part 3 ā cosmic dys
a & divine excrement: or, an essay unveiling the
teleoplexic identity of miltonic chaos, capitalist nigredo and alchemical
pepsi colaā¢
Part of the series cosmic dys
a & divine excrement
Yesterday: āCrystal Pepsi / Crystal Hyaline: or, How to See with your Gutā
DAY 3. Peristaltic Metaphysics and the Invention of Pepsi
Milton connected his blindness to his gastric problems. He suļ¬ered from severe gout, and,
moreover, was aļ¬icted by stomach ulcers. His eventual death seems to have been caused ā as
recent biographers have argued, after consulting medical specialists ā by a peptic ulcer (an ulcer
of the gastrointestinal tract). It is feasible, his biographers write, that, besides gout, āMiltonās other
chronic complaints [ā¦] included abdominal discomfort and bloating, consonant with [peptic ulcer]ā.1
(The ļ¬atulent poet lists āintestine stone and ulcer, colic pangsā on the menu of uniquely
postlapsarian punishments for mankind [PL; xi.484.]
In 1893 ā more than two centuries after Miltonās magnum opus ā a North Carolina drugstoreowner by the name of Caleb Bradham (1867-1934), produced his own magnum opus. Of course,
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part 3 ā cosmic dys
a & divine excrement: or, an essay unveiling the
teleoplexic identity of miltonic chaos, capitalist nigredo and alchemical
pepsi colaā¢
āmagnum opusā originally refers to the alchemical-chyrsopoeian process of transmuting prima
materia into the elixir of life; as his lifeās achievement, Bradhamās product was indeed a veritable
magnum opus, but rather than purifying matter into crystalline perspicuity, his elixir intensiļ¬ed the
depuration and ontological liquefaction that had been set in motion with the Fall. In the terms of
Chestertonās adage, what Bradham had unleashed was inherently tied with this Fall, even in spite of
its chronological distance. The twenty-six-year-old pharmacist had produced what he soon dubbed
āPepsi Colaā: a lapis philosophorum for the capitalized ā that is, fallen ā age.
Previously known simply as āBradās Drinkā, Bradham ā savvy businessman that he was ā changed
the name to Pepsi in order to advertise (camouļ¬age) his beverage as a medicine. Hence, the name
āPepsiā, inspired by the Ancient Greek root ĻĪĻĻĻ (āpeptÅā, denoting digestion).2 Thus Pepsi was ļ¬rst
sold as a medicinal aid to eupepsia, exactly the issue that had so blackened Miltonās eyesight.
However, carbonated water is now known to increase symptoms of an irritable bowel via the
release of CO2 into the intestines.3 This renders Bradhamās marketing highly ironic considering that
Pepsi actually becomes a prime ā at least, highly visible ā lubricant for capitalās forces of
terrestrial putrefaction and ontological liquidation, and, rather than any elixir of life, its surge across
the globe represents thanatropic return to blackened prima materia.4 Occult connections and
synchronicities between Pepsi and Milton ļ¬ow backwards into time from this point onwards. It was
not only Pepsi, but carbonated drinks in general, that camouļ¬aged their bootstrapped passage into
the world via a tactical co-option of the ancient belief that ļ¬zzy drinks aid indigestion (and, in
particular, peptic ulcers).5 Milton ā suļ¬erer of severe dyspepsia and ulcer ā will have been
intimately aware of this tradition, and ļ¬ttingly, Bradham capitalized on it by branding his new tarry
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drink with the tagline
Exhilarating, Invigorating, Aids Digestion.
Did Milton die ā outmanoeuvred by his own internal peptic āsatanā, an infernal and internal revolt
ā because he could not drink enough of Bradhamās Pepsi elixir? No. Quite the opposite: he was
already drowning in templex cola. Imagine an autopsy report for the blind poet. His internal viscera
coated in thick, black, sugary tartar. āHow is this possible?ā you ask, reeling⦠āPepsi invents itself
from the futureā something whispers back. Suddenly, you understand the shape of terrestrial
history.
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In his 1654 letter to FranƧois ThĆ©venin ā after delineating the medical connection between his
dyspepsia and his blindness ā Milton links himself to Phineus, the King of Thrace ā brutally
punished by the gods ā a penalty that involved his eyesight being taken away. It simultaneously
entailed him being eternally tortured by harpies who would constantly besmirch and befoul all of
Phineusās banquets and dinners. Excreting all over his food, the harpies ensured that the king
would have to forever consume only indigestible putrescence. The reason why Phineus was
prosecuted by the gods? Because, so the story goes, of his Promethean power of prophecy (the
ability, that is, to see beyond empirical time and into the Outside that structures it). To punish his
ability to see the future, the gods took away Phineusās ability to see anything. Thus, here, Milton is
subtly linking his own blindness and his own problems with food to a knack for prophecy. Like
Phineus, Milton ā for his prophetic part as templex harbinger of the unleashing of bootstrapping
Chaos-Pepsi ā also lost his sight. Insofar as Milton theorised upon the auto-productive tendencies
of Chaos he was simultaneously prophesying upon the self-constructive tendency of the positive
feedback loops constitutive of eļ¬ervescing modernity. And prophecy, as they say, is
indistinguishable from retrochronic information exchange. Bubbling Pepsi, via such retrojection,
mobilises Chaos as a symbol and harbinger for itself.
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By weaving perception ā and even reasoning ā into a continuum with digestive process, Paradise
Lost presents an uninterrupted metabolic continuity ļ¬owing from material to ideal. This is a
founding ontological principle of Miltonās ļ¬ctional world-model, his chronotope. The poet folds
digestion inside-out: extending it extra-somatically, making it the cohesive ā or binding ā principle
of his entire universe. Digestion becomes the heuristic under which Milton legitimates his wellknown commitment to metaphysical monism. Thus: a nutritive monism. As he emphatically
decrees, āwhatever was created, needs / To be sustained and fed; of elements / The grosser feeds
the purerā [PL; v.414-6]. On a number of occasions in Paradise Lost, Milton stresses that the
universe is not constructed of divergent metaphysical orders, but is ā rather ā somewhat like a
āholobiontā: an assemblage of varying ecological units that are nested within one alimentary
unity. Indeed, even the āempyreanā is folded into continuity with this nourishing process. Lower
feeds upon higher, interminably. Thus, the cosmos becomes cast as a universal process, weaving
the higher and lower into a procedural nutritive unity. Indeed, in order to buttress his monistic
commitments, this process of cosmic digestion lends itself to Milton as the perfect heuristic to
illustrate a continuum between thinking and being, or even creator and creation, because digestion
is the process whereby unorganised matter becomes organically structured into the make-up of life
itself: it demonstrates, in deeply tangible terms, an actually existing continuum between āstuļ¬ā and
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āspiritā, between āstoļ¬ā und āgeistā, that takes place constantly within all of our own bodies. (As
another beneļ¬t, the universeās metaphysical make-up therefore becomes intuitive through
splanchnic interoception: therefore legitimating not intellectual intuition but metabolic
intuition.) This is why, for example, Milton goes out of his way to stress that even angels require
āfood alikeā to man, and feel ākeen despatch / Of real hungerā [PL; v.407, 436]. Just as the lower is
linked to the higher, because nutritive process is continuous with spiritual process, so too is the
higher necessarily folded into the lower. In Book V, Adam oļ¬ers sustenance to the visiting angel,
Raphael. Adam ā naĆÆve and fresh-made ā worries that his earthly nutriment may prove
āunsavoury food perhaps / To spiritual naturesā such as that of a seraphim. In response, Raphael
eloquently ā and politely ā explains:
food alike those pure
Intelligential substances require
As doth your rational; and both contain
Within them every lower faculty
Of sense, whereby they hear, see, smell, touch, taste,
Tasting concoct, digest, assimilate,
And corporeal to incorporeal turn. [PL; v.407-13]
All beings exhibit anabolism, as āthe creation groaneth and travilethā together for (digestive)
salvation (Romans 8.22). All things āconcoct, digest, assimilateā, thus ācorporeal to incorporealā
tend. This intriguing schema, crucially, is a manoeuvre smuggled in from alchemical thinking.
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The iatrochemists and chyrsopoeians had long been encouraged by biblical Genesisās image of a
universe created via a process of liquid separation, a hyaline distillation. It legitimated their idea
that the universe was itself alchemical in fundamental nature. To put it diļ¬erently, those who ā
with obsessive determination ā laboured to imitate natureās work (through the manufacture of
artiļ¬cial life in the pursuit of the alchemical homunculus) would obviously be allured by natureās
own imitation of their work. And what was natureās imitation of alchemy? Digestion, of course.
Biological metabolism can easily be cast as a mirroring ā an ontological analogy ā of the
alchemistās own, artiļ¬cial procedures of distillation, puriļ¬cation, and subtilisation. Not only did
alchemists consequently deploy this analogy to authenticate their own endeavour, they also used it
as the foundation upon which to build a full-blown alchemical-digestive metaphysics. The renowned
physician and iatrochemist Paracelsus (1493-1541) took this the furthest: resulting in his
postulation that the entire universe is quite simply a stomach.6
Paracelsus was certain that everything was suļ¬used within a liquid process of dialysis and ļ¬ltration,
the eternally continuing watery act of Genesisās Creation. All things, he theorised, were ongoing,
individualised versions of this original alchemical āļ¬rmamentā: accordingly, Paracelsus located the
āļ¬rmamentā in man as his alimentary canal, and related it to the āļ¬rmamentā in heaven (again,
hyaloides to hyaline).7 To nomenclate his schema, Paracelsus invented his own idiosyncratic twist
on the ancient anima mundi idea: the āarcheusā, positioned as a cosmic digestive process,
suļ¬using and conjoining all.8 The Great Chain of Being becomes a gastrointestinal tract, ontology a
caecal labyrinth. For, as natureās immanent alchemist, this archeus is the āphysician of natureā and
āthe workman who gives origins by drawing and forging allā.9 All individual stomachs are
objectivizations of this Absolute metabolism: conditioned individuations of an unconditional gut; an
ur-gut which therefore becomes the very condition of possibility for all subsidiary digestions.
Paracelsusās inļ¬uential Flemish disciple, Joan Baptiste van Helmont (1580-1644) accordingly spoke
of this cosmological archeus as ācomprehend[ing] and cherish[ing] within itself the Sun, and the
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herd of lesser stars, which diļ¬use[s] through all the limbes or parts of this great Animal, the
Worldā.10 Microcosmically recapitulated in the individual, this becomes the āplastic spirit, [that] in
the seed comprehends, contrives, and models the whole ļ¬gure of Man [ā¦] limns out all the
lineaments [of] the partsā.11 Linking planetary distillation to gastric distillation, Helmont wrote that
āin the bowels, the planetary Spirits doe most shine forth, even as also, in the whole inļ¬uous
Archeus, the courses and forces of the Firmament do appearā.12 Man truly is the microcosm; but not
through his head or through his heart; rather, he symbolises the cosmos through his gut. Our
bowels are made of star-stuļ¬, a black-eyed Carl Sagan would intoneā¦
Such ideas soon made their way across the Channel to England, and thus to Milton. Thomas Tymme
(?-1620), puritan clergyman and dabbler in alchemy, attempted to gloss the bible with his own
vision of Paracelsian-digestive āHalchymieā (the preļ¬x āHal-ā meaning āof the seaā, thus denoting
the ļ¬rmamental-gastric ocean that permeates through each individual).13 Another major
disseminator was Walter Charleton (1619-1707). He translated van Helmontās De Magnetica
Vulnerum (1621) and A Ternary of Paradoxes (1650). He would write, accordingly, of the āpoverty
of our Reason compared to the wealthy harvest of [van Helmont and Paracelsus]ā.14 Physician to
Charles I and II, Charleton was personally known by many of Miltonās network of correspondents.
Being a member of the Royal Society, Charleton knew Henry Oldenberg: a close friend of Miltonās.
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Furthermore, Oldenburg himself was acquantined with van Helmontās own son: Francisus Mercurius
van Helmont, publisher of his fatherās works and his alchemical protĆ©gĆ©. As early as 1658,
Oldenburg had met the younger van Helmont (and described their ācongressā together in a letter to
Boyle).15 Between this time and 1671, Olenburg went from denigrating Franciscus to extolling the
ādistinguished van Helmont, who is very closely bound to me by friendshipā (as Oldenberg boasted
in letter to Leibniz).16 Elsewhere, we see members of the so-called Hartlib circle (Hartlib also being a
friend of Miltonās) involved with Helmontian dissemination (both Clerciuzio17 and Hutton18 have
since noted the primacy of the Hartlib circle in promoting Helmontianism in England). Thus, we may
safely guarantee Miltonās knowledge and awareness of this alchemical lineage: stretching from
Paracelsus to the van Helmont family, through its English propagators, and ļ¬nally to Milton
himself.19 Concordantly, on just a cursory glance, we see that the metaphysical structure of
Paradise Lost is suļ¬used with archeus-type ideas, which help to prosecute Miltonās own version of a
nutritive monism. As Raphael had said, everything ā stretching from inorganic to spiritual ā must
āconcot, digest, [and] assimilateā. He explicates further:
For know, whatever was created, needs
To be sustained and fed; of elements
The grosser feeds the purer, earth the sea,
Earth and the sea feed air, the air those ļ¬res
Ethereal, and as lowest ļ¬rst the moon;
Whence in her visage round those spots, unpurged
Vapours not yet into her substance turned.
Nor doth the moon no nourishment exhale
From her moist continent to higher orbs.
The sun that light imparts to all, receives
From all his alimental recompense
In humid exhalations, and at even
Sups with the ocean [PL; v.414-26]
Soaking in gastric imagery, we see here each rung of the Great Chain āfeedingā the higher,
providing ānourishmentā that āexhale[s]ā from āmoist continent[s] to higher orbsā, which
themselves āsupā upon āhumidā and āalimental recompenseā from below. Indeed, the Great Chain
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ā as a conjunction of the Principle of Continuity and the Principle of Unilinear Progression ā is
easily retroļ¬tted onto gastric sensibilities: Continuity implies that, because everything is inļ¬nitely
divisible into itself, that nothing is inherently indigestible to Being; and, Unilinearity, implies a
process of progressive peristalsis by which everything tends towards nourishment. Creation is a
food-chain. In Charletonās words, āevery Creature doth [ā¦] possess a particular Firmament [i.e.
digestive waters]; by the mediation of which, Superior bodies Symbolize, and hold a reciprocal
correspondence with inferior, [ā¦] by the law of friendshipā.20 We see this ālaw of friendshipā
perfectly encapsulated here, as lower interminably nourishes higher. Returning to Paradise Lost,
Raphael continues his exposition, describing how ā āby gradual scale sublimedā ā all of the āvital
spirits aspireā up the scala naturae [PL; v.479]. Taken together in this cosmic peristalsis, all items
exhibit the alchemical ideal of materials tending towards their purest state. And it is through his
dance of digestive entelechy that we see the alembic universe tending toward perfect alchemic
sublimation: towards purer, spiritual matter (spiritual anabolism, as ācorporeal to incorporeal turnā
[PL; v.413]). Indeed, it is implied that, through this great process, Adam and Eve could have
eventually metabolised their somaform existences and fully sublimated themselves into angelic
uncarnate forms. Angels are near to the top of the food-chain: accordingly, just as they enjoy more
a more perspicuous intellectual essence, they all enjoy greater gastrointestinal apitutde and
eļ¬ciency. As they are unrestricted by human ļ¬nitude, they enjoy āintuitiveā rather than
ādiscursiveā faculties of knowledge; and, correlatively, the angelic digestive tract is likewise
noticeably more perfect. That is, angels hardly need to shit. Milton takes pains to point out that
what redounds, transpires
Through spirits with ease [PL; v.438-9]
Moreover, this angelic eupepsia is immediately described as being motored by a āconcotive heat /
To transubstantiateā foodstuļ¬, just like the āempiric alchemistā who can turn āmetals of drossiest
ore to perfect goldā [PL; v.437-40]. And so, the universe is alchemical because the universe is
digestive. This is the cosmic version of the alchemical magnum opus: the progression from nigredo,
as base matter, upwards to spiritual purity.
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It is no wonder that Milton requisitioned the alchemical metaphysic, because it was so suited to his
own commitments. For a start, because of his monistic predilections, Milton denied the āexistenceā
of ānothingā with particular vehemence. He insists in his De Doctrina Christiana, following axioms
from his Ars Logicae, that ānothingā simply doesnāt have a place in the universe. (However, we shall
soon see how his attempt actually galvanises void and substantivates zero.) He claims a thing
cannot ābe constructed out of nothing in the way it could from a number of componentsā.21 (As
such, it follows that ādarkness was by no means nothingā: ā[if] darkness is nothing, then God surely
created nothing by creating darkness, that is, he did and did not create, which is a selfcontradiction.)22 Consequently, denying a creatio ex nihilo and resisting any pre-existent matter
outside of the Godhead, Milton comes to embrace creatio ex deo ā a creation from out of God.
Again, this is why the physiologically inļ¬ected archeus model lends itself so well to Miltonic
cosmology. Creation is Godās digestive tract. In an internal process of subtilisation, God anabolises
crude materials into structured creation. This, clearly, becomes a gastric twist on hylomorphism.
Godās endogenous anabolic process lends forms to the base matter ā the prima materia ā of
Creation. The Deity takes up matter and builds it up into increasingly subtile forms: just as our
bodies subtilize nutrition into spirit. This transparently apes the Body-Politic: and, indeed, this
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hylomorphism is also precisely a form of governance. God, as the āheadā, resides over the creative
ābellyā by imparting his form and shape to the raw material of the archeus. On ļ¬rst glance, it at
least seems that all of the subjects in this body-politic obey their sovereign. Describing the āgut
ļ¬oraā of his cosmic holobiont, implying that the archeus descends to the most microscopic levels of
matter, Milton writes that
Millions of spiritual creatures walk the earth
Unseen, both when we wake, and when we sleep:
All these with ceaseless praise his works behold
Both day and night: how often from the steep
Of echoing hill or thicket have we heard
Celestial voices to the midnight air,
Sole, or responsive each to otherās note
Singing their great Creator? [PL; iv.675-82]
All the taxonomies of Being sing the God that ingested, solidiļ¬ed and āstratiļ¬edā them into
existence. Picking up the imagery of plenitude and casting it in strikingly similar language, Deleuze
and Guattari write that
[e]very stratum is a judgement of God; not only do plants and animals,
orchids and wasps, sing or express themselves, but so do rocks and rivers;
every stratiļ¬ed thing on earth.23
However, as they go on to elaborate,
[t]he strata are judgements of God; stratiļ¬cation in general is the entire
system of the judgement of God (but the earth, or the body without
organs, constantly eludes that judgement, ļ¬ees and becomes destratiļ¬ed,
decoded, deterritorialised).24
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Where stratiļ¬cation is eupepsia, what are the chances ā within Miltonās universe ā of cosmic
dyspeptic destratiļ¬cation? Just as angels still need to purge themselves, where is the nigredo, the
tartareous excrement of the archeus? Will the earth itself ļ¬zz with eļ¬ervescing, liquefying, sugary
blackness, as the rebounding of the abyssal Deep from crystalline assimilation? Like a peptic ulcer
unto the universe itself, all of that which exceeds assimilation ā and thus refuses Godās stratifying
forms ā gains the troubling ability for auto-production. Matter-without-form, the rebellious
excrement that exceeds divine digestion, is Chaos: which, surprisingly or unsurprisingly, since the
Ancients, has also been referred to as āindigestā. (Ovid refers to Chaos as ārudis indigestaque
molesā.) This was a collocation ripe for lock-in. Dryden wrote of the ā[r]ude undigested Mass; / A
lifeless Lump, unfashioād and unframād, / Of jarring Seeds and justly Chaos namādā. Earlier,
Shakespeare, in King John, had written of setting āform upon that indigestā. Being a substantive, or
a nominalised adjective, Milton would certainly have appreciated Shakespeareās language here: it is
of a piece with ādarkness visibleā, āpalpable obscureā, and ā of course ā āvast abruptā.)25
Returning brieļ¬y to Deleuze and Guattari we note, in the section quoted above, the infamous
announcement that āGod is a Lobsterā.26 One wonders why it should be lobsters that bear the mark
of infernal Pepsi on their doubly-articulating claws.27 Why has Pepsi begun to invade even the
abyssopelagic zones of the earth? And why has it chosen crustaceans as its avatar?
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Tomorrow: āAlchemy to Chemistry: or, the Occult History of Carbonated Beverages and
the Secret Origins of Pepsi Colaā
Series Navigation
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a & divine excrement: or, an essay unveiling the teleoplexic identity of
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miltonic chaos, capitalist nigredo and alchemical pepsi cola⢠ā
1. G. Campbell, & T.N. Corns, John Milton: Life, Work and Thought (OUP,
2008), 211.
2. Dr. Pepper was possibly named with a similar proviso in mind. Everyone
knows that Coca-Cola is so named because of its links to the then
medicinal substance, cocaine.
3. This is likely why consumers subconsciously rejected the marketing
collocation of Crystal Pepsi with hyaline perspicuity.
4. CALEB BRADHAM = 178 = MELTDOWN = TIDAL WAVE
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5. PEPTIC ULCER = 227 = TIME ANOMALY
6. Instigator of modern chemistry, usurper of Galenic hegemony, and
possible hermaphrodite, Philippus Aurelous Theophrastus Bombastus von
Hohenheim ā self-styled as Paracelsus ā was a Swiss physician (born in
a town called Egg) who, despite the amnesia of later ages, can be
compared to a ļ¬gure like Descartes in terms of the stature and extent of
the inļ¬uence he exerted.
7. Paracelsus uses the idea of ālimus terraeā as bridge between micro- and
macrocosm. āLimus terraeā is the āprimordial stuļ¬ of the earthā that God
formed Adam out of, but it is also āan extract of the ļ¬rmament, of the
universe of stars, and at the same time of all the elementsā. Star-stuļ¬,
indeed.
8. ARCHEUS = 138 = COSMOS
9. W. Pagel, Joan Baptista Van Helmont: Reformer of Science and
Medicine (CUP, 2002), 99.
10. W. Charleton, & J.B. van Helmont, A Ternary of Paradoxes: The Magnetick
Cure of Wounds, Nativity of Tartar in Wine, Image of God in Man ā Written
Originally by Joh. Bapt. Van Helmont, and Translated, Illustrated, and
Ampliated by Walter Charleton, Doctor in Physick, and Physician to the
late King (London, 1650), 44.
11. Ibid., 58.
12. J.B. van Helmont, Oriatrike, or, Physick Reļ¬ned: the common errors
therein refuted, and the whole art reformed and rectiļ¬ed: being a new
rise and progress of the phylosophy and medicine for the destruction of
diseases and prolongation of life, trans. J. Chandler (London, 1662), 36.
13. Thomas Tymme, The Practise of Chymicall, and Hermeticall Physicke, for
the preservation of health. Written in Latin by Iosephus Quersitanus,
Doctor of Phisicke. And translated into English, by Thomas Timme,
minister (London, 1605)
14. W. Charleton & J.B. van Helmont, A Ternary of Paradoxes: The Magnetick
Cure of Wounds, Nativity of Tartar in Wine, Image of God in Man ā Written
Originally by Joh. Bapt. Van Helmont, and Translated, Illustrated, and
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Ampliated by Walter Charleton, Doctor in Physick, and Physician to the
late King (London, 1650), 96.
15. Henry Oldenburg, The Correspondence of Henry Oldenburg, ed. A.R. Hall
& M.B. Hall, xiii. (University of Winconsin Press, 1986), i.176-77.
16. Ibid., viii.182-3.
17. A. Clericuzio, Elements, Principles and Corpuscles: A Study of Atomism
and Chemistry in the Seventeenth Century (Springer, 2001), 90.
18. S. Hutton, Anne Conway: A Woman Philosopher (Cambridge University
Press, 2004), 143.
19. Milton critics corroborate this hypothesis, noticing the presence of deeply
Paracelsian ideas in Milton, and deeming these alchemists āchief sourcesā
for Miltonās philosophy. cf. Rogers, The Matter of Revolution: Science,
Poetry, & Politics in the Age of Milton (Cornell University Press, 1996),
135.
20. Charleton, Ternary of Paradoxes, 35.
21. De Doctrina Christiana in, Vol.VIII of The Complete Works of John Milton,
ed. J.K. Hale & J.D. Cullington, (Oxford University Press, 2008- ), 289.
22. Ibid.
23. Deleuze and Guattari, A Thousand Plateaus (Continuum, 2004), 49.
24. Ibid.
25. Cf. A recent article in MVUās Plutonics journal on an intriguing
orthographic anomaly found in new amanuensis manuscripts recovered
from the Fitzbarrow estate. This orthographic puzzle appears as further
proof of the templex cross currents streaming backwards between Pepsi
and Miltonic verse.
26. Deleuze and Guattari, A Thousand Plateaus (Continuum, 2004), 40.
27. https://news.nationalgeographic.com/2017/11/lobster-claw-pepsi-soda-can
-new-brunswick-spd/
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