DOCUMENT
UFD0024
Tariq Goddard, Jeremy Gilbert, Justin Barton, Tristam Adams, Robin Mackay
Mark Fisher Memorial
On February 12, 2017, following Mark Fisher’s untimely
death, at a memorial service at Goldsmiths University
of London speakers paid tribute to Mark’s life, and
confronted the loss of an irreplaceable, galvanizing
cultural figure.
Tariq Goddard
We will all remember Mark Fisher.
He took us and the things that interested us seriously because they mattered to him too. His attention to what we watched, read, and listened to
endowed us with the intellectual self-confidence to
stand up for ourselves and engage with a world that
would not have noticed, much less be bothered by,
our silence.
Encountering Mark was like joining a band; you
shared a sense of purpose before you knew whether you were even going to like each other or not;
the thrill of where you might be going rendering
the conventional process of getting to know a
person obsolete.
Never leaving anything in reserve for himself rendered him susceptible to exhaustion, and as the
pragmatism of cutting corners and making do was
an anathema to him, withdrawal and inertia became
a refuge. Mark’s fervent integrity and refusal to shy
from life’s bottomless darkness meant that when
robbed of energy, living could become a burden, to a
point where he incorrectly identified himself as one.
Owning up to fear, and overcoming
what frightened him, was his dialectical method.
It is cruelly ironic that a man who had such fair and
realistic expectations of others, could not extend
them to himself, and though none of us can agree
with his decision to end his life, I believe he mistakenly felt that by doing so, he was sparing not himself,
but those he loved most, from further suffering.
Owning up to fear, and overcoming what frightened
him, was his dialectical method. What on one day
might be the cause of anxiety or paralysis, would,
by the next, be an inconsequence he could humour,
laugh at, and then ignore. Because encouraging
trust was more important to him than the observation of social niceties, Mark led by example and
gave freely of himself and often. People invigorated
That his thinking, so full of insight and compassion,
could have come to this, was his tragedy and our
loss. He will be remembered as intensely as he will
be missed, and I am sorry that he is not stood where
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him but he lacked the necessary vanity and love
of the limelight to become a public figure; trips to
Disneyworld with the small family unit he loved and
revered, were easily as welcome as the summons to
revolutionary war.
Sadly his generosity did not always extend to himself,
and Mark had a way of not allowing praise and compliments to really reach him. This was partly due to
his distrust of flattery, innate modesty and shyness,
but also because his eventual validation entailed a
responsibility and a position to live up to.
I am now, to acknowledge how much he will always
mean to us.
We will all remember Mark Fisher.
Jeremy Gilbert
Mark and I were aware of each other and each others work from some time in the mid-1990s, but we
only met once in person, I think, before 2009. I’ve
been trying to write down the story of our relationships—intellectual, political and personal—as I recall it, and my many thoughts about that story, and
I will put it all online soon. But all that would take far
too long to relate here.
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What I want to say first and before anything else is
thank you to Mark. He thanked me more than once
for various things, in private and in public, and I don’t
think I ever thanked him as much as he deserved. I
want to thank him for his friendship, which meant a
great deal to me. We would talk about everything,
as friends do, we spoke together in public a number
of times, our families spent precious time together, we shared ideas and influenced each other very
much, and he was the only person with whom I’ve
co-written any substantial work with in recent years.
This often felt like the most productive and yet also
the most relaxed collaborative relationship that I’ve
ever had. I know that there are several others who
can say the same of their relationship with Mark,
and it was one of his great gifts, this capacity for
creative collaboration.
And this is the thing really that I would want to thank
him for before all else. The sheer fun of it. The exuberant, excessive thrill of throwing ideas up into
the air to see where they would land, of following
through the logic of an argument past any point imagined when you started, of eating fish and chips
with a mug of tea on a grey September afternoon,
of being invited to the house of commons to parlay
with senior MPs, of knowing that there was someone who would always have your back in a crisis.
Mark was the only person I could get to to stand
in for me if I couldn’t make some speaking engagement or media appearance, and more than once
I filled in for him, speaking or teaching or meeting
with someone when he was indisposed. It mattered
and was meaningful and sometimes it was very
very sad—but most of all, above everything else, it
was all enormous fun. So thank you for that, Mark,
my friend.
One of his animating passions was the
desire to will into being new publics,
new collectivities of thought and praxis
This capacity of Mark’s, and his drive to share, to
create together, was what enabled him to play such
a crucial role bringing people together, to learn, to develop new ideas, to expound them in their own voices.
I think that one of his animating passions was the desire to will into being new publics, new collectivities of
thought and praxis. From the CCRU days through his
time curating the Dissensus forum, to the years when
he was the pivotal figure in the music and philosophy
blog scenes, to the launch of the Zer0 and Repeater
imprints to his final collaborations with Plan C and
Mark’s loss is terrible and the manner of his death
was more than tragic, although it is important to
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many others, Mark was devoted to this cause and
indeed everything he did seemed to be contributing
to it somehow, even when he was just writing about
himself on his personal blog. His own books served
as a kind of invitation to a universe of critical thought,
issued to a vast public who mostly had been excluded
from that world before. His commitment to teaching
was inseparable from his commitment to these ideals
of public learning, collective research and open discussion of everything.
I want to thank him for all these efforts, the successes of which were spectacular and remain so.
And I want to thank him for the other people with
whom he brought me into contact in the process.
Getting to know Zoe and George was such a special
thing. It was through Mark that I met Alex Williams,
who became my PhD student and now my co-author and good friend—getting to know him and Nick
over these past years has been a great pleasure and
privilege, and one I owe entirely to Mark. There are
many people here who I only really met or heard of
because of him, and of course almost all of us can
say the same. It was that scintillating, multi-faceted,
multiply-connected productivity that made him so
important to all of us personally and such a model of
the public intellectual in the internet age. And it was
so much fun.
remember that on one level, he was simply killed
by an incurable illness no different from any other.
Whether it could have been cured, or his death prevented, if mental health services in the UK were not
in a state of abject collapse, we will never fully know
—but I think we can hazard a guess. And I think it
is worth remembering that Mark was always fighting, always fighting, in his way, often in very exposed
and vulnerable conditions, for a world and a society
in which the appalling degradation of our systems
of care and cure were not regarded as inevitable
occurrences, as inexorable as the seasons and
the tides.
time and space, inspired by the spirit of a certain
Marxism and the communist ideal, which could imagine a future beyond limits of the capitalist present.
I think that Mark’s work and life can be seen in many
ways as a great contribution to this work of conjuring that new international into existence.
The phrase ‘the international’ is best known to many
people from the title of the famous international
communist anthem, the Internationale. Don’t worry, I’m not going to sing it. But I am going to read
it, in a way. In fact what I’m going to read is a free
translation of the original French text of the song,
into prose English, in the philosophical idiom of Acid
Communism, as I understand it. So here it is—the
programme for the Acid Communist International —
or perhaps simply the Acid Communist Manifesto.
And this is from Mark, with Mark, and for Mark.
We who have nothing can only liberate ourselves, and every moment contains the possibility of a future yet unseen; erupting into the
present, re-writing the past. Lack is a shackle,
forced upon us by our captors, but every crowd
of slaves has the potential to be free.
No hero is coming to save us. No celebrity, no
guru, no perfect politician, no magical leader. It
is we who make the world and we who must
save it. Nobody can liberate themselves alonewe can only do it together and in everybody’s
name. The common good must be the only
thing we strive for, and we must work in ways
that enhance the potency and creativity of all.
It’s for all of us to take back what’s been stolen—our freedom, our futures, our time.
Now, in that spirit, I want to say something about
the book that Mark was working on. The book was
to have been, I think, his most important by some
way, and it had the wonderful, thrilling and typically provocative title of Acid Communism. I wanted
to say something about what I think Mark understood by ‘acid communism’ as the name for a possible political philosophy, an approach, a programme
derived from the best legacies of the counterculture and imagined in a unique way for our century.
When thinking about this, I found myself reflecting
again upon Mark’s desire always to bring into being
new collectivities of creation and resistance. One
very important text for both Mark and myself was
Derrida’s Spectres of Marx, in which, among many
other things, Derrida imagines what it might mean
to try to conjure into existence a new ‘international’,
a new community of comrades across borders of
The shadow of the jailhouse still hangs over our
whole society—with its rules, its cells, its clocks,
its audits and its endless sprawling bureaucratic
drills. When any chance comes to escape it we
must take it, and in the long run let’s burn these
prisons to the ground. We must kill the policeman inside of our heads, freeing our minds so
our bodies can follow, becoming-cosmic so we
can all become free.
The new rulers of the world—in the City, on
Wall St, in Silicon Valley—they live off our labour and our creativity, sucking it like vampires,
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Mark was always fighting, and his loss is a loss not
only to us personally and to his family, but to our
cause. It marks the site of a battle that we lost, and
every lost battle exacts a terrible personal cost. But
those of us who are left can only say this—that we
will, in our many different ways, keep fighting, and
that we will wage this war as long as it takes, down
generations, past the lifetime of any of us here if
needs be, for the promise of the world and the glimmer of the future which Mark always saw gleaming
amidst the rubble of our time. And we can know
that his life and his ideas and work and thoughts and
love will carry on and be a part of that struggle for
many years to come. And our anger at those whose
parsimony and greed has contributed this tragedy
will always be mixed with our joy at having known
him and at knowing him still.
liquidating everything, boring us all to death. We
want back what’s ours because we know how
to use it, and because we want to breathe and
want to live. We will expand our minds until they
break the chains laid on them—learning, loving,
yearning to be free.
blown on the endless wind out to the stars—the
spectral smile of the Cheshire Cat, which is the
Buddha smile and the smile of every mother, every
lover, every child and every friend who has ever
known a moment of plain love; the smile which
which is not bound to place by time, because the
love that it expresses is not bound by the duration
of any you or me or here or then or they.
They hypnotise us with their devices and distract
us with their games. The most awful wars are
only possible because of this. Don’t get sucked
into their reality. Use the machines that are
useful, but know when to switch off, tune in and
drop out. Let there be no war but our war on
them—only then will we be able to live in peace.
Love endures. In the bonding of the cells which
make our tissues, in the warmth which gives rise
to all of us, and without which we could not live or
grow, in the fact that the care we give each other is carried by every body, every word and every
thought. This is real and it endures. I don’t mean just
that we remember love, or can call to mind our gratitude for it. Love is what we are, what time is; it is
the atom’s swerve.
Comrades, come together. Let this be our only
battle, however long it takes. We are the workers, the producers, the creators; the earth belongs to us, and us to it.
And finally. I’ve talked about anger and joy, and God
knows that today we are all confronted with the reality of loss, and with the aching desperate loneliness of
being human. At such times, platitudes can do more
harm than good. But the fear of them can also hold
us back from saying things that wait to be said.
So at the risk of cliché, I want to say that all of the
anger and all of the joy and all of the pain that I’ve
referred to is ultimately always grounded in something else- because all of it would be meaningless,
unintelligible, aimless and unmotivated, were it not
for the love which ultimately animates it all.
And I think any of us who has ever known a moment
of surrender, peace or rapture or just the pure easiness of interaction with a friend, can pause, recall
and know wth a certainty that outlasts words, that
from the inhale-exhale of every present moment,
to the winds that blow through history, as civilizations rise and fall, through the ebbing and flowing
of the universes as they expand and contract, to
the endless unfurling of the aeons of the cosmos,
love endures.
I have so many memories of Mark—as we all do. But
the one which abides more than any other, is of the
smile on his face, as he looked at Zoe and George,
on a beach in Felixstowe, and of the love which that
smile expressed. It’s the love that he had for them,
for all his family and friends, for his students and his
many interlocutors, for all of us and for the whole
world as it is, in all its mess, its imperfection and its
pain. Even in his sadness, even when we couldn’t
reach him or he us, that love was never absent.
Justin Barton
What I am going to read is from Cathedral Oceans
by John Foxx, a piece of writing that Mark really
liked.
And it’s that loves that persists, and that smile.
I feel that to a large extent it was written facing the
unknown.
I seem to see that smile persisting, shining, even after every body and every building and every stable
thing we know has faded, dissolved into dust and
At a fundamental level everything to do with waking
ourselves up is about facing the unknown, travelling
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Pain can last a long time, and some wounds will take
longer than a life to heal. But love endures past all
recollection of loss, beyond all anticipation of fear
or joy to come. The love that we have all had for
Mark and his for us, is in the substance of our being, and will move the currents of our becomings,
until everything we have known in the world has
changed, and moved, and gone.
into the unknown. Only you have to travel into the
unknown in the right direction.
the houses. Moving with the dappled shadows, breathing with the breeze. Where no one
knows. The glimmer of his reflection moved in a
gilt frame near the window. Dusk falling over the
square with its trees and fountain below.
There is a charged, poised serenity about this writing which belongs to the right, love-and-freedom
direction of the unknown.
[...]
The streets open out into a piazza with a huge
fountain at the centre. Worn marble figures tangled in the cascade. People talking, eating, in
the open-air restaurants. Just strolling.
Soft winds across the lake, rain falling like leaves
a thousand miles away, years and years away,
slow cascade of those empty places. Tides in
the lake move in time to the sea. Spirals of dust
on the street corner, glittering in the afternoon
sun. The cathedral nave leads off into streets,
canals, restaurants, corridors, avenues, parks
and arcades. A part of it is underwater now, a
city beneath the ocean.
A beam of light like a slow dream and the voice
that becomes music. Dark against the wooden
door. The alleyways of Rome and Venice will
lead you here. Also certain paths by canals in
industrial cities in England, and cobbled courtyards in Paris. You will get to know them. They
will dissolve you here. Once you have the frequency, you will always return, always the visitor.
Through the empty mirror, a Victorian marketplace under a cold Lancashire sky. Walking
alone in the swirl of your faces.
Swift transition of time and place.
London vanishes in broken leaves. The weather moves gently though my suit and ripples of
twilight hush spread. Raise a hand as if to wave.
The cathedral’s echo turning into morning light.
Birds wings making fast, flickering shadows.
Shown on the maps as lights in torn paper. Tiny
lights, barely visible against superimposed neon
and headlights, among leaves blown into the
corners, all blurring out of focus now.
My hands are open... I am only eyes travelling
over the overgrown streets... through the buildings... down stairways, arcades, squares, waterways... foggy, sunlit.
Rainy stars reflected in the speckled mirrors,
down the hallways, under the ivy leaves. The
taste of rust and rain and there is a cinema I can
always step inside and see you moving, turning
slowly in old sunlight and I can melt through on
the Saturday morning tides of light and I know
that time is a great, shambling, many roomed,
ramshackle structure. Tall, flaking, endlessly
fragmenting.
[…]
Through this city you move along wide, ruined
avenues, passing through the honeycomb
of walls and rooms effortlessly, as in a dream.
Down long corridors hung with chandeliers,
through tall rooms, over stone bridges spanning
the waterways.
Myriad avenues. Waterways deeper than I can
swim. Warm, revolving and lost. The stairway
leads on to bridges, soaring across the river.
Smoke on the horizon, blue and gold among the
fog of trees. Everything is quiet and the dust
on the streets and the stars are slowly flowing
through each other.
[…]
Can you hear me? You swirl slowly in flakes of
gold through the red light of sunsets, a glinting
parade. The soft roaring of light in my head. I
will wait here for you in these gardens, the lake,
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He was looking at a picture in a travel guide
from 1954. The picture had the quality of an old
Technicolor film still. As he examined it, the picture began to change. Its surface slowly fragmented, dissolved, until he could see through it.
Tristam Adams
My parents told me to go to the induction day anyway. When I did I met wonderful Jo. She suggested
I go to room such-and-such and introduce myself
to my peers and the lecturers. I did, I walked into
that room thinking what the hell, nothing to lose—if
I don’t get in I’ll never see them again anyway.
I first came across Mark’s writing in 2007, on his
K-punk blog (late to the party, I know). His writing
hooked me. I would read through the archived posts
whilst at work. His blogs were addictive, thrilling, exhilarating—fizzing with feverish energy. His writing
was at once vibrant and intense but never dense or
turgid. He had, I’d say, a gift for communication—
there was, even in obvious one-sitter blogs, a natural ease for writing with pep and elan. A turn of
phrase, light yet powerfully elucidating, seemed to
come as easy as the many terms he coined—potent
in their concision: boring dystopia, semiotic pollution,
all done with mirrors, libidinal engineering…acid communism…. Visionary, in a sense.
He swept an open palm out towards me
and beamed. My anxiety dissolved.
When it was my turn to introduce myself I blurted
out my interests, neglecting to state my name. Mark,
and this was the first time I saw him, smiled his infectious, cheeky, twinkly smile and added ‘…and this
is Tristam, everyone’. He swept an open palm out
towards me and beamed. My anxiety dissolved. The
rest of the day was serotonin warm.
Months later I volunteered to present a Derrida
text in the MA module Mark taught. Rather than
a fifteen-minute summary it was a forty-five-minute meander through tenuous and overwrought
metaphors. Waves of embarrassment washed over
me. I felt nervous to the point of nausea, my face
flushed from green to crimson between each paragraph. A traffic light of insecurity. But Mark was
kind. After what felt like a crucifixion his first word
was ‘Superstar’. I wanted to talk more after that. I
presented again that term and spoke a lot in other
seminars—but it was all because of his encouragement. He helped me get the words out. I attended
that module for three consecutive years; I wanted
to be with Mark.
Then came a strange and vertiginous period—the
world in dolly effect. My position within the openplan economic incarceration was being made redundant. My partner of six years and I split, we’d
just had a small child together. Going back into education wasn’t something I thought ‘people like me’
could do—but I wanted to know more about whatever Mark was writing about.
I went to Warwick, where Mark did his PhD. I sat in
the Vampires’ Castle and asked about CCRU, about
Deleuze, about Mark, Nick Land, Zizek. A statesmanlike analytic philosopher explained to me that, no,
I would not find these things there. I was deterred.
I didn’t know what to do. I emailed Mark through his
‘kontact’ on K-punk blog. The email was titled ‘random email from a confused youth’. I explained how
little I enjoyed socializing and my disenchantment
with the arts. Mark replied, he told me not to go to
Warwick: ‘on no account go there’. Later down the
line he suggested I come to Goldsmiths, somewhere
I thought only upper-middle class people with firsts
went to—not my ilk.
As an MA student, growing in confidence, Mark had
already changed my life. A hero, you could say—because he saved me from something. I’m indebted to
him for how well I’ve lived since coming here. Not
only had Mark made me want to write and made
me a better writer, he’d encouraged me to come to
Goldsmiths, then given me the confidence to speak.
After two years on the MA I joined the PhD course
with Mark as my supervisor. I lost my inhibitions of
speaking to him as an idol, I felt less star-struck…
and he became more of a friend, a big brother—
someone I looked up to and wanted to impress, but
someone kind who was always looking out for me,
helping. I hung on to his coat-tails.
I applied and received no acceptance or rejection.
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Mark, initially, was an inspiring writer for me. I expect
his writing inspired many, and will no doubt continue to do so. For me, I wanted to write like him, to
produce texts that excited like his did. So I started
to write atrocious adjectival drivel on the train as I
commuted. Nonetheless, I started writing because
of K-punk.
whose actions or mannerisms were discussed at
length; whose books and articles were read and reread and discussed and re-visited by so many—all
at once in awe of his intellect and encouraged by his
kindness and generosity.
Telepathy interested Mark—but did he
know his own powers of thought transference—of teaching, inspiring and
energizing others?
I started writing because of his writing. I returned to
education because of his advice and friendly welcome. I found my voice amplified through his support and encouragement. But I’m nothing special,
not the exception but the norm. Someone once told
me that an MA is life changing. Yet I’d wager that it
isn’t so much the institution, the course content or
the degree certificate but the people who change
lives. Mark changed many, mine included. We’ve
been so lucky to know someone so extraordinary
and kind.
He said, more than once, that he had an affinity with
me—he’d guessed, unnervingly correctly, about my
own experience with depression. He was deeply sensitive to all he met. Telepathy interested Mark—but
did he know his own powers of thought transference—of teaching, inspiring and energizing others?
I adored Mark.
I miss him.
Robin Mackay
In speaking in memory of Mark I can only speak for
myself. But I feel a responsibility to speak openly, just
in case my feelings, my questions, and my pain, are
not merely my own. Because that’s the risk Mark
chose to take: wagering on the potential of shared
experience and shared understanding, sometimes
at the cost of a self-exposure that was perilous for
him, where others would have retreated into safety; he remained true to his own thought despite his
personal fragility; indeed, in exposing and examining that fragility, he transformed it into a discursive
force to be reckoned with.
I often wanted to buy him gifts, to say thanks for
various things and everything. I never did. It always seemed a little inappropriate, and also…
pithy. Nonetheless, I’d thought a lot about what I
could get or do for him once I’d finished the PhD.
This past year I increasingly bought him bottles of
water because I didn’t want him to get dehydrated.
‘Be sure to drink plenty of water,’ we joked.
Last year, I was worried about him, I told him how
much he’d changed my life. That I could never repay him enough and that if I could help him with
anything, in anyway, it’d be the least I could do.
I’m lucky I said that, embarrassing as it was, but I
should’ve said more. I should’ve said how brilliant he
was—did he know how powerful his writing was?
Or how enthralling and contagious his teaching
was? Did he know his power to lift a thought off a
page, reanimate it and disseminate its energy? Did
he realize the confidence boost—the spring in the
step—which just a brief encounter with his enthusiasm and kindness could yield? Did he feel like a
superhero? Someone with special powers—someone whose words people, fans, students hung on;
A life, each unique life, is a problem. Like an equation from a schoolboy’s examination nightmare, it
contains an overwhelming constellation of variables,
inherited from the cascade of environments within
which a life crystallizes—terrestrial, political, national, cultural, social, familial, biological, neurochemical.
Without them, a life would not even coalesce: they
provide the complex field of tensions that produces
a life together with its world.
Sometimes abiding within that field of conflicting forces which, inherited from elsewhere, have
shaped the bounds of our life and our world, can
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PhD students are supposed to give something back
to their supervisors. It isn’t a one-way street. I think
I did give a little back at some stage. Hearing Mark
say things I’d said back to other students was flattering and validating. It made me proud, naturally,
but it also deeply gladdened me—that he could get
something, however small or trivial, back from me.
Once, when discussing a book, Mark said, almost
smirking and winking in confidence, ‘well, if you read
it then I won’t have to’. Supervision—observing
from above, almost like telepathy.
be unbearable. It can feel like the problem they’ve
bequeathed you is as hellishly inescapable as a prison cell: you continually try to find a solution, but
there’s always a remainder. Of course, if there weren’t, there would be nothing left to work with; but
sometimes knowing that isn’t enough to attenuate
the distress.
great deal, but demanded even more of himself. I
have to ask, even though I’m afraid to: what did he
succeed in doing, was it worth the struggle, what
are we to think about his work now, where did it
go wrong, what does it mean for us to carry on…all
painful questions.
An effective therapeutic discourse
requires a political genealogy of the
origins of unhappiness
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And then to believe that the problem is in you and
entirely within your power to solve; to feel that your
distress is your personal responsibility, and to then
judge it against others’ apparent happiness and adequacy—in other words, to buy into the model of
the autonomous, self-determining, competitive individual, the fiction of capitalist subjectivity—renders
this predicament all the more agonising. From his
blog to much of his recent work, this is precisely
where Mark focussed his efforts. We have to look
outside the supposed ‘individual’, to the social, class,
macro- and micro-political environments in which
it takes shape, in order to understand the personal,
and personal distress, in its true dimensions; an effective therapeutic discourse requires a political genealogy of the origins of unhappiness. And Mark’s
work in this direction offered not just comfort and
hope, but understanding and a fierce will to throw
off guilt, responsibility, and shame, and instead to
think and to join and to fight.
Mark transformed the traditional working-class virtue of ‘knowing your place’
into an adamant, defiant methodology
Although it’s secondary to the immediate sense of
loss, and to our profound sympathy for Mark’s family, who have lost a son, a husband, a brother, a dad,
I think that many of us, Mark’s friends, colleagues,
and students, and especially those of us who have
shared Mark’s struggle with depression, find ourselves disturbed by the apparent disparity between
this analysis and the fact that his own suffering, in
the end, isolated and overwhelmed him.
Mark’s own reference points were as unique as he
was. By some he was accused of overintellectualising what was only entertainment; by others of dumbing down the theorists whose work he remixed effortlessly, entertainingly, inventively, with references
drawn from pop culture. But for Mark this wasn’t
some kind of intellectual game: he used to say, I can’t
help it: I can only think through popular culture. He
always said he learned about theoretical writing not
from school but from reading record reviews in the
NME. And that’s how he worked, faithful to the peculiar collection of cultural touchstones—TV shows,
books, comics, films, music—that he’d grown up
Of course there’s no essential paradox in the fact
that someone can fight valiantly, bring aid to others, and still, ultimately, be defeated. But I think it’s
crucial that we don’t repress our disquiet, our bewilderment, and that we address it as carefully as
possible, together. In his work, Mark achieved a
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Sometimes it seemed like Mark had found within his
own life experience, examined with honesty, humility, and humour, and with forensic precision, some
kernels of common truth that could be shared. And
sometimes it seemed he was liable to project his
own mood, whether vibrantly optimistic or bleak and
despairing, onto a political, planetary, or even cosmic
scale. But perhaps that division isn’t quite so clear:
what happened in Mark’s work, I think, ever since
he started writing his blog, was a continual process
of calibration that becomes necessary when one
attempts to breach the barrier between one’s writing and one’s life. And he succeeded in doing that.
He refused to retreat into any ivory tower. Having
suffered the blows of authority, he had no interest
in becoming a detached, professional author. And
his refusal of the all-too-easy dignity of a distance
between his life and his thinking made him a teacher
who freely gave the gift of his own sensitivity and
vulnerability to others who, like him, didn’t necessarily come equipped with an automatic entitlement
to the world of ideas, a resilience to the institutional demands attached to it, or a mastery of the
‘correct’ references.
with, continued to seek out and discover, and which
he inhabited as his true homeland, into which theory
was shipped only to be reprocessed and exported in
new, synthetic forms. Pulp philosophy. In this sense,
it could be said that Mark transformed the traditional working-class virtue of ‘knowing your place’ into
an adamant, defiant methodology. He knew where
he came from and he demonstrated incontrovertibly
that that place mattered. And it worked both ways:
I remember listening to a Wu-Tang Clan album with
him and saying, this is such an amazing creation,
people like us can never do something like this, and
he said, Well, we’re not from the street, we’re from
the living room. We’ll do something else. And he did.
and inversely, ‘the deep nucleus of depression consists in [a] physical contraction’—one, I would add,
whose corrosive effects may eventually be elucidated by intellectual analysis, but will not be healed by it,
in the real, urgent time of the body that they demotivate and immobilize.
In short, I can’t think of another writer who sought
with such determination the integrity of life and
thought, and for whom it was so absolutely necessary to do so. He dug inside himself for the abstract
keys to decode the world, and he drew on every
theoretical resource that world had to offer in order
to decipher his own predicament.
But a life is not just a symptom, a crystallization of
environmental conditions, a key to unlock something else. It’s also a singular presence to be cherished, and which we become all too aware of when
it’s suddenly gone. A life is a reservoir of potential
for unknown futures: future conversations, future
works, future memories—and the loss of those futures is what we’re grieving.
I remember once Mark recounting how a therapist
had told him that each of us is to be valued for what
we are, quite apart from what we do—to which
Mark retorted, outraged, that you only are what you
do, what you produce. Mark’s vehement polemics
were always entertaining, and I enjoyed this one; I
also recognised the manically productivist credo instilled during the intense years we spent together
during the 90s as part of the CCRU.
Maintaining compassion for actually-existing humans also means finding compassion and care for
oneself. Balancing the infinite demands of thought
with those of its finite vessel isn’t easy: neither is
safe so long as the other is in view. Again, Mark took
the difficult path, because, being Mark, he couldn’t
do otherwise; and he did so with absolute truth to
himself. I respected that unstinting integrity, even
when I didn’t agree with him, or when, I’m sorry to
say, I didn’t share his hope. But I understood all too
well how much energy it took, what impossibly high
standards he held himself up to, and how the weight
of what he experienced as the crushing inadequacy
of his own performance of self could still sap his energy and shake his conviction, despite the increasingly positive reception of his work.
But valuing the part of us that is of no measurable
utility, and believing that others can value it, is maybe a pragmatic condition for any kind of sustainable production. The primary support of a life is an
organic body that needs care and occasional respite from demanding the impossible. As Bifo wrote
in his tribute to Mark, ‘happiness is not something
of the intellectual mind, but of the corporeal mind’;
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At the heart of Mark’s work I sometimes glimpsed
what I think is a crucial question: How to challenge
the primacy of the human—how to despise all of
the constraints and exclusions, the shutting down
of possibilities, the dogmatic control, entailed by the
sanctity of what’s held to be ‘properly human’ in this
or any other historical period—how to be an antihumanist then, and to imagine instead new forms
of life—while also maintaining, right now, solidarity
with and compassion for actually-existing humans,
already compromised, weakened, and isolated by
those constraints. To either espouse an imperious,
stern theoretical antihumanism, or to make heartfelt
calls for practical compassion, was not enough. To
integrate the two was more difficult than it seemed.
But Mark took on the task, a task that required great
resolution and rendered him vulnerable to attacks
from safer, more ‘pure’ theoretical positions; it was
a task that required inventiveness, sensitivity, and a
constant circumspect movement between the conceptual and the affective, the political and the personal. What he had begun to construct, I think, was
not just a body of theory, but a collective program
of self-help in which the self is precisely what’s in
question: a humanitarian antihumanism.
All I want to say here, at the risk of inappropriateness and of exposing my own bewilderment, is that
for me these are all questions that require that I hold
fast to the acuteness of this pain, and find in it an
impetus to continue, in a way that will have to be
informed both by his life and his work, and by his
death and the solution he chose—if it can really be
called a choice, I don’t think it can.
And over the past few weeks as I went back to the
projects we’d been involved in together, and picked
up their loose threads, now indelibly marked by his
absence, at the same time I felt that spectre at my
side again, I felt his passion, his humour, his enthusiasm for experimenting and constructing; I was
drawn once again into the complex of references,
concepts, emotions, visions, that whirled around
him like a conceptual tornado. Sometimes over the
last few weeks it’s felt like a force of nature has
been abruptly cancelled. But sometimes I felt the
wind blowing again.
What is the Fisher-Function? How did it
make itself real, and how can we
continue to realise it?
So I’ve been trying to think of what remains after
the physical body’s gone, when the singularity of a
life can no longer rely on that frail support and needs
other carriers. I try to think about it in a way I think
The last conversation I had with Mark was about depression. In fact, I was asking for his advice. And the
week before his death, I’d been terribly depressed
and had thought every day of calling him. But I
didn’t. My impression was that he’d largely overcome his difficulties, that he was enjoying a welcome and well-deserved success, and that probably he wouldn’t want to hear me moaning about my
bleak outlook. To think that we were stuck in the
same impenetrable fog, with our backs to each other, is a terrible confirmation of the isolating nature
of the forces he tried to diagram for us. Those that
propel the descent of a life into the cramped cell of
individual, suffering subjecthood.
But whether or not he was able to believe it himself, Mark really did triumph: for himself, for the
readers he inspired, for others who, like him, weren’t
automatically endowed by their social background
with the capital and confidence to feel like ideas
belonged to them by right. For others whose joyful passions and cultural experience he intensified
and amplified by putting them into words. In the
unreasonable demands he dared to make. This life
brought us joy, love, laughter, hope, understanding.
We’re still gauging, in the wake of his loss, the full
extent of his success.
In an email Mark wrote to me last year he talked
about the need to feel like one can find time to do
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Mark wrote about the spectre, ‘understood not
as anything supernatural, but as that which acts
without (physically) existing’. Even though I didn’t
see him enough, a realisation that comes too late:
I assumed he’d always be here, that one day there
would be time, that we would maybe work together
again—haunted by a future that will now never arrive—the spectre of Mark Fisher was always with
me. So many times his incredible perceptiveness
and insight have sent me back to films or songs or
books that I thought I knew, and intensified them,
made me see more in them than I could have ever
made out with my own eyes or ears. I’ve written
whole essays based on short conversations I’d had
with Mark ten years previously, remembering not
just his exact words but the gestures, the tone, the
mordant humour that accompanied them. He became a part of me, as he became a part of so many.
he’d appreciate: in terms of an abstract, impersonal
force acting in the present tense. The spectre isn’t
a matter of pretending he’s still here in person—as if
the notion of a ‘person’ wasn’t precisely what was at
issue—or of commemoration or superstition, but—
to use a word of his own invention—a question of
hyperstition: What is the Fisher-Function? How did
it make itself real, and how can we continue to realise it? Many of us naturally feel a need to ensure
this is a moment when the force he brought into our
world is redoubled rather than depleted. And to do
so, to continue his work and our own, we have to try
to understand his life, and the consequences of his
death, at once horrifying and awakening, as a part of
the Fisher-Function. And I don’t simply mean the intellectual contributions that we can appreciate, extend, take forward into the future; I also mean what
we need to learn in terms of looking after ourselves
and each other, right now.
one’s own work, about finding the space to pursue what really matters. While acknowledging that
life will always place obstructions in the way, he
seeemed to be saying to me that he finally felt, after
a long struggle, that he was about to arrive, that
the spectre of a future that truly belonged to him
might finally come to be realised. Characteristically
he included me in this too: he didn’t say ‘I’, he said
‘we’. Then he says: ‘but I think the next few years
are crucial.’
I think they are, and I think we need to keep that
spectre by our side.
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