From Aaron Lynch’s Thought Contagion to Seth Godin’s Idea Virus, the proliferation of interest in media spin
cycles, viral marketing, corporate memetics and cultural contagions suggests that the infective model has itself
become a craze.
From Aaron Lynch’s Thought Contagion to Seth Godin’s (see article) Idea Virus, the proliferation of interest in
media spincycles, viral marketing, corporate memetics and cultural contagions suggests that – in the latest
example of nonlinear hype dynamics – the infective model has itself become a craze. Ccru sent its Cyberhype
correspondent Synthia Drummond (who seems much recovered from her encounter with Schwartzean ‘hype
gnosis’) to investigate the phenomenon.
Searching for a preliminary definition of cyberhype crazes, Synthia arranged an interview with the improbably
named Dr. Ernst P. Demic, Director of Brain Plague Simulation at London’s prestigious Centre of Cultural
Epidemiology, which has just received a capital injection of Eu500 million to complete its mapping of the Inhuman
Memome.
Dr. Demic argues that in the age of unchained telecommerce, which he equates with anomalous arrivals out of the
virtual, crazes are spreading catastrophically. He cryptically describes crazes or runaway polymedia infections as
biomimetic syndromes, functioning as geostrategic operators. They exhibit an increasing ‘contingency of
instantiation’ (whether books, films, games, or ‘trading cards’) and involve an ineradicable element of chance, which
makes them impossible to predict. These outbreaks work at various scales, from that of semiotic microparticles (the
‘e’ prefix, ‘@’, the suffix ‘.com’) to that of the new economy as a whole. According to Demic, “in the early nineties
the Web was dismissed as a craze; in the late nineties the same thing happened with ecommerce. These
dismissals are the surest sign that something is already going hypernova.”
In his forthcoming book Managing the Memome (2000, Phobos Press, London) Demic explains how economic
circuits pass through thresholds of explosive contagion – or ‘outbreak singularities’. He cites Abstract Machines’
CEO Liz Volta, who describes the cybernetic volatility of ebusiness, in compatible terms: “Up to a point it’s really
exciting, then it becomes frighteningly crazy.”
What is increasingly apparent, Demic continued, is that “there seems to be an affinity between crazes, infancy and
occult content (as Carpenter’s In the Mouth of Madness so disturbingly explored). Both Pokémon and Harry Potter
play to children’s fascination with sorcery and monsters, whilst even the Blair Witch Project – aimed at an older
audience – relies on the reanimation of childhood terrors for its principal effects. Increasingly, kids are the cutting
edge of this thing,” he insisted. “It’s bound to upset people.”
Demic draws attention to recent recurrent incidents in South Carolina, where at his regular ‘Jesus Flamings’ of
books, CDs, DVDs and children’s toys, evangelical wildman Douglas Frushlee has insisted, in his now familiar
timestretched Southern drawl, that “This craziness has to stop.” Frushlee has promised “to cleanse society of
blairwitchery, potteroccultism, and damnedtohell pokydemonism. It isn’t a coincidence that these particular product
lines took off so shockingly,” he mutters darkly; “they’re all aligned with infernal powers. They have allies.”
Whilst Demic was keen to distance himself from the extremity of Frushlee’s analysis, he nevertheless seemed to
share some of his cosmic paranoia, as his conclusion illustrates: “Crazes open doors. And as things stand now, no
one can even imagine what is coming through.”
CCRU <it AT ccru.demon.co.uk>http://www.ccru.demon.co.uk
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