nag that keenly reminded him that there was nothing at all
normal about the beginning of another day inside the house. As
usual, morning was unambiguously declared by the lights being
thrown on without so much as a hint of warning. On for day—off for
night. There was no naturalistic fading up to daylight, no dawn
chorus, no diminishing of the light toward nightfall, since there were
no windows through which the diurnal motion of the earth’s relation
to the sun and moon could be detected, and no creeping crepuscular
shadow. No constellation of stars. No rotation of the sky. No nothing.
The motivation to spring out of bed and seize the day was merely a
Pavlovian hangover from a happier former life, as were the cursory
yawns that greeted darkness when the house was consumed by
pitch black at midnight.
Early on in Winston’s incarceration, before the others had been
selected and deposited, he had often been teased in the purity of his
isolation by the faint sound of chanting coming from somewhere
beyond the set walls, somewhere outside. He imagined it to be a
revivalist vigil—he’d seen old pictures of ambiguous figures loitering
at the gates, waiting to witness the prison lightbulbs dim as some
child killer was sent to hell. Even this amateurish chorus of death
chants waxed and waned without providing any clue as to the day,
month or season, however—and eventually dissipated long before
the other housemates were drafted in and the new season
announced. But there was one constant that never went away,
lingering beneath everything—a dark underbelly to all things: a low,
surging hum, which Winston had long assumed to be the sound of
an occult static built up between all of the combined machines of
perpetual broadcast—the electromagnetic death drive of live TV.
Winston was a dab hand at fumbling and dabbing around in the
dark. He often fumbled his way into the sunken communal
conversation pit, waiting there patiently for the morning sun to be
switched on. This morning he was sitting there, gnawed at by a dim
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 224
suspicion of hunger—not enough to motivate him to move into the
communal kitchen to attempt breakfast in the dark, not least because
he was unsure whether this morning hunger was also an artefact of
the production, a fiction that compelled him in the absence of any
real sensory stimulus. So he sat as still as he could, with hands
crossed politely on his knee, in the dark, smiling, alone—quite sure,
despite the darkness, that he was not alone at all, knowing that he
was being watched, quite positive that he was being very closely
observed. The cameras kept running all day, switching to night-vision
when the lights were tripped off, whether by hand or timer, no one
knew which. In the evening some housemates transported their
reflex yawns to bed, while others crept about, entertaining
themselves in the dark, their ghostly movements captured for the
ghouls at home.
Reduced to a luminescent grey with bright green eyes, these
formless, featureless, pallid beings haunted the set for the
entertainment of a great tide of insomniacs—thousands, perhaps
even millions washed up past their own domestic bedtimes, taking
great comfort from this nebulous pantomime of incarcerated jellyfish
floating about aimlessly, with nothing to do, too insubstantial to settle
and sleep.
We shall meet in the place with no darkness…the place where
nothing went unseen, where even the pitch black was colonised by
X-ray eyes that saw everything—tired eyes that could not switch off
and which, whatever they saw, were never offended enough to be
plucked out.
Even in the dead of night, when Winston was reduced to his most
superficial self, unable to see his own hand in front of his face should
he make the mistake of moving it, the inspissate mass of prying eyes
was still there, blinking in the dark, glued to the screen, prepared to
see all at any cost, determined to study his inanimate husk even
though he knew that they knew that he was feigning sleep. And so
his reluctance to move was the best he could do to underwhelm his
audience, who punished him with the revenge of even greater
attentiveness. It was no exaggeration to say that the housemates
and the house that the housemates inhabited had no solidity to it at
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 225
all. Desired into being by the wilful voyeurism of many mesmerised
millions, it was an animistic shipwreck floating in mid-air, levitating
above the planet, held aloft by the collective will of the devoted
legions of viewers, a vessel whose doomed shipmates existed in a
state of perpetual insomnia, never allowed to fully rest and destined,
by way of deprivation of sleep and social grace, to lapse back into
incest, cannibalism, prostitution, murder, rape, drug addiction,
obesity, slavery, gluttony and alcoholism, and the rest. A ship of fools
dashed upon the rocks of self-ruin, an invitation to all the bad things
once rife before the great global detoxing, the great Undustrial
Revolution and the cleansing Age of Great Consensus, to return
once more, if only so as to be subject to mass scrutiny, to be
damned yet again, retoxed only to be detoxed, detoxed only to be
retoxed, in an endless eternal return of the same….
Winston had learned to sit very still. Even in the dark, any
unexpected movement caused the cameras discretely mounted high
up on the set walls and concealed behind mirrors to bristle, rotate,
pan, and refocus. Winston heard their servomotors whir as he
moved. When he walked it was as if his own bodily motion, his joints
and muscles, were automated. The servos possessed the uncanny
sentience of cockroaches, except that it was Winston who was the
cockroach, his mechanical passage from room to room observed
with a certain revulsion by the human audience. And it was not only
purposeful movements they were interested in, but even the tiniest
motion—an innocuous scratch, a blink, a casual itch or a nervous tic.
The tiniest of motions, thus rarefied, became the most delightful.
The banality of duration rendered the housemates prone to
boredom. Their lethargy reduced somatic movement to the bare
minimum of a nominal existence. The sight of their excruciating
boredom had itself become the precise jewel of entertainment—at
home, viewers could delight in seeing them do exactly nothing, a
nothingness amplified so effectively that there was a substantial
eagerness even to watch them sleep—even better if their sleep were
to occur during the day, so one could watch their days squandered in
listless hibernation, witness their withdrawal into inertia, until their
decline into existential minimality and the minutiae of quashed self-
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 226
esteem had itself become monumentally fascinating, a sublime
entertainment. The extreme pressure thus placed upon even the
slightest movement imbued the desire to itch, scratch or rub raw with
an overwhelming gravitas: the long term suppression of a tingling
itch might eventually give way to an outburst of violent scratching, an
epileptic fit of itching, a monkey’s rash of chafing—small movements
rendered violent by their contrast with the almost cryogenic state of
suspended animation that was the norm, enough to cause sudden
fright and the spilling of TV dinners, an explosive cough, reflex itch or
sudden sneeze blowing the petrified audience backwards into their
armchairs like a slapstick blunderbuss.
Winston sometimes wondered whether his parents and sister were
at home watching Big Brother and, if so, whether they had not by
now already disowned him. His prevailing unease was itself an itch
that must not be scratched—and yet, judging by the sound of
collective snoring that seeped from the communal dormitory, the
other housemates had little trouble abiding by the indubitable fact
that all was normal in the house, and that morning was real enough.
When the lights eventually blinked on, Winston knew that morning
had broken—completely broken, like the first morning. He was yet to
move. One eye was shut, the other aimed at the mirror opposite him,
its line of sight angled so as to bounce its way into the adjacent room
by way of the accumulated reflections of a labyrinth of mirrors. In this
way he could observe his housemates emerge from the communal
dormitory before they were anywhere near the communal living
room, and could prepare himself accordingly.
Heralded by the sound of shuffling slippers, the poet Ampleforth
was the first to shamble into view, yawning from mirror to mirror, still
in pyjamas. Ampleforth, the hairy-big-eared forgetful owl-poet
Ministry missive journeyman, made one or two uncertain movements
from side to side, as though having some deluded premonition that
there were more doors to pass through, but merely confusing the
mirrors for portals. He moved through the communal living room into
the communal kitchen, passing by Winston without particularly
noticing him, and filled the yawning mouth of the kettle. He was
several days away from a shave. A delicate feathery beard covered
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 227
his face to the cheekbones, imparting an air of rustic bohemianism
that suited him well. He decided to notice Winston, and only then
cracked a hairy-poet-smile.
‘Morning Winston! What are you in for again?’
‘You cannot stop bird of sorrow fly overhead, but can prevent such
unhappy thought from nesting there.’
‘Oh yes…’ Ampleforth chuckled. ‘I do remember. Cup of tea?’
‘Please.’
‘Milk?’
‘Please.’
‘Sugar?’
‘Please.’
‘One or two?’
‘Much sugar necessary for best way obscure poison, please.’
Ampleforth examined Winston deliberately, observing his manic
smile and now plainly sectionable eyes. He tipped a little almond
milk and two raw-cut coconut sugar cubes into a cup of Alderman
Grey tea, and stirred. ‘Fate has a rather eccentric way of rewarding
us when we least expect it,’ he began vaguely. ‘I’ve been an avid fan
of Big Brother since season one, and have watched without ever
even imagining that some day I would be a housemate myself. You
can imagine my surprise when a fortune cookie script I happened to
open in the Ministry eatery invited me here—in person! I’ve never
heard of such a thing! It addressed me by name! Can you imagine
my surprise?’
‘People take different road for seeking fulfilment and happiness but
the road for all people is the same.’
‘Indeed…thank you for those elegant words, Winston. I shall
cherish them forever.’ The expression on Ampleforth’s face changed,
suddenly suffused with the warmth and joy of the poetic pedant who
has stumbled across some forgotten tome. ‘Has it ever occurred to
you,’ he said, ‘that the whole history of English poetry has been
determined by the fact that the English language lacks rhymes?’
‘Truly compassionate attitude toward other does not change even if
they behave negatively or even if they hurt you,’ said Winston,
beaming.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 228
Ampleforth looked on, slightly bewildered by the elegiac banality of
Winston’s contribution. His eyes flitted about the mirrored walls,
seeking a single solitary window by means of which to confirm a
conjecture, but only seeing out into a flatland infinity. ‘I’m quite sure
it’s the morning—isn’t it?’
‘Happiness is not something ready-made. It must come from own
generous action. Must action speak louder than word,’ said Winston,
hands neatly crossed, eyes beaming.
Ampleforth continued with his green tea and progressed to a light
breakfast. Joining Winston in the sunken conversation pit, he
munched his freshly ground granola, wild berries and yogurt while
Winston sipped his tea, one eye readied on the mirror. Someone
else was stirring. Tomioka emerged wearing khaki shorts and a linen
blouse, with the now customary red raw eyes.
‘Morning Ampleforth…Morning Winston,’ she said on her way to
the kitchen, sobbing inconsolably, doubtless with thoughts of her little
Gilbert.
‘Morning Tomioka!’ said Ampleforth brightly. ‘What are you in for?’
‘Every morning the same quip…I could set my watch by your
forgetfulness, dear Ampleforth.’ Tomioka took a bite out of a small,
red, crisp apple and wept at the sound of its crunch.
Tomioka, to answer Ampleforth’s question, was in for letting her
dear son run in front of the parade lorry for loose sweets, and for the
tragedy that followed. Tomioka took her soured apple and sat with
Ampleforth and his granulated granola. Winston sat perfectly still, as
still as a beaming Altaic deity.
Another housemate emerged from the communal dormitory.
‘Good morning Ampleforth, Winston, Tomioka!’ said Syme ever-socheerily, with a smile perfected in the dark.
‘Good morning Syme,’ said Tomioka. ‘What are you in for?’
Syme rewarded Tomioka’s conceit with an unfettered smile, but just
as cleanliness had once been next to godliness, Syme’s happiness
was now mostly next to weepiness—since, in answer to Ampleforth’s
proxy query, Syme was in for having squandered his Goldstein
sabbatical honorarium. He had intended to work on a highly
promising dystopian novel about an overbearing sibling who watches
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 229
over everyone with a vast array of invasive technologies, but it had
turned out to be nothing more than the pretentious ruminations of a
mild depressive with an inferiority complex. There was little writing to
speak of, and what there was revealed itself to be motivated largely
by narcissistic self-loathing. Ultimately, Syme’s literary legacy added
up to chronic paralysis, as he hung somewhere between a
forestalled first page and an unaccomplished suicide. Too scared to
write, too scared to strike the decisive blow against the obligation of
living, too fearful to act against the tyranny of life, unable to leave its
dutiful sufferers to shamble around in abject anger, furious at the
audacity of action, abandoned to the sentiments of memory that
makes sheep of all men…For where can suicide happily reside,
when fluoride is added to drinking water to promote healthy teeth,
and mercaptan added to odourless domestic gas to cause nausea
instead of death? Even domestic utilities poisoned by a surreptitious
well-being!
Syme noticed Winston examining him, sensed him forming an
opinion. Winston noticed Syme and adjusted his grin accordingly,
beaming extra-wide in an effort to counteract Syme’s scrutiny. The
little thick-skinned gonk nevertheless shimmied around the curved
seat until he was pressed up against Winston’s shoulder, his mouth
dangerously close to Winston’s ear. He began to whisper, the fervid
words hissed quietly but at a prolific rate.
‘He imagined the smash of truncheons on his elbows and heel of
jack-boots on his shins; he saw himself grovelling on the floor,
screaming for mercy through bloody and broken teeth. He thought of
Juliette. She was fixed in his mind. He loved her but she had
betrayed him; that fact was as true as he knew the rules of
arithmetic. He felt love for her, and he wondered where she was. He
thought about a razor blade, it would bite into him and the fingers
holding to his wrist would also be cut to the bone. He was more
squeamish about cutting his fingers than his wrists—’
‘What are you doing?’ Winston’s lips mouthed the words with
ventriloquial restraint, his muscles taut around a petrified smile. ‘You
realise they can hear everything we say? Everything!’
‘But Winston…I’ve been working on my novel…’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 230
‘EVERYTHING.’
Suitably scolded, Syme slumped back in silence. Winston’s
beaming rictus grin flared with hidden anger, but he managed to
tame it before the sound of a perky glockenspiel ditty boomed loudly
over the household PA.
Ding, bing, dong! ‘Good morning housemates! This is Big Brother
speaking.’ Of course, the voice, most congenial and masculine, was
that of O’Brien, affected by a simple filter, her unmistakably strident
feminine timbre exchanged for a more rueful male modulation.
‘Would housemate Ampleforth be so kind as to join us in the Diary
Room after breakfast. But take your time. Thank you.’
Ampleforth set his granola down clumsily, spilling his spoon, clearly
dismayed by the request. A labyrinth of glances deflected silently
around the communal conversation pit, and the dim hunger in
Winston’s belly turned up a notch. Ampleforth spoke, addressing the
omniscient Big Brother in the most earnest tone that a human larynx
could summon.
‘Big Brother, haven’t I told you everything already? Haven’t I
already spilled the beans and let the cat out the bag? What else do
you need to know? What else is there to know? There’s nothing I
wouldn’t confess, nothing! Just tell me what it is and I’ll confess
straight off. Write it down and I’ll sign it! Please! Anything but the
Diary Room!’
‘Housemate Ampleforth, I’d really appreciate if you could come to
the Diary Room after breakfast. Thank you kindly.’
Big Brother was unbending. Ampleforth rose to his feet slowly,
clasping his heavy heart.
‘Do anything to me! Finish it off and let me die! Shoot me! Hang
me! Sentence me to twenty-five years! Is there somebody else you
want me to give away? Just say who it is and I’ll tell you anything
you want! I don’t care who it is or what you do
to them! I’ve got a dutiful wife and three sinless cherubs at home!
The biggest of them isn’t six years old, bless him…or her! You can
take the whole lot of them, march them out one by one and cut their
throats in front of my eyes, and I’ll stand by and watch—I’ll even
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 231
help! Wipe the spit and blood from the blade on my sleeve! But I beg
of you, not the Diary Room! Anything but the Diary Room!’
Ampleforth flung out an arm and projected his finger at Winston’s
idiotic grin in the hope of deflecting his own incrimination. ‘That’s the
one you ought to be taking to the Diary Room, not me!’ Adding, in a
whispered aside, ‘Sorry, Winston.’ And then, his voice once again
elevated, ‘You don’t hear what he says under his breath. Give me a
chance and I’ll tell you every word of it. He’s the one that rails
against poor Goldstein, against charity, against consensus, and
whatever else it is he’s in here for—it’s him you should have in the
Diary Room, not me.’
‘This is Big Brother. I must insist you come to the Diary Room.
Please do so now.’
Syme and Tomioka had cheered up a little, relishing Ampleforth’s
little drama, clapping their hands and laughing without reserve, since
Ampleforth was mostly homosexual, had no connubial partner to
speak of, and especially no such thing as a wife, nor children that he
knew of.
Ampleforth took a last mouth of granola and chewed it with the
disdain of a man regretting not his crime, but the choice of last
supper.
All knew his fate, but none would mention it by name.
‘Well, that’s that then,’ he said, resigned. ‘Off to the Diary Room to
talk about me, myself and how I feel about you lot, yet again.’
When the housemates were not performing small and worthless
tasks for the effective increase or punitive diminution in quantity or
quality of rationed victuals, they drifted about the household with
lacklustre bearing, tending to the hydroponic herb garden, drinking
tea or detoxing, napping, finger-painting, life-drawing or writing or
scribbling, or forming tantric meditation crosswords in the sandpit.
Lethargy’s gravity often pulled them into the communal conversation
area, that mass grave of half-eaten conversations that lingered and
festered into resentments and injurious grudges. But on the odd
occasion when Big Brother requested it, the housemates were set
precise tasks, the performative execution of which would determine
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 232
the provision and rustic quality of the food, yoga classes, and other
wellness opportunities—or the punitive revocation thereof.
One such menial task had required the housemates to spend five
days of unbroken eight-hour shifts segregated into small isolated
deprivation booths gnawing away at the sharp geometric edges of
sugar cubes, transforming them laboriously into more irregular
shapes, a little more idiosyncratic and kooky, a tad more
personalised, much like the wonks who might eventually sweeten
their tea with them. While working they were required to wear
headphones which delivered into their skulls immersive recordings of
The Tibetan Book of the Dead and Principles of Scientific
Management, split into respective left and right ear channels so that
the mental collision added to the mind-numbing Taylorist piecework
might give rise to spiritual self-realisation—or just plain old migraine.
Entering their booths promptly at seven-thirty in the morning, they
had to work continuously, with only food and water provided as they
toiled.
On the second day, Ampleforth was secretly instructed by Big
Brother to vacate his booth only moments after entering, his
withdrawal timed so that his workmates witnessed him enter as they
themselves entered, but would remain oblivious of his staggered
exit. Ampleforth was secretly summoned to the kitchen, there to
receive immodest gifts of artisan carrot cake, yogurt and rustic
cashew cheese—on strict condition that he must not reveal his
exemption. On the second day Ampleforth and Syme were relieved
of their labour by the same method, and presented with even greater
bounty. On the third day, Ampleforth, Syme and Tomioka were
initiated into the secret rewards of the kitchen. And on the fifth day
the same three spent the day luxuriating in fine food, candle-making,
coil pots, Jenga and reflexology—before being returned to their work
hives only a few minutes before the end of the shift and released
moments later, deceitfully aping the exhaustion and indignation of
their Stakhanovite colleague, the poor, unwitting, brain-battered,
tooth-weary Winston Smith.
Other obligatory group tasks included batik, Zen archery, egg
blowing, stone sucking, sponsored silence, sonic wine tasting, bead
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 233
worrying, glass blowing, immersive performance art, stick whittling,
street graffiti, yoghurt making and revivalist agit-prop festival banner
design. One such task-orientated morning the bright lights came on
and Ampleforth, Syme, Winston and Tomioka awoke to Big Brother’s
request for them to assemble in the communal living room, there to
find, set out upon a large trestle table, many, many pieces of
coloured paper and four pairs of safety scissors. They were told that
they must complete as many origami pieces in a single day as they
could. No specific goal was set, but Big Brother added that systemic
wellness for the coming days would be contingent upon divine
origami productivity. Each took up a pair of scissors and found a seat
around the table, whilst Ampleforth read aloud from the Origami
Bible.
‘Origami comes from ori meaning folding, and gami meaning
paper…’
‘Groovy…’ Having worked with small pieces of paper for many
years, Winston took to this particular task like a pro.
The first piece he made was a swan, and then a duck. The others’
fingers were less inured to the threat of death by a thousand paper
cuts, and their woes culminated in nasty fingertip blisters that, once
burst, would have made the manipulation of paper impossible, were
it not for the escaping blood and pus that moistened the paper
enabling the ancient technique of wet-folding, at least until the paper
became too saturated with pus, at which point the windmills, kites,
flags, hot air balloons, butterflies, candy-floss, sweets and cakes,
bushbabies, honey bees, giraffes, caterpillars, dragon flies,
porcupine, jugglers, owls, doves, palm trees, zebra, rhino beetles,
aardvarks, little red riding hood, scarecrows and snowmen became
too soggy to maintain their structure and were doomed to collapse in
a general distortion of form—much like those bloated bodies of
misfortune victims that washed up along the shore, folded into
similarly contorted shapes.
Winston was quick to notice a neat connection between Origami
and the cookie fortunes he had once worked on, and devised an
application that would link the two forms: he imagined fortunes
written on cute origami sculptures to be carefully placed inside
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 234
cookies as the vehicle for an even more astonishing mode of
dissemination. Winston considered this an adorable idea which
someone in a position of influence ought to mention to someone in
the know.
The fifth contestant in the house was excused most menial tasks
on account of being generally work-shy and drunk, occupying her
time in the household sleeping off a thirty-year hangover. But one
fine afternoon, the hibernating contestant woke up. She had escaped
eviction during the Religious Zealot season, and her prize for such
endurance was a season roll-over, which meant she had remained in
the house, and was incidentally quite satisfied with this arrangement
since apparently she was, in real life, homeless.
Winston caught sight of the rarely glimpsed rollover housemate
awakening mid-afternoon from her marathon slumber, her image
deflected in the many angled mirrors some time before appearing to
the naked eye, like fossilised light sent from some obscene
unheavenly body, hurtling towards Earth, threatening the planet with
immanent peril. Winston observed its approach with the appropriate
hush and awe until, shedding her garish silk kimono to the floor, she
announced to all and sundry, ‘Fuck me, I’ve been asleep for twelve
fucking hours and I’m still fucking knackered! What’s that all about?’
‘Sleep breeds sleep,’ blurted Syme, his little wonk fingers and
thumbs worrying his worry-beads sick with worry.
Winston endeavoured to peel his grimace back to its default
setting, but the newly arrived housemate launched herself into the
hot tub with no consideration for the potentially catastrophic
displacement that would result, causing a tidal wave to rise above
the human Plimsoll line, teetering at the nipples, eliciting a univocal
gasp from Winston, Tomioka and Syme. She then rolled over and
dumped herself across Winston’s lap, hoisted herself upright with a
splash and hearty yell of ‘Fuck me it’s hot in ’ere!’, then allowed her
upper body to slide off Winston’s knees to find her own submerged
ledge.
‘Beg your pardon, sweetheart,’ she said. ‘I wouldn’t have sat on
you, only I was just having a dream I was playing roly-poly down a
grassy knoll. Sorry love!’ She paused, patted her chest, and belched
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 235
into her other fist. ‘Pardon. Nice an’ warm in ‘ere, innit? I ain’t quite
meself.’ As Winston and the others looked on aghast, she leant
forward and vomited into the bubbling water. ‘Thass better,’ she said,
leaning back with closed eyes. ‘Ooooooo. Never keep it down, thass
what I say. Get it up while it’s fresh on your stomach, like.’
Once revived, she turned to have another look at Winston and
seemed, by dint of his convenient position next to her, to take a slight
fancy to him. She draped an arm around his shoulder and drew him
towards her roughly. ‘Wass your name, dearie?’
‘Winston Smith,’ said Winston, his smile verging on a grimace as
stomach debris bobbed before him.
‘Well that’s a name I’ll never fucking forget! Whass yer name
again?’
Tomioka, shocked to silence, leant over to Syme, managing a
whisper. ‘Who is she again? What’s she in for?’
‘She’s been in for a while. I think she’s always been here. Even
when Winston was in on his own, she was here, tucked up
somewhere in the dark, asleep. She was in with the zealots. Her
salt-of-the-earth humility outshone them, and she ended up winning.’
‘She’s a prole,’ hissed Syme. ‘The last remaining one.’
‘The last prole? What’s a prole?’
‘You know, prole—worker, donkey, hireling, khalasi, servant,
grunt…a pre-undustrial slave, really.’
‘But she’s not old enough.’
Syme shrugged. Tomioka shrugged too.
‘And why is she so excessively fat?’
‘Oh. Because she’s poor—but not famine poor.’
‘Oh yes. Poorly obese.’
Syme had now edged as far from the last prole on earth as
inhumanely possible, so as to observe the rare specimen at a safe
distance, so that her leer might more naturally settle upon the more
proximate Tomioka.
‘Last time I was ’ere I got told off by Big Brother. In the last season.
The religious nuts—oh, what a fucking party that was! I can’t even
remember saying the thing I was supposed to ’ave said.
Y’know, the thing I was supposed to ’ave said.’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 236
Nothing from the housemates.
‘Well, apparently, I used the “P” word…’
‘I have no idea what that means,’ said Tomioka curtly.
‘And neither do I want to,’ said Syme, leering from beneath the
centre-parting of his long yippy wonk hair, betraying a sly
appreciation of Tomioka’s unease.
‘Wass your name, dearie?’
‘Tomioka.’ Out of politeness, she added, ‘What’s yours?’
‘Jade. It’s Jade. I mean, I can’t even imagine saying such a word
under my breath. That “P” word, I mean.’
Sparing Tomioka the need of another repudiation of archaic racist
language, at this point Ampleforth emerged into the sunny
halogenated garden to find his housemates in the hot tub. ‘A pool
party! Wonderful!’ He skirted back inside laughing. ‘If I bring vino,
can I dip my tootsies in too?’
‘I’ll have a rosé. I’m really not bothered. I’ll drink the whole fucking
bottle on my own if no-one else is drinking!’ shouted Jade.
Ampleforth returned, cradling a selection of wine flagons and a
cack-handed clutch of glasses. He opened one each of rosé, red and
white, undressed, and entered the tub, leaving the glasses and
bottles to bob cheerily on an inflatable drinks float.
Jade and Ampleforth were the only takers, and both ample takers
at that, demolishing a bottle almost immediately. Ampleforth was
committed enough in his speed drinking to soon bring himself up to
speed with Jade’s pickled state.
Syme observed, whilst Winston sat unflinching, hidden behind the
village idiocy of his fixed ear-to-there smile.
‘I can’t imagine saying it—even under me breath. Not the bloody
“P” word.’
‘I’m sure no one has even heard of it,’ said Ampleforth.
‘Well, it rhymes with “tacky”,’ she said, offering a clue to her
disgrace as she clinked glasses with Ampleforth.
‘I don’t want to know,’ said Tomioka.
‘Well that’s exactly what I thought. I mean, I don’t use them words
lightly,’ said Jade, pickled and vindicated all at once.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 237
‘Well that’s cleared that up!’ concluded Ampleforth in conciliatory
tone.
Jade endeavoured to clink glasses with her sponsor, but spilled
wine on both.
‘I’m so embarrassing! This is why I never drink red—never do!’
Jolly Ampleforth was in hysterics, and began to sing. ‘Oh there
once was a house that was so happy!’
‘And then what entered was a—’
‘Oh great! We’re all going to go to Big Brother prison!’ said
Tomioka.
‘This is prison.’ Syme, gloating.
‘Actually, what I was going to say was nappy,’ said Jade. ‘What’s
wrong with you people?’
‘You people?’
‘I didn’t mean it like that!’
‘You said it like that.’
‘She didn’t mean it like that—or say it like that! Say it or mean it or
imply it like that! Tra-la-la-la!’ sang Ampleforth, enjoying the chaos.
‘Don’t give Ampleforth another drink,’ mumbled Tomioka.
‘You know what else she said to me? No? She told me that Big
Brother was going to be my only claim to fame—that’s what she
said.’
‘But it is your claim to fame.’ Syme, again.
‘Who said that? Whom said what?’ said Ampleforth.
‘I don’t know her surname. Aaradhya-whoever-the-fuck-she-thinksshe-is! I was fuming! I can’t stay…I can’t stay in this house, I said…
I’ve got to go because I’m common and I need to go and get
elocution lessons because I’m common? How dare she turn her
nose up at me? I’m not one of her pissing nuns or monks or servants
or whatever. She’s in a house with nine other normal people. Conrad
Withers was a fucking legend—you don’t ’ear ’im talking down to
people. You don’t ’ear him turning his nose up to people. And he was
the quietest, nicest, most genuine person. Loved him to bits, I did.
Genuinely, a genuine person who was lovely. He was a Jehovah’s
Witness, but he was proper genuine. And I gotta be honest, I
witnessed a lot of sniggering and whispering and talking about him,
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 238
from the other religious nuts—so they evicted him, they kicked ’im
out, but he wanted to leave anyway ’cos he was stuck in ’ere, and
was worried he couldn’t devote enough time to saving people, ’an he
was worried he’d lose his fucking salvation, the silly cunt—’
‘I think you should just go,’ suggested Tomioka, flatly.
‘Oh come now! Let’s just drink more wine…’ said Ampleforth.
The clink of glasses signalled that it was time for Winston to exit
the tub. He waded to the edge, and at the top of the steps caught
sight of himself in the nearest mirror.
Here was once a guardian of the human spirit, a professional
rectifier—now a cowering grey-skinned skeleton-like thing, emerging
out of the primordial steam and primal soup, a half-being dripping
with Jade’s honest debris—a grotesque vision indeed. The creature’s
face was protruded, with bent carriage stooping forward. A forlorn
face with an uneven forehead radiating over into a balding cranium,
with maladjusted nose, and gaunt cheekbones, eyes dull, ebbing,
with only the minimal requisite of life. The mouth was a drawn-in
gash. Certainly it was his own face, but it had changed more than he
had realised. He had been physically rectified—and not for the
better. Except for his hands and the vague circle of his face, the
body was grey with ancient ingrained dirt—well beyond the cleansing
powers of the hot tub. Here and there beneath the stain of dirt were
the red scars of wounds, and near the ankle a varicose ulcer was
embossed like a bird’s claw. Squalid skin was now bloated by water,
ready to peel off his bones. The barrel of the ribs was as narrow as
that of a skeleton: the legs had shrunk so that the knees were thicker
than the thighs. The curvature of the spine was astonishing. The thin
shoulders were hunched forward so as to make a cavity of the chest,
the scraggy neck seemed to be bent double under the ponderous
weight of the skull. At a guess he would have said that it was the
body of a man of sixty, suffering from some malignant disease.
Winston plucked at his head and brought away a tuft of long hair.
He seized his last front tooth between thumb and forefinger and
wrenched it out by its rotten roots. He threw it into the tub, and
before he knew what he was doing had collapsed onto the small
stool on the artificial lawn and burst into tears, He was a bundle of
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 239
brittle bones weeping beneath the synthetic sunlight: but he could
not, or would not, or even should not, stop himself crying.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 240
Chapter II
Winston was lying on a bed, fixed down in some way so that he
could not move. Light, perhaps from a small torch, teased his face.
O’Brien was somewhere in the room: Winston could hear his
unmistakable squeak. A man in a white coat retreated into the
shadows with a dripping syringe. Even after his eyes were open he
took in his surroundings only gradually. He had the impression of
swimming up into the room from some subterranean world, from far
beneath. The underwater creatures had followed him up, a column of
ghosts formed of the finest filaments, bland grey flesh given lucent
form by even the dimmest hint of light. Some had saw-toothed fangs
decorating their elliptical under-bites, or moved with trawling mouths
gaping wide, others had tight-lipped jaws siphoning plankton and krill
through finely fringed baleen. Usually shrouded by the darkness of
the primordial depths, they now floated up toward the light, following
Winston. Some had angle-poise lamps hanging over their heads,
some were glowing with the filaments of dimmed light-bulbs; some
resembled luminescent tangled plastic bags with nothing in them,
others were like nebulous cellophane, or discarnate pictograms or
silken x-rays; diagrams for creatures yet to be conceived—spiritless
fragments yet to emerge into material being, monsters made of
cobweb, delicate strands of fibril covered in vibrating cilium, tedious
wispy beings, precarious organisms floating in an abstract solution,
orphans so individually monstrous that each must be a species of
one, a world of mucilaginous gobbets bobbing about, pieces of
cartilage and jelly stranded in strange currents, with jelly eyes
peering from beyond, from the dark abyss, all lifeless yet undead. On
the palisade, the jelly-faced poster gazed down compassionately
upon the bent and heaving body, its towering jelly penis entering a
monumental jelly vagina with a jelly anus entrance around the back
for underground parking, but Winston never had need to visit the
Ministry of Love nor park his sweet rustbucket in its backlot, so he
lowered the nib toward the page because the deep sea creatures
were once again congregating, gathering to help him with his work,
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 241
congregating in the light to urge him on, with the collective murmur of
the dead ancestors, to speak through him—but he faltered for just a
second. To mark the paper was the decisive act. To begin at the
beginning brought an end to thought. He knew he had to cultivate a
vision of a happier, more peaceful future and to make the effort now
to bring it about. But Oh! The elbow! The funny bone! He had
slumped to his knees, almost paralysed, clasping the stricken elbow
with his other hand. Everything had exploded into yellow light.
Inconceivable, inconceivable that a single blow could cause such
pain! The light cleared and he could see the other two looking down
at him. The guard was laughing at his contortions, but in Winston’s
mind he was crawling away through the desert, escaping through
failed crops. He dragged himself through a glockenspiel of collapsed
animal bones, causing a terribly sad polystylistic jingle to ripple out
loud as he ricocheted through, but he was nonetheless ever so
happy that civilisation had achieved pure and total consensus, and
O’Brien’s face was as happily-miserable as everybody else’s.
‘We shall meet in the place where there is only light entertainment,’
said the voice, and Winston saw the faces of his mother and father
lighting up in the shabby-chic gloom. He took his hand and fed it into
the grating teeth of Mr Tooth-Fairy, all the way up to the elbow,
gnawing past the words JE VEUX TE BAISER until the red letters
were drowned by blood. But no matter what he did, no such sacrifice
could prevent the waterlogged bodies washing downstream, so
many stricken jellyfish stranded by pitiless tides—each and every act
of violence unified by an instructive sliver of paper inscribed with the
indelible fate of each trustee: emetophilia, scatophillia, frotteurism,
paedophilia, necrophilia and hematolagnia.
‘It’s not my fault’ whimpered Winston, ‘I’m doing my best to rectify
them, but they just keep coming! The deep glitch!’
‘Say Aaaaaaa!’ said the man in white.
Winston obliged before he could be forced, allowing his tongue to
spool out for inspection. Sure enough, it was quite swollen—with a
rash of spots, red, orange, yellow, green, blue, indigo, violet—then
something else came coughing from his mouth, an object falling so
gracefully, seeming to stall in mid-air, swinging in the brilliant
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 242
searchlight as it sailed down, down, down—and as if by virtue of the
mesmeric effect of its elegant descent, all the shrill and offensive
noise became miraculously tranquil, all tattered senses became
calm, pressing down, down, down. But how long he had been down
there he did not know. Since the moment when they arrested him he
had seen neither darkness nor daylight. Perhaps it was a hood?
Besides, his memories were less than continuous, and there had
been times when consciousness, even the sort of deranged
consciousness that one has in sleep, had stopped dead and started
again only after a blank interval. With that first blow on the funny
bone the nightmare had started, the infrared monsters had come,
mustered like the audience of homeless insomniacs—he too saw
them floating from room to room, with their dead eyes illuminated by
the dead black light. He was one of them, and rolled about the floor,
as shameless as an animal, writhing his body this way and that in an
endless, hopeless effort to dodge the kicks, and simply inviting more
and yet more kicks, in his ribs, in his belly, on his elbows, on his
shins, in his groin, in his testicles, on the bone at the base of his
spine. A surly barber arrived on his hoverboard to scrape his chin
and crop his hair, and then other businesslike, unsympathetic men in
white coats came to feel his pulse, tapping his reflexes, turning up
his eyelids, running harsh fingers over him in search for broken
bones, and shooting needles into his arm to make him sleep. They
slapped his face, wrung his ears, pulled his hair, made him stand on
one leg, refused him leave to urinate, shone glaring lights in his face
until his eyes ran with water; he became simply a mouth that uttered,
so keen to confess even that he was a devout Christian, a jihadi, an
admirer of aristocrats, a homophobe, a misogynist, an anti-Semite,
that he was sexually complacent, impatient with children, not a good
listener, a despiser of all poetry and art—and for such illiberal sins
deserved to be in a cell. Suddenly he floated out of his bed, and was
swallowed up by a huge hole, and the hole turned into a mighty
corridor, a kilometre wide, full of glorious, golden light. He was
roaring with laughter and shouting out, making many absurd
confessions at the top of his voice. He was confessing anything and
everything, even the things he had succeeded in holding back under
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 243
the torture. He was relating the entire history of his life to an
audience who knew it already, they were clapping, and there was
added canned laughter. With him were the guards, the other
questioners, the men in white coats, O’Brien, Julia, Mr Charrington,
all clattering down the corridor together shouting and laughing.
Everything was all right, there was no more pain, the last detail of his
life was laid bare, understood, forgiven.
He was starting up from the plank bed in the half-certainty that he
had heard O’Brien’s voice. All through his interrogation, although he
had never seen her, he had had the feeling that O’Brien was at his
throbbing elbow, just out of sight. It was O’Brien who was directing
everything. It was she who set the guards onto Winston and who
prevented them from killing him. It was she who decided when
Winston should scream with pain, when he should have a respite,
when he should be fed, when he should sleep, when the drugs
should be pumped into his arm. It was she who asked the questions
and suggested the answers. She was the tormentor, she was the
inquisitor, but she was also the friend who could stop the pain. When
her voice entered Winston’s thoughts, usually during drugged sleep
or near-slumber, the most he could do was tighten his foetal coil, and
hope that he would not be woken completely, and so let O’Brien’s
words swirl freely in his mind.
But the voice penetrating this particular dream was not O’Brien’s at
all, and because it was not O’Brien’s, Winston’s curiosity could not
help being stirred; he frowned, sucked his thumb and kicked a leg;
he moved beneath the cover but immediately became aware of the
warmth of another body pressed close behind him. In the darkness
he turned his head slightly on the pillow, and felt the warm waft of
someone’s breath blowing words into his ear.
‘Winston, Winston, it’s me…wake up!’
Winston tried to tug the duvet over his head to protect the sanctity
of his sleep, but the cover was firmly pinned. Instead, he pressed his
face into his pillow and uttered a muffled protest:
‘There no fortitude like patience…just as there no destructive
emotion worse than hatred…most best practice patience!’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 244
‘But Winston, it’s getting really good now, listen, I’ve almost
finished it: His entrails were endlessly contracted. Soon, very soon,
perhaps in five minutes, perhaps now, the tramp of boots would
mean that his own turn had come. The door would open. The coldfaced young officer would step into the cell. The pain in his belly—’
‘Stop…I beg you…please stop…’
‘—a piece of bread; the blood and the screaming. There was
another spasm in his entrails, the heavy boots were approaching. As
the door opened, the wave of air that it created brought in a powerful
smell of cold sweat.’
Winston could hear the servomotors adjusting focus, drilling into
the dark—and knew that his eyes, although blinking blindly and
wildly in the dark, would be rendered luminous by the infrared
cameras set behind the mirrors. He knew that any motion and every
subsequent word spoken loud enough for the microphones would be
instantly relayed out into the ether. So he turned his head, once
more to appeal to his spooning trespasser, and whispered.
‘You realise they can hear us? Every word! They can see us too—
even in the dark!’
‘I’ll let you read my book before anyone else!’
‘Listen to me. You had your chance, but you blew it! If you’d
actually written the damn thing rather than squandering your bursary
on worry beads, you might have avoided this place. But it’s too late
now! The world will never be as dull and depressing as your story
makes out! And anyway, why would a futuristic tyranny ever resort to
surveillance, when with just a mild tickling of the feet, even
reflexology unleashes the gushing confessions of those so
desperately eager to spill their overtherapised guts! Your vision of
dystopia reveals nothing but a sentimental yearning for the
bogeyman to show his face! For you to experience your fear as a
convenient object! Your dystopia indulges an imaginary threat—like
a god, or a looming tyrant! But the truth is that the worst tyranny
already resides within you!’
‘Yes, yes, that’s all very interesting Winston—but listen, I’ve turned
you into the hero of my story! This is how it begins! It was a bright
cold day in April, and the clocks were striking thirteen. Winston
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 245
Smith, his chin nuzzled into his breast in an effort to escape the vile
wind, slipped quickly through the glass doors of Victory Mansions,
though not quickly enough to prevent a swirl of gritty dust from
entering along with him—’
‘Syme, please concentrate on what I’m saying. I bear you no
malice, but I don’t care if you’ve written a masterpiece, nor do I care
whether someday in the future they decide to teach your ludicrous
ideas in the classroom! You may use my name, you have my
blessing—since I have no particular affection for it. But I can tell you
this for sure: it’s not my fault that you’re in here, and I am not the
solution to your problems. Stop pestering me.’
Winston wrenched the duvet into the coiled knot of his body. He
reburied his head in the pillow, and with a hefty backwards shove of
the rump, the unwanted bedfellow was relegated to the floor with a
thud.
Winston was sitting in a rabbit-bitten pasture, with a foot-track
wandering across it and a molehill here and there. In the ragged
hedge on the right-hand side of the field the boughs of the elm trees
were swaying very faintly in the dreamy breeze. The ambient light
dipped a notch as a passing cumulonimbus caused the halogen
suns above to dim, the light lifting and dipping as each sun was
obscured and revealed in turn. The Diary Room held nothing more
minatory than a single armchair adorned with a revivalist floral
pattern that blended in neatly with the backdrop. Winston had been
called and had taken his place on the seat, sitting face-to-camera,
smiling, adjusting himself with some instinct for symmetry, as though
the camera lens embedded in the adjacent wall demanded it.
Despite the acoustic dampening that lent the room its aura of
sensory compression and created a safe place for fluid confession,
Winston heard chanting, sirens and breaking glass seeping in from
somewhere beyond, but was not sure whether the baying crowd was
anything but a residual sonic ghost of the first vigil.
‘Good afternoon, Winston. This is Big Brother speaking. May I
thank you for coming to the Diary Room so promptly. And may I
further enquire as to whether you’re enjoying your time in the
household so far?’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 246
Winston cleared his throat. He adjusted himself before he spoke.
‘All most social animal be compassion, care and concern for other
bring us all together.’ Winston smiled, beaming from ear to there,
hidden behind the bedazzling glare that was his most best defence.
He now knew the voice was O’Brien’s, despite the filter—it was the
same voice that had once whispered to him, We shall meet in the
place where there is no darkness, in that other dream, so long ago.
He sat back in the chair, settling into the naturalistic ambiance, the
sound of the pasture being bunny-nibbled and gnawed, the foot-track
pacing across it and a molehill here and there fouling the green
grass with patches of upturned soil. In the ragged hedge on the righthand side of the field the boughs of the elm trees were swaying
dangerously in the wind. Winston watched the clouds darken, feeling
happy for the company of chattering birdsong, as the many
passerines began to flee.
‘Big Brother once told you,’ said O’Brien’s fake voice, ‘that if we
met again it would be here.’
‘If show concern for other and respect for right, must you establish
trust; must trust be basis of friendship.’
‘Oh, very good, Winston. Very good. Why don’t we just cut to the
chase. Reach beneath your chair. There’s a little surprise waiting
there for you.’
Winston leant over to reach under the chair. He knew it was the
book before he touched its spine. He removed it, holding it
awkwardly, purposely so, as if it were diseased and he feared
contagion. He dropped it in his lap with a roughness that bespoke his
disowning of the tome. It was as unloved as an anthology of poetry
on a poet’s lap could ever be—and then he beamed once again,
quite broadly, but just a little dimmer, and behind the dim smile
began a dull pain that made the sweat draw out on his forehead. He
breathed hard through his nose, trying to maintain his composure by
Martha’s meditative method, tantric breathing, inhaaaale and
exhaaaaaale—and continued to beam as brightly as the dull pain
allowed.
‘Big Brother can see that you are afraid,’ said O’Brien. ‘That you
fear that something unpleasant is about to happen. You fear that
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 247
you’re going to be revealed as a writer. You fear that your anonymity
will be dashed, and Winston Smith’s anonymity is paramount. It
separates you from all the foolish people who were once concerned
at your creative reluctance. They cared for you and you despised
them. The book sitting on your lap—you have no idea whether
there’s just one copy or many thousands. You have no idea how
many have seen it, or read it—let alone reviewed it. This is what you
are thinking right now, isn’t it, Winston?’
Winston calibrated his smile proportionately to the new threat.
‘Remember Winston, if Big Brother suspects any porky-pies, or if
you underwhelm us with deflections and false modesty, we will be
forced to withhold all household victuals and increase daily chores
for all housemates. Do you understand? No-one will die, but the
anticipation of a loss in breakfast smoothies, supplements, vitamins,
and bircher muesli, will kill them.’
‘Meaningful dialogue require best respect other right and other
interest—compromise is most best only way resolve dispute.’
‘Have it your way, Winston, but Big Brother has only so much
patience,’ said the disembodied voice in an impatient tone. ‘Before
we go on, I have a small favour to ask…’
Sitting comfortably in the floral armchair, the cheerful smile
concealing his dread, Winston contemplated the nature of the favour
he was apparently at liberty to grant. ‘Genuine compassion—
unbiased, no mix with false attachment—is source of genuine human
happiness.’
‘Oh it’s quite a simple request—nothing to unfairly tax your talent.
It’s already there, sitting on your lap…’
‘As human brother must commit to let people know that all possess
seed of love and compassion and forgiveness.’
‘Pick it up for me Winston. Feel its weight. Open it…’
Winston suddenly lunged forwards in his chair to whisper into the
lens, hoping for a quiet word, whispering so that the viewers at home
might not hear. ‘Please Big Brother, not that—anything but that.’
‘But the viewers would like to hear it from the horse’s mouth. They
would like to hear it from you, in your own words, Winston.’
‘Please, O’Brien. We both know they’re not all my words.’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 248
‘Tell me, Winston, how long have you been with us here in the
household?’
‘I don’t know. Days, weeks, months—many, many months,’ he
whispered.
‘And why do you imagine we bring people into the Big Brother
household?’
‘To make them confess. To punish them.’
‘Oh, Winston! You see? That’s a writer’s imagination—right there!
Honestly! Have you been punished since you’ve been here? Even
lightly punished? Is what I’m now asking you to do for the folks at
home really a punishment?’
‘No.’
‘Then what is it?’
‘Entertainment.’
‘What kind of entertainment.’
‘Enlightenment through light entertainment!’ said Winston, sitting
back.
‘BINGO!’ said O’Brien. ‘You said it yourself! Your words, not mine.
This is how you see the sum total of human progress—from
enlightenment to light entertainment! So let’s continue with our
enlightened light entertainment. Please. The book. If you don’t mind.’
The sweat had sprung out all over Winston’s body and the pHbuffered air tore into his lungs, issuing back out into the tiny room in
deep groans, which, even with a firm clenching of teeth and a default
smile, could not be easily restrained. He took the book in his hands,
opened it at the beginning, and saw the words leering up at him. He
tried to focus on them through the lens of nascent tears welling up in
his eyes…
‘Are all human being possess seed of compassion. Must use
intelligence to cultivate the inner value associate with—’ Winston’s
sobbing made his pronunciation incomprehensible, punctuated as it
was with little grunts, gulps, and many a quivering of the chin.
‘Most lovely sentiments Winston. Please take your time and
continue when you can.’
Winston composed himself and began again. ‘Create better world
will require will-power, vision and much determination. And for that
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 249
must need strong sense that humanity is one single family—’
‘Winston, I must apologise for the interruption: even though it’s live
TV, we do still have a time constraint—so let’s advance a couple of
pages and read on from there.’
In the simplicity of such an instruction lay a callousness that
shivered through the reader’s being. He could do nothing, nothing
but obey—obey, submitting himself headlong into the dread that he
now knew was waiting patiently for him. So he continued.
‘Compassion bring peace of mind. Bring smile to face and genuine
smile all close together.’
‘Very nice, perhaps even further on, skip a few pages—into the
meat of the matter, as it were.’
‘When you have more compassionate mind and cultivate
warmheartedness, must whole atmosphere around be more positive
and friendlier.’
‘A little further still, if you could.’
‘Problem create by human being must solve by human being.
Basic human nature is compassionate and this is source of much
best hope.’
‘Ah yes! The allegory of the blocked sink! Further on, please
Winston.’
‘Neither space station nor enlightened mind can be realised in
single day.’
‘A little further still.’
‘Be most kind and compassionate person. This inner beauty is key
factor to make a better—’
‘Next.’
‘Love and compassion most important because—’
‘A couple more pages further!’
‘Inner peace help sustain—’ Winston was rushing to finish each
bite-sized homily before being rudely moved on to the next.
‘Next chapter!’
‘When we—’
‘Winston, I don’t imagine it’s an easy thing to be a celebrated
writer, to discuss a new book in public, on television, being watched
by millions of viewers,’ said O’Brien. ‘But you do seem to be a little
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 250
shy of your fame. I’m worried that you’re not making the most of it.
I’m trying to get to the real meat of your work, the nub of it, for your
fans at home—so let’s get to the juicy stuff, and find out who Winston
Smith really is!’’
‘How can I help it?’ Winston blubbered. ‘How can I help that two
and two are four?’
‘Oh, I see. But you know very well that sometimes they are five,
and you’ve proved it most convincingly in your writing. You state it
quite plainly, often. You must stop imagining that posterity will
vindicate this stubborn reluctance to exist as a popular poet.
Posterity will never hear of you unless you speak up. You will be
lifted clean out from the stream of literary history if you do not take
this opportunity right now. People are interested in what you do.
They haven’t yet heard just how exceptional you are. How will your
new book become an airport bestseller if you won’t let us hear the
spoken wisdom of its author? Your humility is endearing, but
obstructive, and Humanity cannot abide the hoarding of talent,
especially if it retards our collective advancement, our progress.
Today we are lucky enough to hear you read from your book, to
witness what you are giving to the world—your gift contains within it
the hopes of the multitude realised in the acts of the singular
individual. So Winston, please be so kind as to indulge our
fascination, we merely wish to thrive from your talent, and so you
might forgive us for our simple greed. Winston, we beg of you,
please, please, continue.’
Winston turned the page, fearing the next black mass of words
lying in wait. He cleared his throat and began. ‘Can lead horse to
water but cannot force to drown alone.’
‘Ah! I detect a sea change. Next!’
‘To invent ship is to invent shipwreck and to invent car is to invent
carcass.’
‘Oh Winston! Don’t stop!’
‘Anorexic appetite so hungry for meat prefer shun supermarket
nibbles to devour own flesh.’
‘That’s more like it!’
‘Every mushroom cloud has silver lining.’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 251
‘Yes! Yes! That’s the spirit! Here comes the pathos!’
‘Hideous social intimacy we call love is merely infinity put at
disposal of poodles.’
‘Are they prepared for this at home, Winston? Do they know what’s
coming? Next!’
‘War is to dream of world peace what pony is to Miss Universe.’
‘Oh Bravo! Winston! Bravo! This is the stuff they’ll remember you
for! Next!’
‘Altruism is selfish kindness, like child who cheats piggybank or like
crack baby loves its mummy’s teat.’
‘Oh how could you Winston! You monster! Next!’
‘Logically, must harmony come from deep inside the heart.
Harmony much too based on dog trust cat, not so much cat trust
dog. As soon as use force, creates pussy fear. Pussy fear and doggy
trust cannot go together on walk in sunshine, but only sit in shadow
of garden sprinkler. Wet cat. Wet dog. Bad smell.’
‘They are weeping for their serenity Winston! Weeping! Next page!’
‘If must can cultivate right attitude, enemies are best spiritual
teacher because their hate provide opportunity to enhance and
develop hate, develop patience and understanding of more better
hate.’
‘You are a most evil and wicked man, Winston. Next!’
‘Choose to pretend be optimistic? Much feel better than pretend be
happy. Pretend happy is like puppy bite slipper, but no blood. Puppy
much best happy not pretend happy but bite hand of owner, taste
much blood. Much happier.’
‘Winston, perhaps you might turn a few pages further into the text, I
feel we haven’t quite got down to the deep core of it yet, to the
marrow, to the disease of it, to the nitty-gritty. To what is exceptional
about your voice, place and hurt.’
Winston did as he was told, turned a few pages, and saw what was
waiting there. He looked up from the page and into the camera lens,
beseeching Big Brother to release him from his task.
‘Winston? We’re waiting. Pussy fear got your tongue?’
‘But I didn’t write this…’ he whispered.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 252
‘Of course not! No author can claim the absolute minority of his
voice—we’re quite aware that a work, however masterful, is in part
created by a population, that no man is a monad. Read on.’
There was more than a trace of amusement in O’Brien’s voice.
Winston reluctantly began the next section.
‘Most rotten heaven now vacate absent god most all too burden by
authority, nonetheless worship by litter of diehard runt and Santa
little helper and much other self-deputise dwarf who confuse
elongation of midday shadow for measure of towering stature and
size of penis—must peel from obscene protuberance, stuck fast in
much slime, dark mass so dense, living, breeding, excrement of toil
and rack, tint blue sea brown and green land black. Must hideous
formless horror wait for morning sun, moon and tide to untangle their
affect and drift apart into cold dark universe we have for so long
been promised.’
‘Oh that’s very good Winston! That’s the classic Winston Smith we
all want to hear. Next!’
‘Sad war-baby cry itself dry until both eye socket like empty crater.
Must cry acid rain, for Aztec rip out living heart must only through
extraction does sun agree to return, otherwise ulcerated threshold of
gouged darkness, is partial glimpse of unimaginable ugliness,
plague, breed pestilence and ruin—must protect mystical peculiarity
of baboon’s fleshy genital eruption or peacock opulent fan. Necrotic
device is most hectic to diagram, most better low-life and vile biology
thrust into welcoming arm of inferiority complex, as insurmountable
potlatch, or movement most giddy effect, because death is nerve
ending—life, most rotten communication.’
Resigned to his task, Winston continued without need of O’Brien’s
hounding prompts, noticing the odd fragment of his own work
amongst the litter of misfortune profanities.
‘Must sun’s holocaust deluge with blind indifference, solar beam
embalm inside the skin of meek who seek to pass their inherited
share. Even must sea vomit on shore like dog disgorge bloody
chicken bone stolen from master’s drain. Bulimic tide convulse, and
disgorge detritus like monster tear out own teeth—must water-edge
be a ruptured tear, where land dissolve like nasty clot—and yet not
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 253
all earth Aspirin can cure the pain nor put Humpty Dumpty back
together again! No engineer save broken egg from mechanical
striptease, no rustic squeak nor boutique sigh, nor nerves pinned to
infinity, nor calm of the dead, with much flimflam puppetry—and bedside mannerism inflate and deflate sigh of iron lung set to ponderous
respiration. Goldstein papier mache head nodding and shaking or
bob up and down like cistern-float-equilibrium-valve await next turgid
flush, hoping that somewhere in mish-mash of contradictory
expression live approximation of death, him block head tease by
granite of grief, many crush children—so began to giggle all most
innocent, then churlish as common murderer. Death pressed hand to
mouth—To store morbid crow safe inside cage. Creasing at neutered
obscenity of human compassion, with more mechanical nod and
shake, most spectator implore it to stop—must beg to refrain from
pornography of mockery. Was all could do to implore—while death
bully at desperate antic, wringing its hands-tickled-pink that a
species so very close to death—so professionally familiar with its
coming and going—yet did not know it from Adam.’
‘Winston, Nagasaki has nothing on you! But jump a few pages—
we’re almost there!’
‘Instead of blind-lead-blind through wasteland of dreary idyll—tropic
of idiotic disorientation without fang nor gore to suck in sight, nor
snuffed out babies to mewl over nor stand as ground-zero of all thing
bad nor fountainhead to all thing good, must best instead put “fun”
back in funeral, “twat” back in weightwatchers, “fist” in pacifist, “cock”
in cock-a-doodle-doo and “cunt” in vagina, or best hanker for
rampant crime undilute chaos of preferred world, not windmill, kite,
flag, hot air balloon, butterfly, candy-floss, sweet and cake, bunny
rabbit, honey bee, ladybird, caterpillar, dragon fly, squirrel, bear cub,
juggler, owl, dove, olive, mice, swan or feather, most feedback
through diagonal web of jism spittle twang in gobshite funhole duct,
sinus cum block snot purge, larynx, kidney, heart, adenoid, colon
ejaculatory duct, muck sinus block, choke to larynx, split kidney,
dullard heart, tease gurgle adenoid, donate purpose sickened liver to
sick child, pancreas, when clench must tighten even more, crimson
coral weaves through sinew plus strand root, plus stems plus pretty
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 254
ugly leaves petrifying cell-strata tissue by pricked open sagging
lungs, shitty spleen, shitty bladder, shitty prostate, shitty colon, shitty
appendix, shitty tangle human hair scream pull out, palate cleft in
shitty big toe foot-in-mouth, shitty taste tongue, stub toe, pierced
testicle to atrioventricular valves, ejaculatory duct calcifying vessel
plus vertical capillaries into thin glass needle noodle soup snap off
inside abdomen compress, must hell-bent on obsess over forensic
details own suicidal outpouring, boo hoo, who? Only you. Rotten
penis sag on swollen belly, pulse slit shitty wreckaged rancour
flyblown vision best ever so lightly tease by prosthetic optical
apparatus in deepen porous of shitty doomed molar unit, most
bescrawl and inchoate, since dyslexia is to dyslexic what stutter is to
stutterer as lisp is to lisperer.’
‘That’s the stuff, Winston! I can hear hell groaning! Just a few more
pages—we’re so close!’
‘There no need erect temples, no need God. Better you susurrate
swollen blood thrust of loins in split shitty tissues. Better you drape
head open mouth soiling blood spattered veil face beaten or better
violaceous liquefied all body politician. Better you strangle penis
sweat clitoris slime frothing in nostril sagging load straggling over
and over shaved occiput or better mauve slit of angry arse. Much
better when discontent devour dead membrane’s throat gurgling jism
purge with bloody smear-chipped tooth-dent in screaming soft rape
flesh, especially in June—legs spread, club-foot egg spoon race,
rough armpit juice, dribble lick, stick, prick, flick, nick, dick, slick,
caked muck mire mien, swollen fist fuck stuck fast, slow, palpitating
dermis peeling away in acid bath, have much taste of own medicine,
whether universe, with countless galaxy of muck, star and planet,
has most best deeper meaning or not, but at very least, it clear that
human who live on earth face task of obliterate planet. Therefore, it
important to discover what bring about greatest degree of personal
destruct. The more motivate by hate, more fearless and free action
will be. Human potential is most same as toilet potential—same shit,
different toilet. You must feel, “I am of no value”, is true. Absolute
true. You deceiving self in power of thought—so what lacking? So
what? If have willpower, then you change only local putty in baby
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 255
hand. You are own master, but only master of masturbator—only
slave’s slave.’
‘Oh, that’s a favourite of mine! One of the most impressive
misfortunes you ever penned! Not so good for those poor souls who
followed your advice. Do you remember writing in this very book that
it did not matter whether I was a friend or an enemy, since I was a
person who understood you? You were right. I enjoyed your mind. It
appealed to me, until you perverted the divinatory nature of the
fortunes and drove innocent people to forms of violence not
witnessed for more than a century. Winston, you are a criminal, your
poetry is pure evil! But perhaps this is the cost of creativity?’ There
were layers of amusement in O’Brien’s voice posing as outrage.
‘Now we must allow our viewers to judge the power of your work. Let
us see if they can separate the beauty of your writing from its
murderous consequences. Perhaps your work can be redeemed
beyond the condemnation of your actions! Let our audience decide—
appalled as they must be by now! Astonished! Shocked! Disgusted!
Their world turned upside-down! But they can always vote you out of
the household if they so wish, that is their Democratic right, the basis
upon which our consensus is formed…. So let’s cut to the chase.
Turn to page 101, and we shall see.’
‘Page 101? What’s on page 101?’ spluttered Winston, aghast,
horrified.
‘Oh, Winston, you know what’s on page 101. Everybody does,
even without reading it. But you have the book in your hands, so why
not take a little peek?’
‘I don’t want to. Please, Big Brother, please, O’Brien, please don’t
make me.’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 256
Chapter III
‘Page 101,’ said O’Brien. ‘It’s the last page in the book. Just ten lilywhite words waiting there for you. But you already know the answer.
Everyone knows what the worst thing in the world is for them. Two
plus two, Winston! The unthinkable plus the unmentionable equals
the unnameable! But the worst thing in the world varies from writer to
writer. It may be a description of ugly curtains, bad dialogue, a
recalcitrant plot, no twist, or a flat ending. There are cases where it is
something quite trivial, and not even fatal. In your case, it’s the
poetic revelation of the true nature of your soul, and so the worst
thing in the world for you just happens to be on page 101.’
A premonitory tremor passed through Winston. He looked down at
his lap, at the My Big Book of Me abandoned there; he saw his name
embossed on the cover, traced it with his fingers, and imagined all
that a first book should be to a newly published writer.
‘You can’t do that!’ he cried out. ‘You couldn’t, you couldn’t! It’s
impossible!’
‘Do you remember,’ said O’Brien, ‘the moment of panic that comes
over you in your dreams? Those good ideas, bits of
incomprehensible scribble and fleeting ideas all forgotten in the dead
of night, grasped at in the morning—but gone?’
‘O’Brien!’ cried Winston, making a supreme effort to calm his voice.
‘Please! You know this is unnecessary. You know I’m innocent!’
‘By itself,’ said O’Brien, ‘the truth is not always enough. There are
occasions when a contestant will stand up against the facts, even to
the point of self-harm. But for each of us there is something
unendurable—something that cannot be contemplated calmly. If you
fall when ice-skating you will ruthlessly grab at a child, or if you are
drowning, gain buoyancy at another’s expense. Instinct inhabits the
mind, and is not subject to the conscious vacillations. Instinct is
consensus, and consensus is instinct. So it is with your writing. You
stand accused of composing many malicious misfortunes, and
thereby sending many to their deaths. You are a pariah, Winston, it is
incumbent upon you to sacrifice yourself to a higher purpose.’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 257
‘But it’s not my writing! You know it isn’t! You said so! The
misfortunes were written to manipulate me, to force me to rectify
them as though they were the consequence of a malicious glitch. But
they influenced my writing, permeated my thinking so much that I
believed some creative force was being channelled through me! I
can no longer tell what was mine and what I believed had chosen me
as a cipher! I can’t be judged for something I didn’t intend!’
‘Why do you deny your talent? I’m sure the viewers at home are
desperate to know, if only to restore their faith in poetry—this is your
opportunity to explain, Winston. Don’t blow it—for their sakes!’
But Winston could only hear the blood singing in his ears, mixed
with the revivalist vigil outside the walls of the Big Brother house
jeering and baying for his blood. He was in the midst of a great
empty plain, a flat desert drenched with sunlight, across which all
sounds came to him out of immense distances, an immense desert
scorched by an angry sun, a glockenspiel of collapsed animal bones
upon which an emaciated child played Twinkle, Twinkle Little Star
with a pair of spare ribs. All around the patterned armchair there lay
a parched river-bed cracking into an impossible puzzle of itself,
attended by a pet lapdog hung from the agony of its own serrated
spine. Soon there came the familiar voice delivering its sonorous
narration, and the sight of the many post-apocalyptic American
families captured by toxic dustbowls, the mockery of flies in the air,
their God holding them to their humble misery, obscenely fat, obese,
yet starved of any voice, place, hurt, dignity or wholesome
nourishment—
‘DEATH … SUGARY DRINKS … OBESITY … MISERY …
HOPELESSNESS … DEATH … SUGARY DRINKS … OBESITY …
MISERY … HOPELESSNESS … DEATH … SUGARY DRINKS …
OBESITY … MISERY…’
The flies were lapping at Winston’s tears and Emmanuelle
Goldstein was nowhere to be seen, her salary request rebuffed
since, now that they had Winston, there was no need for
compassion, and O’Brien’s Big Brother was still there, unseen and
omniscient, watching him, surveilling him.
‘Page 101, Winston. It’s waiting. The future is in your hands now.’
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 258
Still the chanting: ‘PLACE … VOICE … HURT … PLACE …
VOICE … HURT … PLACE … VOICE … HURT …’
Winston was aware of a deep primordial moan, and from the very
depths of this first almighty plaint, a new poetic howl announced a
more sublime demand upon the universe. His sobs were heaving,
chest heaving, universe heaving—chin quivering, puckering and
dimpling like a putty-faced crack-baby denied its mother’s teat. He
fumbled through the pages, blinded by waterlogged eyes. At page
101 he came face-to-face with the inexorable fate waiting there for
him, the last ten words of the book—just as O’Brien had predicted:
ten, to the letter.
He took a breath of air—it felt like his last—and began to read the
last ten words of his first book:
FUCK COMPASSION
FUCK COMPASSION
FUCK COMPASSION
FUCK COMPASSION
FUCK COMPASSION
He imagined the smash of truncheons on the elbow and the heel of
jackboots on his splintering shins; or were they glowsticks, rainbow
socks and Birkenstock sandals? It was difficult to tell. He saw himself
grovelling on the floor, screaming for mercy through bloody and
broken teeth; or was it red Merlot and popcorn? He thought of Julia.
She was fixed in his mind. He loved her but she had manipulated
him; he knew that fact as truly as he now knew the rules of Twister.
He felt love for her, and he wondered where she was. He thought
about Syme’s razor blade. It would bite into him, but the fingers
holding it to his own wrist would be cut to the bone. For some reason
he was more squeamish about slicing his pinkies than cutting his
wristies. Then he was falling backwards, down into an enormous
depth, he had fallen between the crude atoms of the floor, they had
moved apart for him—he oozed through the earth, drifting through
the viscous oily oceans beyond, past the glowing deep sea jelly
creatures with their black eyes and grey smiles, out into deepest
darkest rippling cosmic matter, into the flowing gulfs between the
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 259
stars. The jeering had stopped, no more malicious chanting of his
name, no more revivalist vigil….
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 260
Chapter IV
Serendipity Café had largely emptied for the evening, save for
Winston Smith, who was sitting at his favoured table in the corner,
captivated by a small portable television opposite, its sound turned
down, but with the large smiley poster blaring out above—SMILE
AND THE WORLD SMILES WITH YOU.
These days he was less inclined to focus his mind on anything for
more than a few moments at a time—but the television was soothing
enough in its chronic banality to match his newfound tempo. So he
watched, unflinching—sipping the full-fat froth on his coffee until it
was tepid enough to drink—his third cup of the evening, proxy rent
for his extended occupancy of the corner table.
His regular visit to the café—with its perfect white sugar cubes and
Black Forest Gateaux haemorrhaging with whipped cream—had
contributed to Winston’s passage to an unhealthy weight following
his emaciated eviction from Big Brother and dismissal from the
Ministry of Fortune. With his fall from grace had come the mandatory
destruction of the only copy of My Big Book of Me, and his pledge to
give up writing—both rectificatory and creative. He had served
O’Brien’s purpose, and while never officially pardoned, he had been
put out to grass, wandering out of sight and out of mind, inhabiting
his obscurity without complaint. A certain wan complexion had taken
hold of his corpulent face, since it was now subjected to an assault
of formaldehyde moisturisers, petroleum balms, and toxic toners. His
hair was shaved to the bone. His lapse into obesity was less a tactic
than an affliction of lethargy: Winston was hiding in the plain sight of
personal dilapidation.
The volume of the television was increased by some unseen hand
from behind the counter, but volleys of fireworks could be seen and
heard bursting on the diminutive screen, with the acoustic grandeur
of rippled bubble-wrap. He saw many colours exploding above the
Ministry of Misfortune, highlighting the three new slogans of
unhealthy living gouged into the sloped Himalayan crystal rock face:
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 261
BE WRETCHED IN YOUR OWN SKIN
BELIEVE IN HATE
BECAUSE YOU’RE NOT WORTH IT
Winston’s heart stirred just a little above its usual autonomic murmur
as the new season premiere of Big Brother announced itself
onscreen—the fresh-faced presenter caught in the chaos of live TV,
poised before the house, awaiting the arrival of the new housemates
upon a long runway that vanished towards the entrance, across the
razorwire and surrounding moat which contained at least the rumour
of alligators and crocodiles. The smiley flags were now all rendered
miserable, upturned and tattered in the raging wind, as epic
searchlights formed aerial criss-crosses as Neighbourhood Watch
helicopters dangled in mid-air like toys—or maybe they were toys.
Posted either side of the door were two brutish sentinels who
seemed plucked from some Symeonesque counterfactual history,
with pantomime steel helmets, black jackets, black jodhpurs, shiny
black jack-boots, wearing smiley armbands and holding short riding
crops. Suddenly the lumbering steel doors of the house swung open
to reveal second-time rollover winner Jade, spewing out as far as her
jangling chains would allow—drunk and incensed, in a coarse cotton
full-length dress and matching headscarf—a ferocious scullery maid
tethered to her post, ready to meet and greet her new co-contestants
with a flurry of archaic obscenities—and with insults to spare for the
baying crowd too, from whom she received rocks, bricks and bottles
for her trouble.
‘What could be more inviting than the fury of fools? Is it not “good”
to be encouraged to do “bad”? For what proposition does such an
invitation serve other than to bolster the morality of weaklings who
need evil in order to live like sheep! We are all fucking sheep, but
what kind of fucking sheep do you want to be? Baaaaaa! Fucking
baaaaaaaaaa!’
As objects rained down upon her head, the angry crowds pushed
closer, pressing against the wire fence in their white loose-linen
open-necked blouses, loose jeans, open-toed sandals, strings of raw
sandalwood beads tied loosely about their wrists, with simple sandcoloured wooden paynim pendants, and the rigorously unkempt hair
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 262
—only the wire held them back from tearing the sacrificial prole
apart, but they bayed for her blood nonetheless.
‘IN WITH HATE! OUT WITH LOVE!
IN WITH HATE! OUT WITH LOVE!
IN WITH HATE! OUT WITH LOVE!’
Winston recalled the amateurish drone of his own hate vigil, the
farouche jeering and gauche bad-mouthing of his good name that
haunted him at the time of his incarceration in the house, way before
the other contestants, Syme et al, were co-opted into joining him—
when he had been offered to the public by O’Brien as the founding
pariah of the new interim Two Minutes Hate.
But that was just the beginning. Now the indignant horde had really
found their métier and came professionally mob-handed, pressing
their compound mass against the mesh fence, a thousand sinewed
fingers squeezing through the holes, straining, and faces pressed to
—with newfound leering and baying, and handsome healthy faces
once so resplendent with utter well-being now quilted by the crossed
lattice-wire, a crowd of hot-crossed buns basted and baked by rage.
Winston watched the TV, blindly tracing with his finger on the table:
2+2=5
Accompanied by a univocal surge of excitement and the muscular
threat of mass violence, the brand new contestants rolled up in a
replica prison truck, its pantomime bars mounted upon the
substructure of a craftisan milk-float. The spotlights raked over each
bewildered nominee as they were roughly plucked from the dark
vehicle and led out into the febrile chaos, witless stricken eyes
dilated and vast with fear. The PA announced each of them first by
hereditary title, then name, but went largely unheard beneath the
swelling rumble of vilification. Then each candidate was led along
the cage toward the door, accompanied by the glorious sound of
harpsichord, say, Scarlatti or Soler, or KoKo the Klown, who knows—
who cares—but with legions of tentacles, bloodraw tongues and
snapping teeth straining through mesh to gouge at them. Each
petrified precaristocrat was manhandled along the catwalk with the
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 263
aid of ancient Venus sex toys reconfigured as buzzing cattle-prods,
herded toward the bellowing rollover winner Jade, an erstwhile slave
waiting to offer them a foul-mouthed Anglo-Saxon welcome.
Winston recognised the tinged tennis pair, the viridescent jogger: it
was the old man from the wine bar and the sad pruning lady from the
garden below the window, still silently gasping her archaic recitation.
He recognised also one or two tinged shoppers from the street, the
shopping trolley eel—all now stumbling blindly along the runway
towards their new home, running the gauntlet of jeers, rounded up
for the enlightened light entertainment of all those unified by hate.
Captured on the cameras mounted high inside each room, the
greenish half-beings staggered around in the opulent Baroque
ornamentation to continuing harpsichord accompaniment, Chinese
wallpaper and slave figurines adorning the walls, Rococo cornices,
neo-classical textiles, marmoreal columns as well as an impressive
collection of paintings and a labyrinth of two-way mirrors with gilded
frames, plus gilt pier-glasses, gilt girandoles and a suite of Louis XVI
Lit à la Polonaise beds billeted in rows in the vast and luxuriant
dormitory—the poor old filthy-dirty precaristocrats finally reunited
with the ancestral finery they had once been so cruelly denied,
reinstated in this season’s Big Brother’s Stately Home.
The café door cracked open and Julia—if indeed that was her name
—leaked in from the oily darkness with noticeable purpose and the
shock of his anatomical transformation visible in her eyes. As she
cautiously drew up a chair and sat opposite Winston, he wondered
how she might have found him.
‘I’m sorry I betrayed you.’ The words were spoken so very softly,
the sentence only just forming. Winston saw that Julia was poised to
receive his customary words of wisdom, but he could only look upon
her with a sense of sorrow for what he knew was to follow.
‘Come gather ’round people wherever you roam, and admit that the
waters around you have grown, and accept it that soon you’ll be
drenched to the bone. If your time to you is worth savin’ then you
better start swimmin’, or you’ll sink like a stone, for the times they are
a-changin’’.
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 264
‘What?’
‘What is…is just.’
‘Winston, are you alright?’
‘Oh, I’m outta sight.’
Winston grinned with a thick-headed bromidic vigour, a tantric
daze, an ayurvedic funk, with something of the magnitude of the
oceanic or the abstract, or both, or none—it was difficult to tell.
Seeing how Winston’s words were lacking in their usual sagacious
yet user-friendly elevation, Julia recalled the purpose of her visit and,
even more nervously, pushed a small object across the table without
taking her eyes from his. Fearful that her fingertips were in danger
from some imaginary rat-trap, she swiftly retracted them, stood up
and, with a brittle twitch of a smile, turned and hurried to the door
and back out into Big Brother’s brand new homicidal night.
Winston observed the thing wedged just under the saucer of his
coffee cup, and could smell the balsam even before disturbing it. He
unfolded it as he had unfolded a million fortune cookie papers
before. The words were pressed into soft tissue paper with a neat
handwriting that was anonymous to him, such that he did not know,
nor care, if he or she had written it minutes before or many moons
ago.
As O’Brien’s redemptive social experiment erupted, heralded by
the sublimated violence of pretty fireworks, as many VW Beetles
were rolled onto their backs and set alight, the streets menaced by
vandals in sandals and hippy tie-and-die lynch mobs, and as looting
broke out and the city burned with rainbow rage and molten lava
lamps, with the combined fury of every lightning strike ever to have
hailed from sky to earth, the polarity now reversed as a million years
of accumulated wellness welled up into an almighty tectonic
holocaust raging from the earth’s monstrous bowel, the sublime
telluric corpse-grinder taking revenge on the wafer-thin
Anthropocene for irritating its allergic skin—O’Brien’s compassion
fatigue rose to a cataclysmic pitch, forming a brand new consensus
of hate…. Exhaaaaaaaaaale––––
Winston flattened out the tissue and read its scrawl:
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 265
‘Mine is most peaceable disposition. My wish is humble cottage
with thatched roof, but good bed, best good food, most fresh milk
and best butter, much flower before window, and few fine trees
before door; if God want make my happiness complete, must grant
me joy of seeing six or seven of enemy hang from those trees.
Before their death I shall, moved in heart, forgive all wrong they did
me in their lifetime.’* *
Winston summoned his most best beaming smile, but a tear was
soon to follow, since the sweet kooky sound of a soft female voice
wafting along to lazy strums of an acoustic folk guitar met his ears:
woman is the nigger of the world…oh yes she is…just think about
it… carried on the mutinous breeze, the night descending like an
embalmer’s sheet—dark, solid as livid meat laid out on a morgue
slab, dense as the slab itself.
And so here rests Winston Smith … Ass … Buffoon … The Last Man
…
1 Heinrich Heine, Gedanken und Einfälle (Section I), rectified,
quoted in Sigmund Freud, Civilization and its Discontents, tr. J.
Strachey (London: Norton, 1989).
2 2=5 - Jake ChapmanJake and Dinos Chapman / text
P. 266